Relevant bibliographies by topics / Art history

Academic literature on the topic 'Art history'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Art history.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Art history"

1

Kuryazova, D. T. "FROM HISTORY OF MINIATURE ART." American Journal Of Social Sciences And Humanity Research 03, no. 02 (February 1, 2023): 22–29. http://dx.doi.org/10.37547/ajsshr/volume03issue02-04.

Full text
Abstract:
This article examines the brief history and evolution of miniatures in the XIII-XVII centuries. Particular attention is paid to the comparative analysis and description of miniature works of different centuries. Also, the execution method and style of the miniature works made by the masters of different regions will be studied.
APA, Harvard, Vancouver, ISO, and other styles
2

Stimson, Blake. "Art History after the New Art History." Art Journal 61, no. 1 (2002): 92. http://dx.doi.org/10.2307/778171.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cormack, Robin. "‘New Art History’ vs. ‘Old History’: writing art history." Byzantine and Modern Greek Studies 10, no. 1 (January 1986): 223–31. http://dx.doi.org/10.1179/030701386790203579.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rembert, Virginia Pitts, Marilyn Stokstad, and Marion Spears Grayson. "Art History." Woman's Art Journal 19, no. 2 (1998): 35. http://dx.doi.org/10.2307/1358404.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

HARRIS, J. "Art History." Year's Work in Critical and Cultural Theory 1, no. 1 (January 1, 1991): 137–75. http://dx.doi.org/10.1093/ywcct/1.1.137.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

HARRIS, J. "Art History." Year's Work in Critical and Cultural Theory 2, no. 1 (January 1, 1992): 154–97. http://dx.doi.org/10.1093/ywcct/2.1.154.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Brook, Donald. "Art History?" History and Theory 43, no. 1 (February 2004): 1–17. http://dx.doi.org/10.1111/j.1468-2303.2004.00262.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hammond, Harmony. "Art History." Art Journal 55, no. 4 (1996): 78. http://dx.doi.org/10.2307/777659.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hammond, Harmony. "Art History." Art Journal 55, no. 4 (December 1996): 78–79. http://dx.doi.org/10.1080/00043249.1996.10791790.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kearney, Alison. "Art History Is Dead; Long Live Art History!" de arte 52, no. 2-3 (September 2, 2017): 102–21. http://dx.doi.org/10.1080/00043389.2017.1366096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Art history"

1

Halsall, Francis. "Art, art history and systems-theory." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/5392/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Williams, Cheryl Lynn. "Mapping the art historical landscape : genres of art history appearing in art history literature and the journal, Art education /." Connect to this title online, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1102365647.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Masters, Hannah L. "Art Therapy and Art History Theories, an Inquiry." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/515.

Full text
Abstract:
This research uses critical theory inquiry with interviews and arts-based research to explore biases about art making in clinical art therapy practice. The literature review establishes an historical link between theoretical tenets in fields of art therapy and art history. Participants are chosen from experts in the fields of art therapy and art history. Interviews explore what art making means to each participant, utilizing both verbal and arts-based processing. The data is condensed through coding and arts-based reflection, and seven emergent themes are identified. The themes are checked with the participants for accuracy. The findings of the paper integrate the insight from the literature review with the expressed views of the participants to illuminate meaning-making processes of art. The paper concludes with identification of an “art historical lens” for practicing art therapy and discussion of treatment considerations, limitations of the study, and suggestions for further research.
APA, Harvard, Vancouver, ISO, and other styles
4

Lintner, Natalie Elaine. "Living art history in the elementary art room." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407397595.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Neuenschwander, J. Brody. "The art history of Speyer." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325778.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

MacFarlane, Dana. "Walter Benjamin and art history." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419285.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Woznica, Mirek. "A counter-history of art." Thesis, Woznica, Mirek (1997) A counter-history of art. PhD thesis, Murdoch University, 1997. https://researchrepository.murdoch.edu.au/id/eprint/52757/.

Full text
Abstract:
The discipline of art history has constructed a transcendental, universal, and ahistorical conception of Western art which in turn has shaped the view of the history of art as a progressive, continuous, and accumulative evolution. This thesis is critical of the prevailing developmental art history which sees art as a universal category. It is an attempt to deuniversalise the category, and to demonstrate the finitude of art as a social construct of historically specific practices which are thus limited by time and place. It advocates, not a replacement of conventional notions of art history, but a problematisation, a genealogical counter-history. In such a history, the present is seen as a result of the accumulation of disparate factors and events with no inherent interrelatedness rather than as the discerning goaloriented quest for ultimate meaning and perfect coherence. It proposes to displace the originating role of the subject as the organising principle of art analysis, on which the universality of art is based, in favour of Foucault's ideas of the constitutive role of discourse in and through which both the observed and the observer are socially construed. In a proper genealogical way, the thesis provides an alternative: a wholly historicist view of the emergence of a new category of social object - art, and of a new category of social subject - the artist, within European pictorial culture. Art in this approach will be related not to the anthropological theory of an originating subject, nor to the positivist theory of an objective nature, but rather to a theory of discursive practice, since the discourse constructs the subject and reality inasmuch as the subject constructs the discourse and reality. Art, as a social category, I argue, emerged as the result of discursive constraints undertaken by the scrutinising program of the Academic Royale de Peinture et de Sculpture in the seventeenth century, who as the generator of a differentiation of values allowed and supported the establishment of divisions and hierarchies, concepts and precepts, that came to be realised in the eighteenth century as the autonomous consciousness of art and artist. This research is informed by Foucauldian archaeological and genealogical tools to displace the metaphysical premises on which the belief in the universality of art depends. It shows the concrete social practices of subjectivisation and objectivisation that lead to the emergence of art as a specific category from the indiscriminate practices of picture-making. It shows how painting became an object of artistic practice, an object of aesthetic concern, an object of the discourse of art experts, and an object of society's interest, how beauty became an object of artistic pursuit and artistic expertise, and how a new category of human being - the artist - emerged.
APA, Harvard, Vancouver, ISO, and other styles
8

