Academic literature on the topic 'Art – Océanie'
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Journal articles on the topic "Art – Océanie":
Bounoure, Gilles. "Compte rendu de Objets d’art et art de l’objet en Océanie, de Dominique Barbe et al. (éds)." Journal de la société des océanistes, no. 138-139 (December 15, 2014): 244–46. http://dx.doi.org/10.4000/jso.7169.
LECLERCQ, Jean. "L’ art comme lieu du sens et de la vérité corporelle chez Henry Bauchau." Revue internationale Henry Bauchau. L’écriture à l’écoute, no. 2 (December 1, 2009): 99–110. http://dx.doi.org/10.14428/rihb.v0i2.16883.
Fizaine, Jean-Claude. "Chantiers et Océan." Romantisme 20, no. 69 (1990): 139–42. http://dx.doi.org/10.3406/roman.1990.5686.
Douglas, Bronwen. "L'idée de « race » et l'expérience sur le terrain au xixe siècle : science, action indigène et vacillations d'un naturaliste français en Océanie." Revue d'Histoire des Sciences Humaines 21, no. 2 (2009): 175. http://dx.doi.org/10.3917/rhsh.021.0175.
Bertin, Marion. "Documenter et restituer : les objets sacrés océaniens et leurs substituts numériques." Culture & musées, no. 40 (December 1, 2022): 298–302. http://dx.doi.org/10.4000/culturemusees.9489.
Maes, Christophe. "Dispersion des plastiques marins flottants à la surface des océans." La Météorologie, no. 119 (2022): 053. http://dx.doi.org/10.37053/lameteorologie-2022-0084.
Godoy Pichón, Camilo. "Amorós, Mario. Rapa Nui. Una herida en el océano." Atenea (Concepción) 26, no. 523 (June 2021): 365–68. http://dx.doi.org/10.29393/atat523-426cgam10426.
Bertin, Marion. "Circulations et valeurs des objets océaniens dans les collections privées et publiques (1980-2020)." Culture & musées, no. 41 (September 1, 2023): 224–27. http://dx.doi.org/10.4000/culturemusees.10280.
Jiménez González, María Isabel. "globo aerostático que (no) cruzó el Atlántico por primera vez." VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual 9, Monográfico (November 10, 2022): 1–10. http://dx.doi.org/10.37467/revvisual.v9.3655.
Calderón Alcántar, Edgar Alejandro. "Gregorio Bartolomé Remacha (fl. 1715-1754): Rutas metodológicas para el redescubrimiento de un maestro de capilla." Anuario Musical, no. 67 (December 30, 2012): 19. http://dx.doi.org/10.3989/anuariomusical.2012.67.136.
Dissertations / Theses on the topic "Art – Océanie":
Rortais, Florence. "L' Art : interface d'un citoyenneté interculturelle : de l'accord de Nouméa à la Kaleutopia." Bordeaux 3, 2009. http://www.theses.fr/2009BOR30067.
This Art and Art Sciences Thesis places the Art at the heart of the societal and political research of a citizenship in New Caledonia. Indeed, it postulates that Art, observed and experienced at the edges of heterogeneous fields, is used as an interface for an intercultural citizenship. In this way, this Thesis is a creation research which, to verify its own postulate, was linked to three concepts based on a south-south point of view: the identity, the identity representation and the identity recognition. To structure these experimentations, this creation research was based on three artistic and cultural points that are clearly highlighted by the Agreement of Noumea. These points are: -the protection of the patrimony and its development, -the teaching and artistic practices and -the creation, the artistic dissemination and circulation of work. They led to six experimentations which allow this creation research to reveal an Oceanian fact and the interstitial culture present in New-Caledonia. The creation of these six interfaces also enabled, in an imaginative way, the creation of intercultural bridges from which it is possible to build a society that is more harmonious, in particular a democracy which accepts the plurality like a notebook with codes to build a better place : a Kaleutopia
Thénot, Elsa. "La création in situ en Océanie : géo-esthétique et territoires urbains." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30010/document.
