Books on the topic 'Art museum attendance – europe'

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1

Bourdieu, Pierre. The love of art: European art museums and their public. Cambridge, UK: Polity Press, 1991.

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2

Bourdieu, Pierre. The love of art: European art museums and their public. Cambridge: Polity, 1990.

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3

Bourdieu, Pierre. The love of art: European art museums and their public. Stanford, Calif: Stanford University Press, 1990.

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4

Duhaime, Carole P. La clientèle des musées d'art: Une revue de littérature. Montréal: École des hautes études commerciales, 1988.

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5

Duhaime, Carole P. La clientèle des musées d'art: Une revue de littérature. Montréal: Ecole des hautes études commerciales, 1988.

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6

Donker, Birgit, writer of foreword, Teeseling Steven van editor, and Beerman Mirjam 1964 editor, eds. Het geëmancipeerde museum. Amsterdam: Mondriaan Fonds, 2016.

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7

Lehalle, Evelyne. Musées et visiteurs: Un Observatoire permanent des publics. [Paris]: Ministère nationale de l'education et de la culture, Direction des musées de France, Département des publics, de l'action éducative et de la diffusion culturelle, 1993.

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8

Tony, Bennett. Art galleries, who goes?: A study of visitors to three Australian art galleries, with international comparisons. Redfern, NSW: Australia Council, 1991.

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9

Warczok, Tomasz. Miłośnicy, znawcy, koneserzy czy przechodnie?: Recepcja sztuki współczesnej na przykładzie galerii Górnego Śląska. Bielsko-Biała: Galeria Bielska BWA, 2010.

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10

Tolon, Brown Marc, ed. Visiting the art museum. New York: E.P. Dutton, 1986.

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11

Tolon, Brown Marc, ed. Visiting the art museum. New York: E.P. Dutton, 1990.

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12

Schuster, J. Mark Davidson. The audience for American art museums. Washington: Seven Locks Press, 1991.

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13

Weinrauch, Stefanie. Reanimation: Bringing art to new life outside the museum. [Graz]: Steirische Gesellschaft für Kulturpolitik, 2015.

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14

Mironer, Lucien. Cent musées à la rencontre du public. Cabestany: France édition, 2001.

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15

Hispano, Andrés. No tocar, por favor: El museo como incidente. Vitoria: Artium, 2013.

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16

Selwood, Sara. An enquiry into young people & art galleries. London: Art & Society, 1995.

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17

Sánchez de Horcajo, J. J., ed. Sociología del arte: Los museos madrileños y su público. Madrid: Libertarias/Prodhufi, 1997.

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18

Carol, Becker, and Association of Art Museum Directors., eds. Different voices: A social, cultural, and historical framework for change in the American art museum. New York, N.Y: Association of Art Museum Directors, 1992.

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19

1951-, Kräftner Johann, and Liechtenstein Museum (Vienna Austria), eds. Liechtenstein Museum: The princely collections. Munich: Prestel, 2004.

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20

Soós, Sándor. Néprajzi, történeti és múzeumszociológiai tanulmányok a Ferenczy Múzeumból. Szentendre: Pest Megyei Múzeumok Igazgatósága, 1996.

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21

Woods, Gordon &. Co. Royal Ontario Museum, Art Gallery of Ontario: Chinese-Canadian community audience research project : final report. [Toronto: Woods Gordon, 1989.

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22

Museum, Victoria and Albert, ed. Death and art: Europe 1200-1530. London: V&A Pub., 2009.

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23

Andrew, McClellan, ed. Art and its publics: Museum studies at the millennium. Malden, MA: Blackwell Pub. Co., 2003.

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24

Simon, Jervis, and Victoria and Albert Museum, eds. Art & design in Europe and America, 1800-1900. New York: E.P. Dutton, 1987.

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25

Selwood, Sara. Substance and shadow: An enquiry into the relationship between the statutory education sector and London's Visual ArtsOrganisations. London: London Arts Board, 1992.

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26

Selwood, Sara. Substance & shadow: An enquiry into the relationship between the statutory education sector and London's visual arts organisations. (London): London Arts Board, 1992.

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27

Stefanie, Poley, and Frauen Museum (Bonn Germany), eds. Kunst im Kontext: Kunstmuseum und Kulturgeschichte. 2nd ed. Weimar: VDG,Verlag und Datenbank, 1996.

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28

New York (City) Museum of Modern Art. Pop impressions: Europe/USA : prints and multiples from the Museum of Modern Art. New York: The Museum, 1999.

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29

Charles, Sterling, ed. The Robert Lehman collection.: France, Central Europe, the Netherlands, Spain, and Great Britain. New York: Metropolitan Museum of Art, 1998.

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30

Iftikhar, Dadi, Hassan Salah M, and Museum Boijmans Van Beuningen (Rotterdam, Netherlands), eds. Unpacking Europe: Towards a critical reading. Rotterdam: Museum Boijmans Van Beuningen, 2001.

