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Perrill, Elizabeth A. "Contemporary Zulu ceramics, 1960s-present." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330798.
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Thesis (Ph.D.)--Indiana University, History of Art, 2008.Title from PDF t.p. (viewed on Jul 21, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3782. Adviser: Patrick R. McNaughton.
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Ntuli, Sihle Herbert. "The history of the Mthiyane people who were removed from Richards Bay to Ntambanana wendsday 6 January 1976." Thesis, University of Zululand, 1998. http://hdl.handle.net/10530/1310.
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Mini-thesis submitted in partial fulfillment of the degree B.A. Honours in the History at the University of Zululand, South Africa, 1998.This paper seeks specifically to analyse the history of the people who were forcibly removed from the present day Richards Bay (previously called Mhlathuze Lagoon.) to the arid land of Ntambanana. The Paper will concentrate on the experience endured by these people' during this unfortunate episode. The experience entailed difficulties, deaths, hunger, resistance and even in some cases willingness or happiness, homelessness etc. It is also interesting to indicate that the Group Areas Act, which strongly manifested itself through force removal was forcefully implemented in moving the original inhabitants of Richards Bay.
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Ndlovu, Sanelisiwe Primrose. "A critical exploration of the ideas of person and community in traditional Zulu thought." University of the Western Cape, 2021. http://hdl.handle.net/11394/8346.
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Magister Artium - MAThe issue of personhood has long been of concern to many philosophers. The primary concern has been about determining the necessary and sufficient conditions for an entity to be a person at a particular point in time. The most common answer in Western terms is that to be a person at a time is to have certain special mental properties such as psychological connectedness. On the other hand, others argue that we can only ever understand the ascription of mental characteristics as part of a necessarily joint set of physically instantiated properties. Most recent contributions to the topic have however cast doubt on these earlier attempts to understand personhood solely in terms of bodily and psychological features. Not only do they suggest a model of personhood that is individualistic, they also fail to make reference to communal and social elements. In particular, many non-Western, specifically African, cultures foreground these communal and social aspects. This is true of the Akan, Yoruba and Igbo cultures. As Kwasi Wiredu and Kwame Gyekye; Dismas Masolo; Segun Gbadegesin; and Ifeanyi Menkiti have shown respectively. However, there is a lack of comparable philosophical inquiry in the Southern African context. The primary aim of this study is to critically explore the metaphysical, cultural, linguistic and normative resources of the Zulu people in understanding what it means to be a person. The approach is predominantly conceptual and analytic, but it also draws on some empirical data with a view to extending the results of the literature-based study. Not only does this extend the field of cultural inquiry to personhood, it also opens up new opportunities to tackle old problems in the debate, including the question of what should be the proper relationship between the individual and the community. Specifically, I argue that rather than focus attention on the priority of the individual or community in relation to each other, consideration of the notion of personhood in Zulu culture reveals that notwithstanding significant communal constraints forms of agency are available to individuals. http://
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Simelane, Antonio L. "The origin of the Mkhwanazi tribe under Mkhontokayise J. Mkhwanazi." Thesis, University of Zululand, 1993. http://hdl.handle.net/10530/1192.
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Submitted to the Faculty of Arts in partial fulfilment of the requirements for the degree B.A. Honours in the Department of History at the University of Zululand, South Africa, 1993.The History of the Mkhwanazi tribe between the UMhIathuze and the UMlalazi rivers in the east and west respectively and the Indian Ocean and the Ongoye moun tains in the South and North is an off shoot of the Mkhwanazi tribe of the chief Somkhele in the Hlabisa district • Its history can be clearly' understood by first looking at the history of the Mkhwanazi tribe in the Hlabisa district.
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Ngubane, Mlungisi. "Sources of succession disputes in respect of ubukhosi / chieftainship with regard to the Cele and Amangwane chiefdoms, KwaZulu-Natal." Thesis, University of Zululand, 2005. http://hdl.handle.net/10530/436.
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Submitted to the Faculty of Arts in partial fulfilment of the requirements for the Degree of Master of Arts in the Department of Anthropology and Development Studies at the University of Zululand, 2005.This dissertation seeks to take up the challenge of contributing to such an understanding of chieftainship by looking at the chieftainship succession disputes in the Cele clan of Phungashe and AmaNgwane clan of Bergville in the Province of KwaZulu -Natal, South Africa. The incorporation of indigenous political structures within the wider South African state has a long history, starting from the movements of people from one area to the other, the formation of smaller chiefdoms and bigger chiefdoms and to the rise of the Zulu kingdom. The entire process of Zulu state formation has been through a series of succession disputes which exist among many clans even nowadays. Also, the role of successions runs from the arrangements of indirect rule at the latter part of the nineteen-century to the pivotal role played by traditional leaders in the homeland administration and after 1994, the recognition of the institution, status and role of traditional leadership in the country's first democratic constitution and the enactment of the Traditional Leadership and Governance Framework Act. No. 41 of 2003 which makes provision for the establishment of the Chieftainship Dispute Resolution Commission.
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Pewa, Elliot Sagila. "The philosophical, behavioural and academic merit of uMaskandi music." Thesis, University of Zululand, 2005. http://hdl.handle.net/10530/277.
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A thesis submitted to the Faculty of Arts in fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Music at the University of Zululand, 2005.This document on umaskandi is about a vocal musical style that was created and nurtured by the Zulu people. Externally and, at a distance, the style may not appear to be artistically captivating, praiseworthy, and linguistically significant. It is but only on closer scrutiny that the aesthetic worth of the music can be realized. Even then, without a considerable research into a sizeable amount of the people's arts in relation to their life activities, a casual listener may not identify any worthiness in the practice of umaskandi music. This is generally the case with all the music of Africa. The music is contained in the life activities of the people. Having discovered the entertaining element in the music, a serious listener will still be faced with the greater challenges of fathoming the organization of sound, the significance of the libretto and the physical execution, in relation to the lifestyles of the performers. The sound of the music, the observed rhythmic activity of the performers, and the language of the libretto and its elocution are only the surface of the activity. There is still, but, more signification in the unsaid source of the music. The reason for the neglect of this music style by Western cultures and by some modern local indigenous Africans, was not a mere oversight, but a result of stigmatization of all African arts by Europeans, whose intention was to dominate the whole of Africa. They would not succeed in managing the people dictatorially without destroying the latter's culture- For some time, therefore, because of such pressures and the demands of the culture of cities, and missionary education, the Westerners were able to 'convert' some Africans against their own (African) culture. Such attempts to 'Europeanize' Africans took place wherever there were European settlers on African soil. But, because of the breadth of the continent, they could not cover the whole surface of the country. Even amongst those that were reached, like the Zulus, there were always people who were not willing to abandon their indigenous heritage. Many were unbending and insisted on maintaining their traditional arts and cultures. It was from such a cultural attitude and disposition that umaskandi idiom was born. The coming in of democratic rule in South Africa has, however, restored the dignity of every human culture in the country. Therefore, all nationalities are free to practise their various cultures with firmness and self-assurance. This attitude lent more confidence to those that performed umaskandi music. It took some time before 'sophisticated' Africans could appreciate the sound and movement in performance of umaskandi performance style. The other nationalities took a little longer. Up to this day, those that have not been orientated in the language of the performers have not grasped the essence in umaskandi music, because of the social contextual nature of the music. Should a form of prejudice against indigenous African languages be sustained, ignorance about the life and thought patterns of Africans shall grow. This will be a drawback for the South African people as a whole. This phenomenon is worthy of mention because the propagation of isiZulu is getting threatened in many ways. First: There is a big population of Zulu and non-Zulu learners that do not receive tuition of their vernacular because some school managers are negative towards African languages. Secondly: Umaskandi musicians, who are the custodians of isiZulu language and culture, and other Zulu artistes, shall never be comprehended if the language is ignored. So, for those unfortunate learners who do not have isiZulu in their curriculum, the doors are closed on both sides. Since they are not given tuition in the classroom, they are most likely to develop a negative attitude towards the language, which would be a great disaster. In their schooling career, they will also miss the further * education through music' that is provided by Zulu music practitioners at large. Umaskandi musicians, who are speakers of isiZulu language, are in their own way, keepers and propagators of isiZulu culture. Their instruments are tuned in isiZulu style, which is their own instrumental creation bashed on their singing style. Their libretto is in isiZulu. They are historians of isiZulu life and its relevant culture of yesteryear. This will be missed. Umaskandi concept, which embraces the isiZulu instrumental tuning, isiZulu manner of dancing, isiZulu vocal harmony and isiZulu elocution of izibongo (praise poetry) , originated in the indigenous lives of the Zulu people. These people were so solid in their belief and practice that they clang tenaciously onto their culture even when they were exposed to a conglomeration of foreign cultures in the horrible mining environment. Umaskandi concept, therefore, had an effect on the people's behaviour. When the African indigenous people came across the new musical instrumentation at their disposal, they adapted the latter and used them to become an extension of their vocal styles. When conditions in the mines were depressing, degrading and debasing, they painfully sang of the good life that they had left behind in their indigenous homes. Through this umaskandi style, they have, therefore, been able to relate a people's history. The final question in the last chapter is whether umaskandi concept can be a method of education in the performance of instruments just as tonic solfa is a method of vocal music. The question can be extended further to inquire whether umaskandi concept can be a method of moral and cul tural determination and perseverance as it has been the case with Zulu musicians.
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Wylie, Dan. "White writers and Shaka Zulu." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002276.
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The figure of Shaka (c. 1780-1828) looms massively in the historical and symbolic landscapes of Southern Africa. He has been unquestioningly credited, in varying degrees, with creating the Zulu nation, murderous bloodlust, and military genius, so launching waves of violence across the subcontinent (the "mfecane"). The empirical evidence for this is slight and controversial. More importantly, however, Shaka has attained a mythical reputation on which not only Zulu self-conceptions, but to a significant degree white settler self-identifications have been built. This study describes as comprehensively as possible the genealogy of white Shakan literature, including eyewitness accounts, histories, fictions and poetry. The study argues that the vast majority of these works are characterised by a high degree of incestuous borrowing from one another, and by processes of mythologising catering primarily to the social-psychological needs of the writers. So coherent is this genealogy that the formation of an idealised notion of settler identity can be discerned, especially through the common use of particular textual "gestures". At the same time, while conforming largely to unquestioning modes of discourse such as popularised history and romance fiction, individual writers have attempted to adjust to socio-political circumstances; this study includes four close studies of individual texts. Such close stylistic attention serves to underline the textually-constructed nature of both the figure of Shaka and the "selves" of the writers. The study makes no attempt to reduce its explorations to a single Grand Unified Explanation, and takes eclectic theoretical positions, but it does seek throughout to explore the social-psychological meanings of textual productions of Shaka - in short, to explore the question, Why have white writers written about Shaka in these particular ways?
