Academic literature on the topic 'Art, Australian Exhibitions'
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Journal articles on the topic "Art, Australian Exhibitions"
Rey, Una. "Australian Art Exhibitions: Opening Our Eyes." Australian and New Zealand Journal of Art 19, no. 2 (July 3, 2019): 260–62. http://dx.doi.org/10.1080/14434318.2019.1675572.
Full textFisher, Laura, and Gay McDonald. "From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas." Media International Australia 158, no. 1 (January 11, 2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Full textShaw, Margaret. "AARTI: Australian Art Index." Art Libraries Journal 11, no. 1 (1986): 17–20. http://dx.doi.org/10.1017/s0307472200004454.
Full textBowker, Sam. "No Looking Back." Australian Journal of Islamic Studies 4, no. 1 (July 17, 2019): 18–32. http://dx.doi.org/10.55831/ajis.v4i1.153.
Full textLorek-Jezińska, Edyta. "Affective Realities and Conceptual Contradictions of Patricia Piccinini’s Art: Ecofeminist and Disability Studies Perspectives." Text Matters: A Journal of Literature, Theory and Culture, no. 12 (November 24, 2022): 363–79. http://dx.doi.org/10.18778/2083-2931.12.22.
Full textArcher, Anita, and David M. Challis. "‘The Lucky Country’: How the COVID-19 Pandemic Revitalised Australia’s Lethargic Art Market." Arts 11, no. 2 (April 5, 2022): 49. http://dx.doi.org/10.3390/arts11020049.
Full textBennett, Theodore. "Tortured genius: The legality of injurious performance art." Alternative Law Journal 42, no. 1 (March 2017): 24–28. http://dx.doi.org/10.1177/1037969x17694791.
Full textbandt, ros. "designing sound in public space in australia: a comparative study based on the australian sound design project's online gallery and database." Organised Sound 10, no. 2 (August 2005): 129–40. http://dx.doi.org/10.1017/s1355771805000774.
Full textTingay, Steven. "Indigenous Australian artists and astrophysicists come together to communicate science and culture via art." Journal of Science Communication 17, no. 04 (December 17, 2018): C02. http://dx.doi.org/10.22323/2.17040302.
Full textSmiraglia, Christina. "Artworks at work: the impacts of workplace art." Journal of Workplace Learning 26, no. 5 (July 8, 2014): 284–95. http://dx.doi.org/10.1108/jwl-11-2013-0097.
Full textDissertations / Theses on the topic "Art, Australian Exhibitions"
McKenzie, Anna, and n/a. "An Investment in Being Human EXPLORING YEAR 9 STUDENT EXHIBITIONS AN ACT CASE STUDY." University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20081216.140527.
Full textBerryman, James (Jim) Thomas. "From field to fieldwork : the exhibition catalogue and art history in Australia." Phd thesis, Canberra, ACT : The Australian National University, 2005. http://hdl.handle.net/1885/9528.
Full textNykiel, Annette. "meeting place An exhibition – and – locating the Country: an Australian bricoleuse’s inquiry An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2100.
Full textGray, Michael. "New Australian plants and animals. An exhibition - and - Physiology, phenomenology and photography: Picturing the indeterminate within an Australian art practice. An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1923.
Full textSouliman, Victoria. "“The remoteness that pains us” : National identity, expatriatism and women’s agency in the artistic exchanges between Australia and Britain in the 1920s and 1930s." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCC097.
Full textThis thesis explores the cultural and artistic influence of Britain in Australia, or the Britishness of the Australian character, from the years directly following the end of World War I until 1941. Australia during this period was often described as an isolated, or a “quarantined”, culture characterised by its delay in accepting modernism. Despite Britain ceding more independence and autonomy to its dominions at the time, Australia sought to maintain its cultural and imperial bond, identifying exclusively with Britain in a number of ways. For instance, many Australians still considered Britain to be “Home”, while London continued to attract expatriate artists from Australia. In the words of Australian art historian Daniel Thomas, Australia developed a “bi-hemispheric Anglo-Australian cultural identity”, which was marked by nationalism, conservatism and masculinism. This thesis examines the artistic exchanges between Australia and Britain in the 1920s and 1930s, shedding light on the complexities of cultural identification. It considers in particular the fact that such nationalistic historiography of Australian art has denied women’s agency in defining Australian art and identity. The national collections of British art, as well as the mechanisms of the circulation of modern British art in Australia, are closely examined to demonstrate the dualism of Australian cultural identity and the marginalisation of women within this history, not only as artists but also as art patrons. This thesis discusses the experience of Australian expatriates in England, considering how they sought to integrate into the British art scene. In doing so, it brings to the fore the significance of expatriatism as a concept that shaped both Australian and British art historiographies. Finally, it conceptualises the achievements of two Australian expatriate women, Edith May Fry and Clarice Zander, who, as exhibition curators, played a crucial role in disseminating modernism in Australia and defining Australia’s cultural identity during the interwar period. The aim of this thesis is thus to demonstrate the mechanisms through which Australia sought to represent its national character in art, as it strove to maintain its identification with Britain
Fozard, Roxanne. "Ghostcards of WA: An exhibition of oil paintings on linen – and – Repositioning the Denkbild: A painting investigation into deaths in custody in 21st century Western Australia: An exegesis." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/2155.
