Journal articles on the topic 'Art, Australian Chinese influences'
To see the other types of publications on this topic, follow the link: Art, Australian Chinese influences.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Art, Australian Chinese influences.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Majeed, Salman, Zhimin Zhou, and Haywantee Ramkissoon. "Beauty and Elegance: Value Co-Creation in Cosmetic Surgery Tourism." SAGE Open 10, no. 2 (April 2020): 215824402093253. http://dx.doi.org/10.1177/2158244020932538.
Full textAbstract:
This study presents an emerging trend in medical tourism, cosmetic surgery tourism (CST). We explore tourists’ perceptions of CST for medical service quality as an antecedent to tourists’ emotional attachment, trust, and intentions to visit, which is underexplored in CST. This study examines the mediating role of value co-creation in influencing behaviors of CST-seeking tourists to experience a better quality of life. Using a sample drawn from 279 tourists, comprised of Australian, Japanese, and Chinese nationalities at two international airports in China, findings show that perceived medical service quality positively influences tourists’ emotional attachment, trust, and intentions to visit directly and through the mediating role of value co-creation across the three nationalities. CST-seeking tourists’ inputs in value co-creation may positively influence their behaviors, which are vital antecedents to promoting CST business. Implications for future research are discussed.
2
Gralton, Beatrice, Suhanya Raffel, Aaron Seeto, and Stephen H. Whiteman. "Curating Chinese Contemporary Art in an Australian Context." Australian and New Zealand Journal of Art 16, no. 2 (July 2, 2016): 247–63. http://dx.doi.org/10.1080/14434318.2016.1240653.
Full text
3
LIN, XIAOPING, CHRISTINA BRYANT, JENNIFER BOLDERO, and BRIONY DOW. "Older people's relationships with their adult children in multicultural Australia: a comparison of Australian-born people and Chinese immigrants." Ageing and Society 37, no. 10 (August 30, 2016): 2103–27. http://dx.doi.org/10.1017/s0144686x16000829.
Full textAbstract:
ABSTRACTAgainst the background of population ageing and increasing cultural diversity in many Western countries, the study examined differences and similarities between Australian-born people and Chinese immigrants in their relationships with adult children. The specific research questions were: (a) are there differences between these groups in the nature of parent–child relationships; and (b) if there were differences, did these differences reflect the Confucian concept of filial piety among older Chinese immigrants. The solidarity–conflict model and the concept of ambivalence were used to quantify parent–child relationships. Data from 122 community-dwelling people aged 65 and over (60 Australian-born and 62 Chinese-born people) were collected using standardised interviews. There were significant differences between the two groups for all relationship dimensions except associative solidarity. Compared to Australian participants, Chinese participants were more likely to live with their children. However, when they did not live with their children, they lived further away. They were also more likely to receive, but less likely to provide, instrumental help. Finally, they reported higher levels of normative solidarity, conflict and ambivalence, and lower levels of affectual and consensual solidarity. The differences in solidarity dimensions persisted when socio-demographic variables were controlled for. The study revealed complex differences in the nature of older parent–child relationships between Australian-born people and Chinese immigrants. Some of these differences, such as more prevalent multigenerational living among older Chinese immigrants, likely reflect the strong influence of filial piety among this group. However, differences in other dimensions, such as lower levels of consensual solidarity, might be associated with the Chinese participants’ experience as immigrants. This study also highlights the usefulness of the solidarity–conflict model as a theoretical framework to understand the nature of parent–child relationships among older Chinese immigrants.
4
Грачева, С. М. "Creative mutual influences of contemporary St. Petersburg and Chinese artists." Iskusstvo Evrazii [The Art of Eurasia], no. 4(23) (December 29, 2021): 86–101. http://dx.doi.org/10.46748/arteuras.2021.04.007.
