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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Art metalforging. London: A&C Black, 2002.

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2

Arminjon, Catherine. L' art du métal: Vocabulaire technique. [Paris]: Editions du patrimoine, 1998.

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3

Okinari, Kurokawa, and Miyata Takeshi, eds. Kinkō. Tōkyō: Asakura Shoten, 1985.

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4

Foldforming. [Portland, Maine]: Brynmorgen Press, 2008.

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5

Sang-yun, Yi, ed. Yugijang: Chungyo muhyŏng munhwajae che 77-ho. Sŏul-si: Hwasan Munhwa, 2002.

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6

Nicole, Bsullak, ed. Color on metal: 50 artists share insights and techniques. Madison, Wis: GUILD Pub., 2001.

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7

Ėnkhdavaa, D. Mongol darkhny urlakhuĭ ukhaan. Ulaanbaatar: SUIS-Du̇rslėkh Urlagiĭn Dėėd Surguulʹ, 1996.

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8

Jin shi za xiang lei wen wu xiu fu: Jin shi zaxianglei wenwu xiufu. Beijing Shi: Zhongguo shu dian, 2011.

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9

M, Radke Gary, Butterfield Andrew 1959-, and High Museum of Art, eds. The Gates of paradise: Lorenzo Ghiberti's Renaissance masterpiece. Atlanta, GA: High Museum of Art, 2007.

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10

Brown, Kathan. Ink, paper, metal, wood: How to recognize contemporary artists' prints. San Francisco, Calif: Point Publications, 1992.

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11

Ink, paper, metal, wood: Painters and sculptors at Crown Point Press. San Francisco: Chronicle Books, 1996.

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12

M, Radke Gary, ed. The gates of paradise: From the Renaissance workshop of Lorenzo Ghiberti to the modern restoration studio. Firenze: Guinti, 2012.

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13

Holt, Alexia, and Visual Arts Department Staff British Council. Below Another Sky: New Work in Print by Artists from Australia, Canada, India, Pakistan and Scotland. British Council, The, 2016.

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14

Zeiter, Linda K. Formal, technical and conceptual relationships in jewelry and metalsmithing: A personal view. 1987.

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15

Simple metalwork jewelry. Kalmbach Books, 2016.

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16

Cockrell, Dorothy. Beginner's guide to enamelling. 2014.

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17

Design Make Coloured Aluminium Jewellery. A&C; Black, 2010.

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18

Arakawa, Hiromu. The Art of Fullmetal Alchemist: The Anime: The Anime. VIZ Media LLC, 2006.

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19

Rae, Ruth, and Kristen Robinson. Making Etched Metal Jewelry: Techniques and Projects, Step by Step. F&W Media, Incorporated, 2013.

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20

L'art du métal. Patrimoine, 2000.

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21

Hawthorne, John G., Theophilus, and C. S. Smith. On Divers Arts. Dover Publications, Incorporated, 2012.

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22

Ink, Paper, Metal, Wood: How to Recognize Contemporary Artists' Prints. Crown Point Pr, 1993.

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23

Brown, Kathan. Ink, Paper, Metal, Wood: How to Recognize Contemporary Artists' Prints. Crown Point Pr, 1993.

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24

Rentz, David. Tettigoniidae of Australia Volume 3. CSIRO Publishing, 2001. http://dx.doi.org/10.1071/9780643105324.

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This third volume in the series will assist with identification and study of this important genus. Specialised collecting techniques, and the rearing of immature specimens, have yielded many more species than would otherwise have been recorded using only normal collecting techniques. The work accounts for four subfamilies, two of which, the Tympanophorinae and Microtettigoniinae, are endemic to Australia. Each of these endemic subfamilies is represented by a single genus containing several species. Tettigonidae of Australia Volume 3 will be a valuable resource for orthoptera researchers and academics, general entomologists, as well as those with an interest in the ecology and conservation issues related to grasshoppers.

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25

Forshaw, Joseph M., Mark Shephard OAM, and Anthony Pridham. Grassfinches in Australia. CSIRO Publishing, 2012. http://dx.doi.org/10.1071/9780643107878.

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It is not surprising that Australian grassfinches are highly popular with ornithologists and aviculturists, for included among the species are one of the most beautiful of all birds – the Gouldian Finch Erythrura gouldiae – and one of the most familiar cagebirds – the Zebra Finch Taeniopygia guttata. Despite a scarcity in published works on finches, interest in the species is growing, leading to a dramatic advancement in our knowledge of many species. For example, we have gained new information from field observations carried out on little-known species, including the Blue-faced Parrot-Finch Erythrura trichroa and the Red-eared Firetail Stagonopleura oculata. Significant advances in taxonomic research, largely as a consequence of the development and refinement of biochemical analyses, often involving DNA-DNA hybridisation, have given us a new insight into relationships among species, with some unexpected alliances being determined. Additionally, dramatic changes have taken place in avicultural practices, and in virtually all countries aviculture has taken on a new professional approach, with the most notable results being increased productivity and success with a wider variety of species. After a lapse of almost half a century since publication of Klaus Immelmann’s eminent work on finches, based on extensive field studies, the time has come for a new examination of Australian grassfinches. In Grassfinches in Australia, Joseph Forshaw, Mark Shephard and Anthony Pridham have summarised our present knowledge of each species, and have given readers a visual appreciation of the birds in their natural habitats and in aviculture. The resulting combination of superb artwork and scientifically accurate text ensures that this volume will become the standard reference work on Australian grassfinches. In addition to enabling aviculturists to know more about these finches in the wild as a guide to their own husbandry techniques, detailed information on current management practices for all species in captivity is provided. The book also includes colour plates depicting some of the more common mutations held in Australian and overseas collections. 2013 Whitley Award Commendation for Illustrated Zoology.

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26

Harris, Margaret. Major Authors: Christina Stead, Patrick White, David Malouf. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0019.

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This chapter examines the work of three Australian novelists who are read in the context of modernism, introducing a new dimension for the exploration of individual and national identity. David Malouf defines his Old and New World cultural heritage in a significant body of non-fiction prose, encompassing memoir and cultural commentary, along with reviews and interviews, that runs in tandem with his fiction. His intense literary self-consciousness is manifest in an extended mythology of place and history that emerges in his writing, such as Johnno (1975) and Remembering Babylon (1993). Patrick White's spiritual evocation of Australian landscape is evident from his first novel Happy Valley (1934) through The Tree of Man (1956) and Voss (1957), while issues of the construction of gender and identity are explicit in his memoir Flaws in the Glass: A Self-Portrait (1981) and the posthumously published The Hanging Garden (2012). Christina Stead's later international career, initiated by the republication in 1965 of The Man Who Loved Children (1940) followed by For Love Alone (1944), reveals her radical modernist techniques, her radical politics, and her focus on gender issues, particularly her concern with women artists, ending with the posthumous publication of I'm Dying Laughing: the Humourist (1986).

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