Dissertations / Theses on the topic 'Art, greek – history'
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Fowler, Michael Anthony. "Unsavory Sights: Cannibalism in Greek Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8911.
Full textFowler, Michael Anthony. "Unsavory Sights: Cannibalism in Greek Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/8908.
Full textPhotiou, Maria. "Rethinking the history of Cypriot art : Greek Cypriot women artists in Cyprus." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12139.
Full textWolfson, Elizabeth Graff. "Pictorial Representations of Monkeys and Simianesque Creatures in Greek Art." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877177.
Full textFowler, Michael Anthony. "Bad Blood? The Sacrifice of Polyxena in Archaic Greek Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/8907.
Full textJones, Lewis Molly Ayn. "A Dangerous Art: Greek Physicians and Medical Risk in Imperial Rome." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1242865685.
Full textRiccardi, Lee Ann. "The Image of Augustus in the Greek World: An Examination of the Portraiture and the Cults." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1381400785.
Full textRask, Katherine. "Greek Devotional Images: Iconography and Interpretation in the Religious Arts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338473387.
Full textFowler, Michael Anthony. "Bad Blood? Varying Attitudes on Human Sacrifice in Archaic Greek Art." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etsu-works/8905.
Full textBarley, N. D. "The battlefield role of the Classical Greek general." Thesis, Swansea University, 2012. https://cronfa.swan.ac.uk/Record/cronfa43080.
Full textAtac, Mehmet Ali. "The standing female figure in its ancient Mediterranean context: an investigation into the origins and significance of the Kore type in Archaic Greek sculpture." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1371827160.
Full textIgnatidou, Artemis. "Four short (hi)stories of a 19th century Greek-European musical interaction, and the cultural outcomes thereof." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/16094.
Full textRonseberg, Jonah L. "The development of emotional rendering in Greek art, 525-400." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:48c6bdc3-85a0-4d1c-983d-cd833510c98f.
Full textFowler, Michael Anthony. "Reflections on Beauty and Ugliness: An Exceptional Archaic Greek Mirror at the Getty." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8906.
Full textVon, Solms Charlayn Imogen. "Ingenuity's engine : an overview of the history and development of the concept of the muse." Thesis, Stellenbosch : University of Stellenbosch, 2003. http://hdl.handle.net/10019.1/16468.
Full textENGLISH ABSTRACT: "The growth of any discipline depends on the ability to communicate and develop ideas, and this in turn relies on a language which is sufficiently detailed and flexible" (Singh 1997: 59). Many metaphors relating to creativity are too misleading, confusing, and restricted in scope for a meaningful exploration of the phenomenon and its fluctuating social and cultural contexts. Given the Muse's long-term association with literature, philosophy, education, and more recently, the fine arts and other "creative" fields, an analysis of this concept may provide a unique opportunity to gain insight into the "mechanisms" underlying the creative process. Since affiliation with the Muse appears to have signalled attainment of critical cultural and/or social status by cultural practitioners in various societies, from the ancient to the present (a category which was broadened substantially), it is thus logical to assume this concept encompasses and has accumulated characteristics particular to the creative process as historically and currently valued in Western culture. Given the limited scope of the thesis, I have focused on specific concerns: 1) Provide an overview of the history, origin and development of the concept via specific examples ranging from antiquity, the medieval period, and the modern. 2) Assess the changes which have occurred in the development of the concept, and postulate likely causes: such as for example, the impact of an increased focus on the visual - and by extension, the physical - due to a more literate populace, on a concept originally conceived of as experienced through predominantly audial means. 3) Identify closely related concepts, the characteristics of which may have played a role in the formulation of the initial concept, along with those integrated into it, to form the modern version of the Muse: examples include the influence of the myth of Pygmalion on notions regarding the poet's relationship with both material and Muse; and the consequences of an amalgamation of characteristics of Aphrodite with those of the pastoral Muse. 4) Explore the extent to which the Muse-poet interaction can reveal fundamental aspects of the creative process and its main components: the differences between the public invocation and experience of the Muse in an oral context, as opposed to the privately experienced Muse of the literate poet; also, the changes imposed on the concept's perceived means of functioning due to its extension to the practice of the visual arts; and the correlation between the Jungian notion of the anima and aspects of the Muse. 5) Postulate the fundamental aspects of the creative process as revealed by analysis of the concept of the Muse for further investigation. In brief then, the main intention of this thesis is simply to examine by analysis of particular examples, the feasibility of applying the concept of the Muse as metaphor through which to identify for further exploration, issues and themes relating to the production and changes in social assessment of creative enterprises.
AFRIKAANSE OPSOMMING: "The growth of any discipline depends on the ability to communicate and develop ideas, and this in turn relies on a language which is sufficiently detailed and flexible" (Singh 1997: 59). Menige metafore verbonde aan kreatiwiteit is te misleidend, verwarrend, of beperk in omvang vir 'n betekenisvolle ondersoek van díe verskynsel en die fluktueerende sosiale en kulturele kontekste daarvan. Gesien in die lig van die Muse se langtermyn assosiasie met letterkunde, filosofie, opvoedkunde en meer onlangs, the skone kunste en ander "kreatiewe" velde, mag 'n analise van die konsep moontlik 'n unieke geleentheid bied om insig te verkry in die onderliggende "meganismes" van die kreatiewe proses. Aangesien affiliasie met die Muse blyk om die bereiking van kritiese kulturele en/of sosiale status, deur kulturele praktisyne in verskeie samelewings, van die antieke tot die huidige ('n kategorie wat aansienlik uitgebou is) aan te dui, is dit dus logies om te aanvaar dat die konsep alomvattend is van eienskappe kenmerkend van die kreatiewe proses, soos geskiedkundig en huidig op prys gestel in die Westerse kultuur. Gegewe die beperkte bestek van die tesis, is gefokus op spesifieke kwessies: 1) Verskaf 'n oorsig van die geskiedenis, oorsprong, en ontwikkeling van die konsep deur spesifieke voorbeelde, in omvang vanaf die antieke, die middeleuse periode, en die moderne. 2) Evalueer die veranderinge wat voorgekom het in die ontwikkeling van die konsep, en veronderstel moontlike redes daarvoor: soos byvoorbeeld, die impak van vermeerderde fokus op die visuele - en daarby die fisiese - as gevolg van 'n meer geletterde bevolking, op 'n konsep wat aanvanklik hoofsaaklik ouditief ondervind is. 3) Identifiseer verwante konsepte, die eienskappe waarvan moontlik 'n rol kon gespeel het in die formulasie van die aanvanklike konsep, asook die wat daarby geintegreer is, om die moderne weergawe van die Muse te vorm: voorbeelde sluit in, die invloed van die mite van Pigmalion op begrippe aangaande die digter se verhouding met beide die materiaal en Muse; en die gevolge van 'n samesmelting van Aphrodite se karaktertrekke met die van die pastorale Muse. 4) Ondersoek die mate waartoe die Muse-digter verhouding fundamentele aspekte van die kreatiewe proses en sy hoof komponente kan ontbloot: soos die verskille tussen die publieke invokasie en ervaring van die Muse in 'n verbale konteks, in teenstelling met die geletterde digter wat die Muse privaat ondevind; asook die veranderinge temeegebring op die persepsies aangaande die konsep se funksionering as gevolg van die uitbreiding daarvan tot die visuele kunste; en die korrelasie tussen die Jungiaanse idee van die anima, en aspekte van die Muse. 5) Veronderstel die fundamentele aspekte van die kreatiewe proses, soos ontbloot deur analise van die konsep van die Muse vir verdere ondersoek. Kortliks dan, die hoof voorneme van hierdie tesis is om deur analise van spesifieke voorbeelde, die uitvoerbaarheid te ondersoek om die konsep van die Muse toe te pas as metafoor vir verdere navorsing waardeur kwessies en temas, aangaande die produksie en veranderinge in sosiale waardering van kreatiewe ondernemings, ge-identifiseer kan word.
Fowler, Michael Anthony. "Between the Gorgeous and Gorgonian: Gender, Aesthetic Experience, and the Getty Mirror." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8910.
Full textMcPherson, Beth Ann Spiryson. "Fort Hill: A Representative of the Structural and Social Hierarchy and Harmony of Greek Revival Architecture." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626022.
Full textClark, Travis Lee. "Imaging the Cosmos: The Christian Topography by Kosmas Indikopleustes." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/2022.
Full textPh.D.
The Christian Topography by Kosmas Indikopleustes was both one of the most perplexing and one of the most elaborately illustrated manuscripts of the Byzantine era. Written in the sixth-century, the manuscript survives in three copies: Vatican Greek 699, a ninth-century codex in the Vatican collections, and two eleven-century copies, Sinai Greek 1186 in the library of Monastery of St. Katherine in Sinai, and Pluteus IX.28, in the possession of the Laurentian Library in Florence. The work attempted nothing less that the replacement of the Aristotelian-Ptolemaic system of the universe with a cosmological model the author thought was more in harmony with Christian scripture. The text was illustrated with many unique diagrams of the cosmos, as well as several narrative biblical images. Long disparaged as an obscure work by an ignorant author, scholarship focused instead on the ornate miniatures. Kurt Weitzmann and other scholars advanced the theory that the illustrators appropriated many images, particularly the narrative images from book five, from an earlier source, possibly a lost Octateuch tradition. The cosmological diagrams were seen as a novelty and largely ignored. This avenue of research resulted in a bifurcation of the text and image in scholarship of the manuscript, in which the illustrative program was seen as ad hoc or derivative and unrelated to the text or Kosmas' theories. After having thoroughly examined all three surviving manuscripts in person, I have come to a different conclusion. By exploring the author's use of language and typology, I believe I have demonstrated that all the images, even the problematic narrative ones, relate directly to Kosmas' theories and were probably original. Kosmas was not a fundamentalist or a "know-nothing" as previously described but a cosmopolitan and flexible thinker deeply immersed in the Christological debates of his era. Viewed in that context, The Christian Topography used a holistic approach where images and visual imagery were indispensable to the author's arguments.
Temple University--Theses
Armstrong, Naja Regina. "Round temples in Roman architecture of the Republic through the late Imperial period." Thesis, University of Oxford, 2001. http://ora.ox.ac.uk/objects/uuid:6bf53ac0-87a0-443c-8daa-f7b710196c4b.
Full textMihaloew, Andreya. "An Exploration of the Function of Lamps in Archaic and Classical Greek Culture: Use, Concepts, and Symbolism." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10472.
Full textThe Classics
Fechik, Jennifer R. "Interaction in the Symposion: An Experiential Approach to Attic Black-Figured Eye Cups." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363802054.
Full textFowler, Michael Anthony. "Of Cult and Cataclysm: Considerations on a Maiden Sacrifice at Mycenaean Kydonia." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8909.
Full textLeatherbury, Sean Villareal. "Inscribed within the image : the visual character of early Christian mosaic inscriptions." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:9ea6f425-7010-4820-b35d-bed33c658b60.
Full textTsagkarakis, Ioannis. "The politics of culture : historical moments in Greek musical modernism." Thesis, Royal Holloway, University of London, 2013. http://repository.royalholloway.ac.uk/items/275daedd-e867-48d5-8981-ff49b1da4d5c/1/.
Full textPahl, Brenton. "From Ancient Greece to Surrealism: The Changing Faces of the Minotaur." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1511613466777073.
Full textRosett, Isabelle George. "Voices of Ancient Women: Stories and Essays on Persephone and Medusa." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1008.
Full textBrisart, Thomas. "Un art citoyen: recherches sur l'orientalisation des artisanats en Grèce proto-archaïque." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210339.
Full textLe développement de la citoyenneté en Grèce à partir de la seconde moitié du VIIIe siècle avant J.-C. a donné lieu à une extension du pouvoir politique et militaire à une part plus importante de la population des cités. La propagation de ce qui constituait autrefois les principaux modes de reconnaissance a amené les élites à développer de nouvelles façons de se distinguer dans le paysage social. Dans un même temps, les citoyens de chaque cité ont développé des institutions communales, telles que les cultes civiques et les repas en commun, afin d'unifier le groupe qu'ils formaient et de renforcer le fossé qui séparait celui-ci du reste de la société. Le travail de contextualisation entrepris dans cette thèse a montré que l'art orientalisant constituait un outil facilitant la mise en place de ces deux évolutions.
D'une part, parce qu'ils faisaient explicitement allusion aux cultures du Proche-Orient, dont les richesses exerçaient une réelle fascination sur les Grecs de cette époque, les objets orientalisants permettaient de rehausser le prestige de leurs propriétaires. Autrement dit, ils constituaient des modes de reconnaissance sociale particulièrement efficaces. De nombreuses données archéologiques et textuelles ont permis de confirmer ce point de vue, mettant en évidence que les objets orientalisants étaient utilisés lors de banquets prestigieux, comme offrandes ostentatoires aux dieux et aux morts, ou encore pour contenir de précieux parfums.
D'autre part, en tant qu'esthétique nouvelle, complètement libérée des formes géométriques utilisées durant les siècles précédents, l'art orientalisant figurait également au rang des pratiques censées unifier la citoyenneté. Cette seconde conclusion a été mise en évidence au travers de l'étude du cas de la Crète, où, au VIIe siècle, l'art orientalisant a en grande partie été utilisé dans le cadre d'institutions civiques :les banquets publics, les cultes civiques, et les guerres.
This dissertation aims at the understanding of the reasons lying behind the orientalization of artefacts in Greece during the so-called "Orientalizing period" (i.e. the 7th cent. BC). In order to achieve this goal, the author focused on archaeological contexts and textual information. They allowed him to replace the orientalizing objects back in their original social context and to understand their initial purposes.
The birth of the citizenship in Greece at the end of the 8th cent. BC gave rise to the extension of the political and military power to a wider part of the population. This created a need for the former elite to develop other means of social distinction. Conversely, the communities of citizens developed communal institutions, like civic cults, communal dinners, etc. meant to cement and to level the group, and to reinforce the gulf that separated it from the rest of the society. This thesis showed that orientalizing art contributed to the setting up of these changes.
On one hand, because Greek orientalizing artefacts explicitly alluded to Near Eastern cultures, that were indeed perceived as being particularly rich at that time by the Greeks, they could enhance the individual prestige of the people using them. Archaeological research confirmed this hypothesis, showing that Greek orientalizing objects were used during conspicuous banquets, as lavish offerings for the dead and the gods, and for containing precious perfumes.
On the other hand, as artefacts decorated in a new style, completely freed from the geometric aesthetics displayed in the previous centuries, orientalizing objects also figured among the practices developed for strengthening the citizens’ corps. This second conclusion was reached through the study-case of Crete, where orientalizing art of the 7th cent. seems nearly exclusively used in a context of civic institutions :public banquets, civic cults and festivals, and wars.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Alfaro, Alicia E. "Prehispanic Water Management at Takalik Abaj, Guatemala." Thesis, University of South Florida, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1547711.
Full textLand and water use at archaeological sites is a growing field of study within Mesoamerican archaeology. In Mesoamerica, similar to elsewhere in the world, landscapes were settled based partially upon the characteristics of the environment and the types of food and water resources available. Across Mesoamerica, landscape concepts were also important to religious beliefs and ritual activity in a manner that may have had the potential to influence the power dynamics of a site. This thesis focuses on the management of water at the site of Takalik Abaj in Guatemala during the Middle to Late Preclassic periods (c. 1000 B.C. - A.D. 250) in order to analyze potential ritual and political functions of the water management system. Using spatial data within GIS, this thesis examines the flow of water across the site as directed by its topographical features. The archaeological record of Takalik Abaj and comparisons to water management systems at other Mesoamerican sites are also used to investigate the functions of the water management system. Thesis findings suggest that the water management system of Takalik Abaj was multi-faceted and that ritual functions tied to the control of water may have contributed to the identities and power of the elite.
Pirone, Frederick S. "Trade, Interaction and Change: Trace Elemental Characterization of Maltese Neolithic to Middle Bronze Age Ceramics Using a Portable X-ray Fluorescence Spectrometer." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6930.
Full textRupley, Zachary Scott. "Augustus, Justinian, and the Artistic Transformation of the Roman Emperor." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1863.
Full textPersano, Paolo. "Scultura greca del tardo arcaismo: un nuovo esame delle sculture frontonali del tempio di Apollo Daphnephoros a Eretria." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/85656.
Full textBrophy, Elizabeth Mary. "Royal sculpture in Egypt 300 BC - AD 220." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:590228be-3001-49b3-bf6c-137af08ac71c.
Full textHeinz, Sanda Sue. "The statuettes and amulets of Thonis-Heracleion." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:db17df52-6f5b-41e5-a650-f6ad268b2c60.
Full textKopsacheili, Maria. "Palaces and elite residences in the Hellenistic East, late fourth to early first century BC : formation and purpose." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:bc2f6cca-dde4-4d98-9981-16cc3deb4c8e.
Full textDraycott, Catherine M. "Images and identities in the funerary art of Western Anatolia, 600-450 BC : Phrygia, Hellespontine Phrygia, Lydia." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:6654d163-aaca-4aca-a695-4ef8bec2d6dd.
Full textLee, Adam S. "The Platonism of Walter Pater." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:5a0d6f60-85cf-4835-8212-0e7ad1561dcc.
Full textTrejster, Mihail Û. "The role of metals in ancient Greek history /." Leiden ; New York ; Köln : E. J. Brill, 1996. http://catalogue.bnf.fr/ark:/12148/cb35802035k.
