Academic literature on the topic 'Art néolithique'
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Journal articles on the topic "Art néolithique"
Bouakaze-Khan, Didier, and Benoît Poisblaud. "Art rupestre et Néolithique de l'Éthiopie. Découvertes récentes." Annales d'Ethiopie 16, no. 1 (2000): 39–53. http://dx.doi.org/10.3406/ethio.2000.960.
Full textHameau, Philippe. "Geste graphique et technicité." Anthropologie et Sociétés 36, no. 3 (February 19, 2013): 57–75. http://dx.doi.org/10.7202/1014165ar.
Full textPiau, Théophile, François Bétard, Fabienne Dugast, Gilles Arnaud-Fassetta, and Vincent Viel. "Dynamique géomorphologique holocène et occupation humaine dans le bassin-versant de l’Eure (Bassin de Paris, France) : potentiels d’une approche géoarchéologique multiscalaire et diachronique." Archimède. Archéologie et histoire ancienne 7 (June 9, 2020): 188–204. http://dx.doi.org/10.47245/archimede.0007.act.07.
Full textHadad, Rémi. "Inactualités de la révolution néolithique." L'Homme, no. 234-235 (October 14, 2020): 291–318. http://dx.doi.org/10.4000/lhomme.37622.
Full textMaucourant, Jérôme. "Le néo-institutionnalisme à l'épreuve de quelques faits historiques." Économie appliquée 56, no. 3 (2003): 111–31. http://dx.doi.org/10.3406/ecoap.2003.3109.
Full textPigeaud, Romain. "Passage, transformation et Art Schématique. L'exemple des Peintures Néolithiques du Sud de la France." L'Anthropologie 108, no. 2 (April 2004): 301–3. http://dx.doi.org/10.1016/j.anthro.2004.05.012.
Full textBouchette, Anne. "Limousin. Alimentation végétale et systèmes de production en Limousin du Néolithique à la Renaissance." Archéologie médiévale, no. 38 (December 1, 2008): 314. http://dx.doi.org/10.4000/archeomed.21184.
Full textBouchette, Anne. "Limousin. Alimentation végétale et systèmes de production en Limousin du Néolithique à la fin du Moyen Âge." Archéologie médiévale, no. 40 (December 1, 2010): 332. http://dx.doi.org/10.4000/archeomed.15803.
Full textJarrige, Jean-François. "Du néolithique à la civilisation de l'Inde ancienne : contribution des recherches archéologiques dans le nord-ouest du sous-continent indo-pakistanais." Arts asiatiques 50, no. 1 (1995): 5–30. http://dx.doi.org/10.3406/arasi.1995.1367.
Full textThuesen, Ingolf, and M. C. Cauvin. "Traces d'utilisation sur les outils néolithiques du Proche Orient, Table ronde CNRS, Lyon, 8-10 juin 1982." Journal of the American Oriental Society 106, no. 2 (April 1986): 362. http://dx.doi.org/10.2307/601615.
Full textDissertations / Theses on the topic "Art néolithique"
Lee, Sang-Mog. "Les gravures rupestres du site de Bangu-dae dans la partie méridionale de la péninsule coréenne." Paris, Muséum national d'histoire naturelle, 2003. http://www.theses.fr/2003MNHN0025.
Full textIn the Korean peninsula there is now 14 know rock art sites: they only have engravings obtained by pecking or scraping. Most of the sites have been noted over the last thirty years; before, only one site was knows, mentioned in old texts from the XVIth century. There types of sites can be distinguished from their material context and the environment surrounding them : vertical walls on the edge of a river, open air rocks, the slabs of dolmens or menhirs. The site of Bangu-dae is on the left bank of the Taewa, which runs east and joins the Sea of East. The site is like a cliff measuring around 3 m high and 10 m wide. Most of the engraved faced, of smooth reddish sandstone, are oriented toward the north. 231 representations, of which 170 figures are identifiable and 61 motifs unidentifiable, are observable. Representations of cetaceans are the most frequent, being 19, 9 % of the figures. There are also 25 artiodactyls, 23 carnivores, 6 tortoises, 3 birds, 2 pinnipeds, 2 fish, etc. From the abundant representations of marine animals, the site seems to be in close relation with hunter-fishers, attributed to the Neolithic era (between 6000 B. C. And 1000 B. C. )
Bleibtreu, Jasna. "Esthétique de la période néolithique en Bosnie-Herzégovine." Paris 1, 1995. http://www.theses.fr/1995PA010575.
