Academic literature on the topic 'Art tchèque'
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Journal articles on the topic "Art tchèque"
Lázničková-Gonyševová, Martina. "Art mobilier magdalénien en matières dures animales de Moravie (République tchèque). Aspects technologique et stylistique." L'Anthropologie 106, no. 4 (October 2002): 525–64. http://dx.doi.org/10.1016/s0003-5521(02)01125-1.
Full textBoutin, Véronique. "Persistance de l’Absurde dans la dramaturgie tchèque post-1989 [The Persistent Use of the Absurd in Post-1989 Czech Dramatic Art]." Revue des études slaves 82, no. 3 (2011): 507–19. http://dx.doi.org/10.3406/slave.2011.8113.
Full textMazurkiewicz, Paulina, and Jan Lazar. "La réalisation des métaphores conceptuelles de la vaccination contre le COVID-19 en français et en tchèque." Roczniki Humanistyczne 71, no. 5 (August 3, 2023): 147–58. http://dx.doi.org/10.18290/rf237105.9.
Full textPingeot, Anne. "République tchèque." Revue de l'Art 104, no. 1 (1994): 86. http://dx.doi.org/10.3406/rvart.1994.348141.
Full textPingeot, Anne. "République tchèque." Revue de l'art N° 104, no. 2 (February 1, 1994): 86. http://dx.doi.org/10.3917/rda.104.0086.
Full textDedryvère, Laurent. "Art national, art régional. Les tentatives des nationalistes allemands d’Autriche pour définir et promouvoir un art allemand bodenständig (1890-1918)." Austriaca 73, no. 1 (2011): 105–19. http://dx.doi.org/10.3406/austr.2011.4944.
Full textRupnik, Jacques. "L’exception tchèque ?" Esprit Avril, no. 4 (April 10, 2023): 24–27. http://dx.doi.org/10.3917/espri.2304.0024.
Full textRonovska, Katerina. "Civil Law in the Czech Republic: Tendencies of Development (Some Notes on the Proposal of the New Civil Code)." European Review of Private Law 16, Issue 1 (February 1, 2008): 111–20. http://dx.doi.org/10.54648/erpl2008006.
Full textVidlâkovâ, Olga. "La réforme des structures locales dans la République tchèque." Revue française d'administration publique 74, no. 1 (1995): 229–41. http://dx.doi.org/10.3406/rfap.1995.2954.
Full textŠorm, Martin. "Représentations de l’intimité dans le roman arthurien tchèque." Médiévales 67, no. 67 (December 31, 2014): 49–66. http://dx.doi.org/10.4000/medievales.7385.
Full textDissertations / Theses on the topic "Art tchèque"
Simandlovà, Klára. "L'art tchèque 1957-1970 : positions théoriques et critiques." Paris 10, 2003. http://www.theses.fr/2003PA100184.
Full textFollowing the end of the Stalinist era in 1956, a gradual process of liberalization begins in Czech culture, the height of which is reached during the events surrounding 1968. Creative theory and criticism search for a new position between 1957 and 1970, a position from which it would to be possible not only to interpret' Czech culture's part and contemporary world art, but also the general problems of modem art, the mechanisms of its development, its limits, and its place in society. This paper contains an analysis of the key opinions of Czech theory and criticism, which emanate from texts commenting on and justifying the most distinctive trends of period graphic art: the modernism of the Fifties, the informal art of the period 1960-1965, the object art and the new figuration from 1965 onwards, and the neo-constructivism of the period 1964-t970. The paper shall attempt to demonstrate that the texts analysed do not limit themselves only to an interpretation of problems in isolation, but collectively create a specific, theoretical sketch that defines the critical opinions of the subsequent period and whose influence is evident to this day
Fabelova, Karolina. "Les relations artistiques entre Prague et Paris 1889-1910 : la critique d'art et la recherche de la modernité." Paris 1, 2003. http://www.theses.fr/2003PA010557.
Full textLázničková-Gonyševová, Martina. "Analyse technologique et stylistique d'art mobilier magdalénien sur matières dures animales : Sites de Pekárna, Rytířská et Křížová (Moravie, République tchèque), Laugerie Basse et Enlène (Sud-ouest de la France)." Paris, Muséum national d'histoire naturelle, 2001. http://www.theses.fr/2001MNHN0026.
Full textZemanová, Etavard Marcela. "Le tabou féminin dans l'art contemporain : contexte social et artistique de la féminité dans l'oeuvre des femmes artistes contemporaines." Paris 1, 2012. http://www.theses.fr/2012PA010595.
Full textMenk-Bertrand, Ève. "Decor omnis in una, l'image de Vienne et de Prague à l'époque baroque (1650-1740) : essai d'histoire des représentations." Université Robert Schuman (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR30004.