Full textAbstract:
Конец ХХ – XXI век — период активного взаимодействия России и Китая в сфере искусства. Китайское изобразительное искусство испытало серьезное влияние русской академической школы и традиций русского реализма в целом. Современная российская живопись также обогащается элементами китайского искусства, поскольку в последние десятилетия чрезвычайно расширились культурные контакты, которые влияют на творчество отечественных художников. В петербургском искусстве происходят интересные процессы взаимодействия и взаимовлияния разных культур. Петербург становится центром пересечения Востока и Запада. Эти изменения касаются даже такой устойчивой школы, как академическая, связанной с традициями реалистического искусства. Этот феномен нуждается в изучении. Особую роль в художественном взаимообмене играет современная петербургская академическая школа. Новизна данного исследования состоит в изучении некоторых явлений китайской культурной жизни, связанных с влиянием петербургского искусства, и в выявлении взаимовлияний, которые обнаруживаются в творчестве китайских и петербургских мастеров живописи. В статье использованы методы компаративного анализа, наблюдения, интервьюирования для определения общих закономерностей развития искусства двух стран. Современные петербургские художники, представляющие академическую школу, чрезвычайно востребованы в Китае, многократно там бывали и сотрудничают на разных уровнях с представителями культурной общественности. Китайские коллекционеры и деятели искусства активно сотрудничают с художниками и разрабатывают интересные проекты. Во время пандемии в 2019–2020 годы реальные контакты между странами сократились, но переместились в виртуальное пространство, теперь многие образовательные и культурные программы проходят в дистанционном режиме. Творческие связи не ослабевают, и это дает надежду на дальнейшее развитие культурного сотрудничества на всех уровнях. The end of the 20th and the 21st century is a period of active interaction between Russia and China in the field of art. Chinese fine art has been seriously influenced by the Russian academic school and the traditions of Russian realism in general. Modern Russian painting is also enriched with elements of Chinese art, since cultural contacts that influence the art of domestic artists have expanded enormously in recent decades. Interesting processes of interaction and mutual influence of different cultures take place in Petersburg art. St. Petersburg becomes the center of the intersection of East and West. These changes concern even such a stable school as the academic one, connected with the traditions of realistic art. This phenomenon needs to be studied. A special role in the artistic interchange is played by the modern St. Petersburg academic school. The novelty of this research consists in studying some phenomena of Chinese cultural life associated with the influence of St. Petersburg art and in identifying mutual influences that are found in the works of Chinese and St. Petersburg masters of painting. The article uses methods of comparative analysis, observation, and interviewing to identify common patterns of the development of art in the two countries. Contemporary St. Petersburg artists representing the academic school are extremely in demand in China, have been there many times and cooperate at various levels with representatives of the cultural community. Chinese art-collectors and artists actively cooperate with artists and develop interesting projects. During the pandemic, real contacts between countries decreased, but moved to the virtual space. Now many educational and cultural programs are held remotely. Creative ties do not weaken and this gives hope for the further development of cultural cooperation at all levels.
5
Evans, Elaine, Rachel F. Baskerville, Katharine Wynn-Williams, and Shirley J. Gillett. "How students’ ethnicity influences their respect for teachers." Asian Review of Accounting 22, no. 2 (July 1, 2014): 159–78. http://dx.doi.org/10.1108/ara-01-2014-0001.
Full textAbstract:
Purpose – The purpose of this paper is to investigate whether ethnicity makes a difference to the level of respect given to teachers by tertiary accounting students. In particular, it examines whether ethnicity has an impact on students’ perceptions regarding their teachers’ attributes and behaviors, which in turn influences their respect for their teachers. Design/methodology/approach – First year accounting students, both domestic and international, were surveyed in New Zealand, Australia and the UK, using a purpose-designed online questionnaire. “Ethnicity” was categorized according to first language, resulting in three categories: Home, Chinese and Other International. Student responses to quantitative questions regarding attributes and behaviors were analyzed using MANOVA and ANOVA. Open-ended questions provided further insight into student perceptions. Findings – Regarding teachers’ attributes, statistically significant differences are seen between the ethnic groups in qualifications, classroom control and professional qualifications or work experience, but not in teachers’ behaviors. The open-ended questions provided student contributions regarding respect. These included “clarity” and “good English skills.” Originality/value – This research contributes to debates over the impact of ethnic diversity in the classroom. It also contributes to the debate over the definition of the concept of “ethnicity.” A comparison between three countries is unusual; all have significant numbers of international students. Value is added through the findings, which challenge often-held assumptions regarding stereotypical “Chinese learners.” The findings will also assist teachers who have large numbers of international students in their classrooms.
