Journal articles on the topic 'Art, European – 17th century'
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Akimov, Sergey S. "The 17th Century Dutch Art in E.I.Rotenberg’s Studies." Vestnik of Saint Petersburg University. Arts 13, no. 3 (2023): 413–31. http://dx.doi.org/10.21638/spbu15.2023.302.
Full textMontanari, Riccardo, Philippe Colomban, Maria Francesca Alberghina, Salvatore Schiavone, and Claudia Pelosi. "European Smalt in 17th-Century Japan: Porcelain Decoration and Sacred Art." Heritage 7, no. 6 (June 5, 2024): 3080–94. http://dx.doi.org/10.3390/heritage7060145.
Full textLisovich, Inna I. "Visual Representation of Scientific Corporations in European Culture of the 17th Century." Observatory of Culture, no. 2 (April 28, 2014): 98–103. http://dx.doi.org/10.25281/2072-3156-2014-0-2-98-103.
Full textAbdullayeva, Sevda, and Samira Gasimova. "XVII century Azerbaijani culture through the eyes of european travelers." Grani 24, no. 2 (February 28, 2021): 41–45. http://dx.doi.org/10.15421/172113.
Full textChernyi, Valentin D. "FOREIGNERS’ PERCEPTION OF RUSSIAN ARTWORK IN THE 16TH-17TH CENTURIES." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 112–24. http://dx.doi.org/10.28995/2073-6401-2022-3-112-124.
Full textTrofimova, Violetta S. "SPACES OF ART CULTURE ORGANIZATION CREATED BY WOMEN INTELLECTUALS OF THE 17TH CENTURY." Russian Studies in Culture and Society 8, no. 2 (June 30, 2024): 71–93. http://dx.doi.org/10.12731/2576-9782-2024-8-2-238.
Full textAntonucci, Gianluca. "The Church and the art of governing people in a period of crisis: An analysis of the Inchiesta Innocenziana (1650-55)." CONTABILITÀ E CULTURA AZIENDALE 23, no. 1 (June 2023): 39–59. http://dx.doi.org/10.3280/cca2023-001003.
Full textPérez-Jiménez, Aurelio. "The Lamp of Anaxagoras (Plu., Per. 16.8-9) and its Reception in the Art of the 17th-19th centuries." Ploutarchos 14 (October 30, 2017): 69–106. http://dx.doi.org/10.14195/0258-655x_14_4.
Full textBevz, Mykola. "The wooden architectural complex of the city and royal residence of the John III Sobieski in Kukizów." Budownictwo i Architektura 18, no. 4 (March 20, 2020): 059–82. http://dx.doi.org/10.35784/bud-arch.710.
Full textAgyarkoh, Dr Eric, and Dr Eric Kwadwo Amissah. "Development of Graphic Design Practice and Education in Ghana." Journal of Education and Culture Studies 6, no. 2 (April 30, 2022): p71. http://dx.doi.org/10.22158/jecs.v6n2p71.
Full textKholbekov, Mukhammadjon. "PERCEPTION AND INTERPRETATION OF CREATIVITY OF ALISHER NAVOI IN FRENCH ORIENTAL STUDIES." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (January 30, 2021): 17–27. http://dx.doi.org/10.26739/2181-1490-2021-1-2.
Full textOpanasiuk, Oleksandr. "Modernism and Postmodernism: Objectivation of the Content of Phenomena." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(52-53) (December 14, 2021): 99–118. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251810.
Full textMorein, Ksenia N., and Liudmila N. Shaymukhametova. "Ensemble Music-Making in the Mirror Reflection of 17th and 18th Century Western European Painting." ICONI, no. 1 (2019): 135–40. http://dx.doi.org/10.33779/2658-4824.2019.1.135-140.
Full textChebakova, Polina. "“Four Parts of the World: Asia on an Elephant, Europa on a Bull, Africa on a Lion, America on a Crocodile, on Their Usual Signs”: Personifications of Four Continents in 18th-century Russian Art." Человек и культура, no. 3 (March 2024): 36–51. http://dx.doi.org/10.25136/2409-8744.2024.3.70707.
Full textBella, Takushinova. "Parsuna – the first secular representation of the traditional Russian icon." Resourceedings 2, no. 3 (November 12, 2019): 1. http://dx.doi.org/10.21625/resourceedings.v2i3.618.
Full textAKIMOV, SERGEY. "ICONOLOGY: SPECIFICITY AND LIMITS OF THE METHOD AND ITS OPPORTUNITIES IN TEACHING ART HISTORY AT CHILDREN'S ART SCHOOLS." Культурный код, no. 2023-3 (2023): 33–50. http://dx.doi.org/10.36945/2658-3852-2023-3-33-50.
