Books on the topic 'Art museum visitors Psychology'

Cleveland Museum of Art. The visitor's voice: Visitor studies in the Renaissance-Baroque galleries of the Cleveland Museum of Art, 1990-1993. Edited by Mann C. Griffith. Cleveland, Ohio: Cleveland Museum of Art, 1993.

Western European museums and visual persuasion: Art, edifice, and social influence. Newcastle: Cambridge Scholars, 2009.

Schuster, J. Mark Davidson. The audience for American art museums. Washington: Seven Locks Press, 1991.

The audience for American art museums. Washington: Seven Locks Press, 1992.

Lehalle, Evelyne. Musées et visiteurs: Un Observatoire permanent des publics. [Paris]: Ministère nationale de l'education et de la culture, Direction des musées de France, Département des publics, de l'action éducative et de la diffusion culturelle, 1993.

Tony, Bennett. Art galleries, who goes?: A study of visitors to three Australian art galleries, with international comparisons. Redfern, NSW: Australia Council, 1991.

Warczok, Tomasz. Miłośnicy, znawcy, koneserzy czy przechodnie?: Recepcja sztuki współczesnej na przykładzie galerii Górnego Śląska. Bielsko-Biała: Galeria Bielska BWA, 2010.

Hutchins, H. J. Anna at the art museum. Toronto: Annick Press, 2018.

Duhaime, Carole P. La clientèle des musées d'art: Une revue de littérature. Montréal: Ecole des hautes études commerciales, 1988.

Duhaime, Carole P. La clientèle des musées d'art: Une revue de littérature. Montréal: École des hautes études commerciales, 1988.

Bourdieu, Pierre. The love of art: European art museums and their public. Stanford, Calif: Stanford University Press, 1990.

Ziese, Maren. Kuratoren und Besucher: Modelle kuratorischer Praxis in Kunstausstellungen. Bielefeld: Transcript, 2010.

Gausseron, Thierry. Aimer les musées: Une passion à partager. Paris: Éditions Du Mesnil, 2012.

Mironer, Lucien. Cent musées à la rencontre du public. Cabestany: France édition, 2001.

Resch, Christine. Die Widerständigkeit der Kunst: Entwurf einer Interaktionsästhetik. Münster: Westfälisches Dampfboot, 2003.

Bourdieu, Pierre. The love of art: European art museums and their public. Cambridge, UK: Polity Press, 1991.

Museum im Wandel: vom Tempel der Kunst zum Tempel der Besucher?: Eine Studie zur Berliner Museumslandschaft. Hamburg: Diplomica, 2009.

Strassmann, Susanne. Art people or employees. Marseille: Al Dante, 2011.

Johnson-Simon, Deborah. Anaya visits the James E. Lewis Museum of Art at Morgan State University. Bloomington, IN: Author House, 2009.

Friess, Lynn Estes. Carl and the mysterious nibbler. Jackson, Wyo: Mariposa Ranch Press, 2011.

Kunstmuseen und ihre Besucher: Eine lebensstilvergleichende Studie. Wiesbaden: DUV, Deutscher Universitäts-Verlag, 2006.

Caygill, Marjorie L. A survey of visitors to the British Museum (1992-3). London: British Museum, 1994.

Szeemann, Harald. Zeitlos auf Zeit: Das Museum der Obsessionen. Regensburg: Lindinger + Schmid, 1994.

François, Mairesse, ed. Pourquoi (ne pas) aller au musée. Lyon: Aléas, 2008.

Hébert, Bénédicte. Ca̧ me regarde. Caen: Nous, 2009.

Preu, Nancy, Sabine Runde, and Christine Schmidt-Gärtner. Corporal identity: Body language : 9th Triennial for Form and Content, USA and Germany : Museum of Arts & Design, New York = Körpersprache : 9. Triennale für Form und Inhalte, USA und Deutschland : Museum für Angewandte Kunst, Frankfurt am Main, Klingspor Museum, Offenbach am Main. Frankfurt am Main: Museum für Angewandte Kunst, 2003.

Social design in museums: The psychology of visitor studies : collected essays. Edinburgh: MuseumsEtc, 2011.

Dommage(s): À propos de l'histoire d'un baiser. Arles: Actes sud, 2009.

Popp, Kathrin. Das Bild zum Sprechen bringen: Eine Soziologie des Audioguides in Kunstausstellungen. Bielefeld: [transcript], 2013.

Whitley, Lyndell Nelson. Attitudes toward marine wildlife among visitors to an urban science museum. Los Angeles, CA: Dept. of Geography, University of Southern California, 1998.

