Journal articles on the topic 'Art criticism France History 20th century'
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Antropova, Nataliya D. "HISTORICAL AND PHILOSOPHICAL ASPECTS IN THE RENEWAL OF THE LANGUAGE OF CHURCH MONUMENTAL PAINTING IN FRANCE AT THE TURN OF THE 20th CENTURY ON THE EXAMPLE OF PAINTINGS BY MAURICE DENIS." Architecton: Proceedings of Higher Education, no. 3(71) (September 29, 2020): 21. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-21.
Full textPylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (December 12, 2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.
Full textAlberro, Alexander, Homi Bhabha, Alejandra Castillo, Keti Chukhrov, T. J. Demos, Keyna Eleison, Irmgard Emmelhainz, et al. "What is Radical?" ARTMargins 10, no. 3 (October 2021): 8–96. http://dx.doi.org/10.1162/artm_a_00301.
Full textKuhutiak, Mykola, Ihor Raikivskyi, and Oleh Yehreshii. "Halychyna. Journal of Regional Studies: Science, Culture, and Education. Twenty Years of Publishing Activity." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (October 30, 2017): 134–38. http://dx.doi.org/10.15330/jpnu.4.2.134-138.
Full textKhrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 1 (March 15, 2019): 82–98. http://dx.doi.org/10.17816/vgik11182-98.
Full textKhrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 2 (June 15, 2019): 102–15. http://dx.doi.org/10.17816/vgik112102-115.
Full textKhrenov, Nikolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 3 (November 13, 2019): 94–106. http://dx.doi.org/10.17816/vgik11394-106.
Full textKhrenov, Nikolay. "Modern Art History As a Human Science in a Situation of Cultural Turn." Journal of Flm Arts and Film Studies 11, no. 4 (December 30, 2019): 98–113. http://dx.doi.org/10.17816/vgik11498-113.
Full textAgratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.
Full textMedovarov, Maksim V. "“Construction and Decorative Art” Magazine: A Forgotten Word in the Russian Artistic Criticism of the Early 20th Century." Observatory of Culture 19, no. 1 (March 3, 2022): 88–99. http://dx.doi.org/10.25281/2072-3156-2022-19-1-88-99.
Full textTamang, Nem Bahadur. "Distortion of Forms and Subjects in Paul Cezanne’s Paintings." Journal of Fine Arts Campus 3, no. 1 (December 31, 2021): 31–34. http://dx.doi.org/10.3126/jfac.v3i1.42493.
Full textLiu, Ting. "Singing (vocal) as a component of ballet: the experience of interpreting the phenomenon in the context of artistic trends of the early 20th century." Culture of Ukraine, no. 75 (March 21, 2022): 93–102. http://dx.doi.org/10.31516/2410-5325.075.12.
Full textHryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.
Full textBystrov, Vladimir, and Vladimir Kamnev. "Vulgar Sociologism: The History of the Concept." Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, no. 3 (2019): 286–308. http://dx.doi.org/10.17323/1728-192x-2019-3-286-308.
Full textKantoříková, Jana. "Melancholy, Hanuš Jelínek and Miloš Marten." Acta Musei Nationalis Pragae – Historia litterarum 61, no. 1-2 (2016): 77–82. http://dx.doi.org/10.1515/amnpsc-2017-0022.
Full textCadieu, Morgane. "Afterword: The Littoral Museum of the Twenty-First Century." Comparative Literature 73, no. 2 (June 1, 2021): 237–54. http://dx.doi.org/10.1215/00104124-8874117.
Full textKirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (December 4, 2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.
Full textBann, Stephen. "Two Kinds of Historicism: Resurrection and Restoration in French Historical Painting." Journal of the Philosophy of History 4, no. 2 (2010): 154–71. http://dx.doi.org/10.1163/187226310x509501.
