Journal articles on the topic 'Art, Colonial – Indonesia'
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1
Keling, Gendro. "TIPOLOGI BANGUNAN KOLONIAL BELANDA DI SINGARAJA." Forum Arkeologi 29, no. 2 (March 13, 2017): 65. http://dx.doi.org/10.24832/fa.v29i2.185.
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Architecture is component of a city. The presence of architecture, both traditional and colonial architecture has a historical and archaeological values and can be regarded as an identity of a city. Unfortunately modernization often leaves no place for a historical building that actually has an important role in the formation of characteristic of a place. Its result conflicts with "two side" between cultural heritage preservation activist with the destroyers of cultural heritage, which is the pick of capital. On the other hand, not least in the form of architectural heritage of Indo-European style building in Indonesia that offers various advantages in terms of engineering and the art of building. This paper objective is to identify the typology or the types of colonial architecture buildings in Singaraja and its characteristics. The method used is descriptive-analytical about the basic functions of grouping includes similarity type, form, structure and character of the building. Some of the existing architecture in Singaraja are Art Deco, Landhuis, and Gothic style. The typology of colonial buildings in Singaraja, are government buildings, homes, public building and others with a characteristic shape is relatively small, and very adaptive to the climate and natural conditions in Indonesia, especially Singaraja. Arsitektur merupakan salah satu komponen dari sebuah kota. Keberadaan arsitektur, baik arsitektur tradisional maupun kolonial memiliki nilai historis dan arkeologis dan dapat dianggap sebagai identitas suatu kota. Sayangnya modernisasi seringkali tidak menyisakan tempat untuk bangunan tua atau bersejarah yang sebenarnya memiliki peran penting dalam pembentukan karakteristik suatu tempat. Akibatnya terjadi konflik “dua kubu” antara pelestari warisan budaya dengan pihak perusak warisan budaya, terutama pemilik modal. Di lain pihak, tidak sedikit warisan arsitektural berupa bangunan bergaya indo-Eropa di Indonesia yang menawarkan berbagai keunggulan dalam hal teknik dan seni bangunan. Tujuan tulisan ini adalah untuk mengidentifikasi tipologi atau tipe-tipe bangunan-bangunan peninggalan kolonial di Singaraja beserta karakteristik arsitekturnya. Metode yang digunakan deskriptif-analitis tentang fungsi dasar pengelompokkan meliputi kesamaan tipe, bentuk, struktur dan karakter bangunan. Beberapa arsitektur yang ada di Singaraja antara lain gaya Art Deco, Landhuis, dan Gothic. Secara umum tipologi bangunan kolonial di Singaraja antara lain, gedung pemerintahan, rumah tinggal, sarana umum dan lain-lain dengan karakteristik bentuknya relatif kecil, dan sangat adaptif dengan iklim dan kondisi alam di Indonesia, khusunya Singaraja.
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Kuitert, Lisa. "The Art of Printing in the Dutch East Indies." Quaerendo 50, no. 1-2 (June 4, 2020): 141–64. http://dx.doi.org/10.1163/15700690-12341462.
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Abstract In the Netherlands, and elsewhere, too, Laurens Janszoon Coster of Haarlem, and not Gutenberg, was long thought to have been the inventor of the art of printing. The myth—for that is what it was—was only definitively repudiated at the end of the nineteenth century, though some continued to believe in Coster until their dying breath. The Coster myth was deployed to give the history of the Netherlands status and international prestige. This article concerns the extent to which Coster’s supposed invention was known in the Dutch East Indies—today’s Indonesia, a Dutch colony at that time—and what its significance was there. After all, heroes, national symbols and traditions, whether invented or not, are the building blocks of cultural nationalism. Is this also true for Laurens Janszoon Coster in his colonial context?
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Syahadat, Ray March, Nurhayati H. S. Arifin, and Hadi Susilo Arifin. "LANSKAP KOLONIAL KOTA BAUBAU SEBUAH PUSAKA PENINGGALAN MASA KOLONIAL DI SULAWESI TENGGARA." Paramita: Historical Studies Journal 25, no. 2 (February 27, 2016): 185. http://dx.doi.org/10.15294/paramita.v25i2.5130.
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<p>Baubau is appointed as one of heritage cities in Indonesia because it has many historical inheritances. Although Baubau becomes an autonomous region in 2001, some historical records show that the city has been existed long time ago and passed some phases. One of those phases is the development era by the Dutch Indies Government. There are many inheritances from colonial period in the city even it is called as the largest in the Province of Southeast Sulawesi. Unfortunately, there are not many research and inventory by related stakeholders toward the colonial heritages in the city. This research aims to record or to list of current assets and to analyze the landscape characteristics of colonial heritages located in Baubau. The result shows that there are four historical landscapes which save the colonial heritage objects namely the colonial ladscape and early independence day (51 objects), Palabusa (4 objects), Wakonti (1 object), and Chinatown (5 objects). The character which constructs of the three landscapes generally consist of buildings, structures, and monuments with art deco style.</p><p> </p><p class="NormalTubuhTulisan">Baubau ditetapkan menjadi salah satu kota pusaka Indonesia karena menyimpan banyak peninggalan sejarah. Meskipun Baubau menjadi daerah otonom pada tahun 2001 tetapi berbagai catatan sejarah menunjukkan bahwa kota ini telah ada sejak zaman dulu dan telah melalui beberapa fase. Salah satunya ialah masa pembangunan oleh pemerintah Hindia Belanda. Banyak peninggalan zaman kolonial di kota ini bahkan bisa dikatakan yang terbanyak se-Provinsi Sulawesi Tenggara. Sayangnya belum banyak penelitian maupun inventarisasi dari stakeholders terkait terhadap peninggalan kolonial di kota ini. Penelitian ini bertujuan menginventarisasi serta menganalisis karakter lanskap peninggalan masa kolonial yang berada di Kota Baubau. Hasil yang diperoleh, terdapat empat lanskap sejarah yang menyimpan objek-objek peninggalan zaman kolonial yaitu lanskap kolonial dan awal kemerdekaan (51 objek), Palabusa (4 objek), Wakonti (1 objek), dan pecinan (5 objek). Karakter yang menyusun ketiga lanskap tersebut umumnya berupa bangunan, struktur, dan monumen bergaya art deco.</p><p> </p>
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Sudradjat, Debiana Dewi. "PEMBUATAN AKTA/SURAT KETERANGAN WARIS OLEH NOTARIS BAGI MASYARAKAT ADAT BALI." Veritas et Justitia 6, no. 2 (December 25, 2020): 450–75. http://dx.doi.org/10.25123/vej.3796.
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The legal basis justifying the existence of notaries as public officials and a legal profession were Netherland-Indies laws. These colonial laws were, by virtue of Art. I Transitional Rules of the 1945 Constitution of the Republic of Indonesia (4th Amendment), taken over and considered to be still in force. Consequently, one of the public service offered by Notary publics, i.e., issuance of letter of inheritance or written affidavit stating which family members of the deceased may by law be regarded as heir-successor, has not been made available to Balinese adat communities. This service can only be enjoyed by those individuals who submit themselves to the (colonial) Civil Code. The article explores, using a juridical empirical approach, the possibility to extent the above public notary’s service to Balinese adat (traditional) communities.
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Cohen, Matthew Isaac. "Look at the Clouds: Migration and West Sumatran ‘Popular’ Theatre." New Theatre Quarterly 19, no. 3 (August 2003): 214–29. http://dx.doi.org/10.1017/s0266464x03000125.
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The numerous interrelated ‘popular’ theatres of Indonesia provide important evidence for the study of artistic interaction and change. The West Sumatran Randai theatre emerged in a culturally hybrid space and has been a sensitive index to local, national, and international flows and conditions. Matthew Isaac Cohen traces the origins of Randai in the late-colonial period and discusses its associations with rantau – a time of temporary migration, traditionally associated with the rite of passage to adulthood, but increasingly a semi-permanent exile for many Sumatrans. He then traces how and why Randai has now become more than a local art form, having been exported out of the province of West Sumatra to be utilized as source material for modern theatre by Indonesian theatre makers in Jakarta and Australia. Matthew Isaac Cohen is a Lecturer in Theatre Studies at the University of Glasgow, a scholar of Indonesian theatre and performance, and a practising shadow puppeteer.
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Rachmayanti, Sri, Christianto R., and Anak Agung Ayu Wulandari. "Preservation of Art Style in Interior and Architecture Cultural Heritage Buildings: A Case Study in Hotel Kartika Wijaya & Hotel Niagara Malang." Humaniora 7, no. 1 (January 30, 2016): 87. http://dx.doi.org/10.21512/humaniora.v7i1.3491.
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Kartika Wijaya Hotel and Niagara Hotel-Malang are two heritage buildings, which are well managed to preserve their historical building that, has been established since 1891. We can find good harmony and variety in interior elements and design styles, such as Colonial style, Art Noveau and Art Deco style. The purpose of documentating this heritage building that has different design styles is for those who needed. The data will be classified according to the period of the development of the buildings and characteristics of existing styles. The research objective on Kartika Wijaya hotel building and art styles is to preserve historic buildings in Indonesia, through documentation of interior elements and architectures, and to conducted a study of the interior and architectures elements, interior design ornaments, that founded in historical Kartika Wijaya Hotel and Niagara Hotel in Malang, whose the existence needs to be preserved.
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Sukma Winarya Prabawa, I. Wayan, and I. Wayan Winaja. "Balinese Art and Tourism Promotion: From the 1931 ‘Paris Colonial Exposition’ to the Contemporary ‘Paris Tropical Carnival’." Jurnal Kajian Bali (Journal of Bali Studies) 8, no. 1 (April 29, 2018): 17. http://dx.doi.org/10.24843/jkb.2018.v08.i01.p02.
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The development of tourism in Bali cannot be separated from the role of artists and the community in preserving Balinese culture and tradition. This paper aims to analyze the role of artists in the preservation of Balinese culture that is associated with the promotion of Bali tourism in overseas through cultural performances which is currently known as marketing 3.0 models. Through research literatures, interviews to sample of participants and qualitative descriptive approach, this paper suggests that artists and society since the colonial era to the present day have taken an important role as tourism promotion ambassador of Bali and Indonesia, where the artists and the community have successfully presented the emotion or the spirit of Bali’s tourism a ractions.
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Iswahyudi. "A Multicultural Approach in Learning Review of Indonesian Fine Arts." World Journal of Education and Humanities 3, no. 1 (October 22, 2020): p1. http://dx.doi.org/10.22158/wjeh.v3n1p1.
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Multicultural awareness in Indonesia has been widely discussed since the Dutch colonial era. According to Furnivall, that the plural society in the Dutch East Indies consisted of two unique characteristics, which were horizontally marked by social unions based on differences in ethnicity, religion and tradition. Then vertically, the structure of the society is marked by sharp differences between the upper and lower layers. In this case, there are two key words, namely between the peaks of regional culture and foreign culture, in this case if there is a fading of the sense of unity because they think that one ethnic group feels that its culture is superior to another, there will be inequality which endangers the multicultural nature. Based on this, in order to avoid learning the history of Indonesian fine art that is not based on multiculturalism, in this case it has long been initiated with a more democratic substance as in the Archipelago Art Review course since the 1980s on the grounds that there are many artistic remains outside the islands of Java, Sumatra and Bali which has been built since the end of prehistoric times.
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Linus, Euro, and Lala Palupi Santyaputri. "Applying Post-colonial theory “Inferiority Complex” Concept on Film Production in Short Film “Luckiest Man on Earth” as a Social Phenomenon." IMOVICCON Conference Proceeding 2, no. 1 (July 6, 2021): 194–99. http://dx.doi.org/10.37312/imoviccon.v2i1.47.