Kirkham, Deborah Anne. "Medieval art writing and the study of art history." Thesis, University of Manchester, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529796.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Marquez, Jessica. "A natural history /." Online version of thesis, 2008. http://hdl.handle.net/1850/6249.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

McCurdy, Jessie, Alexandria Richardson, and Kathaleena Thirtle. "A People's History of Art Therapy." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/800.

Full text
Abstract:
The following research examined a survey on the identity and feelings of inclusion among alumni of Loyola Marymount University’s Marriage and Family Therapy with Specialization Training in Art Therapy graduate program. The survey found that a majority of the responding alumni did not feel their identities were represented in multiple aspects of the program, and there was a clear call to action for more representation of diversity. More research on the subject is needed to expand a variety of art therapy programs to better understand implications of art therapy pedagogy on identity, representation, and inclusivity within the art therapy community.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Art history"

1

Arnold, Dana, ed. Art History. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324716.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Newall, Diana, and Grant Pooke. Art History. 2nd ed. Second edition. | Abingdon, Oxon ; New York : Routledge, 2021. | Series: The basics: Routledge, 2021. http://dx.doi.org/10.4324/9781315727851.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

David, Cateforis, ed. Art history. 2nd ed. New York: Harry N. Abrams, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1942-, Collins Bradford R., and Addiss Stephen 1935-, eds. Art history. New York: H.N. Abrams, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

David, Cateforis, and Addiss Stephen 1935-, eds. Art history. 2nd ed. Upper Saddle River, N.J: Prentice-Hall, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Stokstad, Marilyn. Art history. Upper Saddle River, N.J: Prentice Hall, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

SAMOGAEVA, AYNAGUL'. Art History. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1184663.

Full text
Abstract:
It is intended for study in professional educational organizations of secondary vocational education that implement the educational program of secondary vocational education for training middle-level specialists in the specialty 43.01.02 "Hairdresser". Meets the requirements of the federal state educational standards of secondary vocational education. For students of educational organizations of secondary vocational education.
APA, Harvard, Vancouver, ISO, and other styles
8

Graham, Whitham, ed. Art history. Chicago, Ill: McGraw-Hill, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Graham, Whitham, ed. Art history. London: Teach Yourself, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Spears, Grayson Marion, and Addiss Stephen 1935-, eds. Art history. New York: H.N. Abrams, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Art history"

1

Pfisterer, Ulrich. "Radical Art History → New Art History." In Metzler Lexikon Kunstwissenschaft, 364. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00331-7_151.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Newall, Diana, and Grant Pooke. "Art histories and art theories." In Art History, 1–30. 2nd ed. Second edition. | Abingdon, Oxon ; New York : Routledge, 2021. | Series: The basics: Routledge, 2021. http://dx.doi.org/10.4324/9781315727851-11a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bann, Stephen. "Art History and History." In History and Art History, 72–86. New York, NY : Routledge, 2021. | Series: Routledge research in art history: Routledge, 2020. http://dx.doi.org/10.4324/9780429288623-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Chapman, H. Perry. "Art Fiction." In Art History, 129–49. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324716.ch7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Newall, Diana, and Grant Pooke. "Art and art histories since the 1960s." In Art History, 164–94. 2nd ed. Second edition. | Abingdon, Oxon ; New York : Routledge, 2021. | Series: The basics: Routledge, 2021. http://dx.doi.org/10.4324/9781315727851-71a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Augé, Marc. "Art, Contemporaneity, History." In Architecture and the Social Sciences, 13–18. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53477-0_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Pfisterer, Ulrich. "New Art History." In Metzler Lexikon Kunstwissenschaft, 312–13. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04949-0_87.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Belarde-Lewis, Miranda. "A:Shiwi Art History." In The Routledge Companion to Indigenous Art Histories in the United States and Canada, 189–99. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003014256-22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Grewe, Cordula. "Art History Painted." In The Arabesque from Kant to Comics, 87–101. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781351187350-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Davis, R. Casey. "History Through Art." In Social Studies Comes Alive, 97–102. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003238041-14.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Art history"

