Books on the topic 'Art – political aspects – rome'

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1

Loskoutoff, Yvan. Rome des Césars, Rome des papes: La propagande du cardinal Mazarin. Paris: Champion, 2007.

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2

Dardenay, Alexandra. Les mythes fondateurs de Rome: Images et politique dans l'Occident romain. Paris: Picard, 2010.

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3

Griechische Kunstwerke im politischen Leben Roms und Konstantinopels. Berlin: De Gruyter, 2014.

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4

Mainardi, Patricia. Art and politics of the Second Empire: The universal expositions of 1855 and 1867. New Haven: Yale University Press, 1987.

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5

Yonan, Michael Elia. Empress Maria Theresa and the politics of Habsburg imperial art. University Park, Pa: Pennsylvania State University Press, 2011.

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6

Bardill, Jonathan. Constantine, divine emperor of the Christian golden age. Cambridge: Cambridge University Press, 2011.

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7

translator, Cohen Mitch 1952, ed. Contemporary Indonesian art: Artists, art spaces, and collectors. Copenhagen: NIAS Press, 2017.

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8

Lundberg, Jon Eirik. Den politiske kunst: Political art. Edited by Læsø Kunsthal. Læsø: Læsø Kunsthal, 2019.

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9

Hamou, Joachim, Maija Rudovska, and Barbara Sirieix. Active art. Paris: Paraguay Press, 2019.

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10

Project, Body, ed. CorpoRealities: In(ter)ventions in an omnipresent subject. Königstein/Taunus: U. Helmer, 2004.

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11

1948-, Adams Dennis, John Weber Gallery, and Washington University (Saint Louis, Mo.). Gallery of Art., eds. The Political arm. New York, NY: John Weber Gallery, 1991.

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12

Hedley, Leslie Woolf. Art & politics. Sonoma, CA: eXile press, 1994.

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13

Leberl, Jens. Domitian und die Dichter: Poesie als Medium der Herrschaftsdarstellung. Göttingen: Vandenhoeck & Ruprecht, 2004.

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14

Flower, Harriet I. The art of forgetting: Disgrace & oblivion in Roman political culture. Chapel Hill, NC: University of North Carolina Press, 2007.

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15

Groĭs, Boris. Art power. Cambridge, MA: MIT Press, 2008.

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16

McKay, Ian. Writings on art & politics. Southampton, United Kingdom: Hatchet Green Publishing, 2012.

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17

John, Roberts. Postmodernism, politics and art. Manchester, UK: Manchester University Press, 1990.

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18

John, Roberts. Selected errors: Writings on art and politics, 1981-90. London: Pluto Press, 1992.

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19

Mangone, Carlos. El manifiesto: Un género entre el arte y la política. Buenos Aires: Editorial Biblos, 1992.

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20

Antliff, Allan. Anarchy and Art. New York: Arsenal Pulp Press, 2009.

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21

McKee, Yates. Strike art!: Contemporary art and the post-Occupy condition. Brooklyn, NY: Verso, 2016.

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22

Sartwell, Crispin. Political aesthetics. Ithaca: Cornell University Press, 2010.

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23

Werner, Hofmann. Wegblicken: Zwölf Polemiken zur Kunst und ein Brief. Hamburg: Europäische Verlagsanstalt, 1993.

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24

Bourgineau, François. Art et argent: Les liaisons dangereuses. [Paris]: Hugo, 2009.

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25

Curnier, Jean-Paul. L' art ultimo: La démocratie prouvée par l'absurde. [Paris]: Sens & Tonka, 1997.

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26

1942-, Fisher Jean, ed. A certain lack of coherence: Writings on art and cultural politics. London: Kala Press, 1993.

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27

Tàpies, Antoni. La réalité comme art. Paris: D. Lelong, 1989.

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28

Samuels, Shirley. Facing America: Iconography and the Civil War. New York: Oxford University Press, 2004.