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Film is a medium that can be used to convey a message or story in audio and visual form. Film, which also functions as an art medium, can be used to communicate about a social phenomenon that occurs in society. This paper aims to examine social phenomena that occur in society and reflect on these things through the film "Luckiest Man on Earth" and how the inferiority complex affects the stories contained in this film. The fictional film "Luckiest Man on Earth" tells the story of a young man who works as an ojek at a tourism location in Indonesia and meets a woman of French descent. With Google Translate, they can communicate with one another, but this is used by the motorcycle taxi driver as material to show off to friends and relatives that he has a girlfriend of French descent. This film is produced based on the concept of an inferiority complex that is deeply embedded in Indonesian society.
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Zuliati, Zuliati. "Kelompok Pita Maha: Gerak Menuju Seni Lukis Modern Bali." Journal of Urban Society's Arts 3, no. 1 (April 29, 2016): 44–53. http://dx.doi.org/10.24821/jousa.v3i1.1479.
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Penelitian ini bertujuan untuk melihat dan memahami perubahan yang terjadi dalam seni lukis Bali sejak adanya Kelompok Pita Maha. Konsep mengenai seni lukis modern di Indonesia mempunyai perbedaan sejarah, baik dalam bentuk maupun isi, dengan wacana seni lukis modern di Barat yang monolinier-universalis-rasionalis. Wacana seni lukis modern yang menggejala di Indonesia (termasuk Bali) hadir melalui intervensi asing (penjajahan). Wacana seni lukis modern secara bersamaan telah meminggirkan seni-seni lain yang tidak memenuhi kriteria-kriteria “modern”. Seni di luar kriteria modern kemudian disebut sebagai seni tradisi yang mempersempit dan mengecilkan keberadaannya. Sejarah perkembangan seni lukis di Bali menarik untuk dikaji karena terdapat pola yang khas karena warisan-warisan seni pada masa lalu masih terus hadir dalam seni lumkis masa kini. Tulisan ini tidak akan mempertentangkan antara seni lukis tradisi dengan seni lukis modern. Tulisan ini membahas pengaruh Kelompok Pita Maha terhadap modernisasi dalam seni lukis Bali. Data dikaji secara secara deskriptif-analitis dengan pendekatan sosio-historis mengenai perubahan-perubahan yang terjadi dalam seni lukis Bali dari tatanan seni lukis prakolonial menjadi tatanan seni lukis Bali masa kini. Pita Maha Group: The Motion Towards the Balinese Modern Paintings. The concept of modern painting in Indonesia has different histories, both in the form and content, with the discourse of modern painting in the West which is monolinier-universal-rationale. The discourse of modern painting implicated in Indonesia (including Bali) presents through colonization. Modern art at the same time has marginalized other arts that do not fullfill modern criteria. Art, outside the criteria of modern art is called as an traditional art that narrowed and lowered its existence. It is interesting to make a research about the development of painting history in Bali because there is a unique pattern showing the artistic legacy of the past which still presents in nowadays art. This paper will not focus on polarizing between traditional and modern painting. It is interesting to discuss it more descriptive-analytically with the social-historis approach on how the changes happened in Balinese painting of pre-colonial art to modern Balinese paintings of which the other one is the presence of the Pita Maha.
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Ruszel, Julian Brook. "The Missing Coke Bottle." Arbutus Review 11, no. 2 (November 25, 2020): 31–43. http://dx.doi.org/10.18357/tar112202019560.
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Indonesian artist activist Arahmaiani’s art installations and performances combine western and non-western cultural elements in such a way as to highlight the role of capitalist globalization as an exploitative and destructive neo-colonial force in places like Indonesia. Beginning in the 1990s, Arahmaiani’s work featured a Coca-Cola bottle in a prominent position, emphasizing the effects of commodification and Americanization on indigenous and non-western cultures. Her work is always intersectional, connecting injustices linked to patriarchy, class, and environmental destruction to global political and economic structures in ways not typical of western liberal human rights discourses, such as that demonstrated by academic Lucinda Peach in her own human rights critique. Arahmaiani’s work thus serves as a stark contrast to western liberal human rights discourse that urges academics and activists to redirect their gaze away from the cultural idiosyncrasies of non-western nations towards the western roots of global structures of inequality.
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Ardhiati, Yuke, Ashri Prawesthi D, Diptya Anggita, Ramadhani Isna Putri, L. Edhi Prasetya, Widya Nur Intan, Muhammad Wira Abi, et al. "An Adaptive Re-use of Cultural Heritage Buildings in Jabodetabek (Greater Jakarta) as the National Gallery of Indonesia's Satellites." International Journal of Built Environment and Scientific Research 4, no. 2 (December 28, 2020): 115. http://dx.doi.org/10.24853/ijbesr.4.2.115-126.
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The Nasional Gallery of Indonesia is a reputable art gallery owned by Indonesian State. It roles as the venue for exhibitions and art events on International scale. To maintain the reputation then it employed the Independent Curators to cary out exhibitions. In recent years, the phenomenon of the proffesional Fine Art Artists show the hing spirits. To enrich their international publication then they began to realize their opportunity to exhibit at this gallery. Unfortunately, the gallery building is an adaptive reuse of the Cultural Heritage Building. The National Gallery building which has a distinctive Dutch Colonial architectural style has not been optimally utilized. So, it has existence has wide limitations and space limitation that unable to accommodate such high interests. On the other hand, Jabodetabek is stands for Jakarta-Bogor-Depok-Tangerang-Bekasi are the Greater City of Jakarta, has Cultural Heritage Buildings. There are many of architectural style of heritage buildings that has chance to be the exhibition spaces. The study is an idea to aim solutions of the availability of exhibition area in Jabodetabek to accommodate the Fine Art Artists interest of exhibiting. According to the Adaptive-Reuse of the National Gallery’s case, and by refers to the Grounded Theory Research method and Case Studies related to the Jabodetabek’s Cultural Heritage buildings. A Working Hyphotesis is Jabodetabeks’s Cultural Heritage Buildings opportunities as The National Gallery’s Satellites. The findings are the Satellite Galleries Rank, and the Properties Display recommendation based on the Cultural Heritage’s rules that can be offered to make them as the “Satellite” as well as the ICOM as the National Gallery of Indonesia’s standard.
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Zuliati, Zuliati. "Ikonografi Karya Sudjojono “Di Depan Kelamboe Terboeka”." Journal of Urban Society's Arts 1, no. 1 (April 10, 2014): 1–16. http://dx.doi.org/10.24821/jousa.v1i1.784.
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Tinjauan Ikonografi dalam Karya Sudjojono “Di Depan Kelamboe Terboeka”.Penelitian ini mengupas lukisan “Di Balik Kelamboe Terboeka” karya Sudjojonosecara ikonografi. Sebagai cabang ilmu sejarah seni, Ikonografi mempelajarimakna dari sebuah karya seni melalui kajian aspek internal dan eksternal. Aspekinternal sebuah karya seni seperti subject matter, gaya, dan aliran, sedangkan aspekeksternal berkaitan dengan situasi sosiohistoris yang melingkupi ketika karyaseni tersebut dibuat. Maka dengan menggunakan pendekatan ikonografi akandiperoleh pemaknaan yang lebih luas dari sebuah karya seni. Berdasarkan penelitiandapat disimpulkan bahwa “Di Depan Kelamboe Terbuka” menggambarkan jiwanasionalisme sebagai pemberontak estetika Mooi Indie yang telah mapan dalamkultur kolonial feodal. Karya tersebut menunjukkan pergulatan pemikiran dalamsuatu situasi sosial yang didominasi konsep estetika tertentu. Sudjojono mampumerumuskan konsep seni yang berasal dari kejujuran dan kepekaan dalam melihatrealitas sosial dan dikenal dengan kredo jiwa ketok. The Iconographic Study of Sudjono’s ‘Di Depan Kelamboe Terboeka’. Thisstudy discusses the iconography of ‘Di Depan Kelamboe Terboeka’, a painting createdby an influential painter in modern visual art of Indonesia, Sindudarsono Sudjono.Iconography as a branch of Art History learns the meaning of an artwork through thestudy of its internal and external aspects. The internal aspects include the items containedin an artwork such as a subject matter, style, and genre, whereas the external ones arerelated to the socio-historical situation in which the work of art is created. Iconographyprovides a broader understanding of a work of art. Based on this study, ‘Di DepanKelamboe Terboeka’ is one of Sudjono’s achievements depicting the spirit of nationalismas a rebel of the settle Mooi Indie aesthetics in the feudal-colonial culture. This paintingreflects the creator’s inner conflict in dealing with a certain social situation dominatedby a particular aesthetical concept. Sudjono was successful in formulizing an art conceptoriginated from his honesty and sensitiveness in witnessing the social reality known witha credo ‘jiwa kethok’.
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Febra, Alta, Sugiyanto Sugiyanto, and Agus Kristiyanto. "Cultural and Traditional Sport Pacu Jalur Location In Regency Of Quantan Singingi Riau Province." International Journal of Multicultural and Multireligious Understanding 5, no. 4 (May 6, 2018): 278. http://dx.doi.org/10.18415/ijmmu.v5i4.293.
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This research was conducted in Kuantan Singingi Regency of Riau Province. This research is descriptive qualitative interpretative research with the subject of research is the origin of culture and traditional sport pacu jalur, traditional tour and sport of the pacu jalur, and what values are contained in the traditional sport of the pacu jalur. Data collection techniques include observation, in-depth interviews, and documentation of records. The results are summarized as follows: 1) The origins of traditional culture and sport, have existed since the Dutch era. Initially Pacu Jalur was held in villages around the Kuantan River to commemorate the big day of Islam, such as the Prophet's Mawlid, Idul Fitri and the Islamic New Year. However, after the Dutch entry into Indonesia, Pacu jalur changed the function that is to commemorate the Queen's Anniversary Wihelmina. The pacu jalur was not held during the Japanese colonial era. After the era of Indonesian Independence, Pacu jalur was again held to commemorate the Independence Day of the Republic of Indonesia. Therefore, Pacu Jalur always held around August every year. Pacu jalur has become the official agenda of the Regional Government (Pemda) and has been included in the national tourism calendar. Initially this pacu jalur is only commemorated at religious events only, namely the religious event of Islam maulid prophet. But with the development, the pacu jalur is no longer displayed at religious events only. 2) The tours contained in the culture of pacu jalur is the night market, pacu jalur expo, festipal art area. 3) What values are contained in the pacu jalur, the value of adaptation to nature, where the pacemakers must adapt to the river, the value of art and culture is evident from the carvings, track paints and clothing or uniforms of the pacu jalur, the economic value seen at the time of manufacture the pacu jalur that does not cost a bit and the value of sport is seen from the movement of the paddle paddle racing boy and the strength of arms and hands with great enthusiasm. Keywords: Pacu Jalur; Values; Culture Tour; Sport Traditional; River; Taluk Kuantan
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 1 (2008): 134–220. http://dx.doi.org/10.1163/22134379-90003683.