Full textKhaled, Fatma Zohra. "La représentation du bubale antique dans l'art rupestre de l'Atlas saharien (Algérie)." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30070.
Full textAmong the carved animal figures that appeared in North Africa during prehistory, the antique buffalo, omnipresent throughout the Saharan Atlas during the Neolithic, features prominently.Our study focused on 141 of these hartebeest engravings, spread over the various links constituting the Saharan Atlas of which 79 have been studied by us on the spot. This study consolidates and analyses data scattered in multiple works, to which are added our discoveries which have enriched the record and expanded the spatial distribution of these engravings. This wealth is not only quantitative, it is also qualitative. This important spring stylistic, thematic and technical highlights the regional schools and Saharan influences. Our research has allowed a better understanding of the stylistic and iconographic traditions of figuration of this animal and allowed us to situate them in their chrono-cultural and geographical context.The representations of the antique buffalo whose developed some forms, involved in defining cultural provinces, reveal the investment and the choice of artists in a varied bestiary that was represented differently depending on the region and atlasiques schools
Gauvry, Yoann. "L' exploitation minérale à la protohistoire ancienne dans la moitié nord de l'Europe : émergence d'un art mineur." Paris 1, 2006. http://www.theses.fr/2006PA010568.
Full textRobin, Guillaume. "L'art pariétal des tombes à couloir néolithiques autour de la Mer d'Irlande : iconographie et organisation spatiale." Phd thesis, Université de Nantes, 2008. http://tel.archives-ouvertes.fr/tel-00360165.
Full textexclusivement de signes géométriques, considérés généralement comme abstraits et non structurés.
Une analyse spatiale révèle au contraire une réelle organisation des signes. Cette analyse, menée sur plus
de 630 dalles gravées, met en avant un grand nombre de récurrences dans l'association des signes, dans
leur positionnement sur les pierres ainsi que dans leur emplacement dans l'architecture complexe des
tombeaux. Il est ainsi possible de définir une véritable « syntaxe » régissant l'agencement des signes à
différentes échelles de l'espace. Cette syntaxe permet par ailleurs de retrouver la position d'origine de
dalles gravées en réemploi dont les gravures, en position secondaire, sont « désorganisées ». Enfin, une
étude de l'organisation des éléments architecturaux et des dépôts funéraires montrent que ceux-ci
forment avec l'art pariétal un seul et même modèle symbolique de représentation spatiale.
Iddir, Smaïl. "Peuplement holocène du bas Mertoutek, zone centrale de la chaîneTéfedest, Massif de l'Ahaggar (Algérie)." Electronic Thesis or Diss., Toulouse 2, 2013. http://www.theses.fr/2013TOU20037.
Full textThe present work focuses on several themes. It is the archaeological study of the Lower Mertoutek in Tefedest. This research deals with all archaeological materials present on the ground. The analysis of Neolithic settlement sites and the study of the remains collected during the excavations allowed to situate them among the Neolithic cultures of the Ahaggar and central Sahara. Similarly, studies of monuments, the analysis of their geographical distribution and the excavation of certain architectural forms, led to refine our knowledge of these monuments and understand the various funeral rites and different burial positions. The study of rock art, painted and engraved, located in the funerary context and prehistoric settlement, has contributed greatly to the understanding of the modalities of the establishment of these cultural groups, producers of these lithic industries and pottery, funerary monuments and cave paintings abounding in the region. This research has also contributed to better understanding of the Holocene settlement of the desert regions, its lifestyle, its evolution and possible relationships between all the remains that have been taken over in this work
Huet, Thomas. "Etude des gravures protohistoriques de la zone des lacs (zones I, II, III et V) de la région du mont Bego, Tende, Alpes-Maritimes (Master 2)." Phd thesis, Université de Nice Sophia-Antipolis, 2006. http://tel.archives-ouvertes.fr/tel-00715386.
