Dissertations / Theses on the topic 'Art patronage Australia History'
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Denholm, Michael. "Art magazines in Australia, 1963-1990 : a study of values, influence and patronage." Thesis, Canberra, ACT : The Australian National University, 1994. http://hdl.handle.net/1885/139448.
Full textHyde, Helen Michelle. "Early cinquecento popolare art patronage in Genoa, 1500-1528." Thesis, Birkbeck (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284407.
Full textWilliamson, Daniel. "Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947-1969." Thesis, New York University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10025620.
Full textThis dissertation examines the architectural patronage of a small cadre of industrialists, textile millowners, who controlled the city of Ahmedabad, India economically and politically between Indian independence in 1947 and 1968, the year communal riots shattered that city's self-image. It examines the role modern architecture played for these elites in projecting Ahmedabad as a modern, cosmopolitan city, though one steeped in a unique history and culture. On the one hand, modern architecture was used to promote the city as a node in the global network of capital and industry that developed after the Second World War. As such, most of the architects selected by these industrialists came from the ranks and institutions of the global modern movement, mirroring the industrialists' attempt to place the city's industry into global networks of capital and development. On the other hand, the millowners employed modern architecture as a way to naturalize Ahmedabad's sweeping social changes, so that they appeared as an inevitable outgrowth of Ahmedabad's and India's own history. In this, the modern architecture of Ahmedabad was suffused with references both to Ahmedabad's textile industry and India's imagined and historical past.
The first chapter examines projects that represent the industrialists' earliest overtures towards the global network of modern architects and institutions. The goal of the projects, which included an unbuilt store by Frank Lloyd Wright, a store inspired by Buckminster Fuller's geodesic domes, and Achyut Kanvinde's Gropius influenced ATIRA headquarters, was to instantiate a capitalist model of modernity in Ahmedabad through the fostering of consumer markets and the rationalization of industry. The second chapter delves further into the millowners' use of modern architecture for the instantiation of capitalist values and self-representation by comparing the city's two most famous modern projects: Louis Kahn's Indian Institute of Management and Le Corbusier's Millowners' Association Building.
The third and fourth chapters turn to the cultural and domestic sphere, exploring projects that negotiated modern, Indian identity in the public and private context. Cultural institutions by architects like Le Corbusier, Charles Correa, and Balkrishna Doshi interrogated the relationship between the elite's new vision for Ahmedabad and the city's history. Meanwhile houses by many of the same architects for industrialists showed a modern domesticity that negotiated between community, the joint family and the individual by fusing modern forms to older domestic spatial organizations.
This dissertation contributes to the growing body of research focused on the role modern architecture played in shaping postcolonial Indian identity and subjectivity. While previous research has often focused on the patronage of the socialist state, the examination of the patronage of an elite group of capitalists shows how modern architecture became the locus for debates about the direction of modern Indian society. Further, the dissertation's focus on capitalist patronage places this dissertation in a larger body of research that traces the connections between capital and modern projects, though such issues have rarely been explored in the Indian context.
Wardleworth, Dennis. "Building the modern corporation : corporate art patronage in interwar Britain." Thesis, Southampton Solent University, 2002. http://ssudl.solent.ac.uk/628/.
Full textLuxford, Julian M. "The art and architecture of English Benedictine monasteries, 1300 - 1540 : a patronage history /." Rochester, NY [u.a.] : Boydell Press, 2005. http://www.loc.gov/catdir/toc/fy0711/2006277759.html.
Full textFriesen, Alysha Brayer. "Etiquette and the Early Roman Christian Basilica: Questions of Authority, Patronage, and Reception." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/197991.
Full textM.A.