The work of this thesis revolves around the artistic and urban practices in four cities, in Australia and New Zealand. Those cities, Sydney, Melbourne, Auckland and Wellington are major artistic hubs in Oceania, and form the basis of a theoretical and empirical study. The first challenge is to locate and understand chronologically, through a Western artistic lens and its evolution, what are the inherent nuances of the in situ art. We will see how art produced extramurally, as represented in the United States and Europe (1960-1970), and noted on multiple accounts by artists, relied on various data: spatial, geomorphological, historical, human and contextual course. This understanding will lead us to the first example of space turning or geospatial art or propensity, which can be viewed as out of its traditional frameworks – which is to the museum, to conquer new territories of registration. To address these postcolonial Pacific cities and the culture they devote to artistic creation, we will see how these two young nations have built and continue to build their identity. In light of the New Zealand biculturalism, the value of Maori culture and the place of the people, we are committed to see how extramural art is represented in Wellington and in more rural areas around Auckland. In Australia, in some examples, the historical facts have reinforced a sense of identity through specific examples of urban creation while in other areas the historical contexts lead to politically charged issues; such is the case of the event Sculpture by the Sea. To what extent can a region, through its first four cities, lead us to rethink the in situ expression and geo-aesthetic that emerges? This study based on observation and cross disciplinary theoretical approaches and argues that the tendency of cities to reinvent worlds, regenerate through art until, is in some respects, a true territorial tool. I propose different readings to further understand how singular forms of aesthetics emerge as part of a proactive planning on redesigning the face of the city. Then it will show through best practices, how art, in the Pacific cities, changes space and emphasizes history and can become detached of context. This body of work is pertinent given the historical identity priority of Pacific cultures, and the contemporary multiculturalism and use of space will shed light on the expression of a specific urban geo-aesthetics. Intercultural connections between vernacular indices (patterns, gestures, shapes) and contemporary mediums attest to a geographicity art between narrative interpretation of places, symbol and emancipation
Schild, Tamara. "Stratégies de création de valeur dans une maison de ventes aux enchères : ethnographie d'un département d'art africain et océanien." Electronic Thesis or Diss., Paris, EHESS, 2023. http://www.theses.fr/2023EHES0187.
Since the mid-2000s, international auction houses Christie’s and Sotheby’s have focused on building a high-end market for African and Oceanic art at auction. In just a few years, they have become major players in this market. They introduced new standards for pricing, attracting a new clientele, and establishing a commercial agenda. This evolution was facilitated by the liberalization of the French auction market at the turn of the 21st century, which allowed them to enter this historic marketplace for African and Oceanic art. Additionally, the growing presence of modern art and contemporary art collectors in this niche market have provided cross-selling opportunities. In this context, this research investigates the main strategies implemented by the staff of an international auction house to increase the economic value and desirability of African and Oceanic artworks, and thus ensure the sustainability of this auction category. The study involved six months of participant observation of activities in the specialist department, expert interviews, and qualitative and quantitative analysis of 180 sales catalogs. Through a diachronic analysis of the department’s development since its inception in the mid-1970s, the study was able to highlight the role of three generations of specialists involved in the marketing of these arts at auction, and thus shed light on the valuation power of these little-studied intermediaries. In the second section, using the extended case study and the situational analysis methods developed by M. Gluckman and C. Mitchell, this work has revealed, from a synchronic point of view, the strategies of auction staff in the major stages of preparing an auction sale. In light of these results, the auction house emerges as a sphere of valuation structured by different vectors. The auction house is deeply marked by its aristocratic origins, which have brought ongoing hierarchy and exclusivity to both people and objects. It is also influenced by a "gambling logic" which remains controlled by a strong rationalization of the value chain. This rationalization seems to make it even more necessary to emphasize emotion and create a discourse of passion specific to the art world, in order to enchant the public
Seit Mitte der 2000er Jahre arbeiten die internationalen Auktionshäuser Christie’s und Sotheby’s am Aufbau eines High-End-Marktes für afrikanische und ozeanische Kunst. Innerhalb weniger Jahre sind sie zu den wichtigsten Akteuren in diesem Markt geworden. Sie haben neue Industriestandards, höhere Preise für bestimmte Werke und eine neue Kundschaft eingeführt. Diese Entwicklung wurde durch die Liberalisierung des französischen Auktionsmarktes zu Beginn des 21. Jahrhunderts begünstigt, wodurch sie diesen historischen Marktplatz erschließen konnten. Das Auftreten bedeutender Sammler moderner und zeitgenössischer Kunst in diesem Nischenmarkt hat Möglichkeiten für Querverkäufe geschaffen. Vor diesem Hintergrund untersucht die vorliegende Arbeit die wichtigsten Strategien, die von den Mitarbeitern eines internationalen Auktionshauses angewendet werden, um den ökonomischen Wert und die Begehrlichkeit der gehandelten Werke zu steigern und den Fortbestand dieser Auktionskategorie zu sichern. Die Forschung stützt sich auf eine sechsmonatige teilnehmende Beobachtung ihrer Tätigkeit, Experteninterviews sowie eine qualitative und quantitative Auswertung von 180 Auktionskatalogen. Durch eine diachrone Analyse der Entwicklung der Abteilung seit ihrer Gründung Mitte der 1970er Jahre wird die Rolle dreier Generationen von Spezialisten, die an der Vermarktung dieser Kunst beteiligt waren, hervorgehoben und so die Wertschöpfungsmacht dieses noch wenig erforschten Marktvermittlers beleuchtet. Im zweiten Teil der Arbeit werden anhand der von M. Gluckman und C. Mitchell entwickelten Methoden der erweiterten Fallstudie und der Situationsanalyse die Strategien dieser Akteure in den wichtigsten Phasen der Auktionsvorbereitung aus synchroner Sicht dargestellt. Im Lichte dieser Ergebnisse erweist sich das Auktionshaus als eine durch verschiedene Vektoren strukturierte Wertschöpfungssphäre. Zum einen ist das Auktionshaus von seinem aristokratischen Ursprung geprägt, der eine Hierarchisierung und Exklusivität sowohl der Personen als auch der Objekte mit sich bringt. Es wird aber auch von einer Logik des Gambling angetrieben, die durch eine starke Rationalisierung der Wertschöpfungskette abgesichert wird. Diese Rationalisierung macht es wiederum notwendig, auf einen Diskurs der Leidenschaft zurückzugreifen, der dem Kunstbereich eigen ist, um die Möglichkeit der Verzauberung des Publikums zu gewährleisten
Doyen, Audrey. "Les relations entre les musées d'ethnographie et les marchés de l'art africain et océanien en France, en Suisse et en Belgique : construire la valeur et s'approprier l'altérité." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA099/document.