Full textThis study is not aimed at presenting the history of Vienna and Prague, the capitals of the Austrian monarchy, during the Baroque age. Rather, it analyzes the image the contemporary people wanted to convey of these two capitals during the entrenchment of counter-reformation and the consolidation of the Habsburg power. The image of the city was consciously instrumentalized as a mental weapon by social and political actors. The contemporary authors of those towns cities praised these cities on the basis of Christian glory, though differences of treatment appeared between Vienna and Prague. Many travellers adopted this image and thereby strengthened the official picture of the cities. This image fulfilled several purposes : the challenges it faced were spiritual, religious and political. By describing the urban microcosm the authors intended to express their view on the world
Parkmann, Fedora. "Paris-Prague. Transferts en photographie, 1918-1939." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040134.
Full textThis dissertation sets forth to explicate the transfers that occurred in photography between France and the Czech Lands during the interwar period. Rooted in a material approach towards the various circulations of individuals, images and concepts, this study considers the Czech photographic scene in light of its specific relation to France and analyzes the resulting hybridizations. The research focuses on photographic vectors such as photomechanical reproductions, exhibition catalogues and the activities of mediators and photographers working between the two countries. It illuminates a network of relations between French, German and Russian impulses and describes also the export of a local photographic production. The Czech surrealist current is a prominent hybridization that resulted from the strong reception of the French photographic scene. It was exported again as an original Czech production, and as such exemplifies the process of mutual circulation and transformation that describes the concept of transfer. An expansive study of Czech journeys to France, their photographic experience of the country and their subsequent contribution to the “Paris school of photography” complete this overview of the interactions and transfers between both countries.By situating Czech photography within the discourse of cultural transfers, this dissertation reveals actors, images, concepts and developments that until now have been critically absent from national photography histories. It also demonstrates how the receptivity of Czech photographers to France in return favored the emergence of photographic modernism in their country
Books on the topic "Art tchèque"
Electra, Espace, ed. Lanterna Magika: Nouvelles technologies dans l'art tchèque du XXe siècle = new technologies in Czech art of the 20th century. Praha: Kant, 2002.
Find full text(Firm), Drouot-Richelieu. Les avant-gardes: Abstraction, Actionisme, Architecture, Art conceptuel, Arte povera, Arts premiers, Body Art, Buren, Cubisme, Dada, Ecole de Paris, Figuration narrative, Fluxus, Futurisme italien et russe, Impressionisme, Minimal art, Mosset, Nouveau Réalisme & politique, Pop art, Surréalisme franc̦ais et tchèque, Suprématisme; tableaux, sculptures, estampes, livres, photographies, documents. Paris: Cornette de Saint Cyr, 2004.
Find full textColek, Marek. Pohádky. Montréal: Drawn & Quarterly, 2008.
Find full textPravdová, Anna, and Kristyna Hochmuth. Artistes tchèques en Bretagne: De l'Art nouveau au surréalisme. Châteaulin: Locus solus, 2018.
Find full textServant, Catherine, and Jiří Šetlík. Skrznaskrz: Les Tchèques et la France au cours des siècles. [Prague]: Gallery, 2002.
Find full textHahn, Veronique. Cubismes tchèques, 1910-1925: Architecture, design, arts plastiques / c texte de Veronique Hahn [and three others]. Paris, France]: Centre Georges Pompidou, 1992.
Find full textLever de rideau sur Terezin. Montrouge: Bayard, 2015.
Find full textFabry, Elvire, and Gaëtane Ricard-Nihoul. Think global, act European: La contribution de treize think tanks européens au trio des présidences française, tchèque et suédoise de l'Union européenne. Paris: Fondation pour l'innovation politique, 2008.
Find full textPompidou, Centre Georges, ed. Ni cygne ni lune: Oeuvres tchèques 1950-2014 de la collection Claude et Henri de Saint Pierre = Neither swan nor moon : Czech art from the collection of Claude et Henri de Saint Pierre, 1950-2014. Paris: Éditions du Centre Pompidou, 2020.
Find full text1962-, Piqué Francesca, Stulik Dusan 1956-, and Getty Conservation Institute, eds. Conservation of the Last Judgment mosaic, St. Vitus Cathedral, Prague. Los Angeles: Getty Conservation Institute, 2005.
Find full textBook chapters on the topic "Art tchèque"
Kotherová, Zuzana, and Michel Perottino. "Covid-19 du meilleur au pire: la gestion de crise à la tchèque." In L’Europe centrale face à la pandémie de Covid-19. De la transformation anthropologique vers la recomposition géopolitique, 151–63. University of Warsaw Press, 2022. http://dx.doi.org/10.31338/uw.9788323557623.pp.151-163.
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