6
Huang, Yue, Gang Wang, Dominic Rowe, Ying Wang, John B. J. Kwok, Qin Xiao, Frank Mastaglia, Jun Liu, Sheng-Di Chen, and Glenda Halliday. "SNCAGene, but NotMAPT, Influences Onset Age of Parkinson’s Disease in Chinese and Australians." BioMed Research International 2015 (2015): 1–6. http://dx.doi.org/10.1155/2015/135674.
Full textAbstract:
Background.α-Synuclein (SNCA) and microtubule-associated protein tau (MAPT) are the two major genes independently, but not jointly, associated with susceptibility for Parkinson’s disease (PD). TheSNCAgene has recently been identified as a major modifier of age of PD onset. WhetherMAPTgene synergistically influences age of onset of PD is unknown.Objective. To investigate independent and joint effects ofMAPTandSNCAon PD onset age.Methods. 412 patients with PD were recruited from the Australian PD Research Network (123) and the Neurology Department, Ruijin Hospital Affiliated to Shanghai Jiaotong University, China (289).MAPT(rs17650901) tagging H1/H2 haplotype andSNCA(Rep1) were genotyped in the Australian cohort, andMAPT(rs242557, rs3744456) andSNCA(rs11931074, rs894278) were genotyped in the Chinese cohort. SPSS regression analysis was used to test genetic effects on age at onset of PD in each cohort.Results.SNCApolymorphisms associated with the onset age of PD in both populations.MAPTpolymorphisms did not enhance such association in either entire cohort.Conclusion. This study suggests that, in both ethnic groups,SNCAgene variants influence the age at onset of PD andα-synuclein plays a key role in the disease course of PD.
7
Manderson, Desmond. "Trends and Influences in the History of Australian Drug Legislation." Journal of Drug Issues 22, no. 3 (July 1992): 507–20. http://dx.doi.org/10.1177/002204269202200304.
Full textAbstract:
In this article the author briefly traces some features in the emergence in Australia of legislation controlling “dangerous drugs” such as opium, morphine, cocaine and heroin from 1900 to 1950. It is argued that, in common with other similar countries, the first laws prohibiting the non-medical use of drugs were enacted as a symptom of anti-Chinese racism and not out of any concern for the health of users. It is further argued that later laws, which built upon that precedent, developed not through any independent assessment of the drug problem in Australia but rather in response to pressure from the international community. Australia's unthinking acceptance of the growing U.S.-led international consensus relating to “dangerous drugs” influenced legislation, policy and attitudes to illicit drug use. The structure of drug control which emerged incorporated and promoted the fears, values and solutions of other societies without any assessment of their validity or appropriateness.
8
Dai, Qian, Catherine McMahon, and Ai Keow Lim. "Cross-cultural comparison of maternal mind-mindedness among Australian and Chinese mothers." International Journal of Behavioral Development 44, no. 4 (September 8, 2019): 365–70. http://dx.doi.org/10.1177/0165025419874133.
Full textAbstract:
Evidence suggests that parental mind-mindedness is important for children’s social-emotional development; however, almost all research exploring mind-mindedness has been conducted with families from Western backgrounds. The current study explored cross-cultural differences in mind-mindedness based on observed real-time interactions between urban Australian ( N = 50, M age = 30.34 years, SD = 3.14) and urban mainland Chinese ( N = 50, M age = 29.18 years, SD = 4.14) mothers and their toddlers (Australian: M age = 18.98 months, SD = 0.87; Chinese: M age = 18.50 months, SD = 2.25). Controlling for education, the Australian mothers used a higher proportion of appropriate mind-related comments and were less likely to use non-attuned mind-related comments than their Chinese counterparts, adjusting for total number of comments. Transcript analysis showed that the Australian mothers used more mental state terms referring to desires and preferences than Chinese mothers. Findings are discussed in relation to cultural influences in child-rearing goals, beliefs, and values and the need for cross-cultural validation of the mind-mindedness construct.