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31

Fuhrmann, Anna-Lena. Making Europe visible: Re-interpretation of museum objects and topics : a manual. [Augsburg]: EMEE, EuroVision Museums Exhibiting Europe, 2016.

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32

McCormick, Heather Jane. Vasemania: Neoclassical form and ornament in Europe : selections from the Metropolitan Museum of Art. Edited by Ottomeyer Hans, Walker Stefanie, Metropolitan Museum of Art (New York, N.Y.), and Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. New Haven, Conn: Yale University Press, 2004.

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33

Martinho, Teresa Duarte. Apresentar a arte: Estudo sobre monitores de visitas a exposiçõoes. Lisboa: Observatorio das Actividades Culturais, 2007.

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34

Haan, Jos de. Het gedeelde erfgoed: Een onderzoek naar veranderingen in de cultuurhistorische belangstelling sinds het einde van de jaren zeventig. Rijswijk: Sociaal en Cultureel Planbureau, 1997.

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35

Basel, Museum Jean Tinguely, ed. Museum Tinguely Basel: The collection. Basel, Switzerland: Museum Tinguely, 2012.

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36

Museum, Seattle Art, ed. Japan envisions the West: 16th-19th century Japanese art from Kobe City Museum. Seattle: Seattle Art Museum, 2007.

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37

Fine Arts Museums of San Francisco. and Sedway Group (Firm), eds. M.H. de Young Memorial Museum: Visitorship, fiscal benefit and economic impact analysis. [San Francisco, Calif.]: Fine Arts Museums of San Francisco, 1997.

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38

Macdonald Collection (George R. Gardiner Museum of Ceramic Art). Dragons, tigers and bamboo: Japanese porcelain and its impact on Europe. Vancouver: Douglas & McIntyre, 2009.

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39

Arts, Minneapolis Institute of. A new audience for a new century: The Minneapolis Institute of Arts. Minneapolis, Minn: The Institute, 1997.

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40

Blanchaert, Katrien. Art in Europe after '68: Ghent, 21st June-31st August 1980. Ghent: S.M.A.K., Stedelijk Museum voor Actuele Kunst, 2014.

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41

1935-, Aguirre Javier, ed. From the Europe of old: Javier Aguirre, Christian Boltanski, James Coleman ... Stedelijk Museum, Amsterdam, 17.10-6.12.1987. [Amsterdam]: The Museum, 1987.

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42

Katrin, Mrotzek, Röder Kornelia, Staatliches Museum Schwerin, and Műcsarnok (Budapest Hungary), eds. Mail art: Osteuropa im internationalen Netzwerk = Eastern Europe in international network : Staatliches Museum Schwerin 21.7.-15.9.1996, Kunsthalle Budapest 1998. Schwerin: Die Museum, 1996.

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43

Châteaureynaud, Georges Olivier. Monsieur d'Orsay. [Paris]: Cercle d'art, 1995.

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44

editor, Dale Maria Saffiotti, ed. European medals in the Chazen Museum of Art: Highlights from the Vernon Hall collection and later acquisitions. Madison, WI: Chazen Museum of Art, University of Wisconsin/Madison, 2014.

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45

Mahlau, Alfred. Alfred Mahlau, 1894-1967: Aquarelle, Zeichnungen und Graphiken : eine Ausstellung in Zusammenarbeit mit dem Altonaer Museum in Hamburg, Norddeutsches Landesmuseum : Gerhart-Hauptmann-Platz : vom 24. Januar bis 30. April 1990. [Hamburg]: Hamburgische Landesbank, 1990.

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46

J, Campbell Stephen. The body unveiled: Boundaries of the figure in early modern Europe : the University of Michigan Museum of Art, September 13-October 26, 1997. [Ann Arbor: University of Michigan, 1997.

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47

Alcalde, Gabriel. Els públics del Museu Comarcal de la Garrotxa (1988-1995): Avaluació de la implicació del museu en la comunitat. [Olot]: Museu Comarcal de la Garrotxa, 1997.

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48

Bourdieu, Pierre. The Love of Art. Polity Press, 1997.

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49

Bourdieu, Pierre. El amor al arte. Prometeo, 2013.

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50

Weir, Todd, and Lieke Wijnia, eds. The Bloomsbury Handbook of Religion and Heritage in Contemporary Europe. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350251410.

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Abstract:
This open access Handbook provides state-of-the-art scholarship on religious heritage in contemporary Europe, aimed at scholars, practitioners and policy makers. It contains articles by both scholars and heritage practitioners, and explores the key challenges facing organizations, churches, and governments, as well as academics studying religion and heritage. Divided into three parts, the book brings together critical analysis and an exploration of best practices, structured along major themes, including tourism, the (post)secular, economics, multiple usages, Jewish heritage, Muslim heritage, museums, contemporary art, and architecture. The book explores how historic places of worship, including churches, synagogues, and mosques in Europe, are among the most heavily visited heritage sites worldwide, yet declining church attendance means that many, historic churches are being repurposed. It also examines the key role religious heritage plays in political discourse, both in the interest of including and excluding religious minorities. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
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