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Michele Stephen; Desire, divine and demonic; Balinese mysticism in the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana (Andrea Acri) John Lynch (ed.); Issues in Austronesian historical phonology (Alexander Adelaar) Alfred W. McCoy; The politics of heroin; CIA complicity in the global drug trade (Greg Bankoff) Anthony Reid; An Indonesian frontier; Acehnese and other histories of Sumatra (Timothy P. Barnard) John G. Butcher; The closing of the frontier; A history of the maritime fisheries of Southeast Asia c. 1850-2000 (Peter Boomgaard) Francis Loh Kok Wah, Joakim Öjendal (eds); Southeast Asian responses to globalization; Restructuring governance and deepening democracy (Alexander Claver) I Wayan Arka; Balinese morpho-syntax: a lexical-functional approach (Adrian Clynes) Zaharani Ahmad; The phonology-morphology interface in Malay; An optimality theoretic account (Abigail C. Cohn) Michael C. Ewing; Grammar and inference in conversation; Identifying clause structure in spoken Javanese (Aone van Engelenhoven) Helen Creese; Women of the kakawin world; Marriage and sexuality in the Indic courts of Java and Bali (Amrit Gomperts) Ming Govaars; Dutch colonial education; The Chinese experience in Indonesia, 1900-1942 (Kees Groeneboer) Ernst van Veen, Leonard Blussé (eds); Rivalry and conflict; European traders and Asian trading networks in the 16th and 17th centuries (Hans Hägerdal) Holger Jebens; Pathways to heaven; Contesting mainline and fundamentalist Christianity in Papua New Guinea (Menno Hekker) Ota Atsushi; Changes of regime and social dynamics in West Java; Society, state and the outer world of Banten, 1750-1830 (Mason C. Hoadley) Richard McMillan; The British occupation of Indonesia 1945-1946; Britain, the Netherlands and the Indonesian Revolution (Russell Jones) H.Th. Bussemaker; Bersiap! Opstand in het paradijs; De Bersiapperiode op Java en Sumatra 1945-1946 (Russell Jones) Michael Heppell; Limbang anak Melaka and Enyan anak Usen, Iban art; Sexual selection and severed heads: weaving, sculpture, tattooing and other arts of the Iban of Borneo (Viktor T. King) John Roosa; Pretext for mass murder; The September 30th Movement and Suharto’s coup d’état in Indonesia (Gerry van Klinken) Vladimir Braginsky; The heritage of traditional Malay literature; A historical survey of genres, writings and literary views (Dick van der Meij) Joel Robbins, Holly Wardlow (eds); The making of global and local modernities in Melanesia; Humiliation, transformation and the nature of cultural change (Toon van Meijl) Kwee Hui Kian; The political economy of Java’s northeast coast c. 1740-1800; Elite synergy (Luc Nagtegaal) Charles A. Coppel (ed.); Violent conflicts in Indonesia; Analysis, representation, resolution (Gerben Nooteboom) Tom Therik; Wehali: the female land; Traditions of a Timorese ritual centre (Dianne van Oosterhout) Patricio N. Abinales, Donna J. Amoroso; State and society in the Philippines (Portia L. Reyes) Han ten Brummelhuis; King of the waters; Homan van der Heide and the origin of modern irrigation in Siam (Jeroen Rikkerink) Hotze Lont; Juggling money; Financial self-help organizations and social security in Yogyakarta (Dirk Steinwand) Henk Maier; We are playing relatives; A survey of Malay writing (Maya Sutedja-Liem) Hjorleifur Jonsson; Mien relations; Mountain people and state control in Thailand (Nicholas Tapp) Lee Hock Guan (ed.); Civil society in Southeast Asia (Bryan S. Turner) Jan Mrázek; Phenomenology of a puppet theatre; Contemplations on the art of Javanese wayang kulit (Sarah Weiss) Janet Steele; Wars within; The story of Tempo, an independent magazine in Soeharto’s Indonesia (Robert Wessing) REVIEW ESSAY Sean Turnell; Burma today Kyaw Yin Hlaing, Robert Taylor, Tin Maung Maung Than (eds); Myanmar; Beyond politics to societal imperatives Monique Skidmore (ed.); Burma at the turn of the 21st century Mya Than; Myanmar in ASEAN In: Bijdragen tot de Taal-, Land- en Volkenkunde no. 163 (2007) no: 1, Leiden
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Plys, Kristin. "The Poetry of Resistance: Poetry as Solidarity in Postcolonial Anti-Authoritarian Movements in Islamicate South Asia." Theory, Culture & Society 37, no. 7-8 (February 18, 2020): 295–313. http://dx.doi.org/10.1177/0263276419882735.
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During India’s Emergency, anti-state poetry of a decidedly amateurish quality proliferated. Anti-Emergency poetry did little to bring about the restoration of democracy, nor could it have reasonably been mistaken for great art. So what was the purpose of writing resistance poetry if it was not meant to directly influence politics nor to be great art? Poetry as politics has a long history in the Islamicate world, dating back to the pre-Islamic Arabian Peninsula. While until the 19th century Islamicate poetry was tied to the Caliphates who employed poets to extol the virtues of the ruling classes, after the so-called ‘Rise of the West’ Islamicate poetry became associated instead with anti-colonial and anti-state movements across the Islamicate world from Morocco to Indonesia and from Central Asia to the Indian Ocean. In this essay, I argue that the utility of resistance poetry in anti-state movements in South Asia has been to build solidarity among social movement participants. The sociology of social movements has long placed emphasis on the role of affective bonds and solidarity building for predicting social movement success, and poetry, in the Islamicate context especially, I argue, does exactly that. By circulating poems, social movement participants inform the reader that resistance and opposition exist, they inspire participants and would-be participants and calm fears that participants might have, especially in moments of political repression. These poems generate emotional and cultural bonds among social movement participants by linking anti-state movements to the centuries-old tradition of Islamicate poetry, thereby fostering solidarity and providing a firm basis for collective action.
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 162, no. 4 (2008): 523–94. http://dx.doi.org/10.1163/22134379-90003665.
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I Wayan Arka, Malcolm Ross (eds); The many faces of Austronesian voice systems; Some new empirical studies (René van den Berg) H.W. Dick; Surabaya, city of work; A socioeconomic history, 1900-2000 (Peter Boomgaard) Josiane Cauquelin; The aborigines of Taiwan: the Puyuma; From headhunting to the modern world. (Wen-Teh Chen) Mark Turner, Owen Podger (with Maria Sumardjono and Wayan K. Tirthayasa); Decentralisation in Indonesia; Redesigning the state (Dorian Fougères) Jérôme Samuel; Modernisation lexicale et politique terminologique; Le cas de l’Indonésien (Arndt Graf) Nicholas J. White; British business in post-colonial Malaysia, 1957-70: neo-colonialism or disengagement? (Karl Hack) Chin Peng; Alias Chin Peng; My side of history; As told to Ian Ward and Norma Miraflor (Russell Jones) C.C. Chin, Karl Hack (eds); Dialogues with Chin Peng; New light on the Malayan Emergency (Russell Jones) Saw Swee-Hock; Population policies and programmes in Singapore (Santo Koesoebjono) Domenyk Eades; A grammar of Gayo; A language of Aceh, Sumatra (Yuri A. Lander) Derek Johnson, Mark Valencia (eds); Piracy in Southeast Asia; Status, issues, and responses (Carolyn Liss) Niclas Burenhult; A grammar of Jahai (James A. Matisoff) Ann R. Kinney, Marijke J. Klokke, Lydia Kieven (photographs by Rio Helmi); Worshiping Siva and Buddha; The temple art of East Java (Dick van der Meij) Ruben Stoel; Focus in Manado Malay; Grammar, particles, and intonation (Don van Minde) Pamela J. Stewart, Andrew Strathern (eds); Expressive genres and historical change; Indonesia, Papua New Guinea and Taiwan. (Dianne van Oosterhout) Johszua Robert Mansoben; Sistem politik tradisional di Irian Jaya, Indonesia; Studi perbandingan (Anton Ploeg) Timothy B. Barnard (ed.); Contesting Malayness; Malay identities across boundaries (Nathan Porath) Joel Bradshaw, Francisc Czobor (eds); Otto Dempwolff’s grammar of the Jabêm language in New Guinea (Ger Reesink) Jon Fraenkel; The manipulation of custom; From uprising to intervention in the Solomon Islands (Jaap Timmer) Clive Moore; Happy isles in crisis; The historical causes for a failing state in Solomon Islands, 1998-2004 (Jaap Timmer) Peter Burns; The Leiden legacy; Concepts of law in Indonesia (Bryan S. Turner) Terry Crowley; Bislama reference grammar (Kees Versteegh) REVIEW ESSAY Matthew Isaac Cohen; Transnational and postcolonial gamelan Lisa Gold; Music in Bali Margaret J. Kartomi; The Gamelan Digul and the prison camp musician who built it; An Australian link with the Indonesian revolution Marc Perlman; Unplayed melodies; Javanese gamelan and the genesis of music theory Ted Solís (ed.); Performing ethnomusicology; Teaching and representation in world music ensembles Henry Spiller; Gamelan; The traditional sounds of Indonesia Andrew N. Weintraub; Power plays; Wayang golek theater of West Java REVIEW ESSAY Victor T. King; People and nature in Borneo Tim Bending; Penan histories; Contentious narratives in upriver Sarawak Rajindra K. Puri; Deadly dances in the Bornean rainforest; Hunting knowledge of the Penan Benalui, 2005 Reed L. Wadley (ed.); Histories of the Borneo environment; Economic, political and social dimensions of change and continuity In: Bijdragen tot de Taal-, Land- en Volkenkunde no. 162 (2006), no: 4, Leiden
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 159, no. 2 (2003): 405–68. http://dx.doi.org/10.1163/22134379-90003749.