9
Joo, Hyun-ho. "The Translingual Practice of Meishu in Early Twentieth-Century China." Archiv orientální 85, no. 1 (May 18, 2017): 119–34. http://dx.doi.org/10.47979/aror.j.85.1.119-134.
Full textAbstract:
This paper begins by examining the discourse on the term and concept of meishu that emerged in early twentieth-century China and was centered on how to construct meishu as a form of cultural establishment and a discipline distinct from other art genres. It then considers the social and cultural contexts behind the evolution of the meaning of meishu, focusing on Chinese artists’ and art critics’ complicated attitudes toward both Chinese artistic tradition and the influence of Western art, as reflected in their varied views on literati painting and its xieyi tradition. This paper demonstrates that the Chinese art world’s process of redefining meishu as fine arts was a clear indicator of the artistic endeavor to rediscover the roles of painting in Chinese society. Meanwhile, the paper also pays renewed attention to literati painting and its xieyi tradition by rethinking the relationship between the long-standing literati painting tradition and the increasing Western artistic trends in China. The Chinese art world of the early twentieth-century constantly attempted to encompass both Chinese and Western painting traditions, and relentlessly tried to merge the strengths of the Chinese tradition with Western influences in order to pave the way for a new Chinese painting tradition.
10
Zhang, Yong. "A Brief Discussion about Effects of Chinese Traditional Culture on Contemporary Chinese Architectural Design." Applied Mechanics and Materials 507 (January 2014): 83–86. http://dx.doi.org/10.4028/www.scientific.net/amm.507.83.
Full textAbstract:
In times of the global integration of economy and culture, the preservation of the value of national traditional culture and the variety of architectural culture is of great significance for the development of national culture. Design is supposed to be the perfect combination of technology and art, which cannot be separated from the cultural factors. Design is influenced and constrained by culture and in turn reflects the characters of culture of the time. Design of any age is closely related with the local culture. The traditional culture of nationality, regionalism and sociality not only affects the contemporary arts movement but also directly influences the contemporary designing movement.
11
Sui, Jiangdong, Hua Li, Yongfei Fang, Yang Liu, Minhui Li, Bing Zhong, Fei Yang, Qiang Zou, and Yuzhang Wu. "NLRP1 gene polymorphism influences gene transcription and is a risk factor for rheumatoid arthritis in Han Chinese." Arthritis & Rheumatism 64, no. 3 (February 28, 2012): 647–54. http://dx.doi.org/10.1002/art.33370.
Full text
12
Han, Yu, Xiaoyan Ji, and Jinghe Han. "Transformation of Chinese as a Foreign Language Teachers’ Relationship with Their Students in the Australian Context." International Journal of Contemporary Education 2, no. 2 (July 21, 2019): 27. http://dx.doi.org/10.11114/ijce.v2i2.4393.
Full textAbstract:
This study explores the transformation of teacher–student relationship between expatriate Chinese as a Foreign Language (CFL) teachers and their students situating in the Australian educational context. The disparity of tradition between the two educational cultures influences substantially on communication between teachers and students within classroom. To better understand how CFL teachers’ background educational culture may impact their interaction with Australian students, focus group discussion data were applied as the data collection method. Findings reveal that at the beginning of their teaching practice CFL teachers’ understanding of teacher–student relationship influenced by their background educational culture had major impact on their strategies in teacher–student interaction in class. However, with the progress of teaching and meantime influenced by the Australian local educational culture, their behaviors for dealing with teacher–student relationship in class changed. Basically, their ways of handling teacher–student relationship transformed from a more Eastern guanxi tendency to a more Western rapport tendency. This transformation did not occur automatically and easily; it was achieved by the CFL teachers’ struggles and tribulations in the process of interacting with their Australian students. In an era of CFL teacher shortage, it is hoped that this study would shed some light on CFL teacher education.
