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Books on the topic 'Arte greca moderna'

Author: Grafiati

Published: 11 March 2023

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1

1541?-1614, Greco, Museo Nacional de Escultura (Valladolid, Spain), and Real Academia de Bellas Artes de San Fernando, eds. Entre el cielo y la tierra: Doce miradas al Greco cuatrocientos años después. Madrid, Spain]: Gobierno de España, Ministerio de Educación, Cultura y Deporte, 2014.

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2

Beat, Wismer, ed. El Greco bis Mondrian: Bilder aus einer Schweizer Privatsammlung. Köln: Wienand, 1996.

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3

El Greco and his patrons: Three major projects. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.

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4

Hippika: Corse di cavalli di carri in Grecia, Etruria e Roma ; le radici classiche della moderna competizione sportiva. Roma: [s.l.], 2011.

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5

Hippika: Corse di cavalli e di carri in Grecia, Etruria e Roma : le radici classiche della moderna competizione sportiva. Hildesheim: Weidmann, 2011.

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6

From El Greco to Goya: Painting in Spain, 1561-1828. New York: H.N. Abrams, 1997.

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7

Webster, T. B. L. Greek art and literature, 700-530 BC: The beginnings of modern civilization. Westport, Conn: Greenwood Press, 1986.

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8

Université de Paris IV: Paris-Sorbonne, ed. Silence et sagesse: De la musique à la métaphysique, les anciens Grecs et leur héritage. Paris: Classiques Garnier, 2014.

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9

Böttiger-Lektüren: Die Antike als Schlüssel zur Moderne ; mit Karl August Böttigers antiquarisch-erotischen Papieren im Anhang. Berlin: Akademie Verlag, 2012.

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10

Sii︠a︡nieto na Vizantii︠a︡: Ukraseni grŭt︠s︡ki rŭkopisi ot Balkanite (VI - XVIII v.) : katalog za izlozhba, XXII Mezhdunaroden kongres za Vizantiĭski izsledvanii︠a︡, Sofii︠a︡, 22 - 27 avgust 2011 g. = Le rayonnement de Byzance : les manuscrits grecs enluminés des Balkans (VIe - XVIIIe siècles) : catalogue d'exposition, XXIIe Congrès Internationales d'Études Byzantines, Sofia, 22 - 27 août 2011. Sofii︠a︡: Nat︠s︡ionalna galerii︠a︡ za chuzhdestranno izkustvo, 2011.

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11

El descubrimiento del Greco: Nacionalismo y arte moderno (1860-1914). Madrid: Marcial Pons, 2011.

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12

El descubrimiento del Greco: : nacionalismo y arte moderno (1860-1914). Centro de Estudios Europa Hispánica, 2011.

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13

L' ombra degli dei: Mito greco e arte contemporanea. [Naples]: Electa Napoli, 1998.

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14

El Greco und die Moderne. Ostfildern: Hatje Cantz, 2012.

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15

Redescubrimiento de Grecia: Viajeros y pintores del romanticismo. 1985.

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16

Goodey, C. F., and M. Lynn Rose. Disability History and Greco-Roman Antiquity. Edited by Michael Rembis, Catherine Kudlick, and Kim E. Nielsen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190234959.013.3.

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To obtain a historical perspective on disability, we need to know what questions people of the past asked about each other and thus how they grouped human types. This effort involves removing the carapace of modern forms of classification and avoiding their imposition on the primary sources of an era so distant from our own (“retrospective diagnosis”). At least three major forms are identifiable: (1) the post-Cartesian divide between mind and body; (2) the tightening of forms of human categorization in general since the late Middle Ages; and (3) the thoroughly modern divide between the scientific/medical and the social. Human disparities and putative disabilities, ranging widely from the ancient era to the start of the Middle Ages and including the body, the senses, cognition, speech, social behavior, and sexual make-up, are discussed. These may or may not correspond with modern categorizations.

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17

Halmi, Nicholas. The Greco-Roman Revival. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.42.