1

Link, John. "Electronic art history." In the 22nd annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/196355.196503.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tan, LiQin, Roberta K. Tarbell, and Robert Wuilfe. "Animating art history." In Educators program from the 30th annual conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/965106.965118.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Finnegan, John, Richard Kopp, Carley Augustine, Jerry Banik, Adam Carver, Chad Rajski, Randy Lehman, Lisa Amick, and Students. "Modeling art history." In ACM SIGGRAPH 2006 Educators program. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179295.1179343.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Xu, Daisy Yangyang. "Dreams in Art History." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hase, Kaihei, and Syunji Yazaki. "AI History 1890-2090." In SA Art Gallery '23: ACM SIGGRAPH Asia 2023 Art Gallery. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3610537.3622951.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hatanaka, Tomoko. "Integrating digital art practice and art history studies." In ACM SIGGRAPH 2007 educators program. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1282040.1282051.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Tarbell, Roberta, and LiQin Tan. "Animating art history for teaching." In ACM SIGGRAPH 2002 conference abstracts and applications. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242082.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Wands, Bruce. "CREATING CONTINUITY BETWEEN COMPUTER ART HISTORY AND CONTEMPORARY ART." In CAT 2010: Ideas before their time : Connecting the past and present in computer art. BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/cat2010.21.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sferra, Rik. "Oral history." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281475.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Prince, P. "A brief history of SIGGRAPH art exhibitions." In SIGGRAPH 89 Art show catalog - Computer art in context. New York, New York, USA: ACM Press, 1989. http://dx.doi.org/10.1145/73877.73878.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Art history"

1

Kume, Junko. Medieval European Art History in Japan. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/itma.2023.16.03.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Girard, Nancy. Prospective Course - ART H 4XX/5XX Beyond Graffiti, History of Street Art. Ames (Iowa): Iowa State University, January 2011. http://dx.doi.org/10.31274/cc-20240624-1171.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Orenstein, Harold S. Selected Readings in the History of Soviet Operational Art. Fort Belvoir, VA: Defense Technical Information Center, May 1990. http://dx.doi.org/10.21236/ada231842.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ashdown, Susan P., and Kimberly A. Phoenix. Half Scale, Full Engagement: Uniting Art, History and Technology to Teach Patternmaking. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1342.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Carlin, P. W., A. S. Laxson, and E. B. Muljadi. The History and State of the Art of Variable-Speed Wind Turbine Technology. Office of Scientific and Technical Information (OSTI), March 2001. http://dx.doi.org/10.2172/776935.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Galenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. Cambridge, MA: National Bureau of Economic Research, February 2005. http://dx.doi.org/10.3386/w11152.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wiel, S. The science and art of valuing externalities: A recent history of electricity sector evaluations. Office of Scientific and Technical Information (OSTI), May 1995. http://dx.doi.org/10.2172/503480.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt, and Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), June 2023. http://dx.doi.org/10.21079/11681/47184.

Full text
Abstract:
The 1943 art exhibition at the Mountain View Officers’ Club (MVOC), Fort Huachuca, Arizona should be considered one of the most significant events in the intersection of American art, military history, and segregation. Organizers of the event, entitled Exhibition of the Work of 37 Negro Artists, anticipated it would boost soldiers’ morale because Fort Huachuca was a predominately Black duty station during WWII. This report provides a brief history of Black art in the early 20th century, biographies of the artists showcased, and provides information (where known) about repositories that have originals or reproductions of the art today. The following is recommended: the General Services Administration (GSA) investigate the ownership of the pieces described in this report and if they are found to have been created under one of the New Deal art programs to add them to their inventory, further investigation be performed on the provenance and ownership of Lew Davis’s The Negro in America’s Wars mural, for the rehabilitation of the MVOC that the consulting parties agree upon the scope of the reproduction of the art, and request archival full reproductions of the pieces of art found in the collection of the Howard University Gallery of Art.
APA, Harvard, Vancouver, ISO, and other styles
9

McGowan, Kevin M. A Great War More Worthy Of Relation Than Any That Had Preceded It: Thucycides History of the Peloponnesian War as a Rosetta Stone for Joint Warfare and Operational Art. Fort Belvoir, VA: Defense Technical Information Center, June 2006. http://dx.doi.org/10.21236/ada463540.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, March 2013. http://dx.doi.org/10.18235/0006215.

Full text
Abstract:
The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations also show the position of women in Panamanian society, and their views of themselves through their own and others¿ eyes. Among the artists are: Susana Arias, Beatrix (Trixie) Briceño, Fabiola Buritica, Coqui Calderón, María Raquel Cochez, Donna Conlon, Isabel De Obaldía, Sandra Eleta, Ana Elena Garuz, Teresa Icaza, Iraida Icaza, Amelia Lyons de Alfaro, Lezlie Milson, Rachelle Mozman, Roser Muntañola de Oduber, Amalia Rossi de Jeanine, Olga Sánchez, Olga Sinclair, Victoria Suescum, Amalia Tapia, Alicia Viteri, and Emily Zhukov.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Art history' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography