Academic literature on the topic 'Art, Colonial – Indonesia'
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Journal articles on the topic "Art, Colonial – Indonesia"
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Keling, Gendro. "TIPOLOGI BANGUNAN KOLONIAL BELANDA DI SINGARAJA." Forum Arkeologi 29, no. 2 (March 13, 2017): 65. http://dx.doi.org/10.24832/fa.v29i2.185.
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Architecture is component of a city. The presence of architecture, both traditional and colonial architecture has a historical and archaeological values and can be regarded as an identity of a city. Unfortunately modernization often leaves no place for a historical building that actually has an important role in the formation of characteristic of a place. Its result conflicts with "two side" between cultural heritage preservation activist with the destroyers of cultural heritage, which is the pick of capital. On the other hand, not least in the form of architectural heritage of Indo-European style building in Indonesia that offers various advantages in terms of engineering and the art of building. This paper objective is to identify the typology or the types of colonial architecture buildings in Singaraja and its characteristics. The method used is descriptive-analytical about the basic functions of grouping includes similarity type, form, structure and character of the building. Some of the existing architecture in Singaraja are Art Deco, Landhuis, and Gothic style. The typology of colonial buildings in Singaraja, are government buildings, homes, public building and others with a characteristic shape is relatively small, and very adaptive to the climate and natural conditions in Indonesia, especially Singaraja. Arsitektur merupakan salah satu komponen dari sebuah kota. Keberadaan arsitektur, baik arsitektur tradisional maupun kolonial memiliki nilai historis dan arkeologis dan dapat dianggap sebagai identitas suatu kota. Sayangnya modernisasi seringkali tidak menyisakan tempat untuk bangunan tua atau bersejarah yang sebenarnya memiliki peran penting dalam pembentukan karakteristik suatu tempat. Akibatnya terjadi konflik “dua kubu” antara pelestari warisan budaya dengan pihak perusak warisan budaya, terutama pemilik modal. Di lain pihak, tidak sedikit warisan arsitektural berupa bangunan bergaya indo-Eropa di Indonesia yang menawarkan berbagai keunggulan dalam hal teknik dan seni bangunan. Tujuan tulisan ini adalah untuk mengidentifikasi tipologi atau tipe-tipe bangunan-bangunan peninggalan kolonial di Singaraja beserta karakteristik arsitekturnya. Metode yang digunakan deskriptif-analitis tentang fungsi dasar pengelompokkan meliputi kesamaan tipe, bentuk, struktur dan karakter bangunan. Beberapa arsitektur yang ada di Singaraja antara lain gaya Art Deco, Landhuis, dan Gothic. Secara umum tipologi bangunan kolonial di Singaraja antara lain, gedung pemerintahan, rumah tinggal, sarana umum dan lain-lain dengan karakteristik bentuknya relatif kecil, dan sangat adaptif dengan iklim dan kondisi alam di Indonesia, khusunya Singaraja.
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Kuitert, Lisa. "The Art of Printing in the Dutch East Indies." Quaerendo 50, no. 1-2 (June 4, 2020): 141–64. http://dx.doi.org/10.1163/15700690-12341462.
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Abstract In the Netherlands, and elsewhere, too, Laurens Janszoon Coster of Haarlem, and not Gutenberg, was long thought to have been the inventor of the art of printing. The myth—for that is what it was—was only definitively repudiated at the end of the nineteenth century, though some continued to believe in Coster until their dying breath. The Coster myth was deployed to give the history of the Netherlands status and international prestige. This article concerns the extent to which Coster’s supposed invention was known in the Dutch East Indies—today’s Indonesia, a Dutch colony at that time—and what its significance was there. After all, heroes, national symbols and traditions, whether invented or not, are the building blocks of cultural nationalism. Is this also true for Laurens Janszoon Coster in his colonial context?
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Syahadat, Ray March, Nurhayati H. S. Arifin, and Hadi Susilo Arifin. "LANSKAP KOLONIAL KOTA BAUBAU SEBUAH PUSAKA PENINGGALAN MASA KOLONIAL DI SULAWESI TENGGARA." Paramita: Historical Studies Journal 25, no. 2 (February 27, 2016): 185. http://dx.doi.org/10.15294/paramita.v25i2.5130.