The genesis of the early Roman Christian basilica occurred at a moment of historical transition as the emperor and the empire began the process of converting to the Christian religion. Typically, this era has received scholarly treatment either as the end of a time in which the emperor held supremacy or the beginning of one dominated by bishops. The exact moment of `redefinition,' however, has rarely attracted attention because of the assertive oligarchies that bookended this transitional period, the Roman emperor and the Christian pontificate. Richard Krautheimer, who focused much of his attention on the historical figure of Constantine, promoted the idea that the basilica was Constantine's way of imbuing the Christian church with imperial authority and connotations; effectively, Constantine forever changed the shape of Christian churches. This explanation of the pivotal moment of genesis has been generally accepted and the moment of transition has not received much attention from scholars since. In my thesis I will focus primarily on this moment of transition. I will explore the political climate of the government, the authoritative hierarchy of the church, and the precedents of the very first early Roman Christian basilica, at the Lateran. The method that I will employ is the theory of etiquette, operating under the assumption that in every historical period, there is a general understanding of what is `fitting' and `appropriate.' Because of the paucity of material evidence and the unreliability of surviving primary sources, it is generally impossible to make incontestable statements about who was responsible for the early Roman Christian basilica, what they intended to convey to the Roman population, and how appropriate it would have been given the social decorum of the time. Thus, conclusions of this nature are not the primary focus of this thesis. Instead I will concentrate on reconstructing who the most appropriate agent of authority is, and how suitable the early Roman Christian basilica might have seemed.
Temple University--Theses
Sandoval, Laura. "Constructing Identity: Image-Making and Female Patronage in Early Modern Europe." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/149134.
Full textM.A.
This thesis will use a case study approach with the purpose of analyzing three female patrons from the early modern period, each serving as individual models for locating forms of identity and self-fashioning through the art they respectively commissioned. As women in unique positions of power, Isabella d' Este, the Marchioness of Mantua, Bess of Hardwick, the second wealthiest woman in Elizabethan England--second only to the queen--and Marie de' Medici, Queen of France, each constructed and maintained a visual program of self-identity through art and architecture. Through an examination of the patronage of these women from different geographical and chronological moments it becomes evident the way in which powerful women were especially capable of exploiting marital and familial circumstances. Twentieth-century Renaissance scholarship has been greatly influenced by the study of individuality and by an effort to understand a uniquely Renaissance experience and manufacturing of identity. I have selected these three particular patrons, from three distinct countries and generations of the early modern period to draw out similarities in their collective experience as women in positions of power. The notion of constructing identity through patronage will be explored in an effort to locate the common factors that further illustrate the fact that in the Renaissance both the internal, subjective experience of self and the more objective experience of collective social, political and religious forces be considered to create a cohesive explanation of the Renaissance formation of identity.
Temple University--Theses
Spraggs-Hughes, Amanda. "The Politics of Patronage| Cultural Authority and the Collections of the Earls of Pembroke at Wilton House." Thesis, Southern Illinois University at Edwardsville, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10191789.
Full textThis paper examines the cultural and material history of early Modern Britain as demonstrated through the art acquisitions and art and architectural commissions of the Earls of Pembroke at Wilton House in Wiltshire.
By examining the collection of the 4th Earl, it is demonstrated that the cultural authority was firmly in the hands of the monarchy. With the Civil War and subsequent execution of Charles I in 1649, the previously held power of the monarch as central artistic authority was diminished. This is demonstrated in the collection of Philip’s grandson Thomas, 8 th Earl of Pembroke. The nature of Thomas’s collection and role in the scientific enlightenment in England suggest that cultural authority has shifted away from the monarchy to science and the academy.
The examination of the primary source materials for this project is supported by the usage of Omeka, a web based archiving and presentation tool used by archives and museums field of digital humanities.
Eluwawalage, Damayanthie. "History of costume : the consumption, governance, potency and patronage of attire in colonial Western Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/830.
Full textNorris, R. Mae. "Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600)." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.
Full textHarvie, Ron. "The spectre of Buckingham : art patronage and collecting in early Stuart England." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35895.