13
Zeng, Yueying. "Analysing Teacher Knowledge for Technology Use among Secondary Teachers Teaching Chinese as a Foreign Language (CFL) in Australia." Journal of Curriculum and Teaching 11, no. 2 (January 19, 2022): 15. http://dx.doi.org/10.5430/jct.v11n2p15.
Full textAbstract:
Technology has normalised education and promoted teaching and learning activities. However, not all teachers effectively integrate technology into their instruction. Prior studies indicate that teacher knowledge impacts such integration. This study examines technology use among teachers teaching Chinese as a foreign language in Australian secondary schools. Specially, it investigates (a) what teacher knowledge affects technology, (b) how CFL perceive their knowledge, and (c) how to effectively develop teacher knowledge. The findings suggest that technological knowledge (TK) strongly influences CFL instructors’ technology use, and these instructors were more confident in their non-technological knowledge than their technology-related knowledge. The finding regarding relationships between knowledge constructs should shed light on knowledge development for teacher education. Hence, this study contributes to teacher training in Australian secondary schools.
14
Li-Wey Soh, Nerissa, Stephen Touyz, Timothy A. Dobbins, Lois J. Surgenor, Simon Clarke, Michael R. Kohn, Ee Lian Lee, et al. "Restraint and Eating Concern in North European and East Asian Women with and without Eating Disorders in Australia and Singapore." Australian & New Zealand Journal of Psychiatry 41, no. 6 (June 2007): 536–45. http://dx.doi.org/10.1080/00048670701332318.
Full textAbstract:
Objective: To investigate eating disorder psychopathology, restraint and eating concern in young women with and without an eating disorder from two different ethnic groups in Australia and Singapore. Method: The relationship of Eating Disorder Examination Questionnaire Global, Restraint and Eating Concern scores to cultural orientation and sociocultural factors was analysed in 154 women with and without an eating disorder. Participants were from the following backgrounds: North European Australian, East Asian Australian, Singaporean Chinese and North European expatriates in Singapore. Results: Women with eating disorders had similar psychopathology across the cultural groups. Among controls, Singaporean Chinese reported significantly greater overall eating disorder psychopathology than other cultural groups and greater restraint than North European Australians/expatriates. Eating concern was not associated with cultural group overall or acculturation to Western culture. Dissatisfaction with family functioning, socioeconomic status and education level were not significantly associated with any of the eating disorder measures. Conclusion: In eating disorder psychopathology, the specific symptom of eating concern may transcend cultural influences.
15
Chen, Li, and John Ryan. "Abalone in Diasporic Chinese Culture: The Transformation of Biocultural Traditions through Engagement with the Western Australian Environment." Heritage 1, no. 1 (July 19, 2018): 122–41. http://dx.doi.org/10.3390/heritage1010009.
Full textAbstract:
In October 2017, the Department of Primary Industries and Regional Development of Western Australia (WA) promulgated a new regulation on recreational abalone harvesting. A notable change was that, from 2017 on, the annual fishing season in the West Coast Zone was reduced to four days, from every December on Saturdays only. During the last decade, WA’s abalone fishing regulations have been overhauled frequently because of depleting local stocks. Worldwide, the marine heatwave resulting from climate change and illegal overfishing are considered the two principal reasons for abalone’s decline. Today, the highly lucrative abalone market has attracted more participants in recreational fishing in Perth, WA. Based on Asian natural heritage traditions and employing a multispecies sensory ethnographic methodology, this article provides an in-depth case study of the interaction between the local Chinese diaspora and the environment as represented in abalone harvesting practices. Between 2014 and 2016, the authors conducted one-on-one and focus group interviews with Chinese immigrants to Perth, WA, and also participated in abalone harvesting. The analysis reveals a suite of environmental influences on local Chinese diasporic life through heterogeneous forms of interaction between abalone and Perth-area Chinese immigrants.
