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Journal articles on the topic 'Art history'

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Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

Kuryazova, D. T. "FROM HISTORY OF MINIATURE ART." American Journal Of Social Sciences And Humanity Research 03, no. 02 (February 1, 2023): 22–29. http://dx.doi.org/10.37547/ajsshr/volume03issue02-04.

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This article examines the brief history and evolution of miniatures in the XIII-XVII centuries. Particular attention is paid to the comparative analysis and description of miniature works of different centuries. Also, the execution method and style of the miniature works made by the masters of different regions will be studied.
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2

Stimson, Blake. "Art History after the New Art History." Art Journal 61, no. 1 (2002): 92. http://dx.doi.org/10.2307/778171.

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3

Cormack, Robin. "‘New Art History’ vs. ‘Old History’: writing art history." Byzantine and Modern Greek Studies 10, no. 1 (January 1986): 223–31. http://dx.doi.org/10.1179/030701386790203579.

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4

Rembert, Virginia Pitts, Marilyn Stokstad, and Marion Spears Grayson. "Art History." Woman's Art Journal 19, no. 2 (1998): 35. http://dx.doi.org/10.2307/1358404.

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5

HARRIS, J. "Art History." Year's Work in Critical and Cultural Theory 1, no. 1 (January 1, 1991): 137–75. http://dx.doi.org/10.1093/ywcct/1.1.137.

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6

HARRIS, J. "Art History." Year's Work in Critical and Cultural Theory 2, no. 1 (January 1, 1992): 154–97. http://dx.doi.org/10.1093/ywcct/2.1.154.

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7

Brook, Donald. "Art History?" History and Theory 43, no. 1 (February 2004): 1–17. http://dx.doi.org/10.1111/j.1468-2303.2004.00262.x.

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8

Hammond, Harmony. "Art History." Art Journal 55, no. 4 (1996): 78. http://dx.doi.org/10.2307/777659.

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9

Hammond, Harmony. "Art History." Art Journal 55, no. 4 (December 1996): 78–79. http://dx.doi.org/10.1080/00043249.1996.10791790.

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10

Kearney, Alison. "Art History Is Dead; Long Live Art History!" de arte 52, no. 2-3 (September 2, 2017): 102–21. http://dx.doi.org/10.1080/00043389.2017.1366096.

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11

Brunt, Peter. "The Austral Islands: history, art and art history." Journal of Pacific History 48, no. 4 (December 2013): 502–3. http://dx.doi.org/10.1080/00223344.2013.822651.

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12

Wagner, Anne M. "Regarding Art and Art History." Art Bulletin 94, no. 1 (March 2012): 8–9. http://dx.doi.org/10.1080/00043079.2012.10786025.

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13

Hemingway, Andrew. "Regarding Art and Art History." Art Bulletin 94, no. 2 (June 2012): 163–65. http://dx.doi.org/10.1080/00043079.2012.10786035.

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14

Zorach, Rebecca. "Regarding Art and Art History." Art Bulletin 94, no. 4 (December 2012): 487–89. http://dx.doi.org/10.1080/00043079.2012.10786055.

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15

Klein, Cecelia F. "Regarding Art and Art History." Art Bulletin 95, no. 2 (June 2013): 187–89. http://dx.doi.org/10.1080/00043079.2013.10786067.

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16

Summers, David. "Regarding Art and Art History." Art Bulletin 95, no. 3 (September 2013): 355–56. http://dx.doi.org/10.1080/00043079.2013.10786078.

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17

Bahrani, Zainab. "Regarding Art and Art History." Art Bulletin 95, no. 4 (December 2013): 516–17. http://dx.doi.org/10.1080/00043079.2013.10786090.

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18

Clunas, Craig. "Regarding Art and Art History." Art Bulletin 95, no. 1 (March 2013): 8–9. http://dx.doi.org/10.1080/00043079.2013.10786103.

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19

Lavin, Irving. "The art of art history." World Futures 40, no. 1-3 (July 1994): 13–25. http://dx.doi.org/10.1080/02604027.1994.9972413.

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20

Holman, Valerie. "Art Books and Art History." Art Book 9, no. 2 (March 2002): 32–33. http://dx.doi.org/10.1111/1467-8357.00283.

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21

Preziosi, Donald. "Art, Art History, and Museology." Museum Anthropology 20, no. 2 (September 1996): 5–6. http://dx.doi.org/10.1525/mua.1996.20.2.5.

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22

Chen, Guang-Dah, Chih-Wei Lin, and Hsi-Wen Fan. "The History and Evolution of Kinetic Art." International Journal of Social Science and Humanity 5, no. 11 (2015): 922–30. http://dx.doi.org/10.7763/ijssh.2015.v5.581.

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23

Frangenberg, Thomas. "Art history and intellectual history." Intellectual News 1, no. 1 (September 1996): 24–25. http://dx.doi.org/10.1080/15615324.1996.10432166.

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24

Shiff, Richard. "Regarding Art and Art History: Unexplained." Art Bulletin 94, no. 3 (September 2012): 339–43. http://dx.doi.org/10.1080/00043079.2012.10786045.

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25

Léger, Marc James. "Art and Art History After Globalisation." Third Text 26, no. 5 (September 2012): 515–27. http://dx.doi.org/10.1080/09528822.2012.712767.

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26

Preziosi, Donald. "Virtual (Art) History." RACAR : Revue d'art canadienne 26, no. 1-2 (1999): 91. http://dx.doi.org/10.7202/1071552ar.

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27

Strother, Z. S. "Forensic Art History?" African Arts 54, no. 1 (March 2021): 5–7. http://dx.doi.org/10.1162/afar_a_00559.