Full textAfter a review of the general historiographical material on Buckingham as well as his evaluation by art historians over the years, Chapter I presents an analysis of the concept and role of Favourite in social and cultural terms. It goes on to detail Buckingham's personal position within early Stuart court culture, and argues that while this culture formed and defined him, he simultaneously re-formed and redefined it through his choices and actions.
Chapter II examines the dynamics of art patronage and Buckingham's activity as a patron, beginning with his early dealings with the native English painter, William Larkin. The relationship of Buckingham and the young Anthony Van Dyck is discussed, with parlicular attention to the artist's brief visit to England in 1620--21, and it is suggested that Buckingham was instrumental in bringing about this event. The Duke's dealings with the controversial polymath, Balthazar Gerbier, are explored, as are his many-layered connections with the premier painter of the day, Peter Paul Rubens.
In Chapter III the traditions of art collecting, especially in England are discussed, as is Buckingham's reputation as a collector compared to some of his rivals in the field. The extant documentation of his collection is examined, along with the chronology and methodology of its formation. Particular attention is given to gifts of art to Buckingham by King Charles, the Earl of Arundel and others; the art-buying by Buckingham's agents like Balthazar Gerbier; and the incorporation by the Duke into his own inventory of parts of other collections such as that of the Duke of Hamilton and, more importantly, that of Rubens.
Both in the realm of court culture and in the world of art patronage and art collecting, it was Buckingham more than anyone else who supplied the energy and set the fashion. And he continued to do so even after his premature death: the Duke's image remained bright in the memory of King Charles, whose subsequent expanded relationships with Rubens and Van Dyck owe much of their intensity to both artists' previous connections with Buckingham.
Thorn, Jed M. "The Italic Patronage of Early Apulian Red-Figure." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276528404.
Full textMariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.
Full textDiMarzo, Michelle. "With a Merchant's Eye: The Mecenatismo of Paolo Cassotti." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/89816.
Full textM.A.
This thesis examines the patronage strategies of Paolo Cassotti, a wealthy wool merchant living in Venetian-dominated Bergamo in the early Cinquecento. Cassotti challenged the rigid class structure of Bergamasque society, first through his conspicuous artistic and architectural patronage within the city walls, and then by constructing a suburban villa: the Villa Zogna, a graceful example of early Renaissance architecture that was unique in Bergamo. In 1512 he hired a local artist, Andrea Previtali, who had trained with Giovanni Bellini in Venice, to adorn the villa with a fresco cycle depicting the mechanical or practical arts. This thesis explores the ways in which Paolo Cassotti used Villa Zogna and its fresco cycle to shape a positive representation of himself and his fellow merchants as part of the foundation of an ordered, stable society, thereby accomplishing visually what he could not do socially.
Temple University--Theses
Kaercher, Julianne C. "Female duality and Petrarchan ideals in Titian's Sacred and profane love." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237842179.
Full textBorchardt-Hume, Achim. "The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Full textJewell, Kaelin. "Architectural Decorum and Aristocratic Power in Late Antique Rome, Constantinople, and Ravenna." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/526134.
Full textPh.D.
This dissertation explores in the ways in which decorum, or the appropriateness of form and behavior, served as an underlying principle in the patronage, design, and construction of monumental architecture, sculpture, and inscriptions by the aristocratic elite of late antique urban environments. Throughout the dissertation, I deliberately turn my attention away from imperial buildings like Emperor Justinian's (r. 527-565) Hagia Sophia and towards those projects financed by aristocrats and elites, with a focus placed upon those associated with the gens Anicii and their sphere. It is through the discussions of the built environments of Rome, Constantinople, and Ravenna in the fourth through sixth centuries CE, that my dissertation reveals the ways in which aristocrats and elites, like members of the gens Anicii and wealthy bankers like Julianus Argentarius, were able to concretize their power in periods of political change. Their employment of a decorum of architecture, based upon Vitruvian and Ciceronian ideals, demonstrates the central role these individuals played in the shaping of the visual culture of the late antique Mediterranean. It was through the patronage of statues and buildings that were thoughtfully dedicated, strategically located, and purposefully decorated that these wealthy patrons were able to galvanize their non-imperial authority. In historical moments wracked by war, plague, and political instability, the finance and construction of large-scale statuary on prominently inscribed plinths, as well as solid, immovable buildings afforded these elites with a sense of permanence and stability that, they hoped, would last in perpetuity.