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<p>Baubau is appointed as one of heritage cities in Indonesia because it has many historical inheritances. Although Baubau becomes an autonomous region in 2001, some historical records show that the city has been existed long time ago and passed some phases. One of those phases is the development era by the Dutch Indies Government. There are many inheritances from colonial period in the city even it is called as the largest in the Province of Southeast Sulawesi. Unfortunately, there are not many research and inventory by related stakeholders toward the colonial heritages in the city. This research aims to record or to list of current assets and to analyze the landscape characteristics of colonial heritages located in Baubau. The result shows that there are four historical landscapes which save the colonial heritage objects namely the colonial ladscape and early independence day (51 objects), Palabusa (4 objects), Wakonti (1 object), and Chinatown (5 objects). The character which constructs of the three landscapes generally consist of buildings, structures, and monuments with art deco style.</p><p> </p><p class="NormalTubuhTulisan">Baubau ditetapkan menjadi salah satu kota pusaka Indonesia karena menyimpan banyak peninggalan sejarah. Meskipun Baubau menjadi daerah otonom pada tahun 2001 tetapi berbagai catatan sejarah menunjukkan bahwa kota ini telah ada sejak zaman dulu dan telah melalui beberapa fase. Salah satunya ialah masa pembangunan oleh pemerintah Hindia Belanda. Banyak peninggalan zaman kolonial di kota ini bahkan bisa dikatakan yang terbanyak se-Provinsi Sulawesi Tenggara. Sayangnya belum banyak penelitian maupun inventarisasi dari stakeholders terkait terhadap peninggalan kolonial di kota ini. Penelitian ini bertujuan menginventarisasi serta menganalisis karakter lanskap peninggalan masa kolonial yang berada di Kota Baubau. Hasil yang diperoleh, terdapat empat lanskap sejarah yang menyimpan objek-objek peninggalan zaman kolonial yaitu lanskap kolonial dan awal kemerdekaan (51 objek), Palabusa (4 objek), Wakonti (1 objek), dan pecinan (5 objek). Karakter yang menyusun ketiga lanskap tersebut umumnya berupa bangunan, struktur, dan monumen bergaya art deco.</p><p> </p>
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Sudradjat, Debiana Dewi. "PEMBUATAN AKTA/SURAT KETERANGAN WARIS OLEH NOTARIS BAGI MASYARAKAT ADAT BALI." Veritas et Justitia 6, no. 2 (December 25, 2020): 450–75. http://dx.doi.org/10.25123/vej.3796.
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The legal basis justifying the existence of notaries as public officials and a legal profession were Netherland-Indies laws. These colonial laws were, by virtue of Art. I Transitional Rules of the 1945 Constitution of the Republic of Indonesia (4th Amendment), taken over and considered to be still in force. Consequently, one of the public service offered by Notary publics, i.e., issuance of letter of inheritance or written affidavit stating which family members of the deceased may by law be regarded as heir-successor, has not been made available to Balinese adat communities. This service can only be enjoyed by those individuals who submit themselves to the (colonial) Civil Code. The article explores, using a juridical empirical approach, the possibility to extent the above public notary’s service to Balinese adat (traditional) communities.
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Cohen, Matthew Isaac. "Look at the Clouds: Migration and West Sumatran ‘Popular’ Theatre." New Theatre Quarterly 19, no. 3 (August 2003): 214–29. http://dx.doi.org/10.1017/s0266464x03000125.
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The numerous interrelated ‘popular’ theatres of Indonesia provide important evidence for the study of artistic interaction and change. The West Sumatran Randai theatre emerged in a culturally hybrid space and has been a sensitive index to local, national, and international flows and conditions. Matthew Isaac Cohen traces the origins of Randai in the late-colonial period and discusses its associations with rantau – a time of temporary migration, traditionally associated with the rite of passage to adulthood, but increasingly a semi-permanent exile for many Sumatrans. He then traces how and why Randai has now become more than a local art form, having been exported out of the province of West Sumatra to be utilized as source material for modern theatre by Indonesian theatre makers in Jakarta and Australia. Matthew Isaac Cohen is a Lecturer in Theatre Studies at the University of Glasgow, a scholar of Indonesian theatre and performance, and a practising shadow puppeteer.