Full textQinyan, An. "The Fate of the Russian inTelligentsia in the XX Century. Re-Reading Milestones." Voprosy Filosofii, no. 3 (2021): 113–27. http://dx.doi.org/10.21146/0042-8744-2021-3-113-127.
Full textEremenko, Galina A. "Passeism in the Musical Culture of France." Observatory of Culture 16, no. 2 (July 5, 2019): 171–82. http://dx.doi.org/10.25281/2072-3156-2019-16-2-171-182.
Full textLoos, Helmut. "Beethoven — the Zeus of Modernity." Culturology Ideas, no. 18 (2'2020) (2020): 66–84. http://dx.doi.org/10.37627/2311-9489-18-2020-2.66-84.
Full textPerry, Robert L., and Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance." Ethnic Studies Review 19, no. 2-3 (June 1, 1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.
Full textOliveira, Pedro Rocha de. "FETICHISMO E ORNAMENTO NA TEORIA DA CULTURA DE SIEGFRIED KRACAUER." Síntese: Revista de Filosofia 39, no. 124 (September 17, 2012): 237. http://dx.doi.org/10.20911/21769389v39n124p237-258/2012.
Full textKachorovskaya, A. E. "On the Reception of the Myth of Prometheus in Austrian Literature of 19th-20th Centuries." Nauchnyi dialog, no. 3 (March 30, 2020): 221–35. http://dx.doi.org/10.24224/2227-1295-2020-3-221-235.
Full textFernie, Eric. "Three Romanesque Great Churches in Germany, France and England, and the Discipline of Architectural History." Architectural History 54 (2011): 1–22. http://dx.doi.org/10.1017/s0066622x00003981.
Full textAndrijauskas, Antanas. "The Sources of the Psychology of Art and Its Place among the Disciplines That Study Art and Creativity." Arts 11, no. 5 (September 28, 2022): 96. http://dx.doi.org/10.3390/arts11050096.
Full textKouprovskaia-Bruggeman, Ekaterina O. "On the History of Russian-French Cultural Ties: A French Mark on the Life and Artwork of the Composer Edison Denisov." Koinon 3, no. 1 (2022): 134–60. http://dx.doi.org/10.15826/koinon.2022.03.1.010.
Full textRENKÇİ TAŞTAN, Tuğba. "SPACE AS A CONTEXT IN DANIEL BUREN’S ART." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (January 1, 2021): 301–22. http://dx.doi.org/10.7456/11101100/017.
Full textRENKÇİ TAŞTAN, Tuğba. "SPACE AS A CONTEXT IN DANIEL BUREN'S ART." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (January 1, 2021): 301–22. http://dx.doi.org/10.7456/11001100/017.
Full textRENKÇİ TAŞTAN, Tuğba. "SPACE AS A CONTEXT IN DANIEL BUREN’S ART." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (January 1, 2021): 301–22. http://dx.doi.org/10.7456/11101100/017.
Full textGetashvili, Nina V. "«Eternal Images» of Antiquity: Functional Analysis in the Scope of the Late 20th – Early 21st Centuries Visual Culture." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (January 2022): 09–22. http://dx.doi.org/10.17516/1997-1370-0873.
Full textAgratina, Elena E. "Jean-Honoré Fragonard: The New in the Notions of “Sketchiness” and “Completeness”." Observatory of Culture 18, no. 2 (May 31, 2021): 174–85. http://dx.doi.org/10.25281/2072-3156-2021-18-2-174-185.
Full textPočs, Kārlis. "A VIEW ON THE HISTORY OF LATVIAN-FRENCH CULTURAL RELATIONS BEFORE WORLD WAR II." Via Latgalica, no. 1 (December 31, 2008): 75. http://dx.doi.org/10.17770/latg2008.1.1598.
Full textLönnroth, Harry. "“Sie sagen skål und Herre gud und arrivederci”: On the Multilingual Correspondence between Ellen Thesleff and Gordon Craig." Journal of Finnish Studies 19, no. 1 (June 1, 2016): 104–20. http://dx.doi.org/10.5406/28315081.19.1.07.