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-Leonard Y. Andaya, Michel Jacq-Hergoualc'h, The Malay Peninsula; Crossroads of the maritime silk road (100 BC-1300 AD). [Translated by Victoria Hobson.] Leiden: Brill, 2002, xxxv + 607 pp. [Handbook of oriental studies, 13. -Greg Bankoff, Resil B. Mojares, The war against the Americans; Resistance and collaboration in Cebu 1899-1906. Quezon city: Ateneo de Manila University, 1999, 250 pp. -R.H. Barnes, Andrea Katalin Molnar, Grandchildren of the Ga'e ancestors; Social organization and cosmology among the Hoga Sara of Flores. Leiden: KITLV Press, 2000, xii + 306 pp. [Verhandeling 185.] -Peter Boomgaard, Emmanuel Vigneron, Le territoire et la santé; La transition sanitaire en Polynésie francaise. Paris: CNRS Éditions, 1999, 281 pp. [Espaces et milieux.] -Clara Brakel-Papenhuyzen, Raechelle Rubinstein, Beyond the realm of the senses; The Balinese ritual of kekawin composition. Leiden: KITLV Press, 2000, xv + 293 pp. [Verhandelingen 181.] -Ian Caldwell, O.W. Wolters, History, culture, and region in Southeast Asian perspectives. Ithaca, NY: Southeast Asia program, Cornell University/Singapore: Institute of Southeast Asian studies, 1999, 272 pp. [Studies on Southeast Asia 26.] -Peter van Diermen, Jonathan Rigg, More than the soil; Rural change in Southeast Asia. Harlow, Essex: Prentice Hall / Pearson education, 2001, xv + 184 pp. -Guy Drouot, Martin Stuart-Fox, Historical dictionary of Laos. Second edition. Lanham, Maryland: The Scarecrow Press, 2001, lxi + 527 pp. [Asian/Oceanian historical dictionaries series 35.] [First edition 1992.] -Doris Jedamski, Elsbeth Locher-Scholten, Women and the colonial state; Essays on gender and modernity in the Netherlands Indies 1900-1942. Amsterdam: Amsterdam University Press, 2000, 251 pp. -Carool Kersten, Robert Hampson, Cross-cultural encounters in Joseph Conrad's Malay fiction. Basingstoke: Palgrave, 2000, xi + 248 pp. -Victor T. King, C. Michael Hall ,Tourism in South and Southeast Asia; Issues and cases. Oxford: Butterworth-Heinemann, 2000, xiv + 293 pp., Stephen Page (eds) -John McCarthy, Bernard Sellato, Forest, resources and people in Bulungan; Elements for a history of settlement, trade and social dynamics in Borneo, 1880-2000. Jakarta: Center for international forestry research (CIFOR), 2001, ix + 183 pp. -Naomi M. McPherson, Michael French Smith, Village on the edge; Changing times in Papua New Guinea. Honolulu: University of Hawai'i Press, 2002, xviii + 214 pp. -Gert J. Oostindie, Peter van Wiechen, Vademecum van de Oost- en West-Indische Compagnie Historisch-geografisch overzicht van de Nederlandse aanwezigheid in Afrika, Amerika, Azië en West-Australië vanaf 1602 tot heden. Utrecht: Bestebreurtje, 2002, 381 pp. -Gert J. Oostindie, C.L. Temminck Groll, The Dutch overseas; Architectural Survey; Mutual heritage of four centuries in three continents. (in cooperation with W. van Alphen and with contributions from H.C.A. de Kat, H.C. van Nederveen Meerkerk and L.B. Wevers), Zwolle: Waanders/[Zeist]: Netherlands Department for Conservation, [2002]. 479 pp. -Gert J. Oostindie, M.H. Bartels ,Hollanders uit en thuis; Archeologie, geschiedenis en bouwhistorie gedurende de VOC-tijd in de Oost, de West en thuis; Cultuurhistorie van de Nederlandse expansie. Hilversum: Verloren, 2002, 190 pp. [SCHI-reeks 2.], E.H.P. Cordfunke, H. Sarfatij (eds) -Henk Schulte Nordholt, Tony Day, Fluid iron; State formation in Southeast Asia. Honolulu: University of Hawai'i Press, 2002, xii + 339 pp. -Nick Stanley, Nicholas Thomas ,Double vision; Art histories and colonial histories in the Pacific. Cambridge: Cambridge University Press, 1999, xii + 289 pp., Diane Losche, Jennifer Newell (eds) -Heather Sutherland, David Henley, Jealousy and justice; The indigenous roots of colonial rule in northern Sulawesi. Amsterdam: VU Uitgeverij, 2002, 106 pp. -Gerard Termorshuizen, Piet Hagen, Journalisten in Nederland; Een persgeschiedenis in portretten 1850-2000. Amsterdam: Arbeiderspers, 2002, 600 pp. -Amy E. Wassing, Bart de Prins, Voor keizer en koning; Leonard du Bus de Gisignies 1780-1849; Commissaris-Generaal van Nederlands-Indië. Amsterdam: Balans, 2002, 288 pp. -Robert Wessing, Michaela Appel, Hajatan in Pekayon; Feste bei Heirat und Beschneidung in einem westjavanischen Dorf. München: Verlag des Staatlichen Museums für Völkerkunde, 2001, 160 pp. [Münchner Beiträge zur Völkerkunde, Beiheft I.] -Nicholas J. White, Matthew Jones, Conflict and confrontation in South East Asia, 1961-1965; Britain, the United States, Indonesia and the creation of Malaysia. Cambridge: Cambridge University Press, 2002, xv + 325 pp. -Edwin Wieringa, Peter Riddell, Islam and the Malay-Indonesian world; Transmission and responses. London: Hurst, 2001, xvii + 349 pp. -Edwin Wieringa, Stuart Robson ,Javanese-English dictionary. (With the assistance of Yacinta Kurniasih), Singapore: Periplus, 2002, 821 pp., Singgih Wibisono (eds) -Henk Schulte Nordholt, Edward Aspinall ,Local power and politics in Indonesia; Decentralisation and democracy. Sin gapore: Institute of Southeast Asian studies, 2003, 296 pp. [Indonesia Assessment.], Greg Fealy (eds) -Henke Schulte Nordholt, Coen Holtzappel ,Riding a tiger; Dilemmas of integration and decentralization in Indonesia. Amsterdam: Rozenburg, 2002, 320 pp., Martin Sanders, Milan Titus (eds) -Henk Schulte Nordholt, Minako Sakai, Beyond Jakarta; Regional autonomy and local society in Indonesia. Adelaide: Crawford House, 2002, xvi + 354 pp. -Henk Schulte Nordholt, Damien Kingsbury ,Autonomy and disintegration in Indonesia. London; RoutledgeCurzon, 2003, xiv + 219 pp., Harry Aveling (eds)
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 159, no. 1 (2003): 189–244. http://dx.doi.org/10.1163/22134379-90003756.
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-Timothy Barnard, J.M. Gullick, A history of Selangor (1766-1939). Kuala Lumpur: Malaysian branch of the Royal Asiatic Society, 1989, vi + 220 pp. [MBRAS Monograph 28.] -Okke Braadbaart, Michael L. Ross, Timber booms and institutional breakdown in Southeast Asia. Cambridge: Cambridge University Press, 2001, xvi + 237 pp. -H.J.M. Claessen, Patrick Vinton Kirch ,Hawaiki, ancestral Polynesia; An essay in historical anthropology. Cambridge: Cambridge University Press, 2001, xvii + 375 pp., Roger C. Green (eds) -Harold Crouch, R.E. Elson, Suharto; A political biography. Cambridge: Cambridge University Press, 2001, xix + 389 pp. -Kees van Dijk, H.W. Arndt ,Southeast Asia's economic crisis; Origins, lessons, and the way forward. Singapore: Institute of Southeast Asian studies, 1999, ix + 182 pp., Hal Hill (eds) -Kees van Dijk, Sebastiaan Pompe, De Indonesische algemene verkiezingen 1999. Leiden: KITLV Uitgeverij, 1999, 290 pp. -David van Duuren, Albert G. van Zonneveld, Traditional weapons of the Indonesian archipelago. Leiden: Zwartenkot art books, 2001, 160 pp. -Peter van Eeuwijk, Christian Ph. Josef Lehner, Die Heiler von Samoa. O Le Fofo; Monographie über die Heiler und die Naturheilmethoden in West-Samoa. Frankfurt am Main: Lang, 1999, 234 pp. [Mensch und Gesellschaft 4.] -Hans Hägerdal, Frans Hüsken ,Reading Asia; New research of Asian studies. Richmond: Curzon, 2001, xvi + 338 pp., Dick van der Meij (eds) -Terence E. Hays, Jelle Miedema ,Perspectives on the Bird's head of Irian Jaya, Indonesia; Proceedings of the conference, Leiden, 13-17 October 1997. Amsterdam: Rodopi, 1998, xiii + 982 pp. (editors with the assistance of Connie Baak), Cecilia Odé, Rien A.C. Dam (eds) -Menno Hekker, Peter Metcalf, They lie, we lie; Getting on with anthropology. London: Routledge, 2002, ix + 155 pp. -David Henley, Foong Kin, Social and behavioural aspects of malaria control; A study among the Murut of Sabah. Phillips, Maine: Borneo research council , 2000, xx + 241 pp. [BRC Occasional paper 1.] -Gerrit Knaap, Frédéric Mantienne, Les relations politiques et commerciales entre la France et la péninsule Indochinoise (XVIIe siècle). Paris: Les Indes Savantes, 2001, 395 pp. -Uli Kozok, James T. Collins, Malay, world language; A short history. Second edition. Kuala Lumpur: Dewan bahasa dan pustaka, 2000, xii + 101 pp. -Nathan Porath, Hoe Ban Seng, Semalai communities at Tasek Bera; A study of the structure of an Orang Asli society. [A.S. Baer and R. Gianno, eds.] Subang Jaya, Malaysia: Centre for Orang Asli concerns, 2001, xii + 191 pp. -Nathan Porath, Narifumi Maeda Tachimoto, The Orang Hulu; A report on Malaysian orang asli in the 1960's. [A.S. Baer, ed.] Subang Jaya, Malaysia: Centre for Orang Asli concerns, 2001, xiv + 104 pp. -Martin Ramstedt, Raechelle Rubinstein ,Staying local in the global village; Bali in the twentieth century. Honolulu: University of Hawai'i Press, 1999, xiii + 353 pp., Linda H. Connor (eds) -Albert M. Salamanca, Thomas R. Leinbach ,Southeast Asia: diversity and development. Upper Saddle River, NJ: Prentice Hall, 2000, xiii + 594 pp., Richard Ulack (eds) -Heather Sutherland, Muhamad Hisyam, Caught between three fires; The Javanese pangulu under the Dutch colonial administration, 1882-1942. Jakarta: Indonesian-Netherlands cooperation in Islamic studies (INIS), 2001, 331 pp. [Seri INIS 37.] -Heather Sutherland, Roderich Ptak, China's seaborne trade with South and Southeast Asia (1200-1750). Aldershot: Ashgate, 1999, xii + 366 pp. [Variorum collected studies series CS638.] -Sikko Visscher, M. Jocelyn Armstrong ,Chinese populations in contemporary Southeast Asian societies. Richmond, Surrey: Curzon, 2001, xiv + 268 pp., R. Warwick Armstrong, Kent Mulliner (eds) -Reed Wadley, Clifford Sather, Seeds of play, words of power; An ethnographic study of Iban shamanic chants. Kuching: Tun Jugah foundation, 2001, xvii + 753 pp. [Borneo classic series 5.] -Boris Wastiau, Raymond Corbey, Tribal art traffic; A chronicle of taste, trade and desire in colonial and post-colonial times. Amsterdam: Royal Tropical Institute, 2000, 255 pp. -Willem G. Wolters, Wong Kwok-Chu, The Chinese in the Philippine economy, 1898-1941. Quezon city: Ateneo de Manila University Press, 1999, xvi + 279 pp. -Volker Grabowsky, Stephen Mansfield, Lao hill tribes; Traditions and patterns of existence. New York: Oxford University Press, 2000, vii + 91 pp. -Volker Grabowsky, Jean Michaud, Turbulent times and enduring people; Mountain minorities in the South-East Asian Massif. Richmond, Surrey: Curzon, 2000, xiii + 255 pp. -Volker Grabowsky, Jane Richard Hanks ,Tribes of the northern Thailand frontier. (with a foreword by Nicola Tannenbaum), New Haven, CT: Yale University Southeast Asia studies, 2001, xlviii + 319 pp. [Monograph 51.], Lucien Mason Hanks (eds)
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 157, no. 4 (2001): 903–59. http://dx.doi.org/10.1163/22134379-90003797.
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-Doris Jedamski, René Witte, De Indische radio-omroep; Overheidsbeleid en ontwikkeling, 1923-1942. Hilversum: Verloren, 1998, 202 pp. -Edwin Jurriëns, Philip Kitley, Television, nation, and culture in Indonesia. Athens, Ohio: Ohio University Center for International Studies, 2000, xviii + 411 pp. [Research in International Studies, Southeast Asia Series 104.] -Gerrit Knaap, Scott Merrillees, Batavia in nineteenth century photographs. Richmond, Surrey: Curzon, 2000, 282 pp. -C.C. MacKnight, David Bulbeck ,Land of iron; The historical archaelogy of Luwu and the Cenrana valley; Results of the Origin of Complex Society in South Sulawesi Project (OXIS). Hull and Canberra: Centre for South-East Asian Studies, University of Hull / School of Archaeology and Anthropology, Australian National University, 2000, vi + 141 pp., Ian Caldwell (eds) -Niels Mulder, Toh Goda, Political culture and ethnicity; An anthropological study in Southeast Asia. Quezon City: New Day, 1999, xviii + 182 pp. -Niels Mulder, Norman G. Owen, The Bikol blend; Bikolanos and their history. Quezon City: New Day, 1999, x + 291 pp. -Anton Ploeg, Donald Tuzin, Social complexity in the making; A case study among the Arapesh of New Guinea. London: Routledge, 2001, xii + 159 pp. -Henk Schulte-Nordholt, Maarten Kuitenbrouwer, Tussen oriëntalisme en wetenschap; Het Koninklijk Instituut voor Taal-, Land- en Volkenkunde in historisch verband 1851-2001. Leiden: KITLV Uitgeverij, 2001, ix + 362 pp. -Sri Margana, Peter Carey ,The archive of Yogyakarta, Volume II, Documents relating to economic and agrarian affairs. New York: Oxford University Press, 2000, 566 pp., Mason C. Hoadley (eds) -Eric Venbrux, Wilfried van Damme, Bijdragen over kunst en cultuur in Oceanië/Studies in Oceanic Art and Culture. Gent: Academia Press, 2000, 122 pp. -Edwin Wieringa, Raharjo Suwandi, A quest for justice; The millenary aspirations of a contemporary Javanese wali. Leiden: KITLV Press, 2000, x + 229 pp. [Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 182.] -Willem G. Wolters, Benito J. Legarda Jr., After the galleons; Foreign trade, economic change and entrepreneurship in the nineteenth-century Philippines. Quezon City: Ateneo de Manila University Press, 1999, xiv + 401 pp. -Brenda Yeoh, Jürgen Rüland, The dynamics of metropolitan management in Southeast Asia. Singapore: Institute of Southeast Asian Studies, 1996, 230 pp. -David Henley, Albert Schrauwers, Colonial 'reformation' in the highlands of Central Sulawesi, Indonesia, 1892-1995. Toronto: University of Toronto Press, 2000, xiv + 279 pp. -David Henley, Lorraine V. Aragon, Fields of the Lord; Animism, Christian minorities, and state development in Indonesia. Honolulu: University of Hawai'i Press, 2000, xii + 383 pp. -Jennifer W. Nourse, Jennifer W. Nourse, Conceiving spirits; Birth rituals and contested identities among Laujé of Indonesia. Washington, D.C.: Smithsonian Institution Press, 1999, xii + 308 pp.