Full textCompagnoni, Melissa. "Shifting the boundaries between science and art : a case study of an exhibition of science and art." Thesis, 2000. http://hdl.handle.net/1885/147931.
Full textBowker, Samuel Robert Athol. "Their war and mine : the use of self-portraiture in Australian war art." Phd thesis, 2010. http://hdl.handle.net/1885/150698.
Full textTsai, Wendy. "A response to space in the natural environment : painting as a phenomenological study of the Blue Mountains, NSW." Master's thesis, 2015. http://hdl.handle.net/1885/150365.
Full textHarris, Jennifer Anne. "The formation of the Japanese Art Collection at the Art Gallery of South Australia 1904-1940 : tangible evidence of Bunmei Kaika." Thesis, 2012. http://hdl.handle.net/2440/84054.
Full textThesis (Ph.D.) -- University of Adelaide, School of History & Politics, 2012
Books on the topic "Art, Australian Exhibitions"
Kate, Darian-Smith, and Monash University ePress, eds. Seize the day: Exhibitions, Australia and the world. Clayton, Vic: Monash University ePress, 2008.
Find full text1954-, Dufour Gary, ed. State art collection: Art Gallery of Western Australia. [Perth], W.A: The Gallery, 1997.
Find full textNatasha, Bullock, Glass-Kantor Alexie, Art Gallery of South Australia, and Adelaide Festival of Arts (27th : 2012), eds. Parallel collisions: 2012 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide Festival. Adelaide, S. Aust: Art Gallery of South Australia, 2012.
Find full textButler, Roger. Poster art in Australia: The streets as art galleries : walls sometimes speak. Canberra: National Gallery of Australia, 1993.
Find full textRadford, Ron. 19th-century Australian art: M.J.M. Carter Collection, Art Gallery of South Australia. Adelaide: Art Gallery Board of South Australia, 1993.
Find full textLudwig, Museum, ed. Remembering forward: Australian aboriginal painting since 1960. Cologne: Museum Ludwig, 2010.
Find full text1966-, Smith Jason, Green Charles 1953-, and National Gallery of Victoria, eds. Fieldwork: Australian art 1968-2002. Melbourne, Vic: National Gallery of Victoria, 2002.
Find full textExhibition, of Contemporary Australian Art (1996 Melbourne Vic ). TECAA2: Joan and Peter Clemenger Triennial Exhibition of Contemporary Australian Art, 15 March-2 May 1996. [Melbourne, Vic.]: National Gallery of Victoria, 1996.
Find full textTaylor, Howard. Howard Taylor: Phenomena. Perth, W.A: Art Gallery of Western Australia, 2003.
Find full textHeather, Galbraith, Leonard Robert, Institute of Modern Art (Brisbane, Qld.), and City Gallery Wellington, eds. Morphic resonance: Hany Armanious. Fortitude Valley, Qld: Institute of Modern Art, 2007.
Find full textBook chapters on the topic "Art, Australian Exhibitions"
Boyd, Candice P. "The Engaging Youth in Regional Australia (EYRA) Study." In Exhibiting Creative Geographies, 15–29. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6752-8_2.
Full textHaag, Oliver. "Post-colonial Narratives of Australian Indigeneity in Austria: The Essl Exhibition on Contemporary Indigenous Australian Art." In German-Australian Encounters and Cultural Transfers, 161–77. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6599-6_11.
Full textCarroll, Alison. "People and Partnership: An Australian Model for International Arts Exchanges — The Asialink Arts Program, 1990–2010." In Contemporary Asian Art and Exhibitions: Connectivities and World-making. ANU Press, 2014. http://dx.doi.org/10.22459/caae.11.2014.11.