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28

ABE, Katsuhiko. "ISLAMIC ART HISTORY." Orient 37 (2002): 91–97. http://dx.doi.org/10.5356/orient1960.37.91.

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29

Blatti, Jo. "Review: Art + History." Public Historian 31, no. 4 (2009): 108–11. http://dx.doi.org/10.1525/tph.2009.31.4.108.

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30

Collins, Bradford R., H. W. Janson, Anthony F. Janson, and E. H. Gombrich. "History of Art." Art Journal 48, no. 1 (1989): 90. http://dx.doi.org/10.2307/776926.

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31

Collins, Bradford R., Trewin Copplestone, Hugh Honour, John Fleming, David G. Wilkins, and Bernard Schultz. "Art History Surveys." Art Journal 49, no. 3 (1990): 318. http://dx.doi.org/10.2307/777126.

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32

Pollock, Griselda. "Whither Art History?" Art Bulletin 96, no. 1 (January 2, 2014): 9–23. http://dx.doi.org/10.1080/00043079.2014.877301.

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33

Ambrose, Kirk. "Digital Art History." Art Bulletin 97, no. 3 (July 3, 2015): 245. http://dx.doi.org/10.1080/00043079.2015.1013401.

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34

Yiyang, Shao. "Wither Art History?" Art Bulletin 98, no. 2 (April 2, 2016): 147–50. http://dx.doi.org/10.1080/00043079.2016.1108146.

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35

Gaifman, Milette, and Lillian Lan-ying Tseng. "Interactive Art History." Art Bulletin 102, no. 1 (January 2, 2020): 6. http://dx.doi.org/10.1080/00043079.2020.1670604.

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36

ROBINSON, CRISPIN. "ART HISTORY'S HISTORY." Art Book 1, no. 4 (September 1994): 16. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00187.x.

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37

Rose, Samuel. "Expanding Art History." Art History 36, no. 2 (March 18, 2013): 455–57. http://dx.doi.org/10.1111/1467-8365.12011.

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38

Vellodi, Kamini. "Hallucinating Art History." Art History 40, no. 1 (January 13, 2017): 220–24. http://dx.doi.org/10.1111/1467-8365.12299.

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39

Robles, Elizabeth. "Complicating Art History." Art History 42, no. 2 (March 15, 2019): 394–95. http://dx.doi.org/10.1111/1467-8365.12431.

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40

Grant, Catherine, and Dorothy Price. "Decolonizing Art History." Art History 43, no. 1 (January 22, 2020): 8–66. http://dx.doi.org/10.1111/1467-8365.12490.

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41

Stott, Timothy. "Ecocritical Art History." Art History 43, no. 3 (May 24, 2020): 640–45. http://dx.doi.org/10.1111/1467-8365.12510.

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42

Ørum, Tania. "Migrating Art History." Konsthistorisk Tidskrift/Journal of Art History 81, no. 1 (March 2012): 53–58. http://dx.doi.org/10.1080/00233609.2012.659207.

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43

Braddock, Alan C. "Ecocritical Art History." American Art 23, no. 2 (June 2009): 24–28. http://dx.doi.org/10.1086/605707.

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44

Andersen, W. "NEW ART HISTORY." Common Knowledge 16, no. 1 (December 15, 2009): 163–72. http://dx.doi.org/10.1215/0961754x-2009-085.

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45

Frost, Charlotte. "Art History 2.0?" Leonardo 45, no. 5 (October 2012): 468–69. http://dx.doi.org/10.1162/leon_a_00446.

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The author develops a theory showing how archival technicity impacts art historical thinking. She describes an example of a web-based art critcal/contextual platform and indicates the prevalent theme of performativity in art history as per today's web-based archival imperative.
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46

Baca, Murtha, Anne Helmreich, and Melissa Gill. "Digital Art History." Visual Resources 35, no. 1-2 (February 22, 2019): 1–5. http://dx.doi.org/10.1080/01973762.2019.1556887.

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47

Welch, Evelyn. "ART OR HISTORY?" Art History 30, no. 1 (April 20, 2007): 116–20. http://dx.doi.org/10.1111/j.1467-8365.2007.00534_3.x.

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48

Kestner, Joseph A. "Victorian Art History." Victorian Literature and Culture 26, no. 1 (1998): 207–19. http://dx.doi.org/10.1017/s1060150300002357.

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There has been an intriguing range of material published concerning Victorian painting since Victorian Literature and Culture last offered an assessment of the field. These books, including exhibition catalogues, monographs, and collections of essays, represent new and important sources for research in Victorian art and its cultural contexts. Most striking of all during this interval has been the range of exhibitions, from focus on the Pre-Raphaelites to major installations of such Victorian High Olympians/High Renaissance painters as Frederic, Lord Leighton and Sir Lawrence Alma-Tadema. Included as well have been exhibitions with a particular focus, such as that on the Grosvenor Gallery, and the more broadly inclusive The Victorians held at the National Gallery of Art in Washington D.C., this last being the most appropriate point of departure to assess the impact of Victorian art on the viewing public in the States.
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49

McEvansoneya, Philip. "History And Art." Irish Studies Review 15, no. 1 (February 2007): 89–122. http://dx.doi.org/10.1080/09670880601117547.

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50

Etchingham, Colman, Peter Crooks, John McQuilton, Philip McEvansoneya, Anthea Cordner, Alan Greer, Adrian Paterson, et al. "History and Art." Irish Studies Review 17, no. 2 (May 2009): 245–74. http://dx.doi.org/10.1080/09670880902885735.

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