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Purnama, Sidik. "Criminal Act Principles Policy Renewal of Criminal Act in Indonesia." Jurnal Daulat Hukum 1, no. 2 (June 9, 2018): 479. http://dx.doi.org/10.30659/jdh.v1i2.3320.
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After Indonesia's independence, some legal experts Indonesia tried to make the Criminal Code itself in accordance with the characteristics of Indonesia based on Pancasila and legal values that live and thrive in Indonesian society, but the spirit of the legal experts of the Indonesian nation was not offset by a member legislative duty during the Old Order, New Order and the Reform Era. It was only during the reign of President Joko Widodo draft Act, especially criminal Act book on a book I had been passed in 2018 this with legalized the Draft Penal Code Book I into Act by the legislative period 2014 - 2019 will automatically bill the Penal Code which has been stalled for more than 56 years, has now become a legitimate Act although not enrolled gazetted in Indonesia. This research method using normative juridical approach. The results showed that essentially the principles and foundations of the criminal Act system and the colonial criminal Act still survive with a blanket and face Indonesia. Principles of criminal Act enactment space according to Criminal Code draft concept consisting of: according to time and according to place. The meaning and nature of criminal Act reforms can be divided into two parts: from the point of policy approaches; and on the angle of approach valuesKeywords: Policy of Positive Criminal Act; Criminal Act Reform.
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 159, no. 4 (2003): 618–75. http://dx.doi.org/10.1163/22134379-90003744.
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-Monika Arnez, Keith Foulcher ,Clearing a space; Postcolonial readings of modern Indonesian literature. Leiden: KITlV Press, 2002, 381 pp. [Verhandelingen 202.], Tony Day (eds) -R.H. Barnes, Thomas Reuter, The house of our ancestors; Precedence and dualism in highland Balinese society. Leiden: KITLV Press, 2002, viii + 359 pp. [Verhandelingen 198.] -Freek Colombijn, Adriaan Bedner, Administrative courts in Indonesia; A socio-legal study. The Hague: Kluwer law international, 2001, xiv + 300 pp. [The London-Leiden series on law, administration and development 6.] -Manuelle Franck, Peter J.M. Nas, The Indonesian town revisited. Singapore: Institute of Southeast Asian studies, 2002, vi + 428 pp. [Southeast Asian dynamics.] -Hans Hägerdal, Ernst van Veen, Decay or defeat? An inquiry into the Portuguese decline in Asia 1580-1645. Leiden: Research school of Asian, African and Amerindian studies, 2000, iv + 306 pp. [Studies on overseas history, 1.] -Rens Heringa, Genevieve Duggan, Ikats of Savu; Women weaving history in eastern Indonesia. Bangkok: White Lotus, 2001, xiii + 151 pp. [Studies in the material culture of Southeast Asia 1.] -August den Hollander, Kees Groeneboer, Een vorst onder de taalgeleerden; Herman Nuebronner van der Tuuk; Afgevaardigde voor Indië van het Nederlandsch Bijbelgenootschap 1847-1873; Een bronnenpublicatie. Leiden: KITlV Uitgeverij, 2002, 965 pp. -Edwin Jurriëns, William Atkins, The politics of Southeast Asia's new media. London: RoutledgeCurzon, 2002, xii + 235 pp. -Victor T. King, Poline Bala, Changing border and identities in the Kelabit highlands; Anthropological reflections on growing up in a Kelabit village near an international frontier. Kota Samarahan, Sarawak: Unit Penerbitan Universiti Malayasia Sarawak, Institute of East Asian studies, 2002, xiv + 142 pp. [Dayak studies contemporary society series 1.] -Han Knapen, Bernard Sellato, Innermost Borneo; Studies in Dayak cultures. Singapore: Singapore University Press, 2002, 221 pp. -Michael Laffan, Rudolf Mrázek, Engineers of happy land; Technology and nationalism in a colony. Princeton, NJ: Princeton University Press, 2002, xvii + 311 pp. [Princeton studies in culture/power/history 15.] -Johan Meuleman, Michael Francis Laffan, Islamic nationhood and colonial Indonesia; The umma below the winds. London: RoutledgeCurzon, 2003, xvi + 294 pp. [SOAS/RoutledgeCurzon studies on the Middle East 1.] -Rudolf Mrázek, Heidi Dahles, Tourism, heritage and national culture in Java; Dilemmas of a local community. Leiden: International Institute for Asian studies/Curzon, 2001, xvii + 257 pp. -Anke Niehof, Kathleen M. Adams ,Home and hegemony; Domestic service and identity politics in South and Southeast Asia. Ann Arbor: University of Michigan Press, 2000, 307 pp., Sara Dickey (eds) -Robert van Niel, H.W. van den Doel, Afscheid van Indië; De val van het Nederlandse imperium in Azië. Amsterdam: Prometheus, 2001, 475 pp. -Anton Ploeg, Bruce M. Knauft, Exchanging the past; A rainforest world of before and after. Chicago: University of Chicago Press, 2002, x + 303 pp. -Harry A. Poeze, Nicolaas George Bernhard Gouka, De petitie-Soetardjo; Een Hollandse misser in Indië? (1936-1938). Amsterdam: Rozenberg, 303 pp. -Harry A. Poeze, Jaap Harskamp (compiler), The Indonesian question; The Dutch/Western response to the struggle for independence in Indonesia 1945-1950; an annotated catalogue of primary materials held in the British Library. London; The British Library, 2001, xx + 210 pp. -Elisabeth Schröder-Butterfill, Jan Breman ,Good times and bad times in rural Java; Case study of socio-economic dynamics in two villages towards the end of the twentieth century. Leiden: KITLV Press, 2002, xii + 330 pp. [Verhandelingen 195.], Gunawan Wiradi (eds) -Mariëtte van Selm, L.P. van Putten, Ambitie en onvermogen; Gouverneurs-generaal van Nederlands-Indië 1610-1796. Rotterdam: ILCO-productions, 2002, 192 pp. -Heather Sutherland, William Cummings, Making blood white; Historical transformations in early modern Makassar. Honolulu: University of Hawai'i Press, 2002, xiii + 257 pp. -Gerard Termorshuizen, Olf Praamstra, Een feministe in de tropen; De Indische jaren van Mina Kruseman. Leiden: KITlV Uitgeverij, 2003, 111 p. [Boekerij 'Oost en West'.] -Jaap Timmer, Dirk A.M. Smidt, Kamoro art; Tradition and innovation in a New Guinea culture; With an essay on Kamoro life and ritual by Jan Pouwer. Amsterdam: KIT Publishers/Rijksmuseum voor Volkenkunde, 2003, 157 pp. -Sikko Visscher, Amy L. Freedman, Political participation and ethnic minorities; Chinese overseas in Malaysia, Indonesia and the United States. London: Routledge, 2000, xvi + 231 pp. -Reed L. Wadley, Mary Somers Heidhues, Golddiggers, farmers, and traders in the 'Chinese districts' of West Kalimantan, Indonesia. Ithaca, NY: Southeast Asia program, Cornell University, 2003, 309 pp. -Edwin Wieringa, Jan Parmentier ,Peper, Plancius en porselein; De reis van het schip Swarte Leeuw naar Atjeh en Bantam, 1601-1603. Zutphen: Walburg Pers, 2003, 237 pp. [Werken van de Linschoten-Vereeniging 101.], Karel Davids, John Everaert (eds) -Edwin Wieringa, Leonard Blussé ,Kennis en Compagnie; De Verenigde Oost-Indische Compagnie en de moderne wetenschap. Amsterdam: Balans, 2002, 191 pp., Ilonka Ooms (eds) -Edwin Wieringa, Femme S. Gaastra, De geschiedenis van de VOC. Zutphen; Wal_burg Pers, 2002, 192 pp.
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Bruinessen, Martin Van. "In the Tradition or Outside? Reflections on Teachers and Influences." Al-Jami'ah: Journal of Islamic Studies 53, no. 1 (June 17, 2015): 53. http://dx.doi.org/10.14421/ajis.2015.531.53-103.
Full textAbstract:
<p>In this autobiographical essay, Martin van Bruinessen looks back at the diverse intellectual influences that contributed to his formation as a scholar of Indonesian Islam. He was never trained as an Indonesianist or a scholar of Islam, and came to the subject through a series of unplanned changes in his life trajectory. His first acquaintance with Indonesia was through late colonial and post-colonial Dutch literature. It was followed in his student days by critical reporting on the massacres of 1965-66 and a re-reading of Indonesian history from an anti-imperialist viewpoint. His formal academic training was in entirely different disciplines, and his first experience with anthropological fieldwork took place in a different part of the world. A fortuitous post-doctoral appointment at KITLV, followed by four years at LIPI as a consultant for research methods, enabled him to acquaint himself directly with contemporary Muslim discourses and movements. He had the good fortune of working with leading Indonesian Muslim intellectuals, who became his major teachers. Only when he became a teacher and thesis supervisor himself, at the IAIN Sunan Kalijaga and later at Utrecht University, did he feel the need to reflect on how his own research relates to established academic traditions. The essay documents his growing appreciation of, and lasting critical distance from, the Leiden school of Oriental studies and his relationship with the French tradition of Islamic and Indonesian studies. It also attempts to be the story of the rise and decline of Leiden’s tradition of Indonesian Islamic studies, from the perspective of a critical reader who wishes to remain an outsider.<br />[Dalam tulisan biografis ini, Martin van Buinessen melihat kembali beberapa pengaruh pembentukan dirinya sebagai sarjana tentang Islam Indonesia. Martin tidak belajar khusus tentang keindonesiaan atau keislaman, minat itu muncul dari perubahan-perubahan dalam hidupnya. Perkenalannya dengan Indonesia dimulai lewat tulisan-tulisan dari masa akhir dan pasca penjajahan. Pengalamannya berlanjut pada masa studinya saat menulis laporan kritis tentang kasus 1965-1966 dan dengan pembacaan ulangnya atas sejarah Indonesia dari sudut pandang anti imperalisme. Latar belakang pendidikan formalnya sama sekali berbeda, sementara pengalaman pertama riset antropologinya juga di tempat yang berbeda. Posisi post-doktoral di KITLV dan diikuti empat tahun di LIPI sebagai konsultan metodologi riset membuat Martin bersinggungan langsung dengan wacana muslim kontemporer dan gerakannya. Martin sangat beruntung bertemu dengan para cendikiawan muslim Indonesia yang kemudian menjadi guru-gurunya. Dari pengalamannya menjadi dosen dan supervisor disertasi di IAIN Sunan Kalijaga, sekarang UIN Sunan Kalijaga, dan selanjutnya di Universitas Utrecht juga, Martin merasa perlu untuk merefleksikan kembali penelitiannya dalam kaitannya dengan tradisi akademik yang mapan. Tulisan ini mendokumentasikan perkembangan apresiasinya, sekaligus kritiknya, terhadap studi ketimuran mazhab Leiden serta keterkaitannya dengan studi keislaman dan keindonesiaan dalam tradisi Perancis. Ini juga merupakan upaya untuk menulis sejarah naik-turunnya studi keislaman Indonesia mazhab Leiden dari perspektif seorang pembaca kritis yang berusaha tetap menjadi ‘orang luar’.]</p>
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van Erven, Eugène. "Beyond the Shadows of Wayang: Liberation Theatre in Indonesia." New Theatre Quarterly 5, no. 17 (February 1989): 36–51. http://dx.doi.org/10.1017/s0266464x00015323.