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Mthethwa, Absalom Muziwethu. "The history of abakwaMthethwa." Thesis, University of Zululand, 1995. http://hdl.handle.net/10530/1193.
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A research project submitted in partial fulfilment of the requirements for B.A. Honours degree in the Department of History at the University of Zululand, South Africa, 1995.AbaKwaMthethwa form a very important component of the Zulu nation as we know it today. They were in fact the vanguards in the implementation of the idea of a confederation of smaller states (clans) under one supreme ruler or a king who become their overlord. The history of abaKwaMthethwa is so wide that one would need volumes to do justice to it. This project is only going to deal with their movement from around uBombo mountains round about AD 1500 to 1818 when king Dingiswyo was assassinated by Zwide, inkosi of the Ndwandwe people. This project will furthermore concentrate on the life of Dingiswayo from the time he escaped death from his father. The project also seeks to examine the controversy surrounding Dingiswayo's formative journey. It is intended that Dingiswayo's influence and his contribution socially, politically, military and economically to the upliftment of the Mthethwa confederacy will be examined. Finally mention will be made of the royal imizi, some principal imizi not necessarily royal ones, as well as religious imizi that are to be found at KwaMthethwa.
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Makhanya, Ntombizonke Eunice. "Ucwaningo olunzulu ngesibaya." Thesis, University of Zululand, 1997. http://hdl.handle.net/10530/1195.
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Submitted in partial fulfilment of the requirements for the degree B.A. Honours in the Department of African Languages at the University of Zululand, South Africa, 1997.Lolu cwaningo luhlose ukuvusa ugqozi lokufuya kubantu. Esikhathini eside abantu balahle amasiko abo , balibala amasiko ezinye izizwe. Lolu cwaningo luhlose ukuqwashisa iSintu ukuthi, yize sesingasazi ukuthi kumele sibhekephi, nokho lisekhona ithemba nekhambi elingenziwa. Uma nje besingaba nesineke, sivume ukuqalaza emuva, nokho bezingabuya emasisweni . Lolu cwaningo luzoveza ngokusobala bha ukuthi kwakukhonjwa ngophakathi kwelokhokho. Kuzovela yonke in::okozo yasekhaya ngaphandle kokuwa uvuka , uqhathanisa onsumbulwana. Ingani phela uphokophele ukuthola ukudla okwakha umzimba, njengobisi , amasi nokunye. Lolu cwa.'1ingo luzoveza ukubambisana komndeni ekumiseni insika yawo isibaya. Lolu cwaningo luzoveza isidingo sesibaya emzini womnumzane .
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Warrick, Rebecca Whitt. "Universal codes of ethics for medical research on human subjects : insights from the community orientation of the Zulu and Kikuyu." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81520.
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Numerous ethical guidelines are referred to when medical research is conducted on human participants. These guidelines include the Nuremberg Code, the Declaration of Helsinki, and the International Ethical Guidelines for Biomedical Research Involving Human Subjects. From a Western viewpoint, these guidelines may seem like well-reasoned, universally applicable codes for conducting medical research on human subjects. Some of the guidelines, however, merely impose Western values on developing countries without giving adequate consideration to their worldviews. I explore the applicability of current codes and guidelines of ethics on medical research with human subjects to the Zulu of South Africa and the Kikuyu of Kenya. Through a study of African traditional religions and philosophy and the community mindset that flows out of them, I have gained insight into the limitations of current universal codes when applied to traditional Kikuyu and Zulu communities.
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Marguerite, Dodd Nicole. "Core self-evaluations, racial evaluation and learning amongst Zulu students at the university of Zululand." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008398.
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Core Self-Evaluations [CSE] are a person’s estimation of his/her own worth and ability (Judge & Scott 2009). This in turn, is related to Racial Evaluation which is a person’s internal evaluation of his/her racial identity (Diller, 2010). The Employment Equity Act (55 of 1998) makes provision for the employment of equity candidates who can acquire skills in a reasonable amount of time. This requires individuals to be able to learn and then achieve in outcomes-based assessment. Core Self-Evaluations and Racial Evaluation can have an impact on how individuals perceive themselves, and how they perform in education, training and development (Hanley & Noblit, 2009). This study explored the relationship between Core Self-Evaluation, Racial Evaluation, Learning and Outcomes-Based Assessment using an experimental design. The Core Self-Evaluation scores in this study (n=230) were consistent with levels found internationally (Broucek, 2005). There was positive Racial Evaluation, with a relationship existing between Racial Evaluation and Core Self-Evaluations. This means that part of a person’s identity as an individual is related to Racial Evaluation, with that Racial Evaluation being positive amongst young Zulu students at the University of Zululand. There was a statistically significant, but small correlation between Learning and Core Self- Evaluation and a relationship was also found between CSE and Outcomes-Based Assessment results. When Core Self-Evaluation is higher, Learning tends to be more likely. The same pattern does not hold for Outcomes-Based Assessment results. Among Zulu students, lower CSE is linked to improved Outcomes-Based Assessment results. Racial Evaluation has a small relationship with CSE. However, efforts to remedy apartheid may be directed towards socio-economic development and need not focus on boosting Racial Evaluation when it comes to young Zulu adults.
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Ukpong, Onoyom Godfrey. "Contemporary southern Nigeria art in comparative perspective reassessment and analysis, 1935-2002 /." Diss., Online access via UMI:, 2006.
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Jali, Nozizwe Martha. "The African perception of death, with special reference to the Zulu : a critical analysis." Thesis, Stellenbosch : University of Stellenbosch, 2000. http://hdl.handle.net/10019.1/897.
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99 leaves printed on single pages, preliminary pages and numberd pages 1-87. Includes bibliography. Digitized at 600 dpi grayscale to pdf format (OCR), using a Bizhub 250 Konica Minolta Scanner.Thesis (MPhil (Philosophy))--University of Stellenbosch, 2000.
ENGLISH ABSTRACT: Death is a universal phenomenon and each culture develops its own ways of coping with it. The reaction of people to death also involves a complex network of relationships. To appreciate their responses to this phenomenon requires an understanding of the socio-cultural context in which these responses occur because they influence the individual's responses to issues of life and death. In the African context and indeed in the Zulu culture, death is a continuation of life in the world hereafter. The deceased renews his relationship with his ancestral relatives. Various rites and ceremonies are performed to mark his reunion with his ancestral relatives. For the living, the rites and ceremonies mark a passage from one phase of life to another requiring some readjustment. The belief in the existence of life after death also affects the nature of these rites and ceremonies, the social definition of bereavement and the condition of human hope. The belief in the existence of the ancestors forms an integral part African religion and its importance cannot be over-estimated. This belief flows from the strong belief in the continuation of life after death, and the influence the deceased have on the lives of their living relatives. The contact between the living and the living dead is established and maintained by making offerings and sacrifices to the ancestors. The ancestors, therefore, become intermediaries with God at the apex and man at the bottom of the hierarchical structure. However, for the non-African, the relationship seems to indicate the non-existence of God and the worshipping of the ancestors. Women play a pivotal role in issues of life and death, because African people recognize their dependence and the procreative abilities of women to reconstitute and to extend the family affected by the death of one of its members.Social change and Westernisation have affected the way the African people view death. Social changes have been tacked onto tradition. A contemporary trend is to observe the traditional and Christian rites when death has occurred. The deceased is then buried in accordance with Christian, as well as traditional rites. The belief in the survival of some element of human personality is a matter of belief and faith. It lessens the pain and sorrow that is felt upon the death of a loved one by giving the believer hope that one day he will be reunited with his loved one and thereby easing the fear and anxiety of death. Thus, the purpose of this investigation is to critically analyse the African perception of death and its implications with special reference to the Zulu people. The objective is to expose the complexities, diversities and the symbolism of death. The essence is to demystify the African perception of death and to indicate that the perception of death is not necessarily unique to African people in general and to the Zulu people in particular. Other groups like Christians have perceptions of death particularly with regard to the world hereafter. The aim of the investigation of the topic is to reveal some of the underlying cultural beliefs in death, enhance those beliefs that are beneficial to society and discard those that are anachronistic. Since culture is dynamic, not everything about African tradition will be transmitted to the future generation; there is bound to be cultural exchange.