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During the eighteenth century an emergent historicism, which differentiated modernity radically from past ages, questioned the traditional notion of a ‘classical tradition’ of timeless values exemplified in Greek and Roman works. Classical antiquity began to be understood as a repository of historical artefacts associated, in part nostalgically, with ‘primitive’ ways of thought. Such recognition of the distance between modernity and antiquity paradoxically encouraged identification with the latter, since antiquarian research permitted increasingly accurate imitation of classical forms in the visual arts from the 1750s, while anthropological reflection on myth stimulated a revival of mythological poetry from the 1810s. Yet British Romantic poetry, whether describing classical artworks or appropriating classical myths, engaged with classical antiquity ambivalently, often ironically. While espousing the Philhellenist cause of Greek independence from Ottoman rule, Byron and Shelley remained very conscious of the disparities between ancient and modern Greece.

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18

translator, De Jager Marjolijn, ed. The discovery of El Greco: The nationalization of culture versus the rise of modern art (1860-1914). 2016.

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19

El Greco and His Patrons: Three Major Projects (Cambridge Studies in the History of Art). Cambridge University Press, 1989.

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20

The Greek Gods in Modern Scholarship: Interpretation and Belief in Nineteenth- and Early Twentieth-Century Germany and Britain. Oxford University Press, 2016.

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21

Fitzmyer , S.J., Joseph A. The Gospel According To Luke (X–XXIV). Yale University Press, 1985. http://dx.doi.org/10.5040/9780300261653.

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In this first of two volumes on the Gospel According to Luke, Joseph A. Fitzmyer provides an exhaustive introduction, a definitive new translation, and extensive notes and commentary on Luke’s Gospel. Fitzmyer brings to the task his mastery of ancient and modern languages, his encyclopedic knowledge of the sources, and his intimate acquaintance with the questions and issues occasioned by the third Synoptic Gospel. Luke’s unique literary and linguistic features, its relation to the other Gospels and the book of Acts, and its distinctive theological slant are discussed in detail by the author. The Jesus of Luke’s Gospel speaks to the Greco-Roman world of first-century Christians, giving the followers of Jesus a reason for remaining faithful. Fitzmyer’s exposition of this Gospel helps modern-day Christians hear the Good News afresh.

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22

Maslin, Mark. Climate Change: A Very Short Introduction. 4th ed. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198867869.001.0001.

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Climate Change: A Very Short Introduction examines the science, the history, and the politics of climate change. Drawing on the latest science from the recent IPCC reports, this VSI examines the potential catastrophic impacts of climate change in the future. Global awareness of climate change has grown very rapidly, as shown by the wide support for campaigners like Greta Thunberg and groups like Extinction Rebellion, and the declaration by many governments that we are now in a climate emergency. It is a threat that forces us to examine the whole basis of modern society. This VSI explores the geopolitical, economic, technological, and social solutions to climate change, and argues for new modes of thinking in tackling the climate crisis.

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23

Loney, Alexander C., and Stephen Scully, eds. The Oxford Handbook of Hesiod. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190209032.001.0001.

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This volume brings together twenty-nine junior and senior scholars to discuss aspects of Hesiod’s poetry and its milieu and to explore questions of reception over two and half millennia, from shortly after the poems’ conception to Twitter hashtags. Rather than an exhaustive survey of Hesiodic themes, the Handbook is conceived as a guide through terrain, some familiar, other less charted, examining both Hesiodic craft and later engagements with Hesiod’s stories of the gods and moralizing proscriptions of just human behavior. The volume is divided into four sections: “Hesiod in Context,” “Hesiod’s Art,” “Hesiod in the Greco-Roman Period,” and “Hesiod from Byzantium to Modern Times.” Topics of the chapters range from the “Hesiodic question” to the archaeology and economic history of archaic Boiotia, to Hesiod and Indo-European poetics, and from discussions of style to Hesiod’s vision of the supernatural in the Theogony, to questions of performer and audience interactions in the Works and Days. Looking at both poems together, other chapters explore tensions between diachronic and synchronic temporalities and varying portrayals of female figures. Reception studies range from Solon to comic books, with chapters in between on Hesiod and the pre-Socratics, Orphism, archaic art, Pindar, tragedy, comedy, Plato, Hellenistic poetry, Hellenistic philosophy, Virgil and the Georgic tradition, Ovid, Second Sophistic and early Christian authors in the Greco-Roman period, Byzantine and Renaissance writers and editions, Christian humanism and Milton, Enlightenment, Romanticism, and Nietzsche, Freud and structuralism, and contemporary art and literature in postclassical times.