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Outside its ‘classic’ forms, little is known in the West about the theatre of Indonesia. The colonial ‘heritage’ proved largely sterile, and the more fruitful recent developments of the past few decades have been dominated by attempts to integrate the indigenous tradition with contemporary problems and needs. Eugène van Erven has spent several years exploring new theatrical movements and activities in the Pacific region, and earlier results of his studies appeared in NTQ 10 (1987), on the People's Theatre Network of the Philippines. Here, he introduces the work of the two leading theatre-of-liberation companies in Indonesia, Teater Arena and Teater Dinasti, and analyzes their contrasting approaches to the integration of ‘theatre-of-liberation’ techniques with distinctively Indonesian social, religious, and theatrical traditions. Eugène van Erven also contributed a study of recent political theatre in Spain to NTQ 13 (1988), and has recently taken up a post lecturing in English at the University of Utrecht.
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George, Kenneth M. "Colonial "Reformation" in the Highlands of Central Sulawesi, Indonesia, 1892-1995:Colonial "Reformation" in the Highlands of Central Sulawesi, Indonesia, 1892-1995." American Anthropologist 104, no. 1 (March 2002): 376–77. http://dx.doi.org/10.1525/aa.2002.104.1.376.
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Hadler, Jeffrey. "Translations of antisemitism: Jews, the Chinese, and violence in colonial and post-colonial Indonesia." Indonesia and the Malay World 32, no. 94 (November 2004): 291–313. http://dx.doi.org/10.1080/13639810500031012.
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Gillitt, Cobina. "The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903 (review)." Asian Theatre Journal 25, no. 1 (2007): 155–57. http://dx.doi.org/10.1353/atj.2008.0003.
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 158, no. 3 (2002): 535–92. http://dx.doi.org/10.1163/22134379-90003776.
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-Martin Baier, Han Knapen, Forests of fortune?; The environmental history of Southeast Borneo, 1600-1880. Leiden: The KITLV Press, 2001, xiv + 487 pp. [Verhandelingen 189] -Jean-Pascal Bassino, Per Ronnas ,Entrepreneurship in Vietnam; Transformations and dynamics. Copenhagen: Nordic Institute of Asian Studies (NIAS) and Singapore: Institute of Southeast Asian Studies, 2001, xii + 354 pp., Bhargavi Ramamurty (eds) -Adriaan Bedner, Renske Biezeveld, Between individualism and mutual help; Social security and natural resources in a Minangkabau village. Delft: Eburon, 2001, xi + 307 pp. -Linda Rae Bennett, Alison Murray, Pink fits; Sex, subcultures and discourses in the Asia-Pacific. Clayton, Victoria: Monash Asia Institute, 2001, xii + 198 pp. [Monash Papers on Southeast Asia 53.] -Peter Boomgaard, Laurence Monnais-Rousselot, Médecine et colonisation; L'aventure indochinoise 1860-1939. Paris: CNRS Editions, 1999, 489 pp. -Ian Coxhead, Yujiro Hayami ,A rice village saga; Three decades of Green revolution in the Philippines. Houndmills, Basingstoke: MacMillan, 2000, xviii + 274 pp., Masao Kikuchi (eds) -Robert Cribb, Frans Hüsken ,Violence and vengeance; Discontent and conflict in New Order Indonesia. Saarbrücken: Verlag für Entwicklungspolitik, 2002, 163 pp. [Nijmegen Studies in Development and Cultural Change 37.], Huub de Jonge (eds) -Frank Dhont, Michael Leifer, Asian nationalism. London: Routledge, 2000, x + 210 pp. -David van Duuren, Joseph Fischer ,The folk art of Bali; The narrative tradition. Kuala Lumpur: Oxford University Press, 1998, xx + 116 pp., Thomas Cooper (eds) -Cassandra Green, David J. Stuart-Fox, Pura Besakih; Temple, religion and society in Bali. Leiden: KITLV Press, xvii + 470 pp. [Verhandelingen 193.] -Hans Hägerdal, Vladimir I. Braginsky ,Images of Nusantara in Russian literature. Leiden: KITLV Press, 1999, xxvi + 516 pp., Elena M. Diakonova (eds) -Hans Hägerdal, David Chandler, A history of Cambodia (third edition). Boulder, Colorado: Westview, 2000, xvi + 296 pp. -Robert W. Hefner, Leo Howe, Hinduism and hierarchy in Bali. Oxford: James Currey, Santa Fe: School of American Research Press, 2001, xviii + 228 pp. -Russell Jones, Margaret Shennan, Out in the midday sun; The British in Malaya, 1880-1960. London: John Murray, 2000, xviii + 426 pp. -Russell Jones, T.N. Harper, The end of empire and the making of Malaya. Cambridge: Cambridge University Press, 1999, xviii + 417 pp. -Sirtjo Koolhof, Christian Pelras, The Bugis. Oxford: Blackwell, 1996, xvii + 386 pp. [The People of South-East Asia and the Pacific.] -Tania Li, Lily Zubaidah Rahim, The Singapore dilemma; The political and educational marginality of the Malay community. Kuala Lumpur: Oxford University Press, 1998, xviii + 302 pp. -Yasser Mattar, Vincent J.H. Houben ,Coolie labour in colonial Indonesia; A study of labour relations in the Outer Islands, c. 1900-1940. Wiesbaden: Harrassowitz, 1999, xvi + 268 pp., J. Thomas Lindblad et al. (eds) -Yasser Mattar, Zawawi Ibrahim, The Malay labourer; By the window of capitalism. Singapore: Institute of Southeast Asian Studies, 1998, xvi + 348 PP. -Kees Mesman Schultz, Leo J.T. van der Kamp, C.L.M. Penders, The West Guinea debacle; Dutch decolonisation and Indonesia 1945-1962. Leiden: KITLV Press, 2002, viii + 490 pp. -S. Morshidi, Beng-Lan Goh, Modern dreams; An inquiry into power, cultural production, and the cityscape in contemporary urban Penang, Malaysia. Ithaca, New York: Cornell University Southeast Asia Program, 2002, 224 pp. [Studies on Southeast Asia 31.] -Richard Scaglion, Gert-Jan Bartstra, Bird's Head approaches; Irian Jaya studies - a programme for interdisciplinary research. Rotterdam: Balkema, 1998, ix + 275 pp. [Modern Quarternary Research in Southeast Asia 15.] -Simon C. Smith, R.S. Milne ,Malaysian politics under Mahathir. London: Routledge, 1999, xix + 225 pp., Diane K. Mauzy (eds) -Reed L. Wadley, Christine Helliwell, 'Never stand alone'; A study of Borneo sociality. Phillips, Maine: Borneo Research Council, 2001, xiv + 279 pp. [BRC Monograph Series 5.] -Nicholas J. White, Francis Loh Kok Wah ,Democracy in Malaysia; Discourses and practices. Richmond, Surrey: Curzon Press, 2002, xiii + 274 pp. [Nordic Institute of Asian Studies Democracy in Asia Series 5.], Khoo Boo Teik (eds)
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Steedly, Mary Margaret, and Joel S. Kahn. "Constituting the Minangkabau: Peasants, Culture, and Modernity in Colonial Indonesia." Journal of the Royal Anthropological Institute 1, no. 2 (June 1995): 443. http://dx.doi.org/10.2307/3034738.
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SHIMAZU, NAOKO. "Diplomacy As Theatre: Staging the Bandung Conference of 1955." Modern Asian Studies 48, no. 1 (July 22, 2013): 225–52. http://dx.doi.org/10.1017/s0026749x13000371.
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AbstractAs a significant ‘moment’ in twentieth-century international diplomacy, the rise of post-colonial Afro-Asia at the Bandung Conference of 1955 is replete with symbolic meanings. This paper proposes a conceptual approach to understanding the symbolic dimension of international diplomacy, and does so by ruminating on the newly unearthed Indonesian material on the Bandung Conference. To this end, ‘diplomacy as theatre’ is introduced as an interpretive framework to re-cast the conference as a theatrical performance, in which actors performed on the stage to audiences. Focusing on the city of Bandung, this paper reconstructs some examples of the ‘performative’ dimensions of international diplomacy, and elaborates on the notion of ‘staging’ the city and the role played by the people of Bandung, including the significance of conference venues, as well as the impromptu creation of a ritual citation that contributed to an iconic ‘performative act’ during the conference. Sukarno, Nehru, Zhou Enlai and Nasser all understood the importance as performers in their role as new international statesmen, representing the esprit de corps of the newly emergent post-colonial world. In deconstructing the symbolic, it will become evident that the role played by Indonesia significantly influenced the underlying script of the diplomatic theatre which unfolded at Bandung.
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Gothard, Christopher, and Albert Schrauwers. "Colonial "Reformation" in the Highlands of Central Sulawesi, Indonesia, 1892-1995." Anthropologica 43, no. 2 (2001): 288. http://dx.doi.org/10.2307/25606049.
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Bosma, Ulbe. "Sailing through Suez from the South: The Emergence of an Indies-Dutch Migration Circuit, 1815–1940." International Migration Review 41, no. 2 (June 2007): 511–36. http://dx.doi.org/10.1111/j.1747-7379.2007.00077.x.
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This paper shows the importance of colonial garrisons and colonial migratory circuits in the history of European migration. During the nineteenth century the overwhelming majority of European-born migrants to the Dutch East Indies were military personnel. Rapidly decreasing mortality rates and a large influx of European military personnel in the decades of colonial wars were responsible for the remarkable growth of the European colonial population throughout the second half of the nineteenth century. As a consequence an extensive colonial-metropole migration circuit emerged. Contrary to expectations, neither the opening of the Suez Canal nor imperialist expansion resulted in a significant increase of white civilian emigration to colonial Indonesia in the late nineteenth century. Instead, sailings through Suez went north as frequently as south. It was only at a much later stage, following the end of World War I, that the tobacco and rubber plantations as well as the oil industry of the Outer Regions of the Indies archipelago generated an unprecedented demand for expatriate labor.
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Ichwan, Moch Nur. "Governing Hajj: Politics of Islamic Pilgrimage Services in Indonesia Prior to Reformasi Era." Al-Jami'ah: Journal of Islamic Studies 46, no. 1 (June 27, 2008): 125–51. http://dx.doi.org/10.14421/ajis.2008.461.125-151.
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This article highlights that the hajj (Islamic pilgrimage to Mecca) involves not only religious devotion, but also religious tourism and its associated business, necessary to deal with massive parties of pilgrims, embracing trans-national relations, central and local governments, flight and other travel agencies, pilgrimage guidance units, catering agencies and hotels to the pilgrims themselves in its scope. The aim of this article is to analyse the politics of hajj services, which was carried out mainly through the placing of this pilgrimage under government control, leading to the assumption of its monopoly by the government during the New Order period. Although it will focus on Soeharto period, there will be some discussions on this subject during the colonial and early post-colonial periods to trace the genealogy of government control of hajj pilgrimage (and ‘umrah, known also as ‘small hajj’), especially during the New Order. The author argues that the complexities of hajj (and ‘umrah) services were not so much caused by religious aspect but rather by political and economic motives.