AFRIKAANSE OPSOMMING: Die dood is 'n universele fenomeen en elke kultuur ontwikkel sy eie manier om daarmee om te gaan. Mense se reaksie op die dood geskied binne 'n komplekse netwerk van verhoudinge. Om mense se reaksie op hierdie fenomeen te begryp, is 'n verstaan van die sosio-kulturele konteks nodig waarin hierdie reaksies plaasvind, aangesien dit die individu se reaksie op lewe en dood beinvloed. In die Afrika-konteks en ook in die Zulu-kultuur word die dood beskou as die kontinuasie van lewe in die hiermamaals. Die oorledene hernu sy verhouding met sy voorouers. Verskeie rituele en seremonies vind plaas om hierdie gebeurtenis te identifiseer. Vir die oorlewendes is die rituele en seremonies die oorgang van een lewensfase na 'n ander en vereis dus 'n mate van aanpassing. Die geloof in die lewe na die dood beinvloed die aard van hierdie rituele en seremonies, die sosiale defenisie van rou en die toestand van menslike hoop. Die geloof in die bestaan van die voorvaders vorm 'n integrale deel van Afrika-religie en die belangrikheid daarvan kan nie oorskat word nie. Die geloof vloei voort uit die sterk geloof in die hiermamaals en die geloof aan die invloed wat oorledenes op hulle lewende nasate het. Die kontak tussen die lewendes en die lewende oorledenes word daargestel en onderhou deur offerandes aan die voorvaders. Die voorvaders word dus gesien as intermediere skakel in 'n hierargie met God aan die bokant en die mens aan die onderkant. Maar, vir nie-Afrikane, dui hierdie struktuur op die nie-bestaan van God en die aanbidding van die voorvaders. Vroue speel 'n deurslaggewende rol in kwessies van lewe en dood aangeslen Afrikane hul afhanklikheid besef van vroue se voortplantingsbekwaamhede om die famile wat deur die dood geaffekteer is te herkonstitueer en te vergroot. Sosiale veranderinge en verwestering affekteer Afrikane se houding teenoor die dood. Sosiale veranderinge is bo-oor tradisie geplaas. 'n Hedendaagse neiging is om Christelike sowel as tradisionele rituele na te volg na 'n sterfte. Die oorledene word begrawe in ooreenstemming met sowel tradisionele as Christelike praktyke. Die geloof in die oorlewing van elemente van die menslike persoon is 'n kwessie van geloof. Dit verminder die pyn en lyding na die afsterwe van 'n geliefde deur aan die gelowige oorlewende die hoop van 'n herontmoeting te bied - en verminder dus die vrees en angs wat met die dood gepaard gaan. Dus is die doel van hierdie ondersoek om 'n kritiese analise te maak van die Afrika-siening van die dood en die implikasies daarvan, met spesiale verwysing na die Zulu-nasie. Daar word probeer om die kompleksiteite, verskeidenhede en simbolisme van die dood aan te toon. Die essensie hiervan is om die Afrika-houding teenoor die dood te de-mistifiseer en te wys dat die siening van die dood nie noodwendig uniek van Afrikane in die algemeen en spesifiek van die Zoeloes is nie. Ander groepe soos Christene het beskouinge oor die dood met spesifieke verwysing na die hiernamaals. Die doel van die ondersoek is om sekere onderliggende kulturele oortuiginge aangaande die dood te onthul, om die beskouinge wat voordelig is, te versterk en om die anachronistiese beskouinge aan die kaak te stel en so te diskrediteer. Aangesien kultuur dinamies is, sal nie alles wat betref die Afrika-tradisie oorgedra word aan toekomstige generasies nie; daar sal noodwendig kulturele interaksie wees.
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Ndlovu, Caesar Maxwell Jeffrey. "Religion, tradition and custom in a Zulu male vocal idiom." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002315.
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The study is about a Zulu male vocal tradition called isicathamiya performed by 'migrants' in all night competitions called ingomabusuku. This is a performance style popularized by the award winning group Ladysmith Black Mambazo. Isicathamiya, both in its symbolic structure and in the social and culturalpractice of its proponents has much in common with the ritual practices of Zionists. And Zionists are worshippers who integrate traditional beliefs and Christianity. This study will reveal that isicathamiya performance and Zionists are linked in three major areas:in the sqcial bases and practice of its proponents, in the structural properties of their performances and tn the meanings attached to these practices. Firstly, Zionists, who are also called a Separatist or African Independent church, and isicathamiya performers have minimal education and are employed in low income jobs in the cities. Most groups are formed with 'homeboy networks'. Furthermore, performers, unlike their brothers in the city, cling tenaciously to usiko [custom and tradition]. Although they are Christians, they still worship Umvelinqangi [The One Who Came First], by giving oblations and other forms of offerings. Amadlozi [the ancestors] are still believed to be their mediators with God. Also commonplace in this category is the practice of ukuchatha, [cleansing the stomach with some prepared medicine]; and ukuphalaza [taking out bile by spewing, which is also done as a way of warding off evil spirits]. These are rural practices that have meaning in their present domiciles. The second area of similarity consists in the structure of the nocturnal gatherings that form the core of the ritual and performance practices among isicathamiya singers and Zionists. Thus, a core of the ritual of Zionists is umlindelo [night vigil] which takes place every weekend from about 8 at night until the following day. Likewise, isicathamiya performers have competitions every Saturday evening from 8 at night until about 11 am the following day. Although Zionists night vigils are liturgical and isicathamiya competitions secular, the structures of both isicathamiya choreography and Zionists body movements appear the same. These movements are both rooted in a variety of traditional styles called ingoma. Thirdly, the meanings attached to these symbolic correspondences must be looked for in the selective appropriation of practices and beliefs taken to be traditional. Using present day commentaries in song and movement, ingoma and other rural styles performed in competitions and Zionists night vigils reflect a reconstruction of the past. Isicathamiya performers and Zionists see themselves as custodians of Zulu tradition, keeping Zulu ethnicity alive in the urban environment. This is why in this study we are going to see rural styles like ingoma, isifekezeli [war drills], ukusina [solo dancing] that were performed on the fields, now performed, sort of feigned and 'held in' as they are p~rformed in dance halls with wooden stages.
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Bernard, Penelope Susan. "Messages from the deep : water divinities, dreams and diviners in Southern Africa." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1007644.
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This thesis is a comparative regional study of a complex of beliefs and practices regarding the water divinities in southern Africa. These snake and mermaid-like divinities, which are said to work in conjunction with one's ancestors, are believed to be responsible for the calling and training of certain diviner-healers by taking them underwater for periods of time. In addition to granting healing knowledge, these divinities are associated with fertility, water and rain, and the origins of humanity. The research combines comparative ethnography with the anthropology of extraordinary experience (AEE), and focuses particularly on the Zulu, Cape Nguni, Shona and Khoisan groups. The use of the 'radical participation' method, as recommended by AEE, was facilitated by the author being identified as having a ' calling' from these water divinities, which subsequently resulted in her initiation under the guidance of a Zulu isangoma (diviner-healer) who had reputedly been taken underwater. The research details the rituals that were performed and how dreams are used to guide the training process of izangoma. This resulted in the research process being largely dream-directed, in that the author traces how the izangoma responded to various dreams she had and how these responses opened new avenues for understanding the phenomenon of the water divinities. The comparative study thus combines literature sources, field research and dream-directed experiences, and reveals a complex of recurring themes, symbols and norms pertaining to the water divinities across the selected groups. In seeking to explain both the commonalities and differences between these groups, the author argues for a four-level explanatory model that combines both conventional anthropological theory and extraordinary experience. Responses to the author's dream-led experiences are used to throw light on the conflicting discourses of morality regarding traditional healers and the water divinities in the context of political-economic transformations relating to capitalism and the moral economy; to illuminate the blending of ideas and practices between Zulu Zionists and diviner-healer traditions; and to link up with certain issues relating to San rock art, rain-making and healing rituals, which contribute to the debates regarding trance-induced rock art in southern Africa.
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Shongwe, Acquirance Vusumuzi. "King Dingane : a treacherous tyrant or an African nationalist?" Thesis, University of Zululand, 2004. http://hdl.handle.net/10530/1123.
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A thesis submitted to the Faculty of Arts in fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of History at the University of Zululand, South Africa, 2004.This thesis focuses on the reasons why King Dingane of the Zulu nation has been portrayed predominantly as a treacherous tyrant in South Africa's Eurocentric historical databases and poses the question whether he should, instead, not be regarded as the forerunner of African nationalism. It also examines the roots of European imperialism in South Africa, as recorded in governmental, geographical, trade and missionary records, and points out that, as with the first colonial invasion by Islam that resulted in the Tarikh chronicles, European imperialism was also inherently based on foreign and nationalistic biases. The study concludes that these preconceived notions have adulterated and overwhelmed the purer African voice that is uniquely represented by the oral tradition. Because the subdued African voice is regarded as more reliable than the written Eurocentric records, this study attempts to augment the Africa- centered work of Africanist historians who have, for several decades, revisited the oral history of Africa in order to recover, rehabilitate and represent a point of view and perspective intrinsic and special to Africa. The history of King Dingane of the Zulus encapsulates the problem of African historiography best because most of the sources from which accounts of his reign are reconstructed are European, and for this reason, propagate a Eurocentric bias. For example, while Eurocentric White historians are able to present, in print, three eyewitness accounts of the death of Piet Retief, the African point of view based on oral history is largely disregarded. This study seeks to redress this imbalance by championing the African point of view, which is considered to be not only sensible but also plausible and justifiable. Likewise, much attention has been given to the many studies that demonise King Dingane for the single act of viciously killing the purportedly innocent and innocuous Voortrekkers, while the broad contours of context against which his actions should be judged are disregarded. The purpose of this thesis is to debunk the myth of King Dingane's unfairness and criminality. It can therefore be interpreted as an effort at decriminalizing King Dingane's actions - a dimension that earlier as well as contemporary scholars of African history have hitherto ignored. It is hoped that in time similar studies on other issues will broaden this perspective and help to create the balance so sorely missing in Zulu history. A theoretical framework for historical representation is provided in chapter one of the study, while chapter two examines the mindset of the White explorers that arrived in Africa, and their imperial agenda that sought to control, drastically change and re-order everything. Chapter three attempts to portray the greatness of King Dingane in dealing with matters of governance as well as other issues that were to have a profound impact on the way in which he came to be portrayed in history books. Chapter four discusses the relationship between King Dingane and the British Settlers at Port Natal, while chapter five deals with the relationships between King Dingane and the Voortrekkers, who sought the very freedom from the British in the Cape Colony that they were prepared to destroy among Africans in the Zulu Kingdom. The final chapter deals with public history and perceptions about King Dingane in the 21^' century. The two museums that commemorate Impi yase Ncome/the Battle of 'Blood River' on 16 December are contrasted with each other and their potential for nation building is examined in a critical light. The central thesis of this study is that the historiography of the early years of the 19'^ century inevitably, and perhaps even deliberately, represented King Dingane as a tyrant with neither nationalistic proclivities nor stately qualities. The popularity of this historiographic perspective is arguably symptomatic of a hegemonic disciplinary praxis that seeks to privilege the principles of selection, preference and bias in the use of the vast archive of sources available to the historian, from the written to the oral source. To all intents and purposes, this principle, which interpolates the discourse of history as well as the producers and consumers of historical scholarship, has led to a limited, over-determined and totalizing view of King Dingane. It is this biased discourse that articulates with the dominant ideology that not only informed scholarship, but also reflected the ideology of the institutions responsible for shaping historiography. A full analysis of the circumstances surrounding King Dingane at the time, including the history, the culture, the political dynamics and the personalities of the actors, leads one to the inexorable conclusion that this thesis arrives at - namely that the king did what 'a king had to do.' It is furthermore concluded that the evidence leads one to believe that King Dingane should be seen as a forerunner of Black Nationalism, instead of being branded as a treacherous, bloodthirsty tyrant.