Full textLo, Jacqueline. "Australia’s Other Asia in the Asian Century." In Contemporary Asian Art and Exhibitions: Connectivities and World-making. ANU Press, 2014. http://dx.doi.org/10.22459/caae.11.2014.12.
Full textWitcomb, Andrea. "Curating relations between ‘us’ and ‘them’: the changing role of migration museums in Australia1." In Curatopia, 262–78. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526118196.003.0017.
Full textGorchakova, Valentina. "Event Portfolios and Cultural Exhibitions in Canberra and Melbourne." In Event Portfolio Management. Goodfellow Publishers, 2019. http://dx.doi.org/10.23912/978-1-911396-91-8-4204.
Full textSaethre-McGuirk, Ellen Marie. "An i for an Eye: The Collective Shaping of Experience in the Age of Machine-Mediated Art." In Truth in Visual Media, 58–76. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.003.0003.
Full textPaitz, Kendra, Judith Briggs, Kara Lomasney, and Adrielle Schneider. "Juan Angel Chávez's Winded Rainbow." In Advances in Media, Entertainment, and the Arts, 224–43. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1665-1.ch013.
Full textUnhelkar, Bhuvan, Abbass Ghanbary, and Houman Younessi. "Case Study 1." In Collaborative Business Process Engineering and Global Organizations, 250–67. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-689-1.ch011.
Full textCaso, Federica. "The Political Aesthetics of the Body of the Soldier in Pain." In Making War on Bodies, 54–73. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474446181.003.0003.
Full textConference papers on the topic "Art, Australian Exhibitions"
Chun Wai, Wilson Yeung, and Estefanía Salas Llopis. "THE SPACE BETWEEN US." In INNODOCT 2020. Valencia: Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.
Full textGardiner, Fiona. "Yes, You Can Be an Architect and a Woman!’ Women in Architecture: Queensland 1982-1989." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4001phps8.
Full textPeel*, Frank J., Gillian M. Apps, Esther Sumner, and David “Stan” Stanbrook. "The Dark Art of Palaeobathymetry: How Can We Reconstruct the Shape of the Sea Floor in Structurally Active Regions?" In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2203072.
Full textJoseph, Epoupa Mengou, Gambaro Chiara, Alessi Andrea, Terenzi Andrea, Vecchione Michela, Binaschi Marco, Di Salvo Salvatore R, and Norma Anglani. "A Case-Study for the Reduction of CO2 Emissions in an Offshore Platform by the Exploitation of Renewable Energy Sources Through Innovative Technologies Coupled with Energy Storage." In Abu Dhabi International Petroleum Exhibition & Conference. SPE, 2021. http://dx.doi.org/10.2118/207864-ms.
Full textBurns, Karen, and Harriet Edquist. "Women, Media, Design, and Material Culture in Australia, 1870-1920." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4017pbe75.
Full textSeptama, E. "Java Volcanic Arc, what lies beneath?" In Indonesian Petroleum Association 44th Annual Convention and Exhibition. Indonesian Petroleum Association, 2021. http://dx.doi.org/10.29118/ipa21-g-257.
Full textThomas*, Peter, Alex Kaiko, Alexis Whelan, Jai Louis, Grant Fryer, and Tanita Prater. "The Most Complex Structure Ever to be Dynamically Modelled? State-of-the-Art Workflows Allow New Insights Into North Rankin, a Producing Giant Gas Field on Australia's NW Shelf." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2190532.
Full textTowler, Brian, Mahshid Firouzi, and Rick Wilkinson. "Australia's World Scale Gas Resources, Its Markets and Why New Approaches Are Required." In SPE Asia Pacific Oil and Gas Conference and Exhibition. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/191895-ms.
Full textByrom, Stephanie, Geoffrey Bongers, Andy Boston, and Andrew Garnett. "Future Roles for Natural Gas in Decarbonising the Australian Electricity Supply within the NEM: Total System Costs are Key." In SPE Asia Pacific Oil & Gas Conference and Exhibition. Society of Petroleum Engineers, 2020. http://dx.doi.org/10.2118/202210-ms.
Full textRoss, Malcolm. "Some Surprising Ways That Plate Tectonic, Paleogeographic, and Paleoclimatic Models are Used in Resource (Hydrocarbon & Mineral) Exploration." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2213534.
Full textReports on the topic "Art, Australian Exhibitions"
Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.
Full textCoombs, HC opening exhibition of contemporary Australian paintings at Art Gallery - September 1955. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_pn-002886.
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