16
Gantert, Nora, and Malte Lin-Kröger. "Pushing the Boundaries." Screen Bodies 7, no. 1 (June 1, 2022): 146–58. http://dx.doi.org/10.3167/screen.2022.070109.
Full textAbstract:
Lu Yang’s first institutional solo exhibition in Germany took place at Kunstpalais in Erlangen in 2022. Lu Yang is undoubtedly a global artist, yet at the same time, his art is testimony of his embeddedness into an Asian/Chinese background. In his works, he draws heavily from a mixture of religious tradition, pop and subcultural influences from Asian countries, and global postinternet art trends. The presentation and mediation of his works in a German art institution needs to consider preconceived ideas that the local audience might have about art with Asian aesthetics. To avoid the pitfalls of Othering and the reproduction of stereotypes, a deeper understanding of underlying topics, such as religious tropes, is necessary. Therefore, a collaborative, interdisciplinary curatorial approach is the curator’s means of choice.
17
McKay, Jim, and Toby Miller. "From Old Boys to Men and Women of the Corporation: The Americanization and Commodification of Australian Sport." Sociology of Sport Journal 8, no. 1 (March 1991): 86–94. http://dx.doi.org/10.1123/ssj.8.1.86.
Full textAbstract:
Although there are obvious American influences on Australian popular culture, the term “Americanization” is of limited help in explaining the elaborate form and content of Australian sport. The recent transformation from amateur to corporate sport in Australia has been determined by a complex array of internal and international social forces, including Australia’s polyethnic population, its semiperipheral status in the capitalist world system, its federal polity, and its membership in the Commonwealth of Nations. Americanization is only one manifestation of the integration of amateur and professional sport into the media industries, advertising agencies, and multinational corporations of the world market. Investment in sport by American, British, New Zealand, Japanese, and Australian multinational companies is part of their strategy of promoting “good corporate citizenship,” which also is evident in art, cinema, dance, music, education, and the recent bicentennial festivities. It is suggested that the political economy of Australian sport can best be analyzed by concepts such as “post-Fordism,” the globalization of consumerism, and the cultural logic of late capitalism, all of which transcend the confines of the United States.
18
Law, Kian Aun, and Teddy Kok Fei Lian. "The Roles and Wisdom of Chinese Traditional Philosophy in Explaining Corporate leadership." New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 2 (March 27, 2021): 37–46. http://dx.doi.org/10.18844/prosoc.v3i2.1597.
Full textAbstract:
Theory development in leadership has been researched in different ways, depending on the researcher’s methodological choices and understanding of leadership. Using an inductive analysis based on this study, the influences of Chinese traditional philosophy on leadership have emerged. Specifically, the themes of the influences are pointed to the following Chinese traditional philosophies: (1) Spiritual- Buddhism; (2) Humanity-Confucianism; (3) Naturalistic-Taoist philosophy; and (4) Strategic- Sun Zi Art of War. The knowledge and evaluated understanding of the Chinese traditional philosophy are embedded in the life experiences of the respondents. Considering the dynamics of corporate leadership practices and the demands of the ever-changing macro, meso and micro environments, situational context as well as the followership, it is important to acknowledge that wisdom or wisdom to act, rather than mere leadership behaviour that would ensure generation of leadership dynamism. Such an acknowledgement could further drive and reinforce and offer a richer view to sustain the wisdom to act derived from Oriental values and philosophy that influence corporate leadership practices for organizational success and performance.Â
19
PARKER, GORDON, BIBIANA CHAN, LUCY TULLY, and MAURICE EISENBRUCH. "Depression in the Chinese: the impact of acculturation." Psychological Medicine 35, no. 10 (July 22, 2005): 1475–83. http://dx.doi.org/10.1017/s0033291705005623.