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Rachmayanti, Sri, Christianto R., and Anak Agung Ayu Wulandari. "Preservation of Art Style in Interior and Architecture Cultural Heritage Buildings: A Case Study in Hotel Kartika Wijaya & Hotel Niagara Malang." Humaniora 7, no. 1 (January 30, 2016): 87. http://dx.doi.org/10.21512/humaniora.v7i1.3491.
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Kartika Wijaya Hotel and Niagara Hotel-Malang are two heritage buildings, which are well managed to preserve their historical building that, has been established since 1891. We can find good harmony and variety in interior elements and design styles, such as Colonial style, Art Noveau and Art Deco style. The purpose of documentating this heritage building that has different design styles is for those who needed. The data will be classified according to the period of the development of the buildings and characteristics of existing styles. The research objective on Kartika Wijaya hotel building and art styles is to preserve historic buildings in Indonesia, through documentation of interior elements and architectures, and to conducted a study of the interior and architectures elements, interior design ornaments, that founded in historical Kartika Wijaya Hotel and Niagara Hotel in Malang, whose the existence needs to be preserved.
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Sukma Winarya Prabawa, I. Wayan, and I. Wayan Winaja. "Balinese Art and Tourism Promotion: From the 1931 ‘Paris Colonial Exposition’ to the Contemporary ‘Paris Tropical Carnival’." Jurnal Kajian Bali (Journal of Bali Studies) 8, no. 1 (April 29, 2018): 17. http://dx.doi.org/10.24843/jkb.2018.v08.i01.p02.
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The development of tourism in Bali cannot be separated from the role of artists and the community in preserving Balinese culture and tradition. This paper aims to analyze the role of artists in the preservation of Balinese culture that is associated with the promotion of Bali tourism in overseas through cultural performances which is currently known as marketing 3.0 models. Through research literatures, interviews to sample of participants and qualitative descriptive approach, this paper suggests that artists and society since the colonial era to the present day have taken an important role as tourism promotion ambassador of Bali and Indonesia, where the artists and the community have successfully presented the emotion or the spirit of Bali’s tourism a ractions.
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Iswahyudi. "A Multicultural Approach in Learning Review of Indonesian Fine Arts." World Journal of Education and Humanities 3, no. 1 (October 22, 2020): p1. http://dx.doi.org/10.22158/wjeh.v3n1p1.
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Multicultural awareness in Indonesia has been widely discussed since the Dutch colonial era. According to Furnivall, that the plural society in the Dutch East Indies consisted of two unique characteristics, which were horizontally marked by social unions based on differences in ethnicity, religion and tradition. Then vertically, the structure of the society is marked by sharp differences between the upper and lower layers. In this case, there are two key words, namely between the peaks of regional culture and foreign culture, in this case if there is a fading of the sense of unity because they think that one ethnic group feels that its culture is superior to another, there will be inequality which endangers the multicultural nature. Based on this, in order to avoid learning the history of Indonesian fine art that is not based on multiculturalism, in this case it has long been initiated with a more democratic substance as in the Archipelago Art Review course since the 1980s on the grounds that there are many artistic remains outside the islands of Java, Sumatra and Bali which has been built since the end of prehistoric times.
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Linus, Euro, and Lala Palupi Santyaputri. "Applying Post-colonial theory “Inferiority Complex” Concept on Film Production in Short Film “Luckiest Man on Earth” as a Social Phenomenon." IMOVICCON Conference Proceeding 2, no. 1 (July 6, 2021): 194–99. http://dx.doi.org/10.37312/imoviccon.v2i1.47.
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Film is a medium that can be used to convey a message or story in audio and visual form. Film, which also functions as an art medium, can be used to communicate about a social phenomenon that occurs in society. This paper aims to examine social phenomena that occur in society and reflect on these things through the film "Luckiest Man on Earth" and how the inferiority complex affects the stories contained in this film. The fictional film "Luckiest Man on Earth" tells the story of a young man who works as an ojek at a tourism location in Indonesia and meets a woman of French descent. With Google Translate, they can communicate with one another, but this is used by the motorcycle taxi driver as material to show off to friends and relatives that he has a girlfriend of French descent. This film is produced based on the concept of an inferiority complex that is deeply embedded in Indonesian society.