This PhD thesis presents the valuation of ethnographic object through the prism of their circulation between two stakeholders : art markets and ethnographic museums. No scientific research has so far looked in depth at the relation between this two actors in the tribal art’s field, except to describe or criticise the specific case of the Musée du quai Branly-Jacques Chirac’s foundation.My research mobilising anthropology and museology is based on intensive fieldwork with galleries, auction houses and museums in Switzerland, France and Belgium between 2013 and 2017. The comprehensive analysis shows the territorial issues between this different stakeholders and highlights the increase in events both in museums and markets. My research also draws a portrait of the market, its functionning and its hierarchies and proposes a typology of the different relations and actors. The main objective was to understand the process of fixing an object’s value. In a market dominated by speculation and a lot of arbitrariness, I highlight that this value is intrinsically linked to the control of information. Finally, the analysis shows the « how-to-think » and processes developped by all the actors in the field to rationalise some of these speculative practices. I hope I have emphasised in this work the new forms of production, appropriation, consumption and the valorisation of otherness by our society today
Cayrol-Baudrillart, Françoise. "La céramique en Mélanésie du Sud, fonction ou statut ? : le cas des Naamboï de Maleluka, une approche ethno-archéologique." Paris 1, 1993. http://www.theses.fr/1993PA010585.
An ethno-archaeological approach to melanesian ceramic. A sociological analysis of the ceramic status of, starting from an ethnographical corpus examinated in the early XXth century by Bernard Deacon and concerning the south-werstern societies of Malekula (the Vanuatu archipelago). This study aims at defining the place given to ceremonial ceramics in the representations of Melanesian societies, in relation with the different values of these societies, and to understand what type of relations they maintained with these objects and the original funeral sites where fertility or fecondity rites took place. Completing this work is an analysis of different approaches to ceramics of oceania (notably of the lapita type), and a study of various rituals so-called "graded societies"
Bendel, Valérie. "Cadre géologique et composition des minéralisations hydrothermales en contexte arrière-arc : exemple de la dorsale du bassin nord fidjien (sud ouest Pacifique)." Brest, 1993. http://www.theses.fr/1993BRES2003.
Satsukawa, Takako. "Interactions magma-roche, déformation à haute température et anisotropie sismique dans le manteau de la transition continent-océan et dans la lithosphère océanique." Thesis, Montpellier 2, 2012. http://www.theses.fr/2012MON20014/document.
This thesis compiles two distinct studies that both document the control of microstructures on rock seismic properties. The first part deals with the development of crystallographic preferred orientations (CPO) in the uppermost mantle associated with melt/fluid-rock interactions, recorded in peridotites xenoliths from the Japan sea back-arc basin. The microstructural and geochemical characteristics of the studied samples reveal that active spreading is associated to uppermost mantle deformation similar to that observed in the Oman ophiolite. At the onset of back-arc spreading, there are no strong interactions between melt percolation and deformation in comparison to continental rift zones, probably due to the relatively small size and short duration of the spreading event. The second part presents a unique database of plagioclase CPO from variously deformed mafic rocks. CPO are grouped in three main types; their characteristics as a function of deformation regime (magmatic or crystal-plastic) are outlined and discussed. Calculated seismic properties of gabbroic rocks show that anisotropy tends to increase as a function of fabric strength, although it is generally weak, due to the competing effect of olivine/clinopyroxene and plagioclase
Viellard-Cazaumayou, Sophie. "La circulation des objets océaniens en Occident : contribution à une analyse anthropologique du marché de l'art primitif en France." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0190.