Full textAbstract:
Background. Studies of depression in the Chinese have long identified low rates and a greater likelihood of somatization, findings which could reflect cultural influences or real differences. We report a study from a western region examining the impact of acculturation on depression to clarify the role of cultural factors.Method. In a Sydney-based study, Chinese subjects (n=385) and a matched control group of 143 non-Chinese subjects completed either a Chinese or English questionnaire assessing state and lifetime depression, attributional style, depression recognition and help-seeking. The impact of acculturation was examined by several strategies.Results. Any tendency by the Chinese to somatize depression appeared to be attenuated by acculturation. State depression levels countered the view that Chinese necessarily deny depression. Lifetime depression rate differences were also attenuated by acculturation, with Chinese subjects being less likely than controls to judge episodes as a distinct disorder and to seek professional help.Conclusions. Results suggest that Australian Chinese do not differ intrinsically in recognizing and ascribing depressive symptoms, and that the greater the degree of acculturation, the greater the tendency for reporting persistent and impairing depressive episodes.
20
Hilton-Smith, Simon, M. Elizabeth Weiser, Sarah Russ, Kristin Hussey, Penny Grist, Natalie Carfora, Nalani Wilson-Hokowhitu, Fei Chen, Yi Zheng, and Xiaorui Guan. "Exhibition Reviews." Museum Worlds 10, no. 1 (July 1, 2022): 257–89. http://dx.doi.org/10.3167/armw.2022.100121.
Full textAbstract:
[Re:]Entanglements: Colonial Collections in Decolonial Times, Museum of Archaeology and Anthropology, University of Cambridge (22 June 2021 to 20 April 2022)Greenwood Rising Center, Tulsa, OklahomaFirst Americans: Tribute to Indigenous Strength and Creativity, Volkenkunde, Leiden, the Netherlands (May 2020 to August 2023)Kirchner and Nolde: Up for Discussion, Statens Museum for Kunst, Copenhagen (April–August 2021)Australians & Hollywood, National Film and Sound Archive, CanberraFree/State: The 2022 Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide (4 March–5 June 2022)Te Aho Tapu Hou: The New Sacred Thread, Waikato Museum Te Whare Taonga o Waikato (7 August 2021 to 9 January 2022)West Encounters East: A Cultural Conversation between Chinese and European Ceramics, Shanghai Museum (28 October 2021 to 16 January 2022)The Shanghai Jewish Refugees Museum’s Permanent Exhibition, ShanghaiThe Way of Nourishment: Health-preserving Culture in Traditional Chinese Medicine, The Chengdu Museum, Chengdu, Sichuan Province, China (29 June–31 October 2021)
21
Alamsyah and Laksono Arido. "The Craft of Relief Carving Art and Its Impact on The 21st Century Jepara Craftsmen's Economic Life." E3S Web of Conferences 73 (2018): 10023. http://dx.doi.org/10.1051/e3sconf/20187310023.
Full textAbstract:
The article on “The Craft of Relief Carving Relief Art and Its Impact on the 21st Century Jepara Craftsmen's Economic Life” describes the craft of relief carving which has an impact on the economic life of the Jepara craftsmen. The existence of Jepara relief art had been proven historiographical. Relief art has existed since the time of Queen Kalinyamat in the 16th century. The artifacts of relief carving art in Queen Kalinyamat's period are found in Mantingan Mosque in Jepara. The relief of carving craft gets its influences from various fields, including the influence of religion, local culture, Chinese culture, and others. In the 1990s to the beginning of the 21st century, relief craft increasingly innovated by enriching motifs and decorative reliefs in the form of flora, fauna and other motifs. Through various motives in the relief craft, the craftsmen get economic impact in the form of job sustainability.
22
Chen, Andrea. "Silk Road Influences on the Art of Seals: A Study of the Song Yuan Huaya." Humanities 7, no. 3 (August 15, 2018): 83. http://dx.doi.org/10.3390/h7030083.
Full textAbstract:
Song Yuan Huaya (the Huaya of the Song and Yuan Dynasties) is a type of seal featuring figurative patterns and sometimes decorated with ciphered or ethnic characters. Their origins are the Song and Yuan Dynasties, although their influence extends to the Ming (1368–1644 CE) and Qing (1644–1912 CE) Dynasties. Although it is based on the Chinese Han seal tradition, Song Yuan Huaya exhibits various elements from the influence of the Silk Road. This is thought to be the first time in Han seal history that the Steppe culture can be seen so abundantly on private seals. This paper takes an interdisciplinary approach to analyse, probably for the first time in the field, some cases of Song Yuan Huaya, in which a dialogue between the Han seal tradition and Silk Road culture occurs. The findings will hopefully advance the understanding of the complicated nature of the art history, society, peoples, and ethnic relationships in question, and will serve as the starting point for further studies of intercultural communication during specific historical periods.