Full textIddir, Smaïl. "Peuplement holocène du bas Mertoutek, zone centrale de la chaîneTéfedest, Massif de l'Ahaggar (Algérie)." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20037/document.
Full textThe present work focuses on several themes. It is the archaeological study of the Lower Mertoutek in Tefedest. This research deals with all archaeological materials present on the ground. The analysis of Neolithic settlement sites and the study of the remains collected during the excavations allowed to situate them among the Neolithic cultures of the Ahaggar and central Sahara. Similarly, studies of monuments, the analysis of their geographical distribution and the excavation of certain architectural forms, led to refine our knowledge of these monuments and understand the various funeral rites and different burial positions. The study of rock art, painted and engraved, located in the funerary context and prehistoric settlement, has contributed greatly to the understanding of the modalities of the establishment of these cultural groups, producers of these lithic industries and pottery, funerary monuments and cave paintings abounding in the region. This research has also contributed to better understanding of the Holocene settlement of the desert regions, its lifestyle, its evolution and possible relationships between all the remains that have been taken over in this work
Favrel, Quentin. "Études technologiques des assemblages céramiques du néolithique final du Nord-Ouest de la France : la place des cultures locales et l'impact du campaniforme sur la façade atlantique au troisième millénaire avant notre ère." Electronic Thesis or Diss., Paris 1, 2022. http://www.theses.fr/2022PA01H070.
Full textThe appearance of the Bell Beaker in the middle of the third millennium BC marks a major turning point for the societies of north-western France, as in many other parts in Europe or the Maghreb. Thin and carefully decorated beakers constitute the best evidence on archaeological site, although others objects are often associated with them, especially in grave (paraphernalia made of various materials, copper daggers, arrowheads). The introduction of these objects and the techniques and practices related with them necessarily raises questions, especially as the phenomenon covered a vast territory in a period of less than two centuries while preserving a certain homogeneity. Numerous theories have been developed to account for this situation, including migrations, long-distance exchanges, the development of new belief systems, and prospectors looking for metal ore deposits. The origin of this phenomenon has long been questioned and is thought to originate in the Iberian Peninsula. The north-west of France is one of the best known areas in Europe regarding the Bell Beaker phenomenon, but has not been the subject of a dedicated synthesis for more than sixty years. It has become critical since the rise of development-led archaeology, which has largely revamped the available data. It is crucial to fill this gap and to focus on the ceramic production related to the Bell Beaker. This is the most widespread and best contextualised material, therefore the most likely to help us to make progress on the definition of the Bell Beaker phenomenon. We have compiled a database integrating sites, the discovery contexts of the material, radiocarbon dating and the ceramics in order to take stock of the Bell Beaker question in north-west France. The ceramics assemblage’s from reference sites were subjected to typo-technological analysis to determine the manufacturing chaînes opératoires of Bell Beaker vessels. All of this data was then combined with multiple statistical analyses (CA, PCA, MCA, seriation, etc.) to compare the different Bell Beaker productions in our study area across time and space. This research allows, on the basis of the ceramics, to establish a new chronological, spatial and stylistic framework for the Bell Beaker in northwestern France. It also allows us to discuss the significance of the Bell Beaker and its relationship with earlier, later and contemporary cultural complexes. It is crucial to fill this gap and to focus on the ceramic production related to the Bell Beaker
Sweydan, Francois. "Recherches sur le système de représentations symboliques de l’art néolithique aux textes des pyramides- Origines et formation des éléments de la religion solaire de l’Egypte antique." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20009.
