Academic literature on the topic 'Art, Modern 20th century Australia Exhibitions'
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Journal articles on the topic "Art, Modern 20th century Australia Exhibitions"
Anderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Full textNikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.
Full textŞtefănescu, Mircea. "The Beginnings of The Modern Art." Review of Artistic Education 18, no. 1 (March 1, 2019): 255–61. http://dx.doi.org/10.2478/rae-2019-0028.
Full textLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Full textKrzysztofowicz-Kozakowska, Stefania. "„Raumkunst” autorstwa Teodora Axentowicza." Lehahayer 8 (December 19, 2021): 185–90. http://dx.doi.org/10.12797/lh.08.2021.08.06.
Full textWeibel, Peter. "Music, Machines, Media and the Museum." Organised Sound 14, no. 3 (December 2009): 231–35. http://dx.doi.org/10.1017/s1355771809990197.
Full textPawłowska, Aneta. "African Art: The Journey from Ethnological Collection to the Museum of Art." Muzeológia a kultúrne dedičstvo 8, no. 4 (2020): 161–76. http://dx.doi.org/10.46284/mkd.2020.8.4.10.
Full textAlbano, Caterina. "The Exhibition as an Experiment: An Analogy and Its Implications." Journal of Visual Culture 17, no. 1 (April 2018): 97–116. http://dx.doi.org/10.1177/1470412918763446.
Full textMajewski, Piotr. "Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era." Ikonotheka, no. 30 (May 28, 2021): 135–53. http://dx.doi.org/10.31338/2657-6015ik.30.7.
Full textDyadyk, Natalia. "Art of the second half of XX — early XXI centuries as visual philosophy." Socium i vlast 4 (2021): 95–106. http://dx.doi.org/10.22394/1996-0522-2021-1-95-106.
Full textDissertations / Theses on the topic "Art, Modern 20th century Australia Exhibitions"
Brown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Full textWise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.
Full textLindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Full textMcNamara, Phillip Anthony. "A modernist sensibility and Christian wit in the work of Tom Gibbons." University of Western Australia. School of Architecture and Fine Arts, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0124.
Full textGunn, Anthea Caroline. "Imitation realism and Australian art." Phd thesis, 2010. http://hdl.handle.net/1885/109407.
Full textLahy, Waratah. "Painted objects : investigating the imagery of Australian iconic culture." Phd thesis, 2007. http://hdl.handle.net/1885/149626.
Full textSithole, Nomcebo Cindy. "Exhibitions of resistance posters: contested values between art and the archive." Thesis, 2017. https://hdl.handle.net/10539/24483.
Full textThis research report has followed three periods in the history of the political struggle for freedom in South Africa, from the height of the Anti-apartheid struggle in the 1980s to the present day by way of exploring three exhibitions of resistance posters as case studies. It is located in the realm of political and art history. Looking at the positioning of the resistance poster in South African art history, the intension is to highlight how these exhibitions have used display strategies to construct values reflected in the resistance poster. The three selected exhibitions are as follows: firstly, Thami Mnyele and Medu Art Ensemble Retrospective (2008), Second is the exhibition Images of Defiance: South African poster of the 1980’s (2004). And the third exhibition Interruptions: Posters from the Community Arts Project Archive (2014).
XL2018
Jacobs, Natasha Sandra Ruth. "Abstraction, ambiguity and memory in selected artworks by Ursula von Rydingsvard and Kemang wa Lehulere." Thesis, 2017. https://hdl.handle.net/10539/24461.
Full textThis research report explores the influences of memory in selected works by two visual artists: South African Kemang Wa Lehulere’s Remembering the Future of a Hole as a Verb 2.1 and Polish artist Ursula von Rydingsvard’s Droga. The report examines the ways in which personal memory can inform creative practice and the surface difficulties such endeavours may present. These works and writings on memory and creative practice inform my own practice, through which I investigate ways of expressing my memories of my grandparents’ carpentry workshop in Sunnydale Eshowe in KwaZulu Natal, South Africa.
XL2018
Adsett, Peter. "Beyond picturing." Phd thesis, 2012. http://hdl.handle.net/1885/155939.
