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Books on the topic 'Art patronage Australia History'

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Author: Grafiati

Published: 10 December 2022

Last updated: 30 January 2023

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1

Arguing the arts: The funding of the arts in Australia. Ringwood, Vic., Australia: Penguin Books, 1985.

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2

Goldberg, Edward L. AfterVasari: History, art, and patronage in late Medici Florence. Princeton, N.J: Princeton University Press, 1988.

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3

Guido, Rebecchini, ed. The art of Mantua: Power and patronage in the Renaissance. Los Angeles: J. Paul Getty Museum, 2008.

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4

After Vasari: History, art, and patronage in late Medici Florence. Princeton, N.J: Princeton University Press, 1988.

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5

Banz, Claudia. Höfisches Mäzenatentum in Brüssel: Kardinal Antoine Perrenot de Granvelle (1517-1586) und die Erzherzöge Albrecht (1559-1621) und Isabella (1566-1633). Berlin: Gebr. Mann, 2000.

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6

Graft, Carla. Kunst in nood: Haagse kunstliefhebbers en hun initiatieven voor steun aan noodlijdende beeldend kunstenaars, 1922-1940. Delft: Eburon, 2008.

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7

Rodríguez, José Concepción. Patronazgo artístico en Canarias durante el siglo XVIII. Las Palmas de Gran Canaria: Cabildo Insular de Gran Canaria, 1995.

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8

Graft, Carla. Kunst in nood: Haagse kunstliefhebbers en hun initiatieven voor steun aan noodlijdende beeldend kunstenaars, 1922-1940. Delft: Eburon, 2008.

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9

Sinclair, Andrew. The need to give: The patron and the arts. London: Sinclair-Stevenson, 1990.

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10

Tra Modena e Roma: Il mecenatismo artistico nell'età di Cesare d'Este (1598-1628). Firenze: Edifir edizioni, 2012.

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11

Für Königtum und Kunst: Die Kunstförderung König Ludwigs I. von Bayern. München: Beck, 2013.

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12

Ranieri, Varese, ed. Le due muse: Scritti d'arte, collezionismo e letteratura in onore di Ranieri Varese. Ancona, Italia: Il lavoro editoriale, 2012.

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13

Sabine, Poeschel, ed. Zwischen Lust und Frust: Die Kunst in den Niederlanden und am Hof Philipps II. von Spanien (1527-1598). Köln: Böhlau, 2013.

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14

Borean, Linda. La quadreria di Agostino e Giovan Donato Correggio nel collezionismo veneziano del Seicento. Udine: Forum, 2000.

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15

Manuel Rivero: Los encargos artísticos de un mercader andaluz del siglo XVIII. [Huelva]: Diputación de Huelva, Servicio de publicaciones, 2005.

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16

L'immagine del rigore: Committenza artistica di e per Pio V a Roma e in Lombardia. Pavia: Collegio Ghislieri, 2012.

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17

Manikowska, Ewa. Sztuka, ceremoniał, informacja: Studium wokół królewskich kolekcji Stanisława Augusta. Warszawa: Zamek Królewski w Warszawie, 2007.

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18

Assenze e presenze: Opere, artisti, committenti a Catania nel XVII secolo. Catania: G. Maimone, 2011.

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19

Borean, Linda. La quadreria di Agostino e Giovan Donato Correggio nel collezionismo veneziano del Seicento. Udine: Forum, 2000.

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20

Maceda, Sofía Karina Pachas. Los concursos de arte Concha (1890-1917). Lima, Perú: Seminario de Historia Rural Andina, Universidad Nacional Mayor de San Marcos, 2006.

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21

1266?-1337, Giotto, ed. Giotto and his publics: Three paradigms of patronage. Cambridge, Mass: Harvard University Press, 2011.

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22

Mecenati e musici: Documenti sul patronato artistico dei Bentivoglio di Ferrara nell'epoca di Monteverdi (1585-1645). Lucca: Libreria musicale italiana, 1999.

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23

1966-, Periti Giancarla, ed. Drawing relationships in northern Italian Renaissance: Patronage and theories of invention. Burlington, VT: Ashgate, 2004.

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24

Munson, Lynne. Exhibitionism: Art in an era of intolerance. Chicago: Ivan R. Dee, 2000.