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Zuliati, Zuliati. "Kelompok Pita Maha: Gerak Menuju Seni Lukis Modern Bali." Journal of Urban Society's Arts 3, no. 1 (April 29, 2016): 44–53. http://dx.doi.org/10.24821/jousa.v3i1.1479.
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Penelitian ini bertujuan untuk melihat dan memahami perubahan yang terjadi dalam seni lukis Bali sejak adanya Kelompok Pita Maha. Konsep mengenai seni lukis modern di Indonesia mempunyai perbedaan sejarah, baik dalam bentuk maupun isi, dengan wacana seni lukis modern di Barat yang monolinier-universalis-rasionalis. Wacana seni lukis modern yang menggejala di Indonesia (termasuk Bali) hadir melalui intervensi asing (penjajahan). Wacana seni lukis modern secara bersamaan telah meminggirkan seni-seni lain yang tidak memenuhi kriteria-kriteria “modern”. Seni di luar kriteria modern kemudian disebut sebagai seni tradisi yang mempersempit dan mengecilkan keberadaannya. Sejarah perkembangan seni lukis di Bali menarik untuk dikaji karena terdapat pola yang khas karena warisan-warisan seni pada masa lalu masih terus hadir dalam seni lumkis masa kini. Tulisan ini tidak akan mempertentangkan antara seni lukis tradisi dengan seni lukis modern. Tulisan ini membahas pengaruh Kelompok Pita Maha terhadap modernisasi dalam seni lukis Bali. Data dikaji secara secara deskriptif-analitis dengan pendekatan sosio-historis mengenai perubahan-perubahan yang terjadi dalam seni lukis Bali dari tatanan seni lukis prakolonial menjadi tatanan seni lukis Bali masa kini. Pita Maha Group: The Motion Towards the Balinese Modern Paintings. The concept of modern painting in Indonesia has different histories, both in the form and content, with the discourse of modern painting in the West which is monolinier-universal-rationale. The discourse of modern painting implicated in Indonesia (including Bali) presents through colonization. Modern art at the same time has marginalized other arts that do not fullfill modern criteria. Art, outside the criteria of modern art is called as an traditional art that narrowed and lowered its existence. It is interesting to make a research about the development of painting history in Bali because there is a unique pattern showing the artistic legacy of the past which still presents in nowadays art. This paper will not focus on polarizing between traditional and modern painting. It is interesting to discuss it more descriptive-analytically with the social-historis approach on how the changes happened in Balinese painting of pre-colonial art to modern Balinese paintings of which the other one is the presence of the Pita Maha.
Dissertations / Theses on the topic "Art, Colonial – Indonesia"
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Levang, Patrice. "La terre d'en face : la transmigration en Indonésie /." Paris : Éd. de l'ORSTOM, Institut de recherche scientifique pour le développement en coopération, 1997. http://catalogue.bnf.fr/ark:/12148/cb36198299m.
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Soemaljo, Yulianto. "L'Architecture coloniale hollandaise en Indonésie les cas de Semarang, Magelang, Pasuruan et quelques grands architectes et bureaux d'architectes /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37618629w.
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Protschky, Susanne School of History UNSW. "Cultivated tastes colonial art, nature and landscape in the Netherlands Indies." 2007. http://handle.unsw.edu.au/1959.4/40554.