Full textKotze, Steven. "Gender, power and iron metallurgy in archives of African societies from the Phongolo-Mzimkhulu region." Thesis, 2018. https://hdl.handle.net/10539/27048.
Full textThis dissertation examines the social, cultural and economic significance of locally forged field-hoes, known as amageja in Zulu. A key question I have engaged in this study is whether gender-based divisions of labour in nineteenth-century African communities of this region, which largely consigned agricultural work to women, also affect attitudes towards the tools they used. I argue that examples of field-hoes held in eight museum collections form an important but neglected archive of “hoeculture”, the form of subsistence crop cultivation based on the use of manual implements, within the Phongolo-Mzimkhulu geographic region that roughly approximates to the modern territory of KwaZulu-Natal. In response to observations made by Maggs (1991), namely that a disparity exists in the numbers of fieldhoes collected by museums in comparison with weapons, I conducted research to establish the present numbers of amageja in these museums, relative to spears in the respective collections. The dissertation assesses the historical context that these metallurgical artefacts were produced in prior to the twentieth-century and documents views on iron production, spears and hoes or agriculture recorded in oral testimony from African sources, as well as Zulu-language idioms that make reference to hoes. I furthermore examine the collecting habits and policies of private individuals and museums in this region from the nineteenthcentury onwards, and the manner in which hoes are used in displays, in order to provide recommendations on how this under-utilised category of material culture should be incorporated into future exhibitions.
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Books on the topic "Art, Modern 20th century Australia Exhibitions"
1950-, Desmond Michael, and National Gallery of Australia, eds. Islands: Contemporary installations from Australia, Asia, Europe and America. Canberra: National Gallery of Australia, 1996.
Find full text1961-, McDonald John, and National Gallery of Australia, eds. Federation: Australian art and society, 1901-2001. Canberra: National Gallery of Australia, 2001.
Find full text1952-, Cohn Susan, and National Gallery of Australia, eds. Techno craft: The work of Susan Cohn, 1980 to 2000. Canberra: National Gallery of Australia, 1999.
Find full textInstitute of Contemporary Arts (London, England), Third Eye Centre, and Orchard Gallery, eds. Imants Tillers: Works, 1978-1988. [London]: Institute of Contemporary Arts, 1988.
Find full text1959-, Hart Deborah, and National Gallery of Australia, eds. Imants Tillers: One world many visions. [Canberra]: National Gallery of Australia, 2006.
Find full textTillers, Imants. Imants Tillers: One world many visions. Edited by Hart Deborah 1959- and National Gallery of Australia. [Canberra]: National Gallery of Australia, 2006.
Find full textGuy Grey-Smith life force. Crawley, W.A: UWA Publishing, 2012.
Find full textVictoria, National Gallery of, ed. Gordon Bennett. Melbourne: National Gallery of Victoria, 2007.
Find full text1966-, Smith Jason, Green Charles 1953-, and National Gallery of Victoria, eds. Fieldwork: Australian art 1968-2002. Melbourne, Vic: National Gallery of Victoria, 2002.
Find full textNeue Galerie am Landesmuseum Joanneum, ed. Alois Mosbacher: Outside fiction. Graz: Neue Galerie Graz, 2010.
Find full textBook chapters on the topic "Art, Modern 20th century Australia Exhibitions"
Regina Baggio Osinski, Dulce, and Ricardo Carneiro Antonio. "Children’s Art Exhibitions in Brazil: A Modern Badge for the New Man." In Pedagogy - Challenges, Recent Advances, New Perspectives, and Applications [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.99161.
Full textKraševac, Irena, and Petra Šlosel. "Networking of Central European Artists’ Associations via Exhibitions. The Slovenian Art Association, Czech Mánes and Polish Sztuka in Zagreb in the Early 20th Century." In Modern and Contemporary Artists' Networks. An Inquiry into Digital History of Art and Architecture, 16–36. Institute of Art History, 2018. http://dx.doi.org/10.31664/9789537875596.02.
Full textBobilewicz, Grażyna. "Obraz Afryki w malarstwie rosyjskim XX i początku XXI wieku." In Afryka i (post)kolonializm. Wydawnictwo Uniwersytetu Łódzkiego, 2016. http://dx.doi.org/10.18778/8088-260-7.07.
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