Tomidy, Paul. The present (h)our: Issues of identity by artists of color : Oakland Museum of California, May 18-August 18, 1996. Oakland, Calif: The Museum, 1996.

Der Betrachter ist im Text: Konversations- und Lesekultur in deutschen Gemäldegalerien zwischen 1700 und 1914. Berlin: Lit, 2007.

Miranda, Miguel Zugaza, and Francesco Jodice. El Prado. Madrid: Museo Nacional del Prado, 2012.

Sowiak, Christine. That still place-- that place still: William MacDonnell, Landon Mackenzie, David McMillan, Eugene Ouchi : 14 February-5 April 2003, the Nickle Arts Museum. [Calgary]: University of Calgary, Nickle Arts Museum, 2003.

L, Granatstein J., ed. Reflections on the Canadian experience 1914-1945: [selected quotations from the visitors' comment book. [Ottawa]: Passing the Torch Campaign and Friends of the Canadian War Museum, 2001.

Dietmar, Elger, and Sprengel Museum Hannover, eds. Die Metamorphosen der Bilder: 15.11.1992 bis 7.2.1993, Sprengel-Museum Hannover. Hannover: Das Museum, 1992.

Philip, Ball. More than meets the eye at the V&A: A self-guided tour around the V&A galleries, taking visitors through a series of eye-openers which reveal the interplay between artistic expression, scientific understanding and technological innovation : 6 September to 3 November 2000. London: The Royal Society, 2000.

Johannes Cladders: Museumsmann und Künstler. Frankfurt am Main: P. Lang, 1997.

Rainer, Arnulf. Arnulf Rainer: Überzeichnungen, Übermalungen : Museum Moderner Kunst, Stiftung Wörlen, Passau 8. Juli-16. Oktober 1994. Edited by Steinhauer Fabian and Museum Moderner Kunst Passau. Passau: Das Museum, 1994.

Fox, Terry. Terry Fox: Articulations, labyrinth, text works : Goldie Paley Gallery, Philadelphia, November 6-December 18, 1992 : University Art Museum, Berkeley, September 15-December 12, 1993 : Otis Gallery, Los Angeles, Santa Monica Museum of Art, Santa Monica, January 6-March 6, 1994. Philadelphia: The Gallery, 1992.

Figures of memory: The rhetoric of displacement at the United States Holocaust Memorial Museum. Albany: State University of New York Press, 2016.

Klee, Paul. Paul Klee: Späte Zeichnungen von 1939 : Museum Folkwang Essen, 10. September-29. Oktober 1989, Museum Fridericianum Kassel, 5. November-30. Dezember 1989. Essen: Museum Folkwang Essen, 1989.

Religious objects in museums: Private lives and public duties. London: Berg Publishers, 2013.

Goodman, Robin F. The day our world changed: Children's art of 9/11. New York: Harry N. Abrams, 2002.

Deutsches Hygiene-Museum in der DDR and Moravská galerie v. Brně, eds. Images of the Mind: Bildwelten des Geistes aus Kunst und Wissenschaft. Göttingen: Wallstein, 2011.

Rainer, Arnulf. Arnulf Rainer: Zeichnungen 1949-1985 : Museum Morsbroich Leverkusen, 30. November 1988-15. Januar 1989 : Städtische Galerie Regensburg, 27. Januar 1989-5. März 1989 : Kunstverein Braunschweig, 9. Juni 1989-30. Juli 1989. München: F. Jahn, 1988.

Klee, Paul. Paul Klee: Figurative graphics from the Djerassi Collection : San Francisco Museum of Modern Art, 23 January 1986-4 January 1987. San Francisco, Calif: San Francisco Museum of Modern Art, 1986.

1939-, Petherbridge Deanna, Jordanova L. J, Hayward Gallery, South Bank Centre, Royal College of Art (Great Britain), Mead Gallery, and Leeds (England). City Art Gallery., eds. The quick and the dead: Artists and anatomy : national touring exhibitions. Berkeley: University of California Press, 1997.

1944-, King-Hammond Leslie, and Michael Rosenfeld Gallery, eds. Betye Saar: Colored : consider the rainbow : Michael Rosenfeld Gallery, New York, NY, September 12-November 2, 2002, the Columbus Museum Uptown, Columbus, GA, February 13-April 5, 2003. 2nd ed. New York: Michael Rosenfeld Gallery, 2002.

La religion au musée: Croire dans l'Europe contemporaine. Paris: L'Harmattan, 1999.