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29

Durana, Javier González de. Ideologías artísticas en el País Vasco de 1900: Arte y política en los orígenes de la modernidad. [Bilbao]: EKIN, 1992.

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30

Rome des césars, Rome des papes: La propagande du cardinal Mazarin. Paris: H. Champion, 2007.

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31

From republic to empire: Rhetoric, religion, and power in the visual culture of ancient Rome. Norman: University of Oklahoma Press, 2012.

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32

Pollini, John. From Republic to Empire: Rhetoric, Religion, and Power in the Visual Culture of Ancient Rome. University of Oklahoma Press, 2012.

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33

Rosillo-López, Cristina. Political Conversations in Late Republican Rome. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192856265.001.0001.

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We are familiar with the notion that the Roman political world of the Late Republic included lofty speeches and sessions of the Senate, but also need to remember that another important aspect of Late Republican politics revolved around senators talking among themselves, chatting in the corner. The present book intends to analyse senatorial political conversations and illuminate the oral aspects of Roman politics. It argues that Roman senators and their entourages met in person to have conversations in which they discussed politics, circulated political information, and negotiated strategies; this extra-institutional sphere had a relevant impact both on politics and institutions, as well as determining how the Roman Republic functioned. The main point of this book is to offer a new perspective on Roman politics through the proxy of conversations and meetings. Orality has represented an important component in analysis of Roman institutions: oratory before the people in assemblies and contiones, addresses and discussions in the Senate, speeches in the law courts. Orality was also crucial in rumours and public opinion. The present research posits that, in Rome, oral was the default mode of communication in politics, especially outside institutions. Only when they could not reach each other in person did Roman senators and their peers resort to letters. The book suggests that the study of politics should not be restricted to the senatorial group, but that other persons should be considered as important actors with their own agency (albeit in different degrees), such as freedmen and elite women.
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34

Mutilation and Transformation. 2004.

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35

Mainardi, Patricia. Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867. Yale University Press, 1990.

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36

Architecture and Politics in Republican Rome. Cambridge University Press, 2017.

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37

Kunimoto, Namiko. Stakes of Exposure: Anxious Bodies in Postwar Japanese Art. University of Minnesota Press, 2017.

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38

Premaratna, Nilanjana. Theatre for Peacebuilding: The Role of Arts in Conflict Transformation in South Asia. Palgrave Macmillan, 2019.

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39

Premaratna, Nilanjana. Theatre for Peacebuilding: The Role of Arts in Conflict Transformation in South Asia. Palgrave Macmillan, 2018.

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40

Bardill, Jonathan. Constantine, Divine Emperor of the Christian Golden Age. Cambridge University Press, 2015.

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41

Landes, Joan B. Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France. Cornell University Press, 2003.

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42

Landes, Joan B. Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France. Cornell University Press, 2001.

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43

Gavin, Francesca, Alain Bieber, and gestalten. Art of Protest: Political Art and Activism. Die Gestalten Verlag, 2021.

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44

Chandler, David P., Rita Smith Kipp, and Boreth Ly. Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide. University of Hawaii Press, 2019.

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45

Chandler, David P., Rita Smith Kipp, and Boreth Ly. Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide. University of Hawaii Press, 2019.

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46

Chandler, David P., Rita Smith Kipp, and Boreth Ly. Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide. University of Hawaii Press, 2020.

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47

Chandler, David P., Rita Smith Kipp, and Boreth Ly. Traces of Trauma: Cambodian Visual Culture and National Identity in the Aftermath of Genocide. University of Hawaii Press, 2019.

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48

Wole, Soyinka. Climate of art. 1986.

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49

Flower, Harriet I. Art of Forgetting: Disgrace and Oblivion in Roman Political Culture. University of North Carolina Press, 2011.

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50

Flower, Harriet I. Art of Forgetting: Disgrace and Oblivion in Roman Political Culture. University of North Carolina Press, 2011.

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