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Culitivated Tastes argues for a new evaluation of colonial landscape art and representations of nature from the Netherlands Indies (colonial Indonesia). The thesis focuses on examples from Java, Sumatra, Ambon and Bali during the nineteenth and early twentieth centuries, but also discusses early post-colonial literature. It uses paintings and photography, with supporting references to Dutch colonial novels, to argue that images of landscape and nature were linked to the formation of Dutch colonial identities and, more generally, to the politics of colonial expansion. Paintings were not simply colonial kitsch (mooi Indi??, or 'beautiful Indies', images): they were the purest expression of Dutch ideals about the peaceful, prosperous landscapes that were crucial to uncontested colonial rule. Often these ideals were contradicted by historical reality. Indeed, paintings rarely showed Dutch interventions in Indies landscapes, particularly those that were met with resistance and rebellion. Colonial photographs often supported the painterly ideals of peace and prosperity, but in different ways: photographs celebrated European intrusions upon and restructuring of Indonesian landscapes, communicating the notions of progress and rational, benevolent rule. It is in literature that we find broader discussions of nature, which includes climate as well as topography. Here representations of landscape and nature are explicitly linked to the formation of colonial identities. Dutch anxieties about the boundaries of racial and gender identities were embedded within references to Indies landscape and nature. Inner colonial worlds intersected with perceptions of the larger environment in literature: here the ideals and triumphs associated with Dutch colonial expansion were juxtaposed against fears related to remaining European in a tropical Asian landscape.
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Kalidjernih, Freddy K. "Post-colonial citizenship education : a critical study of the production and reproduction of the Indonesian civic ideal /." 2005. http://adt.lib.utas.edu.au/public/adt-TU20060111.120546.
Full textBooks on the topic "Art, Colonial – Indonesia"
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Spruit, Ruud. Indonesische impressies: Oosterse thema's in de westerse schilderkunst = Indonesian impressions : oriental themes in western painting. Wijk en Aalburg, the Netherlands: Picture Publishers, 1992.
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Netherlands), Tropenmuseum (Amsterdam, ed. Pictures from the tropics: Paintings by western artists during the Dutch colonial period in Indonesia. Wijk en Aalburg [Netherlands]: Pictures Publishers, 1999.
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PT, Balai Lelang Dhanapala. Chinese and Japanese ceramic, Indonesian modern art painting, colonial era furniture. Jakarta: [Balai Lelang Dhanapala, 2009.
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Sim, Gerald. Postcolonial Hangups in Southeast Asian Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721936.
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Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability explores a geopolitically situated set of cultures negotiating unique relationships to colonial history. Singaporean, Malaysian, and Indonesian identities are discussed through a variety of commercial films, art cinema, and experimental work. The book discovers instances of postcoloniality that manifest stylistically through Singapore’s preoccupations with space, the importance of sound to Malay culture, and the Indonesian investment in genre.
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Borch, Fred L. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198777168.003.0001.
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The post-World War II trials of war criminals in the Netherlands East Indies (NEI) are not well known, and the chief goal of this book is to change that forever, if only because these prosecutions were unique in legal history.Between September 1946 and December 1949, Dutch colonial authorities convicted 1,038 Japanese (and Koreans and Formosans) and a handful of Europeans, Eurasians, Chinese, and Indonesians for war-related offenses. NEI authorities convened nearly 450 “temporary courts-martial” in twelve locations in the archipelago known today as Indonesia; only U.S. authorities conducting war crimes trials in the Asiatic-Pacific Theater held more trials....
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Cohen, Matthew Isaac. Inventing the Performing Arts: Modernity and Tradition in Colonial Indonesia. University of Hawaii Press, 2016.
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Cohen, Matthew Isaac. Inventing the Performing Arts: Modernity and Tradition in Colonial Indonesia. University of Hawaii Press, 2016.
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Eiran, Ehud. Post-Colonial Settlement Strategy. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474437578.001.0001.
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Settlement projects are sustained clusters of policies that allow states to strategically plan, implement and support the permanent transfer of nationals into a territory not under their sovereignty. Once a common feature of the international system, settlement projects are now rare, and contradict international norms. Yet, these modern projects had been an important feature of some of the longest conflicts of our times, such as Israel-Palestine and Morocco-Western Sahara. Moreover, they had a profound effect on conflicts: they led to their prolongations, affected their levels of violence, patterns of resolution, as well as post-conflict stability. With this significance in mind, the book asks why states launched new settlement projects during the era of decolonization, against common practice and against international norms. The book introduces the international environment as an important enabling variable for the launch of these projects. By drawing comparisons between three such major projects--Israel in the West Bank and Gaza, Morocco in Western Sahara and Indonesia in East-Timor—the book classifies post-colonial settlement projects as a distinct cluster of cases that warrant a different analytical approach to traditional colonial studies, including settler-colonialism approaches. Built on a careful synthesis of existing principles in international relations theory and empirical research, the book advances a clearly formulated theoretical position on the launch of post-colonial settlement projects. The result yields a number of fresh insights into the relationship between conflict, territory and international norms.