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FIGUEIREDO, BERNARDO AMADO BAPTISTA DE. "AFRICAN ART: A STUDY ON THE BELIEFS AND PREFERENCES OF INTERESTED PEOPLE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11354@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROTrata-se de pesquisa qualitativa, realizada por meio de grupos focais e painéis visuais com interessados em objetos de arte africana no Brasil, com o objetivo de levantar crenças e preferências desses indivíduos. O estudo explorou o conceito de arte africana junto a esse público, imagens e emoções associadas a esse conceito, motivos que orientam a preferência por alguns objetos sobre outros e aspectos importantes do valor simbólico e estético dos objetos de arte africana. A pesquisa também trouxe observações sobre a adequação dos objetos de arte africana às propriedades encontradas em objetos de consumo hedônico e sobre alguns aspectos do consumo e posse de objetos de arte africana.
This qualitative research uses focal groups and visual panels to elicit beliefs and preferences of some Brazilians interested in objects of African art. It hás explored the concept of African art, the images and emotions associated with it, the driving motives underlying the preferences for certain art objects over others. This study also discusses some important simbolic and aesthetic aspects of hedonic consumption related to African art.
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Hale, Frederick 1948. "The missionary career and spiritual odyssey of Otto Witt." Doctoral thesis, University of Cape Town, 1991. http://hdl.handle.net/11427/17274.
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Bibliography: pages 325-334.This thesis is a theological and historical study of the Swedish missionary and evangelist Peter Otto Helger Witt (1848-1923), who served as the Church of Sweden Mission's first missionary and as such launched its work amongst the Zulu people of Southern Africa in the 1870S before growing disillusioned with his national Lutheran tradition and, after following a tortuous spiritual path through generally increasing theological subjectivity, eventually becoming a loosely affiliated Pentecostal evangelist in Scandinavia. Undoubtedly owing to the embarrassment he caused the Church of Sweden Mission by resigning from it while it was in a formative stage, but also to tension between him and its leaders, Witt has never received his due in the historiography of Swedish missions. For that matter, his role in Scandinavian nonconformist religious movements for nearly a third of a century beginning in the early 1890S is a largely untold chapter in the ecclesiastical history of the region. This thesis is intended to redress these lacunae by presenting Witt's career as both a foreign missionary and evangelist as well as the contours of his evolving religious thought and placing both of these emphases into the broader history of Scandinavian and other missionary endeavours amongst the Zulus, late nineteenth-century developments in Swedish Lutheranism, and the coming to northern Europe of those religious movements in which he successively became involved. As the copious documentation indicates, it is based to a great extent on little-used materials in the archives of the Church of Sweden Mission and other repositories in Scandinavia, South Africa, and the United States of America. Witt's own numerous publications also provide much of the stuff for it. The structure of this study is essentially chronological and, within that framework, thematic with clear precedents in previous missions and ecclesiastical historiography. The first chapter is largely a critical review of previous pertinent literature, professional and otherwise, emphasising its general misunderstanding and neglect of Witt. Chapter II covers his background in nineteenth-century Swedish Lutheranism, call to the Church of Sweden Mission, and role in establishing that organisation's endeavours amongst the Zulus. Chapter Ill deals with the trauma of the Anglo-Zulu War of 1819, particularly Witt's controversial but misunderstood role in it and the place of this in the existing historiography of that conflagration. Chapter IV surveys his part in re-establishing the Swedish Lutheran mission following the war and his co-operative and at times creative role in this major task. Chapters V and VI, on the other hand, have as their respective themes Witt's consequential spiritual crisis of the mid-1880s and resulting gradual departure from the Church of Sweden Mission. The seventh chapter is a consideration of Witt's Participation in and temporarily great impact on the Free East Africa Mission, a pan-Scandinavian free church undertaking which undertook evangelisation in both Durban and rural Natal in 1889. Chapter VIII treats Witt's generally independent career in Scandinavia from 1891 until his death, focusing on the new developments in which he became involved. The final chapter is an attempt to assess his general place in the missions and ecclesiastical history of Scandinavia and Southern Africa.
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Famule, Olawole Francis. "Art and spirituality : the Ijumu northeastern-Yoruba egúngún /." Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1372%5F1%5Fm.pdf&type=application/pdf.
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Wanda, Vukani Milton. "Ucwaningo olunzulu ngenkolo yobuKrestu nenkolo yoMdabu (yesiZulu)." Thesis, University of Zululand, 1997. http://hdl.handle.net/10530/1197.
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Submitted in partial fulfilment of the requirements for B.A. Honours degree in the Department of African Languages at the University of Zululand, South Africa, 1997.Zonke izizwe zoMdabu lapha e-Afrika zinenkolo yazo Le nkolo ihambisana nemikhuba ethize. Inkolo yalezi zizwe isemthanjeni yempilo yabantu bakhona kangangoba akulula ukuhlukanisa usikompilo nenkolo yesizwe soMdabu. Imvamisa akekho umqambi walezi nkolo yize bekhona abaqambi bezizwe ezithile. Izizwe ziqiniseka ukuthi 1e nkolo zadatshu1wa nayo nguMdali. NamaZulu nawo anenkolo yawo ayilandelayo, yize-ke isithe ukudungeka idungwa impucuko yaseNtshonalanga ihambisana nenkolo yobuKrestu.
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Shabalala, Brian Christian Thamsanqa. "An analysis of account on love affairs in IsiZulu." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2064.
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Thesis (MA (African Languages))--University of Stellenbosch, 2009.This study explores the theoretical work in the articulation of the motivations and conditions for account-giving in isiZulu. In this context, accounts are similar to narratives and can be retained at the level of private reflections or written diary entries or for others to read and refer to from time to time. The account-giving process, according to Waldron (1997), is like a “life in motion” in which individual characters are portrayed as moving through their experiences, dealing with conflicts or problems in their lives and, at the same time, searching for resolutions. It is the quest to understand the major stresses in each individual’s mind that is at the core of this study. The why-questions that are the result of the daily experiences of destitution, depression, death, disability, etc. are also addressed here. Narrative accounts form the basis of moral and social events and, as such, stories have two elements through which they are explored. They are explored from the point of view of, firstly, the way in which they are told and, secondly, the way in which they are lived within a social context. These stories follow a historically or culturally based format and, to this effect, Gergen (1994) suggests narrative criteria that constitute a historically contingent narrative form. Narrative forms are linguistic tools that have important social functions to fulfil satisfactorily, such as stability narrative, progressive narrative and regressive narrative. According to Gergen (1994), self-narratives are social processes in which individuals are realised on the personal perspective or experience and, as such, their emotions are viewed as constitutive features of relationship. The self-narratives used and analysed in this study portray the contemporary culture-based elements or segments of a well-formed narrative.
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Kloppers, Roelie J. "The history and representation of the history of the Mabudu-Tembe." Thesis, Stellenbosch : University of Stellenbosch, 2003. http://hdl.handle.net/10019.1/16366.
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Thesis (MA)--University of Stellenbosch, 2003.ENGLISH ABSTRACT: History is often manipulated to achieve contemporary goals. Writing or narrating history is not merely a recoding or a narration of objective facts, but a value-laden process often conforming to the goals of the writer or narrator. This study examines the ways in which the history of the Mabudu chiefdom has been manipulated to achieve political goals. Through an analysis of the history of the Mabudu chiefdom and the manner in which that history has been represented, this study illustrates that history is not merely a collection of verifiable facts, but rather a collection of stories open to interpretation and manipulation. In the middle of the eighteenth century the Mabudu or Mabudu-Tembe was the strongest political and economic unit in south-east Africa. Their authority only declined with state formation amongst the Swazi and Zulu in the early nineteenth century. Although the Zulu never defeated the Mabudu, the Mabudu were forced to pay tribute to the Zulu. In the 1980s the Prime Minister of KwaZulu, Mangusotho Buthelezi, used this fact as proof that the people of Maputaland (Mabudu-land) should be part of the Zulu nation-state. By the latter part of the nineteenth century Britain, Portugal and the South African Republic laid claim to Maputaland. In 1875 the French President arbitrated in the matter and drew a line along the current South Africa/ Mozambique border that would divide the British and French spheres of influence in south-east Africa. The line cut straight through the Mabudu chiefdom. In 1897 Britain formally annexed what was then called AmaThongaland as an area independent of Zululand, which was administered as ‘trust land’ for the Mabudu people. When deciding on a place for the Mabudu in its Grand Apartheid scheme, the South African Government ignored the fact that the Mabudu were never defeated by the Zulu or incorporated into the Zulu Empire. Until the late 1960s the government recognised the people of Maputaland as ethnically Tsonga, but in 1976 Maputaland was incorporated into the KwaZulu Homeland and the people classified as Zulu. In 1982 the issue was raised again when the South African Government planned to cede Maputaland to Swaziland. The government and some independent institutions launched research into the historic and ethnic ties of the people of Maputaland. Based on the same historical facts, contrasting claims were made about the historical and ethnic ties of the people of Maputaland. Maputaland remained part of KwaZulu and is still claimed by the Zulu king as part of his kingdom. The Zulu use the fact that the Mabudu paid tribute in the 1800s as evidence of their dominance. The Mabudu, on the other hand, use the same argument to prove their independence, only stating that tribute never meant subordination, but only the installation of friendly relations. This is a perfect example of how the same facts can be interpreted differently to achieve different goals and illustrates that history cannot be equated with objective fact.
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Berge, Lars. "The Bambatha Watershed : Swedish Missionaries, African Christians and an Evolving Zulu Church in Rural Natal and Zululand 1902-1910." Doctoral thesis, Uppsala universitet, Teologiska institutionen, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-743.