Full textShalygina, O. V. "Time and space in the motor aesthetics of A. Volynsky." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 100–113. http://dx.doi.org/10.17588/2076-9210.2019.4.100-113.
Full textFomicheva, Daria Vladimirovna. ""Picturesque graphics": three pencil technique, multi-layered charcoal drawing." Secreta Artis, no. 1 (July 11, 2021): 16–46. http://dx.doi.org/10.51236/2618-7140-2021-4-1-16-46.
Full textMakarova, E. A. "The Book Publishing in the Pre-revolutionary Irkutsk: On the “Cultural Nest” Problem." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 50–62. http://dx.doi.org/10.25205/2410-7883-2019-1-50-62.
Full textSokolov, O. A. "The Crusades in the Arab Anti-Colonial Rhetoric (1918–1948)." Minbar. Islamic Studies 12, no. 4 (January 12, 2020): 924–41. http://dx.doi.org/10.31162/2618-9569-2019-12-4-924-941.
Full textVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Full textZavyalova, Anna E. "Alexandre Dumas’s Works in the Art of Alexandre Benois." Observatory of Culture 16, no. 2 (July 5, 2019): 184–95. http://dx.doi.org/10.25281/2072-3156-2019-16-2-184-195.
Full textTkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.
Full textPetrošienė, Lina. "Singing Tradition of the Inhabitants of Lithuania Minor from the Second Half of the 20th Century to the Beginning of the 21st Century." Tautosakos darbai 61 (June 1, 2021): 97–121. http://dx.doi.org/10.51554/td.21.61.04.
Full textMirzoeff, Nicholas. "The Academy and the Limits of Painting in Seventeenth‐Century France. By Paul Duro. Cambridge Studies in New Art History and Criticism. Edited by Norman Bryson. Cambridge: Cambridge University Press, 1997. Pp. xii+300. $80.00." Journal of Modern History 72, no. 3 (September 2000): 799–801. http://dx.doi.org/10.1086/316064.
Full textPark, Ji-young. "A Comparative Study on the Appreciation and Adoption of Dijian tushuo in China, Korea, Japan, and France." Korean Journal of Art History 311 (September 30, 2021): 5–43. http://dx.doi.org/10.31065/kjah.311.202109.001.
Full textBazilevich, Mikhail E., and Anton A. Kim. "STYLISTIC FEATURES OF THE EUROPEAN ARCHITECTURE OF BANKING INSTITUTIONS IN GUANGZHOU LATE 19TH – EARLY 20TH CENTURY ON THE EXAMPLE OF SHAMYAN ISLAND." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 5–17. http://dx.doi.org/10.17223/22220836/41/1.
Full textTychinina, Alyona. "Hryhoriy Skovoroda’s Idea of Related Work in the Poetry of the Modernist Association “Muzaget”." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 25–40. http://dx.doi.org/10.31861/pytlit2022.106.025.
Full textGrossutti, Javier P. "From Guild Artisans to Entrepreneurs: The Long Path of Italian Marble Mosaic and Terrazzo Craftsmen (16th c. Venice – 20th c. New York City)." International Labor and Working-Class History 100 (2021): 60–86. http://dx.doi.org/10.1017/s0147547920000253.
Full textKrauze-Karpińska, Joanna. "EMIGRANT RESEARCHERS OF OLD LITERATURE." Polish Studies of Kyiv, no. 35 (2019): 27–31. http://dx.doi.org/10.17721/psk.2019.35.27-31.
Full textWidad, Mustafa El Hadi. "Documentation and Information Science: On Some Forgotten Origins of the French Contribution." Zagadnienia Informacji Naukowej - Studia Informacyjne 56, no. 1(111) (September 1, 2018): 7–20. http://dx.doi.org/10.36702/zin.378.
Full textBatsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.
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