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Zarkasi, Taqiyudin. "JALAN PANJANG HUBUNGAN ANTARAGAMA DI INDONESIA." Al-Riwayah: Jurnal Kependidikan 9, no. 2 (September 30, 2017): 443–70. http://dx.doi.org/10.32489/al-riwayah.149.
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The struggle for independence was perceived by Muslims as a struggle for liberation not only the nation from colonialism, but also to liberate them from the religion of oppressors who come from other religions. These sentiments gained strong momentum when put in a historical context of the time, especially the harsh reality that the civilization of the Islamic world, which in the past grew rapidly and peaked brilliant, when it was sunk so deep, fell under Western colonialism that in fact claimed to Christian civilization. Of course, dissect interfaith relations in Indonesia must necessarily look at the history in which religions act in the constellation of politics since the country’s standing, even since before independent. Naturally, unpack these issues cannot be separated from the relation between religion and state as two of the most powerful institutions in the stage of world history. Patron-client relationship that is very hierarchical social character that forms as a religious group that is subordinate to the colonial powers, both in the religious and political dimensions. Compliance as servant relations among Christian missionaries in the future will be more colorful. Such circumstances make it difficult for the Christians when they are faced with a political choice for independence from the Dutch colonizers.
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Sudarmoko. "REVISITING A PRIVATE PUBLISHING HOUSE IN THE INDONESIAN COLONIAL PERIOD." Indonesia and the Malay World 38, no. 111 (July 2010): 181–216. http://dx.doi.org/10.1080/13639811.2010.489352.
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Dhont, Frank. "The Historical Figure of Omar al-Mukhtar and Islamic Martyrdom in Indonesia." Al-Jami'ah: Journal of Islamic Studies 50, no. 1 (June 26, 2012): 75–95. http://dx.doi.org/10.14421/ajis.2012.501.75-95.
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The story of Omar al-Mukhtar resisting Italian colonisation of Libya had great potential as a rallying point for anti-colonial sentiment in the Indies stirred up by Islamic politicians under a Pan-Islamic banner. The Dutch colonial government was quite aware of the issue’s sensitivity. It forbade newspapers and Islamic leaders from even mentioning the story of Omar al-Mukhtar with the result that the proposed boycotts against Italy could not become widespread. The effectivity of Dutch policy snuffed out the possibility of the figure of Omar al-Mukhtar becoming a rallying point for those politically active in the struggle against colonialism. Those that would become Indonesian National Heroes with Islamic roots were in fact figures re-cast in a national, secular mould. After ndonesian independence it was national, local identity which dominated over that of Islamic martyrdom.[Kisah perjuangan Omar al-Mukhtar dalam melawan kolonialisasi Italia menjadi kisah yang menginspirasi gerakan anti-kolonialisme di Hindia-Belanda yang dimotori oleh kalangan politisi muslim melalui semboyan Pan-Islamisme. Pemerintah kolonial Belanda merespon dengan hati-hati isu sensitif ini dengan melarang koran dan pemimpin Muslim menceritakan kisah perjuangan Omar al-Mukhtar. Namun, pelarangan ini tidak cukup berhasil. Omar al-Mukhtar menjadi inspirator gerakan anti-kolonialisme. Mereka yang disebut sebagai pahlawan nasional dengan latar belakang muslim sebenarnya tokoh-tokoh yang dihadirkan dengan nuansa nasional/sekuler. Setelah Indonesia merdeka, identitas lokal-nasional itulah yang kemudian lebih dominan ketimbang identitas keislaman.]
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Lukman, Alqiz. "DISONANSI MEMORI MONUMEN KOLONIAL: STUDI KASUS TUGU CORNELIS CHASTELEIN, DEPOK, JAWA BARAT." AMERTA 38, no. 1 (March 13, 2020): 77–92. http://dx.doi.org/10.24832/amt.v38i1.77-92.
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Abstract. Dissonant Memories of Colonial Monument: A Case Study of Cornelis Chastelein Monument, Depok Jawa Barat. Material remains from the colonial period are still marginalized from the development of archaeological research in Indonesia. In contrast, monuments, sites, or other material remains from this period are memory repository of identity struggle, development discourse, and social pattern that shaped the modern life of Indonesian society. This article examined how the Old Depok society commemorates Cornelis Chastelein, a VOC high-ranker, who liberated their ancestors and introduced Christianity to them in the form of monument. Contrary to the Old Depok society, the rebuilding of the monument of Cornelis Chastelein was opposed by the Depok government because it is considered as an act to bring back memories of colonialism. This study is using an oral history approach by interviewing Old Depok people, academics, and historical observers as key informants. The concept of dissonant memory is used to analyze interactions and negotiations in the case of the monument of Chastelein conflict. Based on this research, it is known that material remains from the colonial period have diverse values for each element of society and creates new social dynamics in the present. This article argues that archeology is not only useful for reconstructing past activity but it also can reflect present life to construct a better future.
Abstrak. Tinggalan materi yang berasal dari masa kolonial masih termarjinalkan dari perhatian perkembangan penelitian arkeologi di Indonesia. Perlu diketahui bahwa monumen, situs, atau tinggalan materi lainnya yang berasal dari masa itu menyimpan memori tentang perjuangan identitas, penentuan arah pembangunan, dan pola kehidupan sosial yang membentuk karakter masyarakat Indonesia masa kini. Artikel ini membahas bagaimana masyarakat Depok Lama mengabadikan memori sosok Cornelis Chastelein, salah seorang petinggi VOC, yang telah memerdekakan leluhur mereka dari perbudakan dan memperkenalkan ajaran agama Kristen dalam wujud sebuah monumen. Di sisi lain, pembangunan kembali Tugu Cornelis Chastelein pada 2014 mendapatkan pertentangan dari Pemerintah Kota Depok karena dianggap membawa kembali ingatan terhadap kejamnya penjajahan. Pendekatan yang digunakan dalam penelitian ini adalah metode sejarah lisan dengan mewawancarai warga masyarakat Depok Lama, akademisi, dan pemerhati sejarah sebagai informan utama. Konsep disonansi memori dipakai untuk menganalisis interaksi dan negosiasi yang tercipta dalam kasus perseteruan pembangunan Tugu Cornelis Chastelein. Patut diketahui bahwa tinggalan budaya materi dari masa kolonial memiliki nilai yang beragam bagi setiap elemen masyarakat dan dapat menciptakan dinamika sosial yang baru pada masa kini. Artikel ini berargumen bahwa ilmu arkeologi tidak hanya berguna untuk keperluan merekonstruksi kehidupan masa lalu, tetapi juga merefleksikan kehidupan masa kini untuk mengonstruksi kehidupan yang akan datang.
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Risqiyanti, Via, Hasbi Yasin, and Rukun Santoso. "Pencarian Jalur Terpendek Menggunakan Metode Algoritma “Ant Colony Optimization” Pada GUI Matlab (Studi Kasus: PT Distriversa Buana Mas cabang Purwokerto)." Jurnal Gaussian 8, no. 2 (May 30, 2019): 272–84. http://dx.doi.org/10.14710/j.gauss.v8i2.26671.
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For company, shortest distribution route is an important thing to be developed in order to obtain effectiveness in the distribution of products to consumers. One way of development is to find the shortest route with Ant Colony Optimization algorithm. This algorithm is inspired by the behavior of ant colonies that can find the shortest path from the nest to the food source. One example of a distribution company is PT Distriversa Buana Mas, also known as DBM. DBM is a physical distribution company covering the entire Indonesian archipelago specialized in the distribution of pharmaceuticals and consumer goods such as personal care, cosmetic and food products. DBM uses land transportation in 18 brances spread across Indonesia. One branch of DBM is in the Purwokerto region that distributes products to 29 stores in the Purbalingga region. This research is done with the help of GUI as a computation tool. Based on test results, the GUI system that has been built able to simplify and speed up the selection process of finding the shortest route for distribute product of DBM in the Purbalingga region. Keywords: Travelling Salesman Problem, Distriversa Buana Mas, Algorithm, Ant Colony Optimization, GUI
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Efimova, L. M. "The USSR Victory in World War II and the Emergence of the Independent Republic of Indonesia." MGIMO Review of International Relations, no. 1(40) (February 28, 2015): 85–96. http://dx.doi.org/10.24833/2071-8160-2015-1-40-85-96.
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Victorious ending of the World War 2 on May, 9, 1945, stroke a crushing blow on the military axis Berlin - Rome - Tokyo. The USSR played a decisive role both on European and Asian fronts. Fulfilling its allied duty the Soviet Union entered the war in the Far East on 9 August, 1945 and defeated the Japanese army in Manchuria. This act became a great contribution to liberation of Asian peoples from the Japanese occupation. On the 17 August 1945 the Republic of Indonesia declared its independence. The recognition on the side of international community as well as diplomatic support became\e vital for the survival of the newly emerged Republic.The Soviet victory together with the allied nations in the Second World War, the new status of the USSR as a superpower, its constant anticolonial stance stimulated former colonies to appeal to the Soviet Union for backing and support. One of the first was the Republic of Indonesia, to which the USSR rendered all kind of help and encourages. The present article which is a result of the study of newly available documents from several recently opened Soviet archives shows the Soviet backing of Indonesia in the UN, its diplomatic recognition, in strengthening of Indonesian status as a sovereign state on the international arena as a whole.
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Fajar SA, Gabriel. "Colonial Inferiority and Postcolonial Ideology in Pramoedya’s House of Glass: Between the Dominant and the Marginalized." Addaiyan Journal of Arts, Humanities and Social Sciences 2, no. 10 (January 5, 2021): 55–63. http://dx.doi.org/10.36099/ajahss.2.10.7.
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Pramoedya Ananta Toer, despite his position of being controversial among the Indonesian writers, wrote four historical novels, which have been compiled in the title of Buru Quartet. The core of the contents is about the stress between the Dutch-Indies colonial government and Indonesia’s local, marginalized, and colonized people. As postcolonial novels they certainly effort to voice the desire, will, and also hope of the marginalized people in opposing the dominant colonial government. However, through the last novel, Rumah Kaca, Pramoedya applies a certain technique which is interesting and different from the other common postcolonial novels, including also those the first three novels. The existence of a narrator, representing the colonial government, seems to emphasize that as a matter of fact, the colonizer has the problem of being inferior to the colonized. Rumah Kaca conveys this notion by showing that due to the inferiority the colonizer would undergo illogical conduct for the sake of maintaining the position of being the controller. Even, to the very helpless and powerless activist, Minke, the colonizer must undergo a violent and illogical act to his death.
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, no. 1 (1994): 214–58. http://dx.doi.org/10.1163/22134379-90003104.