Until recently, the anthropology research hasn't paid much attention to the tribal art market. Yet the study enriches, not only the knowledge of the french collections but also grasping the process of the value from the "curios" to art. Furthermore, we can see a different approach of exchange system. South Sea objets circulating in the Occident are useful for the understanding of tha market specificity. The growing media coverage in the 20 th century showed the emerging of these goods in the art market and especially in the auctions. The speeches of the actors specializing in that field also bring a multitude of informations to grasp the commercial manipulation of these items. This is discernible in the multiplication of references linked to the authenticity and rarefaction of the object. In addition, these also bring the collectors to keep the object as a sacred thing. However, item which became inalienable in Occident is sometimes underlying goods of oceanian identity and culture. This increases the problem of legitimacy of the possession and restitution of this object
Rortais, Florence. ""L'Art : Interface d'une citoyenneté interculturelle De l'accord de Nouméa à la Kaleutopia"." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2009. http://tel.archives-ouvertes.fr/tel-00474844.
Lemaire, d'Agaggio Nicole. "Les sciences exactes inspiratrices des arts plastiques pendant la deuxième partie du vingtième siècle. II: Vue d'ensemble sur l'état actuel des relations entre les sciences et les arts plastiques." Paris 6, 1986. http://www.theses.fr/1986PA066266.
Books on the topic "Art – Océanie":
Christiane, Falgayrettes-Leveau, Cutsem Anne van, and Musée Dapper (Paris France), eds. L'art d'être un homme: Afrique, Océanie. Paris: Musée Dapper, 2009.
Herreman, Frank. Océanie: Signes de rites, symboles d'autorité. Bruxelles: ING Belgique, 2008.
Herreman, Frank. Océanie: Signes de rites, symboles d'autorité. Bruxelles: ING Belgique, 2008.
(Firm), Drouot-Richelieu. Archéologie, orientalisme, arts d'Orient, Océanie, Haute Époque. Paris: Picard Audap Solanet Velliet, 2003.
1948-, Barbier Jean-Paul, Musée du quai Branly, and Réunion des musées nationaux (France), eds. Sculptures: Afrique, Asie, Océanie, Amériques. Paris: Réunion des musées nationaux, 2000.
Michel Pérez et René Zimmer Dominique Barbe. OBJETS D'ART ET ART DE L'OBJET EN OCÉANIE - Actes du XXIe Colloque Corail. Paris: Editions L'Harmattan, 2013.
Berthet, Dominique. André Breton, l'éloge de la rencontre: Antilles, Amérique, Océanie. Paris: HC, 2008.
Antoni, Judit F. L'aristocrate et ses cannibales: Le voyage en Océanie du comte Festetics de Tolna, 1893-1896. Paris: Musée du quai Branly, 2007.
(Firm), Rossini. Art tribal: Art de l'Amerique précolombienne, égyptologie, antiquités du Bassin Mediterranéen, Afrique, Ethiopie, Océanie, Indonésie, Himalaya, documentation sur les arts primitifs; collection de Madame F. (Montpellier), de Monsieur X. (Paris) et à divers. Paris: Rossini, 2002.
SA, Sotheby's France. Art Africain et Océanien. Paris: Sotheby's, 2003.
Book chapters on the topic "Art – Océanie":
Cabrera Luna, Edgard Enrico, and José Luis Blanco García. "Investigación oceanográfica conjunta en la región Pacífico sudeste y su proyección." In Anuario Científico CCCP 1984 - 2000, 28–35. Direccion General Maritima - DIMAR, 2000. http://dx.doi.org/10.26640/anuario.cccp-2000.art4.
Shtutin, Leo. "Spatialized Subjects." In Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck, and Jarry, 158–87. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198821854.003.0005.
Conference papers on the topic "Art – Océanie":
Guillouzouic, Brendan, François Pétrié, Vincent Lafon, and Fabien Fremont. "Experimental and Numerical Study of the Influence of Drag Coefficient on Snap Loads in Mooring Lines of a Floating Offshore Wind Turbine." In ASME 2021 40th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/omae2021-60794.
Reports on the topic "Art – Océanie":
Montagut Cifuentes, Eduardo Alejandro, Robinson Fidel Casanova Rosero, Julián Mauricio Betancourt Portela, Juan Alberto Patiño Martínez, Cabrera Luna Edgard Enrico, and Blanco García José Luis. Anuario Científico CCCP 1984 - 2000. Direccion General Maritima - DIMAR, December 2000. http://dx.doi.org/10.26640/anuario.cccp-2000.
Lonin, Serguei A., Luis Alfredo Calero Hernández, Tuchkovenko Yuri S., Ricardo José Molares Babra, Jesús Antonio Garay Tinoco, María Teresa Vélez, Luis Alvaro Mendoza Mazzeo, et al. Anuario Científico CIOH 1975 - 2000. Direccion General Maritima - DIMAR, December 2000. http://dx.doi.org/10.26640/anuario.cioh-2000.