Temple University--Theses
Twist, Rebecca L. "Patronage, devotion and politics: a Buddhological study of the Patola Sahi Dynasty's visual record." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1197663617.
Full textGibson, Lisanne, and L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections." Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.
Full textBerryman, James (Jim) Thomas. "From field to fieldwork : the exhibition catalogue and art history in Australia." Phd thesis, Canberra, ACT : The Australian National University, 2005. http://hdl.handle.net/1885/9528.
Full textBushnell, Taissa. "Thronis meis binis : validation through history in the court art of Charles IV." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31093.
Full textHoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.
Full textLoscher, Tricia, and Tricia Loscher. "Lone Wolf (Hart M. Schultz): Cowboy, Actor and Artist." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/621717.
Full textGustafson, Adam R. "The Artistic Patronage of Albrecht V and the Creation of Catholic Identity in Sixteenth-Century Bavaria." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1304703924.
Full textPopp, Nathan Alan. "Expressions of power: Queen Christina of Sweden and patronage in Baroque Europe." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1999.
Full textMaye, Kira. "Artificiality in Mannerism: the Influence of Self-fashioning." Thesis, Boston College, 2007. http://hdl.handle.net/2345/495.
Full textDespite a surge of scholarly and public interest in the mid-twentieth century, Mannerism remains an ill-defined and problematic period label. The first goal of my thesis is to define the style in its chronology and stylistic attributes. Noting its artificiality and the influence of self-fashioning, I identify its clearest definition in Giorgio Vasari's writing and art. Second, I discuss the use of the sophisticated style by the artist and his patron, Cardinal Alessandro Farnese, as a means of social advancement and legitimization. Finally, I analyze the iconography and style of the Sala dei Cento Giorni in the Palazzo della Cancelleria, Rome as the collaborative apex of the self-fashioning of Vasari and Farnese
Thesis (BA) — Boston College, 2007
Submitted to: Boston College. College of Arts and Sciences
Discipline: Fine Arts
Discipline: College Honors Program
Paris, Lisa. "Visual arts history and visual arts criticism : Applications in middle schooling." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1240.
Full textHayden, Margaret. "The Medici Example: How Power Creates Art and Art Creates Power." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3917.
Full textSbisa', Tiziana. "The Cathedral at Nicosia in the Age of Frederick II and Louis IX: Issues of Patronage, Structure, and Meaning." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1243841684.
Full textTitle from PDF (viewed on 2009-11-23) Department of Art History Includes abstract Includes bibliographical references and appendices Available online via the OhioLINK ETD Center
Blomström, André. "Renässansens "Power Couple" : Det äktenskapliga mecenatskapet mellan Piero di Cosimo de’ Medici och Lucrezia Tornabuoni." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-387417.
Full textMacDonald, Deanna. "Acknowledging the "Lady of the house" : memory, authority and self-representation in the patronage of Margaret of Austria." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38227.