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24

Maier, Harry O. The Household and Its Members. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190264390.003.0005.

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The chapter describes the Greco-Roman and Jewish household, including its members, customs, domestic rituals, and gender roles, along with their intersections with New Testament and other early Christian writings. It presents nomenclature used to describe what we today call “family” and its differences from modern usage. The architectural forms of ancient households (domus, oikos, insula, taberna) are described. The chapter discusses the respective domestic roles of males and females as husbands, wives, and slaves. Children, the practices of infant exposure and adoption as slaves, domestic obligations, education, household economic contribution, laws of inheritance, and rituals associated with birth and maturity are considered. The discussion also contrasts laws of slavery and manumission in the western and eastern Mediterranean. It considers the economic power of slaves and freedpersons, the typical costs of slaves, and freedperson-master obligations. It presents rituals and beliefs surrounding the deceased. Finally, it treats the role of fictive kinship language and how it patterned relationships of Christians with God and one another.

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25

Hartmann, Anna-Maria. English Mythography in its European Context, 1500-1650. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807704.001.0001.

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Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies—texts that collected and explained ancient myths—were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, because they have been wrongly considered mere copies of their European counterparts. This monograph studies the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross. By placing their texts into a wider, European context, it reveals the unique English take on the genre. The book unfolds the role myth played in the wider English Renaissance culture (religious conflicts, literary life, natural philosophy, poetics, and Civil War politics) and shows, for the first time, the considerable explanatory value it holds for the study of English Renaissance literature. Finally, this book is a contribution to the history of myth philosophy. It reveals how early modern England answered a question we still find fascinating today: what is myth?

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26

Meyers, Carol L., and Eric M. Meyers. Zechariah 9–14. Doubleday, 1993. http://dx.doi.org/10.5040/9780300261615.

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This commentary and new translation of Zechariah 9-14 continues the appraoch adopted in the authors' 1987 Anchor Bible volume (25B) on Haggai and Zechariah 1-8. Authors Carol and Eric Meyers are perhaps uniquely qualified for this work because of their backgrounds in biblical archaeology and the social sciences. Employing the highest standards of pilological, literary, and historical research, they shed light on many enigmatic passages and offer an entirely new perspective on the history of Israel and its religion in the Persian period. Whereas many scholars have viewed this point in the history of Israel as a time of deterioration of the beliefs and practices of biblical religion, the Meyerses paint a picture of an innovative and vibrant community struggling to maintain its identity within a rapidly changing world dominated by the mighty Greeks and Persians. In the face of this the author of Zechariah 9-14 makes extensive and transformative use of earlier biblical writings and of the sayings of previous prophets, and articulates a radically new view of Israel's future. The Meyerses are the first modern commentators to see in these ancient texts the central role played by the Greco-Persian Wars in shaping the postexilic Restoration Community of Israel and its views of an expansive and glorious future. And althought Zechariah 9-14 is often regarded as the swan song of biblical prophecy, the Meyerses clearly demonstrate that the new modes of prophetic discourse found within this text helped biblical religion to meet one of the greatest challenges in its long history.

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27

Williams, Gareth D. Pietro Bembo on Etna. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.001.0001.

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This book is centered on the Venetian humanist Pietro Bembo (1470–1547), on his stay in Sicily in 1492–4 to study the ancient Greek language under the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo’s elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine Press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father, Bernardo (himself a prominent Venetian statesman with strong humanist involvements), after Pietro’s return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights, and findings of Pietro’s climb. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onward; (ii) the striking novelty of De Aetna’s status as the first Latin text produced at the nascent Aldine Press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro’s ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.

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