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25

Buller, Fagg William, Vogel Susan Mullin, Thompson Carol 1954-, Center for African Art (New York, N.Y.), and Museum of Fine Arts, Houston., eds. Africa and the Renaissance: Art in ivory. New York City: Center for African Art, 1988.

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26

Dippie, Brian W. Catlin and his contemporaries: The politics of patronage. Lincoln: University of Nebraska Press, 1990.

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27

Die Leidenschaft des Königs: Ludwig I. und die Kunst. München: C.H. Beck, 2014.

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28

Reinhardt, Volker. Florenz zur Zeit der Renaissance: Die Kunst der Macht und Botschaft der Bilder. Freiburg: Ploetz, 1990.

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29

Pace, Valentino. Arte a Roma nel Medioevo: Committenza, ideologia e cultura figurativa in monumenti e libri. Napoli: Liguori, 2000.

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30

Braunschweig, Herzog Anton-Ulrich-Museum, ed. Reiz der Antike: Die Braunschweiger Herzöge und die Schönheiten des Altertums im 18. Jahrhundert. Petersberg: M. Imhof, 2008.

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31

Warnke, Martin. Artisti di corte: Preistoria dell'artista moderno. Roma: Istituto della Enciclopedia Italiana fondata da Giovanni Treccani, 1991.

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32

Women, art, and architecture in northern Italy, 1520-1580: Negotiating power. Burlington, VT: Ashgate, 2006.

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33

Farbaky, Péter. Szatmári György, a mecénás: Egy főpap műpártoló tevékenysége a Jagelló-kori Magyarországon. Budapest: Akadémiai Kiadó, 2002.

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34

Geld, Kunst, Macht: Eine Kölner Familie zwischen Mittelalter und Renaissance. Köln: Greven Verlag, 2012.

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35

Sánchez-Bordona, María Dolores Campos. Arquitectura y mecenazgo de la casa de Grajal de Campos. León: Universidad de León, Secretariado de Publicaciones, 1995.

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36

Warnke, Martin. The court artist: On the ancestry of the modern artist. Cambridge: Cambridge University Press, 1993.

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37

Popescu, Florentin. Ctitorii brâncovenești. 2nd ed. Târgoviște: Editura Bibliotheca, 2004.

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38

Pöthe, Angelika. Carl Alexander: Mäzen in Weimars "Silberner Zeit". Köln: Böhlau, 1998.

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39

Antista, Giuseppe. Alla corte dei Ventimiglia: Storia e committenza artistica : atti del convegno di studi (Geraci Siculo, Gangi, 27-28 giugno 2009). Geraci Siculo (Palermo): Arianna, 2009.

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40

Alla corte dei Ventimiglia: Storia e committenza artistica : atti del convegno di studi (Geraci Siculo, Gangi, 27-28 giugno 2009). Geraci Siculo (Palermo): Arianna, 2009.

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41

Macht und Moral des Schenkens: Staat und bürgerliche Mäzene vom späten 18. Jahrhundert bis zur Gegenwart. Berlin: Fannei & Walz, 1999.

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42

Hofkünstler: Zur Vorgeschichte des modernen Künstlers. Köln: DuMont, 1985.

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43

Mecenati, artisti e pubblico nel Rinascimento: Atti del XXI convegno internazionale (Pienza-Chianciano Terme 20-23 luglio 2009). Firenze: F. Cesati, 2011.

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44

Daniela, Gallavotti Cavallero, ed. Vecchia e nuova aristocrazia a Roma e nel Lazio in età moderna: Strategie economiche e del consenso. Roma: Nuova Argos, 2006.

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45

Bodart, Diane. Tiziano e Federico II Gonzaga: Storia di un rapporto di committenza. Roma: Bulzoni, 1998.

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46

Warnke, Martin. The court artist: On the ancestry of the modern artist. Cambridge: Cambridge University Press, 1993.

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47

Isaacs, Jennifer. Tiwi: Art, history, culture. Carlton, Vic: Miegunyah Press, 2012.

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48

Farnese: Duchi di Piacenza e Parma, signori del Rinascimento e del Barocco. Milano: Skira, 2013.

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49

Research, Society for Theatre, ed. "By Their Majesties' command": The House of Hanover at the London theatres, 1714-1800. London: Society for Theatre Research, 1991.

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50

Manni, Graziano. Mobili in Emilia: Con una indagine sulla civiltà dell'arredo alla corte degli Estensi. Modena: Artioli, 1986.

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