Full textAlekseeva, Lyubov. "The Issue of the Split (Schism) in the Vremya and Epokha Journals (1861–1865)." Неизвестный Достоевский 8, no. 1 (March 2021): 120–48. http://dx.doi.org/10.15393/j10.art.2021.5281.
Full textSofron, Daniel. "3. The Oblique Parallel Perspective of Asian Art." Review of Artistic Education 26, no. 1 (March 1, 2023): 163–70. http://dx.doi.org/10.2478/rae-2023-0023.
Full textShemyakova, Yana V. "The Apocalypse iconographic sources in Russian murals of the 17th century." Vestnik of Saint Petersburg State University of Culture, no. 3 (56) (2023): 130–34. http://dx.doi.org/10.30725/2619-0303-2023-3-130-134.
Full textSchrire, Carmel. "The historical archaeology of the impact of colonialism in 17th-century South Africa." Antiquity 62, no. 235 (June 1988): 214–25. http://dx.doi.org/10.1017/s0003598x00073932.
Full textОгородникова, Т. П. "Works by Western European artists in the Irkutsk Regional Art Museum named after V.P. Sukachev." Iskusstvo Evrazii [The Art of Eurasia], no. 1(32) (March 30, 2024): 196–217. http://dx.doi.org/10.46748/arteuras.2024.01.015.
Full textSpinelli, Aria. "Experimental Institutionalism and Radical Statecraft: Art in Autonomous Social Centres and Self-Managed Cultural Occupations in Rome." Arts 12, no. 3 (June 12, 2023): 123. http://dx.doi.org/10.3390/arts12030123.
Full textFekete, Albert, and Peter Gyori. "Chinese pavilions in the early landscape gardens of Europe." Landscape architecture and art 18 (October 7, 2021): 78–87. http://dx.doi.org/10.22616/j.landarchart.2021.18.08.
Full textEtte, Ottmar. "Magic Screens. Biombos, Namban Art, the Art of Globalization and Education between China, Japan, India, Spanish America and Europe in the 17th and 18th Centuries." European Review 24, no. 2 (April 18, 2016): 285–96. http://dx.doi.org/10.1017/s1062798715000630.
Full textJanowski, Piotr Józef. "From Lugano to Krakow: The Career of Giovanni Battista Trevano as a Royal Architect at the Vasa Court in the Polish–Lithuanian Commonwealth." Arts 11, no. 3 (May 11, 2022): 56. http://dx.doi.org/10.3390/arts11030056.
Full textHanovs, Deniss. "THE ARISTOCRAT BECOMES A COURTIER… FEATURES OF EUROPEAN ARISTOCRATIC CULTURE IN THE 17th CENTURY." Via Latgalica, no. 1 (December 31, 2008): 62. http://dx.doi.org/10.17770/latg2008.1.1590.
Full textWang, Zhiyi. "Leonardo Da Vinci: The Art of Anatomy in The Renaissance." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 598–602. http://dx.doi.org/10.54097/wmb7hd23.
Full textПортнова, Ирина. "Russian Animalier Art in the XVIII- XIX Centuries in the Context of European Schools: The Origins and Nature of Development." Space and Culture, India 9, no. 1 (June 24, 2021): 50–65. http://dx.doi.org/10.20896/saci.v9i1.1135.
Full textIacob, Anisia. "Lipsius’ De constantia, 17th Century Still Life Painting and the Use of Constancy Today." Studia Universitatis Babeș-Bolyai Philosophia 65, Special Issue (November 20, 2020): 35–53. http://dx.doi.org/10.24193/subbphil.2020.spiss.03.
Full textVАRENTSOVA, Larisa Yu. "PALACE AGRICULTURE IN RUSSIA IN THE 17TH CENTURY." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 3 (2020): 118–36. http://dx.doi.org/10.21684/2411-197x-2020-6-3-118-136.
Full textБудрина, Л. А. "European iconography of Ural’s relief icons." Iskusstvo Evrazii [The Art of Eurasia], no. 1(32) (March 30, 2024): 96–111. http://dx.doi.org/10.46748/arteuras.2024.01.007.
Full textAgratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.
Full textAntipov, Ilya, Alexandra Trushnikova, and Maksim Kostyria. "Architecture and Icon: the Origin of the Stepped Gables in the Icon ‘The Vision of the Sexton Tarasiy of Khutyn’." Baltic Journal of Art History 21 (August 20, 2021): 31–59. http://dx.doi.org/10.12697/bjah.2021.21.02.
Full textZavyalova, Anna E. "Jaspar de Isaac’s Engraving “Narcissus”: On the Sources of Konstantin Somov’s Early Art." Observatory of Culture 17, no. 2 (June 30, 2020): 164–72. http://dx.doi.org/10.25281/2072-3156-2020-17-2-164-172.
Full textKornii, Lidiia. "Specific Character of Ukrainian-Russian Contacts in the Musical Culture of the 17th – 18th Centuries: A Modern View." Materìali do ukraïnsʹkoï etnologìï 21 (24) (November 30, 2022): 28–32. http://dx.doi.org/10.15407/mue2022.21.028.
Full textKouretsis, Alexandros, Iraklis Varlamis, Laida Limniati, Minas Pergantis, and Andreas Giannakoulopoulos. "Mapping Art to a Knowledge Graph: Using Data for Exploring the Relations among Visual Objects in Renaissance Art." Future Internet 14, no. 7 (July 3, 2022): 206. http://dx.doi.org/10.3390/fi14070206.
Full textFlores Rosas, David Alberto. "Revelaciones de la divina proporción en La estigmatización de san Francisco de Asís, pintura del siglo XVII, atribuida a Baltasar de Echave Orio." Intervención 2, no. 24 (December 28, 2021): 303–50. http://dx.doi.org/10.30763/intervencion.257.v2n24.36.2021.
Full textSusidko, Irina P. "Venice and Opera in the 18th Century." Problemy muzykal'noi nauki / Music Scholarship, no. 2 (2024): 55–68. http://dx.doi.org/10.56620/2782-3598.2024.2.055-068.
Full textHronová Šafářová, Lucie. "Compositional development of spaces related to the fortification of cities from the point of view of garden art and landscape architecture." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 60, no. 8 (2012): 87–100. http://dx.doi.org/10.11118/actaun201260080087.
Full textHolakooei, Parviz, Abbas Abed-Esfahani, Samad Samanian, and Hesam Aslani. "A technological study on the 17th century raised gilded substrates in three royal palaces of Isfahan, Iran." Open Journal of Archaeometry 1, no. 1 (December 31, 2013): 21. http://dx.doi.org/10.4081/arc.2013.e21.
Full textUgleva, Natalya V. "New Information in the Attribution of “The Table of Princess Sophia”." Observatory of Culture 20, no. 1 (March 31, 2023): 47–55. http://dx.doi.org/10.25281/2072-3156-2023-20-1-47-55.
Full textVAN SOEST, ROB W. M., and ALEXANDER PLOTKIN. "Alcyonium bursa Linnaeus, 1758 is not a sponge." Zootaxa 4951, no. 1 (April 1, 2021): 193–200. http://dx.doi.org/10.11646/zootaxa.4951.1.12.
Full textYu, Sukyung. "Production and Consumption of Coromandel Lacquer Screens in the 17th and 18th Centuries." Korean Journal of Art History 312 (December 31, 2021): 75–108. http://dx.doi.org/10.31065/kjah.312.202112.003.
Full textBurkovska, Liubov. "Ukrainian Icons Theotokos Mother of Mercy (New Iconographic Interpretation of Traditional Plot)." Folk art and ethnology, no. 3 (September 30, 2021): 50–57. http://dx.doi.org/10.15407/nte2021.03.050.
Full textPuganova, Ekaterina L. "The Russian Tradition of Publishing Illuminated Bibles." Observatory of Culture 20, no. 5 (November 2, 2023): 498–508. http://dx.doi.org/10.25281/2072-3156-2023-20-5-498-508.
Full textStopp, Marianne P. "Faceted Inuit-European contact in southern Labrador." Études/Inuit/Studies 39, no. 1 (April 1, 2016): 63–89. http://dx.doi.org/10.7202/1036078ar.
Full textSeregina, A. Yu. "“Composure” and “wild fury”: Religious debates in the 17th-century English Catholic community." Shagi / Steps 9, no. 4 (2023): 50–69. http://dx.doi.org/10.22394/2412-9410-2023-9-4-50-69.
Full textИльин, Андрей, and Andrey Ilin. "The constitutional startup of Russia in the global constitutionalization context." Comparative Research In Law and Politics 1, no. 2 (November 1, 2013): 108–12. http://dx.doi.org/10.12737/1933.
Full textPope, Peter E. "Bretons, Basques, and Inuit in Labrador and northern Newfoundland: The control of maritime resources in the 16th and 17th centuries." Études/Inuit/Studies 39, no. 1 (April 1, 2016): 15–36. http://dx.doi.org/10.7202/1036076ar.
Full textDe Caro, Antonio. "From the Altar to the Household. The Challenging Popularization of Christian Devotional Images, Objects, and Symbols in 16th and 17th Century China." Eikon / Imago 11 (March 1, 2022): 129–44. http://dx.doi.org/10.5209/eiko.77135.
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