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This study examines the Church of Sweden Mission and the encounter between Swedish missionaries, African Christians and evangelists in Natal and Zululand in the early twentieth century. The ambition with the present study is to demonstrate that the mission enterprise was dependent on and an integral part of developments in society at large. It attends to the issue of how the idea of folk Christianisation and the establishing of a territorial folk church on the mission field originated in the Swedish society and was put into practice in South Africa. It describes how the goals implied attempted to both change and preserve African society. This was a task mainly assigned the African evangelists. By closely focusing on the particular regions where the Church of Sweden Mission was present, conflicts between pre-capitalistand capitalist, black and white societies are revealed. The 1906 Bambatha uprising became a watershed. The present study demonstrates how the uprising differently affected different regions and also the evolving -Zulu church. in the one region where Christianity was made compatible with African Nationalist claims, it was demonstrated that it was possible to be both a nationalist and a Christian, which paved the way for both religious independency and nationalist resistance and, eventually, large scale conversions.
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Hirst, Manton Myatt. "The healer's art : Cape Nguni diviners in the townships of Grahamstown." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1001601.
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This is a study of Cape Nguni diviners practising in the townships of Grahamstown where, during the 1970s, there was a large and active concentration of diviners treating clients from the locality, the rural areas and even the large urban centres further afield. The study situates local diviners in the socio-economic, cultural and religious context of contemporary township Iife during the 1970s (see chapter 1 and section 2.1). The personalities and socio-economic circumstances of diviners (and herbalists) are described as well as their case-loads, the various problems they treat, the relations between them and their clients, the economics of healing and the ethics pertaining to the profession (see chapter 2) . Chapter three focuses on the various problems and afflictions - which are largely of an interpersonal nature - suffered by those who are eventually inducted as diviners and the ritual therapy this necessarily entails. Here we see how the diviner, what Lewis (1971) terms a 'wounded healer', becomes an expert in interpersonal and social relations as a result of suffering problems - largely connected to the family but not necessarily limited to it - in interpersonal relations and that require a ritual, and thus social, prophylaxis. The main theoretical argument is that the diviner, qua healer, functions as a hybrid of Levi-Strauss' s bricoleur and Castaneda's 'man of knowledge' artfully combining the ability of the former to invert, mirror or utilise analogies from linguistics to make everything meaningful and the ability of the latter to creatively bend reality . The diviner's cosmology is described in terms of a 'handy', limited but extensive cultural code/repertoire of signs, symbols and metaphors that is utilised in getting the message across to others and in which animals bear the main symbolic load (see chapter 4). This leads logically to a reappraisal of Hammond-Tooke's (1975b) well-known model of Cape Nguni symbolic structure particularly in so far as it pertains to the way in which diviners classify animals, both wild and domestic (see section 4.6). A striking evocation and confirmation of the view argued here, namely of the diviner as bricoleur/'man of knowledge', is contained in chapter five dealing with an analysis of the diviner's 'river' myth and the context, form and content of the divinatory consultation itself. Finally, the conclusions, arising out of this study of contemporary Cape Nguni diviners in town, are evaluated in the ligrht of Lewis's (1966, 1971, 1986) deprivation hypothesis of spirit possession (see chapter 6)
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Tshiluila, Shaje'a. "A la mémoire des ancêtres: le grand art funéraire Kongo, son contexte social et historique." Doctoral thesis, Universite Libre de Bruxelles, 1986. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213572.
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Niemand, Samuel Jacobus Johannes. "Sinkretisme as teologiese uitdaging met besondere verwysing na die Ibandla Lamanazaretha." Access to E-Thesis, 2006. http://upetd.up.ac.za/thesis/available/etd-03232006-113159/.
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Todd, Jane. "A documentary film on the Magwaza potters' production of Zulu beer ceramics." Thesis, 2006. http://hdl.handle.net/10413/1569.
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This dissertation consists of two components. Firstly, a documentation of the production of Zulu beer ceramics by the Magwaza potters of Mpabelane, using the medium of documentary film; secondly, a written consideration of issues of representation, in relation to the documentary film, regarding the ceramists and the ceramics. In October 1994 I stayed with the Magwaza family for 5 days. During this time 12 of the Magwaza women produced vessels. They were Khulumeleni Magwaza, Shongaziphi Magwaza, Thandiwe Magwaza, Bonisiwe Magwaza, Esther (also called Buyaphi) Magwaza, Sholoni Magwaza, Buzephi Magwaza, Sindisiwe Magwaza, Mkoso Magwaza, Thuleleni Magwaza, Konzeni Magwaza, Qikiza Magwaza and Mancani Magwaza. The vessels were produced over four days. The potters each individually produced a vessel using the coiling method. On the first day the vessels were formed using the coiling method. Decoration was done on the second day. The vessels were decorated with either scraffito or applied amasumpa (little nodes or warts), or a combination of both methods. On the third day fat (vegetable oil or soap) was applied to the vessels and they were burnished with river stones. At sunrise of the forth day the vessels were fired. Dried aloe was packed below and around the vessels. A small pile of dried grass was packed on top of the aloe kiln. This was lit and the flames spread from the top down, burning for 25 minutes. After this the pots were blackened by various means. This process was filmed and edited. A year after the filming an interview was conducted with Khulumeleni, Shongaziphi and Thandiwe Magwaza to clarify some of the production methods that they used. The paper considers issues of representation prior to filming and editing the documentary, as well as post-production considerations of these same issues. The pre-production consideration section is based on various extracts from texts on representation, particularly of a cultural other. The postproduction analysis reconsiders these notions of representation in the light of what occurred during filming and editing.Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.
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Xulu, Smangele Clerah Buyisiwe. "Gender, tradition and change : the role of rural women in the commoditization of Zulu culture at selected tourist attractions in Zululand." Thesis, 2005. http://hdl.handle.net/10530/451.
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Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of African Languages at the University of Zululand, 2005.The commoditization of Zulu culture has become commonplace in the tourism industry in South Africa. Zulu culture and cultural products like music; dance, crafts, landscapes and others are often packaged and consumed in the tourism attractions in Zululand and elsewhere. This thesis examines culture and gender issues related to the commoditization process of Zulu culture and cultural products. Focusing on specific case studies in selected tourist attractions in Zululand, the thesis concludes that rural Zulu women play minor roles as dancers, crafters, cooks, and waiters in the tourist attractions in Zululand. Their junior roles make them to play no role in decision making, neither do they own any assets in their work places, and may not, therefore, influence the commoditization and product authentication process of their own culture.
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Magwa, Langa P. "A critical evaluation of the use of skin as a form of identity in Zulu culture." Thesis, 2006. http://hdl.handle.net/10321/2000.
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Dissertation submitted in partial compliance with the requirements for the Master's Degree in Technology: Fine Art, Durban Insititute of Technology, 2006.The aim of this dissertation is to investigate and critically evaluate the use of skin as a form of identity in Zulu culture. This investigation wil /foc'uu on the historical and contemporary practices of scarification and ear - piercing in Zulu culture. 1 In Chapter One, Section One the candidate will discuss the scarification and tattooing i techniques, and refer to the decline in the practice of scarification in contemporary Africa. 'l The scarification and tattooing techniques have the following elements in common, incisions `made on the body or skin to create scar patterns or shapes. Chapter \xAEne, Section Two the candidate will discuss the different purposes of carification practiced by people in Africa Scarification has traditionally been used for any different purposes, such as rite of passage, tribal/clan identity, civilizing, beauty, sexual atttraction, healing and medicinal. In Chapter Two, Section One the candidate will discuss the concepts of culture and identity and propose a definition of identity and culture for the purposes of this dissertation. In Chapter Two, Section Two the candidate will write a personal history and describe the origins of his identity. Chapter 'two, Section Three will discuss the historical formulation 0. of Zulu identity and culture. Chapter Two, Section ]Foam will investigate how internal and external influences have changed Zulu identity and culture over time.
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Zwane, Maria Ntombikayise. "Perceptions on cremation amongst the Zulu people." Thesis, 2011. http://hdl.handle.net/10413/6431.
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South Africa is going through a difficult time due to HIV/AIDS pandemic (amongst other things)
which has caused countless deaths leading to major concern about municipal burial sites since
such land is limited. There is currently a shortage of burial sites enough in to accommodate the
vast numbers to deaths. It has been announced that some graveyards in KwaZulu-Natal,
Alexandra and Soweto are full. Consequently, municipalities have been seriously considering
campaigns to encourage people to opt for cremation as a way of disposing of their deceased
loved ones (Daily News, 2010:1). Cremation is an act of disposing of a deceased person by
burning their body remains. It has recently featured in the national newspapers in keeping with
efforts on the part of the Government to familiarise people within eThekwini and elsewhere in
the country with the practice of cremation. Cremation is, however a widely unpopular practice
throughout African culture, especially among the Zulu people. Some of them think of cremation
as a curse and something that contradicts their culture. In the Zulu culture there is a belief that
death is not the end: a person who dies enters into the afterlife and becomes a provider for the
family. Such a person is referred to as idlozi (an ancestor).
The aim of this study was to explore the perceptions of the Zulu people on cremation as an
alternative to the traditional practice of burial. In this study the population from which a sample
was drawn were the Zulu people living in uMlazi and Zwelibomvu, a semi-urban area and a rural
area respectively. As a researcher I believed that this study was necessary and important because
it was hoping to help educate people so that they will be able to make an informed judgement
around the issue of cremation.Thesis (M.Dev.Studies)-University of KwaZulu-Natal, Durban, 2011.
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Wright, John. "The dynamics of power and conflict in the Thukela-Mzimkhulu Region in the late 18th and early 19th centuries: a critical reconstruction." Thesis, 1989. http://hdl.handle.net/10539/22294.
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A dissertation submitted to the Faculty of Arts,
University of the Witwatersrand, Johannesburg, in
fulfilment of the requirements for the degree of
Doctor of PhilosophyThis dissertation sets out to trace the political history of part of what is now Natal in the period from the third quarter of the 18th century to the late 1820s. After briefly describing the nature of political organization in the region at the beginning of the period, it explains how, in the later 18th century, several large paramountcies emerged among the small-scale chiefdoms which had previously been in exclusive occupation of the area. It traces continuities between the conflicts which brought about the formation of these larger polities and the upheavals which, in the later 1810s and early 1820s, totally transformed the region's political landscape. It argues that the concept of the mfecane, which portrays these upheavals as a product of the violent expansion of the Zulu state, is based on colonial-made myths and is devoid of analytical usefulness. It shows that A.T. Bryant's supposedly authoritative account of the period of the upheavals is very largely plagiarized from two minor publications produced long before by Theophilus Shepstone. It goes on to propose an alternative account which demonstrates that the.Zulu state was simply one among a number of important political actors in the ThukelaMzimkhulu territories in the 1810s and 1820s. Though the Zulu were eventually able to establish domination of the region, they did not 'devastate' it, as conventionally they are supposed to have done, and were unable effectively to occupy more than a small part of it. The Zulu were still in the process of establishing a hold on the region when, in the mid-1820S, its political dynamics began to be transformed by the increasing involvement of British traders from Port Natal in the affairs of the Zulu state. By the end of the 1820s, cape-based commercial and political interests were beginning to contest Zulu hegemony in the region south of the Thukela, and a new era in its history was opening.