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Ngoei, Wen-Qing. Arc of Containment. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501716409.001.0001.
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This book recasts the history of American empire in Southeast and East Asia from the Pacific War through the end of U.S. intervention in Vietnam. It argues that anticommunist nationalism in Southeast Asia intersected with pre-existing local antipathy toward China and the Chinese diaspora to usher the region from European-dominated colonialism into U.S. hegemony. Between the late 1940s and 1960s, Britain and its indigenous collaborators in Malaya and Singapore overcame the mostly Chinese communist parties of both countries by crafting a pro-West nationalism that was anticommunist by virtue of its anti-Chinese bent. London’s neocolonial schemes in Malaya and Singapore prolonged its influence in the region. But as British power waned, Malaya and Singapore’s anticommunist leaders cast their lot with the United States, mirroring developments in the Philippines, Thailand and, in the late 1960s, Indonesia. In effect, these five anticommunist states established, with U.S. support, a geostrategic arc of containment that encircled China and its regional allies. Southeast Asia’s imperial transition from colonial order to U.S. empire, through the tumult of decolonization and the Cold War, was more characteristic of the region’s history after 1945 than Indochina’s embrace of communism.
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Rush, James R. Southeast Asia: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780190248765.001.0001.
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The eleven countries of Southeast Asia are diverse in every way, from the ethnicities and religions of their residents to their political systems and levels of prosperity. These nations—Myanmar, Thailand, Malaysia, Indonesia, Vietnam, Singapore, the Philippines, Laos, Cambodia, Brunei, and East Timor—are each unique, yet shared traditions mean that each country is also typically Southeast Asian. Southeast Asia: A Very Short Introduction traces the region’s history from the earliest “mandala” kingdoms to the colonial era and the present day. Synthesizing the ideas of leading scholars, it provides an analysis of contemporary Southeast Asia that accommodates its bewildering ethnic, religious, and political complexities while exposing the underlying patterns that make it a unified world region.
Book chapters on the topic "Art, Colonial – Indonesia"
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Rukmana, Deden, and Dinar Ramadhani. "Income Inequality and Socioeconomic Segregation in Jakarta." In The Urban Book Series, 135–52. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64569-4_7.
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AbstractSocioeconomic segregation has become a common phenomenon, both in the Global North and Global South, and highly relates to income inequality. The merging of these two notions affects the geography of residential areas which are based on the socio-occupational composition. This chapter focuses on the Jakarta Metropolitan Area (JMA). Not only is Jakarta the largest metropolitan area in Southeast Asia, it is also one of the most dynamic. Batavia, the colonial capital of the former Dutch East Indies in the first half of the twentieth century, was a small urban area of approximately 150,000 residents. In the second half of the century, Batavia became Jakarta, a megacity of 31 million people and the capital of independent Indonesia was beset with most of the same urban problems experienced in twenty-first-century Southeast Asia, including poverty, income inequality, and socioeconomic segregation. This study aims to identify the correlation among income inequality, socioeconomic segregation, and other institutional and contextual factors which caused residential segregation in JMA. The analysis consists of two stages. First, we examine income inequality measured by the Gini Index as well as the occupational structure based on the International Standard Classification of Occupations (ISCO). Second, we investigate residential segregation by using the Dissimilarity Index as a result of socioeconomic intermixing in residential areas. The data in this study comes from multiple sources including Indonesia’s Central Bureau of Statistics, Indonesia’s National Socio-economic Survey (Susenas), Indonesia’s Economic Census, Jakarta’s Regional Bureau of Statistics, and policies related to the housing system and investment in the JMA. This study also produces maps of socioeconomic segregation patterns from several sources including Jakarta’s Geospatial Information Centre, Jakarta’s Spatial Plan Information System, and the Indonesian Poverty Map by the SMERU Research Institute.
