Academic literature on the topic 'Art narratif – Occident – 2000-'
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Journal articles on the topic "Art narratif – Occident – 2000-":
Matos da Silva, Maria de Fátima. "Decoração e simbolismo das pedras formosas dos balneários-sauna castrejos da Idade do Ferro: leituras possíveis." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 191. http://dx.doi.org/10.18239/vdh_2019.08.10.
Pavón Benito, Julia. "¿Es necesario seguir investigando sobre la muerte? Una reflexión historiográfica y nuevas perspectivas." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 12 (June 28, 2023): 65–83. http://dx.doi.org/10.18239/vdh_2023.12.03.
Laurent, Pierre-joseph, and Lionel Simon. "Ruse." Anthropen, 2016. http://dx.doi.org/10.17184/eac.anthropen.037.
Lacroix, Céline Masoni. "From Seriality to Transmediality: A Socio-Narrative Approach of a Skilful and Literate Audience." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1363.
Dissertations / Theses on the topic "Art narratif – Occident – 2000-":
Lauraire, Héloïse. "Parcours scéniques : un genre de dispositif esthétique spécifique dans l'art contemporain occidental des années 2005-2012 : étude d’une sélection d’œuvres de Christoph Büchel, Mike Nelson, Jonah Freeman & Justin Lowe." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080034.
Between the early 2000s and the early 2010s, four contemporary Western artists Christoph Büchel, Mike Nelson, Jonah Freeman and Justin Lowe built gigantic and enigmatic multi-room installations in Europe and the United States. Our initial hypothesis was that there were relationships between the labyrinthine super-productions of these artists, both in terms of their conceptions and their receptions.Our study describes and analyzes the specificities (construction, visitors reception, themes and references ...) and the issues (exploration, elaboration of a story, visitors’ endangerment and risk-taking...) of the aesthetic experiences offered by these works of art, nowadays invisible. The gathering and assessment of unpublished archives concerning ten of these artistic devices and their geneses as well as a field survey carried out among their spectators have enabled us to reconstruct mental images of these works. The plans and ekphrases, illustrated fictions, presented in this thesis reveal the spatial and temporal dimensions of these aesthetic walkthroughs and bring to light a set of similar set ups, materials, and themes. Based upon the scenographic strategies of the artists and the feelings of the spectators, our analysis leads us to consider these works as emotional installations and as dystopian narrative spaces. Walking across these, as if journeying through a voyage of initiation, sparks the spectator’s imagination and makes him fully conscious of his individuality and ability to take action
Fahd, Marie. "La modernité de l'origine : acentralité et cubisme narratif dans The Recognitions de William Gaddis." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC137.
This doctoral dissertation focuses on The Recognitions (1955), which was the first novel by the major American writer, William Gaddis (1922-1998), who is generally classified as a postmodernist. By addressing this work through an interdisciplinary lens, I have chosen to place it at a crossroads between literature, painting, philosophy and the history of religions. The aim is to show that especially in Gaddis’s initial literary effort, the author can be seen as an exponent of a kind of modernity—which is not entirely modernist or postmodernist as traditionally defined--notably in his exploration of centerlessness, as articulated in the loss of a stable origin. In the same modern vein is the author’s ironic attitude toward the past and his maintaining of a certain critical distance from religion and aesthetics. His inventive approach to the theme of origins in art as well as his treatment of fakeness, forgery and authenticity highlight his modernity. In addition, his modern approach in The Recognitions will be shown to be revealed in the interplay between painterly and literary techniques and concerns. Centerlessness and cubism in the novel’s narrative techniques and the notion of origin in art are three critical concepts. They allow us to envision three variant threads of Gaddis’s modernity, opening up a profound meditation on artistic and literary creation
Yavuz, Perin Emel. "Narrative art : de l'expérience du monde quotidien à l'œuvre. Herméneutique de l'événement esthétique." Paris, EHESS, 2013. http://www.theses.fr/2013EHES0107.
When the New York galerist John Gibson, leading figure of the American art scene from 1960s-1970s, organized the exhibition Story I (1973) and Narrative II (1974 ), he had seen what would be the "next big thing" in vogue after Ecologic art and body art : narrativity. 1f the Narrative art is now somewhat forgotten, this perception, based on a core of American and European artists (Le Gac, Bay, Baldessari, Wegman, Askevold, Hutchinson, Beckley, Welch. . . ) who were concerned with narrative issues by photography and text means, was confirmed by an intense period of critical production and exhibitions on the old and the new continents. But it was also testified by the whole of creation seeking emancipation against essentialist questionings about art and engaged in "the factory of the world" for which the anthropological function of narrative brought a natural way. Querying and specifying, with narratology, the narrative fact in this corpus which is characterized by the immanence of a relationship to the world and to the self, through the aesthetic perception of the everyday and the mythologizing of the subject, this thesis aims to identify, in a hermeneutic perspective anchored on the notion of event, the steps of the process leading from the living experience of the world to the world of artwork, from life to art. More than just a history of Narrative art, this interdisciplinary thesis is an investigation into the historical, aesthetic and political history meaning given to the reinvestment of narrativity by these artists and more generally those from 1960s-1970s. This investigation allows particularly to identify why narrativity has been so underestmated
Goudjil, Sophie. "Ecriture progressive et collective des séries télévisées états-uniennes (1996 – 2016) : Etude de cas des sériesBuffy the Vampire Slayer, Six Feet Under, The West Wing, Grey's Anatomy et Transparent." Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080066.
Contemporary American television series are often legitimated via the promotion of the showrunner as author of the series. This dissertation demonstrates that, to the contrary, the writing of a contemporary American television series can be characterized as a collective and progressive mode of authoring. The way this writing process is structured is specific to a production context in which economic factors and artistic ambitions interconnet and mutually influence each other. This dissertation takes a holistic approach to the study of television screenwriting that accounts for these aspects of interconnection and collaboration at all stages of production. First, we begin with the development phase of a series, we analyze the interactions between the various production stakeholders and the aligning of their sometimes conflicting objectives with the concept of the series itself. Next, we turn our attention to the production phase, we examine how the writing process is structured and how the structure of this process is reflected in the story itself. Finally, we look at how a series is broadcast, analyzing the way in which different types of episodes are used in order to create an emotional bond with the audience as well as offer them narrative entry and exit points into the story. By studying the history of production methods for American television series from 1940 to the present day, then by applying our analytical tools to a corpus of 5 television series produced in various production contexts (Buffy the Vampire Slayer, The West Wing, Six Feet Under, Grey's Anatomy and Transparent), we highlighted the progressive and collective nature of the writers’ room process
Books on the topic "Art narratif – Occident – 2000-":
Flath, James A. Cult of Happiness: Nianhua, Art, and History in Rural North China. University of British Columbia Press, 2011.
Flath, James A. Cult of Happiness: Nianhua,Art and History in Rural North China. University of British Columbia Press, 2005.
Flath, James A. The Cult of Happiness: Nianhua, Art, and History in Rural North China (Contemporary Chinese Studies). Univ of British Columbia Pr, 2004.
Flath, James A. The Cult of Happiness: Nianhua, Art, and History in Rural North China (Contemporary Chinese Studies). University of Washington Press, 2004.
Book chapters on the topic "Art narratif – Occident – 2000-":
Sarı, Gülşah, and Gökhan Gültekin. "The Others of Babel in the Context of Orientalism." In Advances in Media, Entertainment, and the Arts, 231–39. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7180-4.ch014.