AC2017
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Dube, Mbusiseni Celimpilo. "The tourism potential of Zululand north of the Tugela River with special reference to Zulu culture and history." Thesis, 2011. http://hdl.handle.net/10530/757.
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Submitted in fullfilment of the requirements for the degree of Masters of Arts in the Department of History, University of Zululand, 2011.This thesis highlights historical sites with tourism potential between the Tugela and Lower Umfolozi Rivers up to Kosi Bay and the Mozambique border. This is roughly the area administered by the Uthungulu Regional Council today. These historical sites are monitored and administered by two most important acts i.e. the National Heritage Resources Act No. 25 of 1999 and the KwaZulu-Natal Heritage Act No. 10 of 1997. This research project comprises four chapters. It examines factors related to pre-colonial Zulu culture and focuses on how these factors could attract tourists. Furthermore it deals with historical places rich in tourism potential, showing how these historical places can attract the tourists. Chapter one addresses Zulu history from the earliest times to the present and the important aspects shaping current Zulu culture. Chapter two deals with traditional ceremonies which are part of African culture. Chapter three deals with sites of archaeological and historical interest. It further identifies and describes specific areas that are rich in Zulu history. The fourth chapter examines the Maputaland area and the St. Lucia Node and surroundings. The purpose is to explore the tourism potential of each heritage site and or region. Zulu customs that have the potential to become tourist attractions are identified and discussed prior to conclusions, which are drawn in the last chapter.
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"A study of Zulu concepts, terms and expressions associated with Umuthi." Thesis, 2015. http://hdl.handle.net/10210/13285.
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Khanyile, Thembisile Dorothy. "The nature of the problems experienced by non-Zulu student nurses during their encounter with Zulu patients." Diss., 1998. http://hdl.handle.net/10500/17075.
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South African nurses have accepted the challenge that was brought about by the Health
Reform Policy of 1990 which opened health service centres to people of all racial and
cultural groups. However, recent studies on multicultural nursing have revealed that
problems have occurred when delivering care across cultural barriers. Most of these studies
have approached these problems from the patients point of view, where issues of
dehumanized care, labelling and discrimination have been reported.
Therefore, this study was an attempt to look into these problems from the nurses point of
view, by exploring the source of these problems, their effect on health care delivery and
possible solutions. The researcher focussed on three critical issues, namely, lack of cultural
knowledge, negative attitudes, as well as difficulty in communication.
Through focus group interviews (FGI) and responses to given scenarios, student nurses who
had experienced problems with culturally different patients were given a chance to reflect
on their experiences, report on these experiences and recommend possible solutions to the
experienced problems.
The results revealed that:
1. The major source of the problems was lack of experience due to inadequate exposure to
culturally diverse groups which in tum led to inappropriate decisions and actions at care
delivery level.
2.Difficult perceptions and negative attitudes lead to the formation of stereotypes which
block the delivery of culturally congruent care.
3 .Inability to communicate due to differences in spoken language lead to difficulty in
building the trust relationship and hence inadequate care delivery.Health Studies
M.A. (Nursing Science)
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Madlala, Thembinkosi Ntokozo. "The role of Prince Thimuni kaMudli kaJama in Zulu history with special reference to the activities of his sons, Ndlovu and Chakijana and their descendants, 1842-1980." Thesis, 2010. http://hdl.handle.net/10530/284.
Full textAbstract:
A dissertation submitted to the Fafulty of Arts in the fulfillment of the requirements for the Degree of Master of Arts in the Department of History at the University of Zululand, [1996].Every nation has its own heroes that form part of its history- The history of the blacks, the Zulus in particular, is characterized by heroism, but very little is nowadays known about our heroes. The photo and the name of Prince TTiimuni appears in many books, but merely as an example of the traditional attire used by the hero warrior of AmaZuiu. No researcher has taken pains to trace the history of such a remarkable figure in the Zulu history. Thimuni belonged to Zimpohlo regiment of inkosi Shaka Zulu. He helped Shaka in building a strong Zulu nation by defeating different izizwe. Before the end of the Battle of Ndondakusuka, he crossed Thukela river into the British colony of Natal. Thimuni and his brother Sigwefoana supported Mbuyazi instead of Cetshwayo. Sigwebana died in the battle and Thimuni took over his wives, resulting in the birth of Chakijana and Lokoza. Ndlovu became the son of Thimuni's own first wife, Mkhomoto. The defeat of Mbuyazi resulted in strained relationship between Thimuni and the Zulu royal house. When Thimuni reached Maphumuio, inkosi Mkhonto Ntult gave him part of his area where he became inkosi. Thimuni's sons, Ndlovu and Chakijana disputed the heirship and Thimuni separated them. Chakijana was told to go and occupy Mvoti area as inkosi. Both Thimuni's sons used the name Nodunga for their districts and that was in honour of their grandfather, Mudli, whose umuzi was Nodunga. When the Bhambatha uprising broke out, Ndlovu and Chakijana sided with AmaZulu against the British government. That brought about reconciliation between them and the Zulu Royal House so that their sons Mbango and Piti communicated freely with the Zulu Royal House. Mbango's son, Manukanuka, was evicted in 1972 from his land by the South African government, the reason being that he communicated secreteiy with the British government against the loss of his land to Whites and Indians. The South African government sold Manukanuka's land for the part played by Chakijana in the Bhambatha uprising. Ubukhosi of Ndlovu's Nodunga No. 7 was only disturbed for a short period when Ndlovu was imprisoned. It was put under the Ngubane people under the chieftainship of Sibindi Ngubane of Mabomvini isizwe who made his brother, Mmeleli to be chief of Nodunga isizwe. However, when Ndiovu came back from exile ubukhosi was restored to him and his descendants.
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Zulu, Richard Mfanuvele. "The pronoun in isiZulu." Thesis, 2014. http://hdl.handle.net/10210/9262.
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Lombo, Sipho. "Analysis of consumption patterns and their effects on social cohesion from a Zulu cosmology perspective." Thesis, 2017. http://hdl.handle.net/10321/2605.
Full textAbstract:
Submitted in fulfillment of the requirements of Ph. D (Public Managment), Durban University of Technology, Durban, South Africa, 2017.Using historic and ethnographic data collected from KwaZulu-Natal, this study examines food consumption from the Zulu Cosmology epistemic point of view. The study highlights as a prosocial behaviour that reduces the importance of self in favour of pro social norms of sharing and selflessness. In other words, personhood is understood as a process and the product of interconnectedness experienced in social spaces. Pro-social behaviour is therefore seen as a determinant of harmonious and social cohesive communities. The study concluded that social cohesive communities develop a set of cultural protocols and boundaries that reward prosocial norms and punish antisocial behaviour. Social cohesion as a concept was also found to be inseparable from the notion of shared values, identities and norms. The study delved deeper and found that the land, the livestock and the cultural rituals to honour the living and the dead defined a unique interconnectedness of the Zulu person to his culture. Eating and eaten products were part of a uniting culture that linked a Zulu man, woman, girls, old men and women to other people, their animals and their land. Zulu people lived for, and with, other people in peace. No man or family would go hungry. Immediately that becomes known, another man would give the destitute man a few cattle to start his own flock and feed his family. This and other eating rituals contributed to a strong, peaceful and social cohesive nation of King Shaka ka Senzangakhona. On the basis of the understanding of the cultural rituals, their link with the land and animal the study concluded that land restitution and agrarian policies can be enhanced by taking into consideration their need for land to cultivate vegetables and fruits that have cultural meaning, policies that enable to have livestock as well as space to practise their culture. The study is envisaged to inspire social welfare and community development policies that instil the prosocial values of Ubuntu and interconnectedness.
D
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Cope, Nicholas Lidbrook Griffin. "The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism." Thesis, 1985. http://hdl.handle.net/10413/8665.
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Hadebe, Lindani. "Zulu masculinity : culture, faith and the constitution in the South African context." Thesis, 2010. http://hdl.handle.net/10413/447.
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Mkhwanazi, Nomthandazo Annaglad. "Ukubaluleka kwemvunulo yomdabu osikompilweni lwabantu besifazane abangamazulu basendaweni yakwanobamba (Weenen) KwaZulu-Natali." Thesis, 2013. http://hdl.handle.net/10413/9893.
Full textAbstract:
Lolu cwaningo lugxile ekubalulekeni kwemvunulo yomdabu osikompilweni lwabantu
besifazane abangamaZulu basendaweni yakwaNobamba. Imvunulo yomdabu
ayembathelwa ukwemboza umzimba kuphela, kodwa ngokwesiko, ihlukanisa abesifazane
ngokobuzwe nangokwezigaba zokukhula. Ingane engakathombi ayivunuli njengomuntu
osethombile okungaba itshitshi noma iqhikiza. Ongakagcagci akavunuli njengosegcagcile yena obonakala ngokufaka isicholo nangokubhinca isidwaba ukuhlonipha umyeni wakhe nabasemzini (Msimang, 1975: 173).
Ipharadaymu eqondayo yiyona eyasetshenziswa kulolu cwaningo. UMazibuko (2008: 68) uthi ngokwepharadaymu eqondayo lokho okucwaningwayo kwisayensi yenhlalo kufanele
kube nokuxhumana, okucwaningwayo kumele kube nencazelo futhi kuhlukaniseke
kulokho okubonwayo. Lokho okucwaningwayo kumele kube ngokuthintene nomuntu.