Full textMargaret of Austria was a highly conscientious patron and the art and architecture she commissioned intimately reflected her life. Chapter one introduces the historical facts of Margaret's life as well as issues affecting her patronage. Chapter two considers the monastery of Brou in Savoy as Margaret's architectural autobiography. Drawing on documentation and the building itself, it examines Margaret's involvement in Brou's creation. Chapter three looks at several of Margaret's other commissions such as her residence, the Palace of Savoy in Mechelen and the Convent of the Annunciate in Bruges. This chapter considers the potential goals of these projects, as ambitious as founding a capital city, embellishing her authority as a ruler, or attaining sainthood. Chapter four turns to Margaret's self-portraits, that is, images she commissioned of herself. Created in several mediums for a variety of audiences (including herself), Margaret's self-portraits portray her as everything from a widow to a goddess to a saint. Each image was designed for a specific audience and demonstrates Margaret's understanding of the function of images in negotiating a place in the contemporary world and history. Chapter five presents Margaret's view of herself as one of the rulers of a New World Empire with her pioneering collection of artefacts from the Americas. The conclusion considers the unique image of Margaret of Austria that emerges from her commissions.
Garner, Aubry C. "Transmutation and Metamorphosis through the Work of Bartholomeus Spranger and the Patronage of Rudolf II." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462534898.
Full textWashington, Tiffany Elena. "Selling Art in the Age of Retail Expansion and Corporate Patronage: Associated American Artists and the American Art Market of the 1930s and 1940s." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1349292575.
Full textMorford, Michael David. "CARVING FOR A FUTURE: BACCIO BANDINELLI SECURING MEDICI PATRONAGE THROUGH HIS MUTUALLY FULFILLING AND PROPAGANDISTIC “HERCULES AND CACUS”." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1238622957.
Full textTitle from PDF (viewed on 30 July 2009) Department of Art History Includes abstract Includes bibliographical references Available online via the OhioLINK ETD Center
Rossi, Alana. "An archaeological re-investigation of the Mulka's Cave Aboriginal rock art site, near Hyden, Southwestern Australia." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2010. https://ro.ecu.edu.au/theses/1884.
Full textKitchen, Stacie Lauren. "Preferences of Patronage in the Portraits of Cosimo I de' Medici." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1310853430.
Full textCox, Maureen Elizabeth. "The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4657.
Full textDunham, Amy. "Towards Collaboration: Partnership Between Indigenous and Non-Indigenous Australians in Art from 1970 to the Present." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306498911.
Full textRen, Wei. "The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930)." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17465116.
Full textHistory of Art and Architecture
Westwood, Jill. "Hybrid creatures : mapping the emerging shape of art therapy education in Australia." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/6318/.
Full textMoore, Katharine T. "Al-Andalus, the Umayyads, and Hispano-Islamic Art:The Influence of the Abbasids and Northern Christians on the Art of Muslim Patronage in the Iberian Peninsula from the 8th to 11th Centuries." Walsh University Honors Theses / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=walshhonors1587323490141253.
Full textHammond, Joseph. "Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.
Full textDunlap, Heather K. "A Study of American Collecting Styles and Their Impact on American Museums: an Intimate View of the Havemeyer, Stein, Cone, and Phillips Collection." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342806081.
Full textBoyington, Amy. "Maids, wives and widows : female architectural patronage in eighteenth-century Britain." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271383.
Full textWicks, Keren. ""Teaching the art of living" : the development of special education services in South Australia, 1915-1975 /." Title page, table of contents and abstract only, 2000. http://web4.library.adelaide.edu.au/theses/09PH/09phw6367.pdf.
Full textTrue, Thomas-Leo Richard. "Power and place : the Marchigian Cardinals of Sixtus V." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.
Full textGrant, Sarah. "Representations of the princesse de Lamballe (1749-1792) : the portraiture, patronage and politics of a royal favourite at the court of Marie-Antoinette." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1797d7c6-5c22-44a9-8ab3-adfcddfd43fc.
Full textSandoval, Elizabeth Marie. "Chromatic Ascent: A Visual Exegesis of the Elevation of the Host in the Breviary of Margaret of Bavaria." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338384440.
Full textCarroll, Rachel Art College of Fine Arts UNSW. "What kind of relationship with nature does art provide?" Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43308.
Full textSherman, Allison M. "The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.
Full text