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Kroeze, Ronald. "Colonial Normativity? Corruption in the Dutch–Indonesian Relationship in the Nineteenth and Early Twentieth Centuries." In Palgrave Studies in Comparative Global History, 173–208. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0255-9_7.
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AbstractKroeze takes the Dutch–Indonesian histories of colonial state formation as a common base to test several hypotheses that are informed by debates in the historiography of corruption and (post-)colonialism. One is that corruption is never a neutral objective term, and that when it is used in a colonial context it serves to set or challenge norms that underly colonial power structures. By invoking scandals and asking for reform, elites challenged existing norms in order to maintain exclusive power structures of (late) colonial state formation and economic exploitation. Kroeze also argues that cases of colonial corruption show how the metropole and colony were interlinked and influenced each other. Political changes in the metropole, such as the growing influence of more morally outspoken Protestant and Liberal politicians, as well as experiences of misuse in the colony, together caused the emergence of the Dutch equivalent of the civilising mission: the so-called “Ethical Policy”.
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Ngoei, Wen-Qing. "The Best Hope." In Arc of Containment, 114–48. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501716409.003.0005.
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This chapter examines how the creation of Malaysia in 1963—the merger of Malaya, Singapore and Britain’s Borneo territories—completed a geostrategic arc of anticommunist states in Southeast Asia, undermined Sukarno’s left-leaning regime in Indonesia, and provided a powerful fillip to U.S. Cold War aims. As Singapore prepared to enter the Malaysian federation, its anticommunist leader, Lee Kuan Yew, incarcerated his main left-wing rivals with repressive policies inherited from British colonial rule. This move ensured Britain’s military bases in Singapore would continue to serve Anglo-American interests. In addition, Britain and Malaysia launched effective diplomatic offensives against Sukarno during the Malaysia-Indonesia Confrontation (Konfrontasi) of the early 1960s, destabilizing the Sukarno regime and paving the way for his ouster and Indonesia’s subsequent alignment America against China and the USSR.
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Kersten, Carool. "Bourgeois Islam and Muslims Without Mosques." In Islam after Liberalism, 167–88. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190851279.003.0009.
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Within the context of Indonesia’s encounters with liberalism in late colonial and postcolonial times, this chapter examines Muslim discourses that are critical of both Western liberal ideology and its Islamist detractors. After problematizing the existing categories of Islamic neo-modernism, Liberal Islam, and Islamic liberalism, the chapter focuses on alternative discourses formulated by Muslim intellectuals from both traditionalist and modernist-reformist Islamic backgrounds during the Reformasi era when Indonesia transitioned from a military autocracy to a democratic system of governance. Islamic Post-Traditionalists draws on poststructuralism and postcolonial theory to offer an emancipatory trajectory for Indonesian Muslims in the twenty-first century, while modernist-reformist intellectuals have drawn on the social sciences to develop a new paradigm referred to as Transformative Islam. Instead of presenting sweeping ideas, this younger generation is more concerned with translating new regimes of knowledge into applied thinking about concrete issues, such as democratization, development, justice and battling corruption.
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Laffan, Michael. "Conclusion." In The Makings of Indonesian Islam. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691145303.003.0013.
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This concluding chapter recounts the overall arc of this book to show how colonial scholarship interpreted the precolonial, and then inflected particular strands of reformist Sufi self-critique into modernist discourse. The introduction of formalized techniques of Sufi learning was often tied to scholarly intolerance of popular variance that perhaps began as emulation of regal prerogatives. By the eighteenth century, increasingly intense connections between Asian courts and Middle Eastern centers of learning engendered appeals to the principle that normative legal practices should define the standard of Islam for most believers. Such appeals were accompanied by the embrace or rejection of foreigners and attempts to restrict Sufi knowledge to a learned elite who could sit in judgement over them.
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Suyono, Eko, Amandeep Takhar, and David Chitakunye. "Small Business Financing for Supporting SMEs in Indonesia." In Advances in Business Strategy and Competitive Advantage, 269–89. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5112-6.ch012.