Kulolu cwaningo kwacwaningwa ngemvunulo yomdabu eyembathwa ngabantu kanye
nokubaluleka kwayo. Kwasetshenziswa indlela yokuxoxisana kanye nendlela
yokuqaphelisisa ukuze kutholakale ulwazi olwabe ludingeka. Injulalwazi ye-Oral Style
kanye neyeSocial Identity yizona ezasetshenziswa kulolu cwaningo. Injulalwazi ye-Oral
Style iveza ukubaluleka kobuciko bomlomo, ngakho-ke ilufanele lolu cwaningo lapho
kubonakala abesifazane bevunule ngemvunulo abayazi ngokudluliselwa yona ngomlomo
kusuka kokhokho babo. Injulalwazi iSocial Identity nalo ilufanele lolu cwaningo lapho
owesifazane ngemvunulo yakhe ekwazi ukuhlukaniseka ngokobulili, ngokobuzwe nangokwesigaba sokukhula.
Isidingo esikhulu salolu cwaningo ukuthola imbangela eyenza ukuba abesifazane bezigodi
zakwaNobamba ezaziwa ngokuthi kuseMsobotsheni, eKucasheni, kwaNhliwe
naseMgwamama, belokhu besalugcinile lolu siko lokuvunula. Akulula kubona
ukwehlukana naleli siko ngoba bazalelwe emphakathini owembatha le mvunulo. Bakholelwa ekutheni amadlozi abo ahlala emvunulweni, ngakho-ke ukuhlukana nayo
kungasho ukulahla amadlozi okuyiwona abavikelayo. Abesifazane bayahlangana
bafundisane ukwakha ubuhlalu, obuyingxenye yemvunulo. Leli khono lidluliselwa ngisho
ezinganeni zabo zamantombazane ukuze zikhule zikwazi ukuzenzela imvunulo.
Ukuhlangana kwabesifazane bakha imvunulo, kudala umoya wokuzwana nokuchitha
isizungu besele bodwa amasoka nabayeni besemsebenzini emadolobheni amakhulu njengaseGoli. Ukuguquka kwezikhathi kudala ukuba nemvunulo yomdabu iguquke ibe nomthelela
wesilungu. Izinga lokwembathwa kwemvunulo yomdabu alisafani nakuqala ngenxa
yokuthi abanye besifazane bayasebenza kobelungu. Amatshitshi namaqhikiza
ayaphoqeleka ukuba ekwembatheni kwawo angavezi amabele namathanga. Abesifazane
asebegcagcile bembatha amaphinifa amboza sonke isidwaba singabonakali ngoba
sizongcolisa. Izingane zamantombazane ezifunda isikole zigqoka umfaniswano wesikole
uma zisesesikoleni; seziyobuyela emvunulweni yazo lapho sekuphume isikole sezisemakhaya.
Abesifazane bakwaNobamba basalugcina lolu siko lokuvunula ngokuvunula uma kukhona imicimbi efana nehlamvu, (ukuhalalisela ukubuya kwamasoka nabayeni bevela
emadolobheni amakhulu njengaseGoli), umholo wezalukazi nomchanguzo. Bayavunula
futhi ngokugcwele emicimbini esuke ihlelwe nguMasipala lapho bejabulisa umphakathi
njengeqembu lesigekle nengoma. Othisha bayazigqugquzela izingane zesikole ukuba
zembathe imvunulo yomdabu uma kunemikhosi egujwayo. Uma owesifazane efisa ukusho
okuthile emphakathini, kubo lapho ezalwa khona, kumnakwabo, nasesokeni noma
kumyeni, akakukhiphi ngomlomo wakhe kepha kudluliswa yimvunulo ayembethe.
Okutholakele kulolu cwaningo ukuthi abantu besifazane bakwaNobamba bayazigqaja
ngale mvunulo yabo ephinde ikhuthaze amantombazane ukuba ahlale egcine ubuntombi bawo kuze kufike isikhathi sokugcagca.Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2013.
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Mhlongo, Sithembile Promise. "Reasons for undergoing virginity testing : a study of young people in rural KwaZulu-Natal, South Africa." Thesis, 2009. http://hdl.handle.net/10413/910.
Full textAbstract:
Aim: The practice of virginity testing was done from the early twentieth century in KwaZulu-Natal. Many regard virginity testing as the only way to revitalize what they view as lost cultural values. The aim of the study is to understand the reasons for undergoing virginity testing from the perspective of adolescent girls and boys. The study will explore the importance attached to virginity testing by adolescent girls and boys.Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2009.
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Shabangu, Thoko Margaret. "Ucwaningo olunzulu ngesiko lemvelo lokunakekelwa kokukhulelwa nokubeletha = A critical analysis of indigenous knowledge systems related to pregnancy care (antenatal) and infant delivery." Thesis, 1999. http://hdl.handle.net/10530/263.
Full textAbstract:
Submitted in partial fullfilment for the requirements of the degree of Master of Arts in the Department of IsiZulu namaGugu in the Faculty of Arts at the University of Zululand, 1999.This research work is an effort to scrutinize the custom of cultural preparations for pregnancy, following the procedures and African traditions because culture is the backbone of human life and the most important factor in human development. In this thesis, explanations are also given for the infertility of young brides and what is done traditionally to solve such problems. Problems of complications during the gestation period which result in miscarriages are analyzed as well as procedures which must be undertaken after a miscarriage in order to prevent a recurrence thereof, by following African methods. What encouraged the researcher was to bring to the awareness of the Black Nation the need to look back to their ancestors' customs which they lived before the advent of hospitals and clinics. It has to dawn their minds that the numerous health problems which they encounter these days and which white doctors fail to cure, can be controlled if they stick to their customs. Some of these problems is failure of women to conceive when they are already married as well as miscarriages. Most of these problems emanate from the fact that the majority have lost their traditional practices and have stuck to those of nations belonging to the Western culture. Therefore, the knowledge which is gathered in this research emphasizes the gist of the research which says: "The science of the Blacks, of using traditional herbs and of communicating with their ancestors in order to get help, worked for the great grandparents, is stiff working nowadays, and it will continue to work effectively for the next generations as long as they practice it. The first chapter indicates the objectives and the incentives which inspired the researcher to research this topic, following the processes of the African culture after experiencing the pain suffered by African women who lose their marriages because of not bearing children, as well as suffering miscarriages which is caused by neglecting or looking down upon their customs, or because of not believing in them or ignorance about them. The predecessors who have researched and written something on this topic are also highlighted in this chapter. The second chapter focuses on the research which has been done on African rituals which should be done for men and women when they reach puberty which have an impact on their fertility when they have or have not been observed. Other customs are performed when the girl has been engaged, prior to her wedding day and they are carried on when she leaves her home right up to when she gets to the groom's place on the wedding day. This encourages both the maternal and paternal ancestors to co-operate between themselves in providing the married couples with children and overall wellbeing in their married life. In the same chapter there is a discussion of traditional preparations for enabling the bride to fall pregnant after marriage when she encounters problems of not conceiving even when customary precautions have been practiced. The third chapter focuses on emphasizing the causes of failure to conceive in the bride and what should be done, using traditional methods so as to overcome these problems. Different types of diseases that lead to barrenness or infertility, ancestral spirits, African traditions Which have been neglected, different ways of witchcraft as well as different types of snakes of love potions which eventually destroy the blood clots where from the feotus develop have been highlighted. The fourth chapter focuses on revealing the causes of miscarriages and resolutions thereof the African way. Close scrutiny is given to the different ways of sorcery which lead to miscarriages, dreams of man-made bad spirits and those of the deceased, and infectious and non-infectious diseases which may have a detrimental effect on the unborn baby. Focus has also been placed on the importance of cleansing the woman who has had a miscarriage, being cleansed from bad luck using the stomach contents of a goat. What happens to a man who gets intimate with an unpleased woman is also clarified in this research work. The fifth chapter is an analysis where the research is being analyzed. There are also recommendations which can be followed to open the eyes of the community so as to get their problems solved. These recommendations encourage especially Black people to stick to their customs which is a way of keeping traditional rituals or practices as well as their traditional religion so that even if they follow the Western culture but they should not do away with the science of their black ancestors.
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Leech, Stephen Michael. "Twentieth century images of the Zulu : selected representations in historical and political discourse." Diss., 1997. http://hdl.handle.net/10500/17194.
Full textAbstract:
his dissertation examines representations of the Zulu in a variety of discourses. It also examines the role of black nationalisms in the construction of Zuluist discourse. The production of images of the Zulu began with the first Anglo-Zulu encounter in the nineteenth century. In 1879, the Anglo-Zulu War set a trend for image-making which was developed further in the twentieth century. The appearance of The Washing of the Spears and Zulu, initiated a chapter in the study of the Zulu which gave rise to publications that created startling mages of the Zulu. Despite
the publication of the James Stuart Archive, as well as serious studies of the Zulu, authors continued to use the same popular interpretations of the Zulu. During the early twentieth century, the 'native question' dominated South African politics, while in the 1990s, political protest, conceptualised as aggressive marches by 'warriors' and tourism have been the major representations.History
M.A. (History)
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Whelan, Deborah. "The recent transmutation of the indigenous vernacular architecture of the people at Kwamthembu and Kwamchunu, Msinga district, KwaZulu-Natal, South Africa." Thesis, 2001. http://hdl.handle.net/10413/2582.