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- Peter Boomgaard, Nancy Lee Peluso, Rich Forests, Poor people; Resource control and resistance in Java. Berkeley, etc.: University of California Press, 1992, 321 pp. - N. A. Bootsma, H.W. Brands, Bound to empire; The United States and the Philippines. New York, Oxford: Oxford University Press, 1992, 356 pp. - Martin van Bruinessen, Jan Schmidt, Through the Legation Window, 1876-1926; Four essays on Dutch, Dutch-Indian and Ottoman history. Istanbul: Nederlands Historisch-Archaeologisch Instituut, 1992, 250 pp. - Freek Colombijn, Manuelle Franck, Quand la rizière recontre l ásphalte; Semis urbain et processus d úrbanisation à Java-est. Paris: École des hautes études en sciences sociales (Études insulindiennes: Archipel 10), 1993, 282 pp. Maps, tables, graphs, bibliography. - Kees Groeneboer, G.M.J.M. Koolen, Een seer bequaem middel; Onderwijs en Kerk onder de 17e eeuwse VOC. Kampen: Kok, 1993, xiii + 287 pp. - R. Hagesteijn, Janice Stargardt, The Ancient Pyu of Burma; Volume I: Early Pyu cities in a man-made landscape. Cambridge: PACSEA, Singapore: ISEAS, 1991. - Barbara Harrisson, Rolf B. Roth, Die ‘Heiligen Töpfe der Ngadju-Dayak (Zentral-Kalimantan, Indonesien); Eine Untersuchung über die rezeption von importkeramik bei einer altindonesischen Ethnie. Bonn (Mundus reihe ethnologie band 51), 1992, xv + 492 pp. - Ernst Heins, Raymond Firth, Tikopia songs; Poetic and musical art of a Polynesian people of the Solomon Islands. Cambridge: Cambridge University Press (Cambridge studies in oral and literate culture no. 20), 1990, 307 pp., Mervyn McLean (eds.) - Ernst Heins, R. Anderson Sutton, Traditions of gamelan music in Java; Musical pluralism and regional identity.Cambridge: Cambridge University Press (Cambridge studies in ethnomusicology), 1991, 291 pp., glossary, biblio- and discography, photographs, tables, music. - H.A.J. Klooster, Jaap Vogel, De opkomst van het indocentrische geschiedbeeld; Leven en werken van B.J.O. Schrieke en J.C. van Leur. Hilversum: Verloren, 1992, 288 pp. - Jane A. Kusin, Brigit Obrist van Eeuwijk, Small but strong; Cultural context of (mal)nutrition among the Northern Kwanga (East Sepik province, Papua New Guinea). Basel: Wepf & Co. AG Verlag, Basler Beiträge zur ethnologie, Band 34, 1992, 283 pp. - J. Thomas Lindblad, Pasuk Phongpaichit, The new wave of Japanese investment in ASEAN. Singapore: Institute of Southeast Asian studies, 1990, 127 pp. - Niels Mulder, Louis Gabaude, Une herméneutique bouddhique contemporaine de Thaïlande; Buddhadasa Bhikku. Paris: École Francaise d’Extrême-Orient, 1988, vii + 692 pp. - Marleen Nolten, Vinson H. Sutlive. Jr., Female and male in Borneo; Contributions and challenges to gender studies. Borneo research council Monograph series, volume 1, not dated but probably published in 1991. - Ton Otto, G.W. Trompf, Melanesian Religion. Cambridge: Cambridge University Press, 1991, xi + 283 pp., including select bibliography and index. - IBM Dharma Palguna, Gordon D. Jensen, The Balinese people; A reinvestigation of character. Singapore-New York: Oxford University Press, 1992, 232 pp., Luh Ketut Suryani (eds.) - Anton Ploeg, Jürg Schmid, Söhne des Krokodils; Männerhausrituale und initiation in Yensan, Zentral-Iatmul, East Sepik province, Papua New Guinea. Basel: ethnologisches seminar der Universitat und Musuem für Völkerkunde (Basler Beiträge zur ethnologie, band 36), 1992, xii + 321 pp., Christine Kocher Schmid (eds.) - Raechelle Rubinstein, W. van der Molen, Javaans Schrift. (Semaian 8). Leiden: Vakgroep talen en culturen van Zuidoost-Azië en Oceanië, Rijksuniversiteit te Leiden, 1993. x + 129 pp. - Tine G. Ruiter, Arthur van Schaik, Colonial control and peasant resources in Java; Agricultural involution reconsidered. Amsterdam: Koninklijk Nederlands Aardrijkskundig Genootschap/Instituut voor Sociale geografie Universiteit van Amsterdam, 1986, 210 pp. - R. Schefold, Andrew Beatty, Society and exchange in Nias. Oxford: Clarendon press, (Oxford studies in social and cultural Anthropology), 1992, xiv + 322 pp., ill. - N.G. Schulte Nordholt, Ingo Wandelt, Der Weg zum Pancasila-Menschen (Die pancasila-Lehre unter dem P4-Beschlusz des Jahres 1978; Entwicklung und struktur der indonesischen staatslehre). Frankfurt am Main-Bern-New York-Paris: Peter Lang, Europäische Hochschulschriften, Reihe XXVII, Asiatische und Afrikaner Studien, 1989, 316 pp. - J.N.B. Tairas, Herman C. Kemp, Annotated bibliography of bibliographies on Indonesia. Leiden: KITLV press (Koninklijk Instituut voor taal-, land-en Volkenkunde, biographical series 17), 1990, xvii + 433 pp. - Brian Z. Tamanaha, Christopher Weeramantry, Nauru; Environmental damage under international trusteeship. Melbourne (etc.): Oxford University Press, 1992, xx+ 448 pp. - Wim F. Wertheim, Hersri Setiawan, Benedict R.O.’G. Anderson, Language and power; Exploring political cultures in Indonesia. Ithaca/London: Cornell University Press, 1930, 305 pp.
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Leggett, William H. "TERROR AND THE COLONIAL IMAGINATION AT WORK IN THE TRANSNATIONAL CORPORATE SPACES OF JAKARTA, INDONESIA." Identities 12, no. 2 (April 2005): 271–302. http://dx.doi.org/10.1080/10702890590950618.
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Harits, Imron Wakhid, Stefan Chudy, Alena Juvova, and Pavla Andrysova. "Indonesia Education Today: Dating Back Its History of Islam and Imparting European Education System." Asian Social Science 12, no. 5 (April 19, 2016): 179. http://dx.doi.org/10.5539/ass.v12n5p179.
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<p>History of education in Indonesia dates back with its multicultural notion and acculturation since many years ago from Hindu Empire till the Islamic ruler. Later on in the colonial era, European education system gave much influence in Indonesia modern education. It was as if two sides of coin, the coming of European countries, such as Portugal and Dutch in Indonesia carried out lot of miseries on the other hands it also contributed to foster of modern education system in Indonesia. This paper is aimed to examine the influence of Islam and Europe influences to Indonesia Education. Modern Islamic Boarding Schools and Muhammadiyah (name of the biggest Modern Islamic Organization in Indonesia) Schools are the typical of the combination between European and Islamic education system synergy. The ethnography method with the participant –observation is used to get the dept observation and identification of the two different cultural contexts. Although, Many Modern Islamic Boarding Schools or Modern Pesantren and Muhammadiyah Schools have been risen up in Indonesia today, otherwise Pesantren with its traditional system are still existed in Indonesia.</p>
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Brenner, Suzanne. "Anthropology, History, and Indonesia: The World of Maluku: Eastern Indonesia in the Early Modern Period . Leonard Y. Andaya. ; Constituting the Minangkabau: Peasants, Culture, and Modernity in Colonial Indonesia . Joel S. Kahn." American Anthropologist 96, no. 4 (December 1994): 974–76. http://dx.doi.org/10.1525/aa.1994.96.4.02a00210.
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DYCKHOFF, DANELLE. "Jean Gelman Taylor, ed.The Social World of Batavia:Europeans and Eurasians in Colonial Indonesia.2nd Edition." Women's Studies 39, no. 3 (March 22, 2010): 262–64. http://dx.doi.org/10.1080/00497871003595695.
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Prakoso, Andria Luhur, and Kuswardani. "Sexual Violence in The Framework of Criminal Law (Comparative Study Of Laws Against Rape)." SALASIKA: Indonesian Journal of Gender, Women, Child, and Social Inclusion's Studies 1, no. 1 (February 28, 2018): 39–52. http://dx.doi.org/10.36625/sj.v1i1.5.
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Crime or violence directed against women is distinct from crime in general. The characteristics of the crime include women victims, their acts against women's rights, and causing harm in the form of physical, psychological, and/or sexual. A year after Indonesia’s independence, this crime against women was regulated along with other crimes in the Criminal Code (Penal Code) through Act No. 1946. 1 on the Rule of Criminal Law, but not by using a special title with a woman's name. Accordingly, the Criminal Code, which according to history is a Dutch colonial heritage, needs to be reformed to become a better Criminal Code. This paper tries to explain the regulation of violence against women in the form of criminal acts of rape in various countries namely Malaysia, India and the Netherlands. This study is normative legal research with a comparative approach. The author will compare the substance of criminal law in the three Criminal Codes. In doing the comparison, the author focuses on the object of criminal law review, especially on the side of the act and penal sanctions.
Based on the study descriptions of several foreign Criminal Codes (Malaysia, India, and the Netherlands), there are several different things in the rape arrangements in the Criminal Codes. The difference is that in Malaysia and India, the Criminal Code does not distinguish between rape (rape) and Cabul (lewd). Only the arrangement is formulated with intercourse with consent. The types of rape in India and Malaysia are more varied than the Dutch, both in terms of the act, the aspect of the perpetrator and the victim aspect. Nevertheless, the Indonesian Criminal Code is simpler than the Dutch Criminal Code. Malaysian Criminal Code has the most serious penal sanction compared to the other foreign countries (India and the Netherland) and Indonesia. The study of these three different laws in these three countries can open our eyes to reformulate the rape which is more extensively formulated from the aspects of the actions and aspects of the victims with reference from the foreign Criminal Code, and this simple study can be an input of legal material to be processed in accordance with the Nation's values Indonesia.
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Rodgers, Susan. "Folklore with a Vengeance: A Sumatran Literature of Resistance in the Colonial Indies and New Order Indonesia." Journal of American Folklore 116, no. 460 (2003): 129–58. http://dx.doi.org/10.1353/jaf.2003.0031.
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Boomgaard, Peter. "Oriental Nature, its Friends and its Enemies: Conservation of Nature in Late-Colonial Indonesia, 1889-1949." Environment and History 5, no. 3 (October 1, 1999): 257–92. http://dx.doi.org/10.3197/096734099779568245.
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Ricci, Ronit. "Telling Stories of Seas, Islands, and Ships." positions: asia critique 29, no. 1 (February 1, 2021): 203–24. http://dx.doi.org/10.1215/10679847-8722862.
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This article considers the crossings, modes of mobility, and affiliations that have shaped forms and contexts of storytelling within a small yet culturally resilient diasporic community: the Sri Lankan Malays, whose forefathers were sent from across the Indonesian archipelago to colonial Ceylon (Sri Lanka), beginning in the late seventeenth century, as exiles, slaves, and soldiers. Two storytelling contexts set in mid-to late nineteenth-century British Ceylon are discussed: the first centers on the Qur’anic tale of the prophet Nuh (Noah) and his ark, typically viewed as representing an age-old Islamic tradition; the second, based on stories and reports in a Malay newspaper, signals the drive toward novelty, progress, and modernity. The article explores how both storytelling contexts, despite certain differences, converge on the shared themes of travel, water, and islands and can be understood as overlapping and complementing one another. Both contexts taken together highlight the ways different temporalities, affiliations, and allegiances were concurrently relevant for colonial subjects. The article thus challenges the tendency to reduce colonial subjects’ experiences to interactions and engagements with the ruling Europeans and suggests that storytelling practices illuminate greater nuance and complexity in how people lived their lives while inhabiting different spaces, temporalities, and relationships simultaneously.
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Yambeyapdi, Ester. "Papua: Sejarah Integrasi yang Diingat dan Ingatan Kolektif." Indonesian Historical Studies 2, no. 2 (January 14, 2019): 89. http://dx.doi.org/10.14710/ihis.v2i2.3749.
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National integration issue is inherently dynamic and tends to follow the social changes. It is because the problem cannot be taken for granted. This situation is also very dependent on the way and the tendency of a political regime to understand and treat the aspirations of the people in a particular space and time. Based on this matter, this paper analyzes the government's efforts to create national integration in Papua (social, economic, political conditions) and how Papuans interpret the post-New York 1962 integration process, the 1969 Act until the first four years after the Act. Based on the structuralist approach and the theory of political integration, it was found that since Papuans began to adapt to Indonesians, they experienced a new atmosphere, such as the Indonesian government system which is different from the Dutch colonial government. The social, political, and economic life must undergo a period of quarantine which is primarily determined by the interests of the authorities. This situation encourages groups that have certain interests in society. There are Indonesian pro-integration groups, and there are anti-integration groups that manifest themselves in the Free Papua Organization (OPM), and some other social protest movements to date.