Full textAbstract:
Small and medium enterprises (SMEs) are the main pillars of a country economy, especially within developing countries. These types of businesses have existed since the Dutch colonial era. However, their existence is now threatened due to the rapid expansion of modern businesses that have spread into rural areas of Indonesia. Therefore, SMEs are in dire need of government assistance from both central and local governments, from a financial and non-financial perspective. In order to strengthen the SMEs' capital, so that they are able to sustain their businesses, this chapter intends to propose a financing model for SMEs that could be given by the government through financial institutions, so that SMEs will be able to gain easy access to capital resources. In the other words, this condition is expected to give maximum support to the development of SMEs. As a result, the SMEs will contribute to eradicating unemployment and poverty by strengthening the economy of Indonesia.
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Suyono, Eko, Amandeep Takhar, and David Chitakunye. "Small Business Financing for Supporting SMEs in Indonesia." In Research Anthology on Small Business Strategies for Success and Survival, 1340–55. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-9155-0.ch065.
Full textAbstract:
Small and medium enterprises (SMEs) are the main pillars of a country economy, especially within developing countries. These types of businesses have existed since the Dutch colonial era. However, their existence is now threatened due to the rapid expansion of modern businesses that have spread into rural areas of Indonesia. Therefore, SMEs are in dire need of government assistance from both central and local governments, from a financial and non-financial perspective. In order to strengthen the SMEs' capital, so that they are able to sustain their businesses, this chapter intends to propose a financing model for SMEs that could be given by the government through financial institutions, so that SMEs will be able to gain easy access to capital resources. In the other words, this condition is expected to give maximum support to the development of SMEs. As a result, the SMEs will contribute to eradicating unemployment and poverty by strengthening the economy of Indonesia.
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Kersten, Carool. "The arrival of Islam." In A History of Islam in Indonesia. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748681839.003.0001.
Full textAbstract:
The arrival of Islam in Indonesia is bound up with developments in the wider geographical area of Southeast Asia. This chapter presents a broader angle than the current political boundaries of the Republic of Indonesia. The chapter addresses the question of the relatively late local acceptance of Islam, even though Southeast Asia’s contacts with the Middle East and South Asia go back to pre-Islamic times. Based on a critical assessment of the historiography of Southeast Asian Islam, the chapter will identify four key issues that are relevant for a balanced account of the Islamization process: Time frame (13th century); Provenance (theories propose various origins: South Asia, Middle East, and China; Agency (Merchants, religious professionals (missionaries, Sufis), local involvement); Motivations (political, commercial, colonial, religious factors). The emerging picture consists of a variety of starting points, numerous modalities for the diffusion of Islam, positioning the Indian Ocean basin as a vital contact zone. The associated ‘single ocean concept’ turned it into a ‘neutral water’ links the history of the Islamization of Southeast Asia to the newly emerging scholarly field of Indian Ocean studies
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Leach, Michael. "Remembering the Martyrs of National Liberation in Timor-Leste." In The Dead as Ancestors, Martyrs, and Heroes in Timor-Leste. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724319_ch02.
Full textAbstract:
This chapter examines the way martyrs of the independence struggle are remembered in the independent nation of Timor-Leste. It examines the changing nature of definitions of martyrdom during the Portuguese and Indonesian colonial eras, and beyond independence, through an examination of changing patterns of memorialisation, commemoration, and cultural heritage. It also examines how the concept of martyrdom has becomes a site of struggles for official recognition in the postindependence state, with frequently strong distinctions between the type of state recognition afforded to military resistance veterans, and to civilian victims of human rights abuses.
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Frakking, Roel. "‘Gathered on the Point of a Bayonet’: the Negara Pasundan and the Colonial Defence of Indonesia, 1946–50." In Allies at the End of Empire, 30–47. Routledge, 2017. http://dx.doi.org/10.4324/9781315161204-3.
Full textConference papers on the topic "Art, Colonial – Indonesia"
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Askho, Wafa’, Susy Ong, and Renny Nurhasana. "Japanese Women Repatriated from the Colonies: Racial Conflicts and Agonies: A Studies on Nagareru Hoshi wa Ikiteiru (The Floating Stars Are Alive) by Fujiwara Tei." In Proceedings of the 2nd International Conference on Strategic and Global Studies, ICSGS 0218, October 24-26, 2018, Central Jakarta, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.24-10-2018.2289679.
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