Full textGazi, Effi. "Scientific national history : the Greek case in comparative perspective, 1850-1920 /." Frankfurt am Main (Germany) : P. Lang, 2000. http://catalogue.bnf.fr/ark:/12148/cb389234368.
Full textWeiss, Katherine. "“Samuel Beckett and History,” “Samuel Beckett and the Art of Failure,” and “Modern American Drama and the Greeks”." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5596.
Full textBland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.
Full textDeVoe, Lauren E. "Erichtho’s Mouth: Persuasive Speaking, Sexuality and Magic." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2020.
Full textBiard, Guillaume. "Être et paraître : les modalités de la représentation honorifique dans les cités grecques des origines à la fin de l’époque hellénistique." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100154.
Full textWhat does honorific representation stand for? Starting from this apparently simple question, the present study explores the many aspects of the habit, beginning in the 4th century B.C. and developing through the Hellenistic period, of granting the benefactors a representation of themselves. Based on the honorific decrees and the archaeological evidence, the analysis is primarily material. Thus, the expectations and constraints guiding the choice of a medium, of a material and of a place of erection are first examined. In the case of a statue, its size, the type of its base and the way it is fixed are thoroughly studied. But with their erection, the life of the representations just begins: a few chapters are devoted to their cleaning and also to their mutilation, destruction and reuse. Iconography is the second main topic of the study. Through a description of the remaining works of art, a portrait of the ideal city reflected by the honorific representation is drawn, from the victorious generals to the women. The limits of the genre are also explored, through a study of the representations of heroes and kings, but also of children. Both material and iconographic studies support the historical analysis. An introductory focus on the origins of the honorific representation allows a determination of the specific aspects of public representation. Keeping those in mind as a reference, the analysis turns then to the less studied private honorific and commemorative representations. This large scope exploration leads finally to an examination of the social and political role of the honorific representation and of its evolution through the late Hellenistic period
Goldstein, Asher. "The World is perishing, create art : Aesthetic projects of belonging in and to 'the green and pleasant land' and mare nostrum." Thesis, Linköpings universitet, REMESO - Institutet för forskning om migration, etnicitet och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-149556.
Full textHarrington, Kaysie Marie. "The American Studio Glass Movement: A Regional Study of its Birth in Northwest Ohio." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1542125173303787.
Full textMoretti, Angela. "Aristobulo di Cassandrea." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3423404.
Full textIl lavoro di tesi si propone di analizzare le testimonianze e i frammenti di Aristobulo di Cassandrea, storico di Alessandro Magno, che accompagnò il sovrano macedone nella spedizione in Asia e che scrisse un’opera su questi avvenimenti, andata perduta. Punto di partenza per questo studio è il corpus dei frammenti di Aristobulo edito da Felix Jacoby nella grande raccolta Die Fragmente der griechischen Historiker (Leiden 1927). Nella prima parte del lavoro sono state raccolte e discusse, sulla base delle testimonianze, le poche notizie biografiche sullo storico. Si è poi proceduto all’analisi dei 62 frammenti tratti dall’opera su Alessandro Magno e dei 2 spuri, che sono risultati non pertinenti allo storico in esame. Di ogni frammento sono stati affrontati i principali problemi testuali, ove presenti, ed è stata fornita una traduzione in italiano e un commento, nel quale il testo di Aristobulo è stato messo a confronto con quello delle principali fonti antiche su Alessandro. Nelle conclusioni, si presenta un’analisi complessiva dei frammenti di Aristobulo, al fine di ricostruire le caratteristiche peculiari dell’opera dello storico.
Workman, Jameson Samuel. "Chaucerian metapoetics and the philosophy of poetry." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:8cf424fd-124c-4cb0-9143-e436c5e3c2da.
Full textBeckham, Jessica L. "The Influence of Urban Green Spaces on Declining Bumble Bees (Hymenoptera: Apidae)." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849737/.
Full textKnigge, Kerri. "Porter’s Bar: A Coastal Middle Woodland Burial Mound and Shell Midden in Northwest Florida." Scholar Commons, 2018. http://scholarcommons.usf.edu/etd/7181.
Full textCserhalmi, Nora. "Konstruerad utsatthet : En bildsemiotisk analys av Nathalie Djurbergs stop motion-filmer Greed och Cave." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-378575.
Full textCastleberry, Garret. "Incorporating Flow for a Comic [Book] Corrective of Rhetcon." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28405/.
Full text