Full textAbstract:
The Msinga magisterial district, KwaZulu-Natal, South Africa is notable because it has for many years been regarded socially as a pariah region by residents of the Province. Over the decades it has been a 'dumping ground' for people and cultures, an infertile land where gun-running, the illegal cultivation of marijuana, and continuous stock theft has relieved some of the abject poverty, but has also exacerbated the local incidence of faction fighting. However, the people of the area have responded to this ongoing social submission by reacting with creativity and colour in their clothing, cultural goods and homesteads. The cultural material of the district is, in my opinion, unsurpassed anywhere else in the Province, from the traditional interpretation of the Msinga dolls to the exuberant architecture of the contemporary homestead. The layout and elevational resolution of any type of vernacular homestead, defined by Oliver in the first chapter, is a result of a broad number of factors, most importantly resources in terms of materials, economy, climate and culture. The response of the people of Msinga in the Tugela Valley embraces all of these factors to produce a surprising resolution that distills a fresh response to the architectural depiction of a social emergence from the peasantry. The internationally acknowledged prominent form of Zulu architecture, the beehive hut, has been adequately documented in the past. Biermann, Walton and Knuffel carried out different levels of work on this building type from the 1950s onwards. Nowadays, dwindling natural resources in KwaZulu-Natal have resulted in the creation of a new set of vernacular architectures, responding to the environment and resources available, and reflecting the specific needs of the builders, from the expression of social and economic values, to the pragmatic reality of protection from 'political strife. On the one hand, the buildings. in the Msinga Valley are changing rapidly with the natural life course of each building. However, on the other, the development of new architectural styles with the continual building of new units within homesteads demonstrates a dynamic architectural and decorative tradition. The co-existence of the material cultures of Msinga and their architectural expression has to be documented and an attempt made at analysis. The threat of indigenous vemacular traditions disappearing at the expense of development is visible on the horizon. Regional planning initiatives are pressured to deliver houses and services on a large scale, which would be severely detrimental to the continuance of a vernacular architectural tradition. The architectural culture, although currently dynamic, is at risk, and thus begs for documentation. I aim to present the unique decorative tradition of Msinga as an architecture within the contexts of place and extant material culture. Adopting anything but a broad socio-cultural perspective in this case is both short-sighted and ill-focussed. The architecture of rural areas is a material culture that is embedded in the history, social and political struggles, and economic strife. Yet, in contrast with these negative influences, it demonstrates an exuberance that is continued in the other material cultures in Msinga. I begin with an overview, pull out the thread of Msinga as an area, then distil the material culture and, ultimately, the architecture and the decoration.Thesis (M.Arch.)-University of Natal, Durban, 2001.
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Canonici, Noverino Noemio. "Tricksters and trickery in Zulu folktales." Thesis, 1995. http://hdl.handle.net/10413/6350.
Full textAbstract:
Tricksters and Trickery in Zulu Folktales is a research on one of the central themes in African, and particularly Nguni/Zulu folklore, in which the trickster figure plays a pivotal role. The Zulu form part of the Nguni group of the Kintu speaking populations in sub-Saharan Africa. Their oral traditions are based on those of the whole sub-continent, but also constitute significant innovations due to the Nguni's contacts with the Khoisan peoples and to the history that has shaped their reasoning processes. Folktales are an artistic reflection of the people's culture, history, way of life, attitudes to persons and events, springing from the observation of nature and of animal
and human, behaviour, in order to create a "culture of the feelings" on which adult decisions are based. The present research is based on the concept of a semiotic communication system whereby folktale "texts" are considered as metaphors, to be de-coded from the literary, cultural and behavioural points of view. The system is employed to produce comic
entertainement, as well as for education. A careful examination of the sources reveals the central role that observation of the open book of natural phenomena, and especially the observation of animal life, plays
in the formulation of thought patterns and of the imagery bank on which all artistic expression is based, be it in the form of proverbs, or tales, or poetry. Animal observation shows that the small species need to act with some form of cunning in the struggle for survival. The employment of tricks in the tales can be either successful or unsuccessful, and this constitutes the fundamental division of the characters who are constantly associated with trickery. They apply deceiving patterns based on false contracts that create an illusion enabling the trickster to use substitution techniques. The
same trick pattern is however widely employed, either successfully or unsuccessfully, by a score of other characters who are only "occasional tricksters", such as human beings, in order to overcome the challenge posed by external, often superior, forces, or simply in order to shape events to their own advantage. The original mould for the successful trickster figure in Kintu speaking Africa is the small Hare. The choice of this animal character points to the bewildered realization that small beings can only survive through guile in a hostile environment dominated by powerful killers. The Nguni/Zulu innovation consists of a composite character with a dual manifestation: Chakide, the slender mongoose, a small carnivorous animal, whose main folktale name is the diminutive Chakijana; and its counterpart Hlakanyana, a semi-human dwarf. The innovation contains a double value: the root ideophone hlaka points to an intelligent being, able to outwit his adversaries by "dissecting" all the elements of a situation in order to identify weaknesses that offer the possibility of defeating the enemy; and to "re-arrange" reality in a new way. This shows the ambivalent function of trickery as a force for both demolition and reconstruction. Chakijana, the small slender mongoose, is like the pan-African Hare in most respects, but with the added feature of being carnivorous, therefore a merciless killer. He makes use of all its powers to either escape larger animals, or to conquer other animals for food in order to survive. Hlakanyana, being semi-human, can interact with both humans and animals; Chakijana is mostly active in an animal setting. The unsuccessful trickster figure in Kintu speaking Africa is Hyena, an evil and
powerful killer and scavenger, associated in popular belief with witches by reason of his nocturnal habits and grave digging activities. The Nguni/Zulu innovation is Izimu, a fictional semi-human being, traditionally interpreted as a cannibal, a merciless and dark man eater. Izimu is another composite figure, prevalently corresponding to Hyena, from which he draws most of his fictional characteristics. The figure further assimilates features of half-human, half-animal man-eating monsters known in the folklore of many
African cultures, as well as the ogre figure prevalent in European tales. The
anthropophagous aspect, taken as its prevalent characteristic by earlier researchers, is a rather secondary feature. The innovation from a purely animal figure (Hyena) to a semi-human one allows this character to interact mostly with human beings, thus expressing deeply felt human concerns and fears. Trickery is the hallmark of comedy, the art of looking at life from an upside-down point of view, to portray not the norm but the unexpected. Thus the metaphors contained in trickster folktales, as expressions of comedy, are rather difficult to decode. The ambivalence, so common in many manifestations of African culture, becomes prevalent in these tales. Human tricksters, who try to imitate the trick sequence, are successful if
their aims can be justified in terms of culture and tradition; but are unsuccessful if their aims are disruptive of social harmony. Ambivalence is also predominant in "modern" trickster folktales, and in some manifestations of the trickster themes in recent literature. The trickster tradition is an important aspect of the traditions of the Zulu people,
permeating social, educational and literary aspects of life and culture. The Nguni/Zulu innovations of Hlakanyana/Chakijana and of Izimu point to the dynamic and inner stability of the culture, a precious heritage and a force on which to build a great future.Thesis (Ph.D.)-University of Natal, Durban, 1995.
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Mtalane, Lissah Joyce Themba. "The experiences of death and dying of Zulu patients, their families and caregivers." Thesis, 1989. http://hdl.handle.net/10413/7097.
Full textAbstract:
This thesis studies the impact of the terminal illness and
awareness of undergoing the dying process and inevitable death, at
the KwaZulu Government hospital Ngwelezana, at Empangeni in the
Lower Umfolozi District. A case study, drawing both upon nursing
and social anthropology, was conducted to establish the
experiences of death and dying of Zulu patients, their families
and caregivers. The basic trend reflected in the findings is the
need to discuss dying with patients, the lack of skills and
knowledge on the part of caregivers, lack of recognition of
patients' cultural beliefs. The study does not claim to deal with
a complete spectrum of the experiences of death and dying of all
Zulus but is a meaningful and significant innovation into an
unresearched area of patient care.Thesis (Ph.D.)-University of Natal, Durban, 1989.
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Gluckman, M. M. "The realm of the supernatural among the South-Eastern Bantu: a study of the practical working of religions and magic." Thesis, 2015. http://hdl.handle.net/10539/16882.
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Hallowes, Desmond Phillip. "A grammar of the Baca and its relation to Swazi, Zulu and Xhosa." Thesis, 2014.
Find full text
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Khuzwayo, Nobuhle Nonhlanhla. "Trends, modifications and motivations of ukuhlolwa kwezintombi (virginity testing) among the Zulu in KwaMashu district of KwaZulu Natal between, 1960-2000." Thesis, 2000. http://hdl.handle.net/10413/5398.
Full textAbstract:
This study investigates the trends. modifications and motivations of ukuhlolwa
kwezilllombi (virginity testing) among the Zulu in KwaMashu district of Kwa Zulu
Natal.
The study reveals that:-
• Ukuhlolwa kwezillfombi has been historically regarded as a vital social tool to bring
pride to the virgin girl, the parents and the community as a whole.
• The big motive was to receive the full lobola especially uikomo kamama (the
eleventh cow).
Urbanization, industrialization, acculturation, education and religious beliefs led
ukuhlolwa kwezintombi to its near demise in twenty years ago.
• In recent years its resurgence has been noticed in most areas of Kwa Zulu Natal and
townships to fight against women abuses, teenage pregnancies and HIV/Aids .
• It is met with a variety of views and emotions with others considering it as valuable
while others consider it outdated and irrelevant.
• Virginity testing is regarded as a custom of cultural value and the country is in the
process of African Renaissance.
• Regarding the mY/Aids catastrophe, one can count on 'True Love Waits ' and
virginity testing as means of prevention.Thesis (M.A.)-University of Natal, Durban, 2000.
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Ngcongo, Thobile Thandiwe. "Orality and transformation in some Zulu ceremonies : tradition in transition." Thesis, 1996. http://hdl.handle.net/10413/7079.
Full textAbstract:
This study contains a variety of oral traditional formulae found in various
places in KwaZulu-Natal which are used in the imbeleko ceremony and these
formulae are analyzed in their traditional form and in a number of new
formulations. The imbeleko ceremony is a celebration to introduce and
welcome a newborn child, but occasionally even an adult newcomer may
be introduced to both the living and the ancestral spirits. A full description of the imbeleko ceremony, the reasons for performing it,
the procedures followed, an analysis and comparison of mnemotechnics
used in the formulae and finally the application of orality-literacy theories to
the rites and the text are provided. Variations observed in my research in
the manner in which this rite is celebrated from family to family are pointed
out. Zulus regard it as a must to perform the imbeleko ceremony for every child
in the family. The reasons for this ceremony vary from (a) thanksgiving
ceremony, (b) the official introduction of the child to ancestors, (c) the rite
performed late to protect the child from misfortunes, (d) and to provide an
opportunity for naming the child. There is also the imbeleko ceremony that
may be performed in the life of the child when there are indicators that there
is a need for it to be done i.e. when there is illness that seems incurable,
and psychological crisis which occur even though the imbeleko had been
performed. There is also a type of imbeleko ceremony for the first child that
combines the child's maternal and paternal families. This dissertation concludes by comparing and contrasting the imbeleko and
the Christian baptism. It is possible changes have taken place in the
imbeleko ceremony as a result of external influences of the western
Christian life. (NB This dissertation is accompanied by a video)Thesis (M.A.) - University of Natal, 1996.