Full textSince the beginning of the first dynasties, the pictogram in writing was the extension of naturalistic figurative representations, logograms in the decorated funerary protodynastic palettes. This statement carry us to link them with the parietal art of Neolithic Nubia, the egyptian Predynastic, and peripheral cultural areas. We have reconsidered the petroglyphs as polysemic symbols and ideograms, i.e. mythograms as well polysemic logograms-phonograms, allowing us to draw up a structural system of symbolic representations, universal in the Nile valley. Basically funerary, the system is organised around a new reading in connection with the founding of the ‘Eye of Horus’/solar myths, and express itself in primitive Neolithic and Predynastic rites of revivification, rebirth, more explicit afterwards during the first dynasties on labels, votive cylinder-seals, and anointing the deads with the seven holy canonical oils, finally in the Pyramid Texts. Contrary to the common idea which opposite the Nature-Culture notions, there is some question to combine them, to reconcile the non-binary duality and to see, for example, the heliotrope functions and/or heliophore animals of the sub-Saharan bestiary, with Sokar the funerary hawk, the benevolent guarantors for the rebirth and metamorphosis of the sun/deads; otherwise felids, canids, antelopes…, invested by the numinous of the protecting divinities. In consequence of a new reading of the primitive ‘osirian’ myth of metamorphosis, we have reconsidered the conceptions about animal sacrifice on the basis of religious anthropology. Far from bringing under control and submission of nature, and diffusionnism, the intercultural (cross-cultural) of the first archaic mythic thought in the multi-ethnic nubian-egyptian valley and associated neighbouring areas involves, towards the natural world and the numinous spiritual strengths, the cross-cultural of solar conceptions and multicultural, trans-historic sharing of the polycyclic resurrectional believes. Thus, the animal petroglyphs, cynegetic scenes, boats and sandals representations, etc., are of funerary votive, apotropaic nature
Books on the topic "Art néolithique"
Jean, Guilaine, and Collège de France, eds. Arts et symboles du Néolithique à la protohistoire. Paris: Errance, 2003.
Find full textCatherine, Noppe, Musée royal de Mariemont, and Collections Baur, eds. Art chinois: Néolithique, dynastie Song : collection Umberto Draghi. [Morlanwelz, Belgium]: Musée royal de Mariemont, 1990.
Find full textCongrès national des sociétés savantes (115th 1990 Avignon, France). Les Représentations humaines du néolithique à l'âge du fer: Actes du 115e congrès national des sociétés savantes. Paris: Ed. du CTHS, 1993.
Find full textMarangou, Christina. Eidōlia: Figurines et miniatures du Néolithique récent et du Bronze ancien en Grèce. Oxford, England: Tempus Reparatum, 1992.
Find full textHôtel Drouot. Art d'Extrême-Orient: Céramique de la Chine des époques néolithique, Song, Yuan, Ming, Kangxi, Qing; céramique de la Corée; céramiques du Japon; cornes de rhinocéros; flacons tabatières; pierres dures; ivoires, netsuke en ivoire et en bois; inro, laqués, masques; garnitures de sabre; photographies, peintures; éventails, bronzes et émaux cloisonnés; bois sculptés et laqués; sculptures; meubles, paravent; documentation. Paris: Hôtel Drouot, 2001.
Find full textKeegan, John. Histoire de la guerre: Du néolithique à la guerre du Golfe. Dagorno, 1996.
Find full textLa Chine Du Néolithique à La Fin Des Cinq Dynasties (960 De Notre Ère) : Art Et Archéologie. Ecole Du Louvre/Reunion Des Musees Nationaux, 2008.
Find full textGarfinkel, Yosef. Dancing at the Dawn of Agriculture. de Gruyter GmbH, Walter, 2010.
Find full textDancing at the Dawn of Agriculture. University of Texas Press, 2003.
Find full textGarfinkel, Yosef. Dancing at the Dawn of Agriculture. University of Texas Press, 2014.
Find full textBook chapters on the topic "Art néolithique"
Bueno Ramírez, Primitiva, Rodrigo de Balbín Behrmann, and Rosa Barroso Bermejo. "Megalithic art in the Iberian Peninsula." In Fonctions, utilisations et représentations de l’espace dans les sépultures monumentales du Néolithique européen, 185–203. Presses universitaires de Provence, 2016. http://dx.doi.org/10.4000/books.pup.4970.
Full textAguilera, Monica, Marie Balasse, Sébastien Lepetz, and Véronique Zech-Matterne. "Amender les sols cultivés avec des fumiers et déchets domestiques : une origine multimillénaire pour un enjeu majeur du développement durable." In Regards croisés: quand les sciences archéologiques rencontrent l'innovation, 51–72. Editions des archives contemporaines, 2017. http://dx.doi.org/10.17184/eac.3790.
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