23
Martin, Lee, Bo Shao, and David C. Thomas. "The Role of Early Immersive Culture Mixing in Cultural Identifications of Multiculturals." Journal of Cross-Cultural Psychology 50, no. 4 (February 22, 2019): 508–23. http://dx.doi.org/10.1177/0022022119830522.
Full textAbstract:
Becoming multicultural through early immersive culture mixing (EICM)—i.e., growing up with a mix of cultures that coexist and interact to form an emergent hybrid culture within one’s home—is a rapidly rising phenomenon in many parts of the world. This phenomenon calls for new research that recognizes the possibility of identification with a hybrid culture as well as the distinct cultures from which the hybrid culture derives. This article extends previous research into psychological variation among multiculturals based on the process of EICM, by investigating how EICM influences hybrid cultural identification and distinct cultural identification. In addition, we examine how EICM relates to the components of identity integration—blendedness and harmony. Across two studies of Chinese-Australian multiculturals, we found that whereas EICM was positively associated with multicultural participants’ identification with a hybrid culture and Australian culture, it was not related to their identification with Chinese culture. Findings also indicated that EICM positively predicted identity blendedness, but EICM did not show a clear link with identity harmony. We discuss the implications of our research for advancing EICM theory and helping to forge new research directions in cultural identification.
24
Kim, Hyon-Sob. "The appearance of Korean architecture in the modern West." Architectural Research Quarterly 14, no. 4 (December 2010): 349–61. http://dx.doi.org/10.1017/s1359135511000145.
Full textAbstract:
Although the general influence of the architecture of East Asian countries on the formation and development of modern architecture has been widely recognised, detailed evidence about the extent and nature of this influence has been accruing through a growing body of research. This began with Chinoiserie, a Chinese-style fashion around the eighteenth century in Europe, which was imprinted in the Rococo interior as well as in the jardin anglo-chinois with its Chinese pavilions. Then in the late nineteenth century there was a European zeal for Japanese art, Japonisme, which appeared in the Arts and Crafts Movement and Art Nouveau. Consequently, East Asian influences came to be reflected in the concepts and designs of numerous modern architects. The representative figure is the American master Frank Lloyd Wright, who adopted the spatial concept of Laozi (or Lao-Tzu) and the organic characteristics of Japanese architecture. China and Japan had also appeared in various publications and architecture played a typical role in the interchange. Also, some notable Westerners had visited China and Japan.
25
Wang, Ou, Simon Somogyi, and Richard Ablett. "The influences of quality attributes and socio-demographics on Chinese consumers' general and online consumptions of Canadian, US and Australian lobsters." British Food Journal 123, no. 7 (March 18, 2021): 2289–306. http://dx.doi.org/10.1108/bfj-12-2020-1101.
Full textAbstract:
PurposeThis study explores the influence of quality attributes and socio-demographics on Chinese consumers' general and online consumption of three origin-specific lobsters: Canadian, United States and Australian.Design/methodology/approachA web-based survey was administrated to 981 consumers from two cities in China: Shanghai and Qingdao. Descriptive analysis and binary logistic regression were used in the data analysis.FindingsChinese consumers were more willing to pay for the lobster quality attributes vitality, meat content, texture, size and safety. Their general and online consumption of three origin-specific lobsters is significantly linked to the following quality attributes and socio-demographics: meat content, size, shell hardness, texture, safety, nutrition, age, income, education, occupation, residential place and marital status.Originality/valueThis is the first study to explore the influence of quality attributes and socio-demographics on consumers' online consumption of luxury seafood.
26
Yang, Hongzhi, Linda Tsung, and Lu Cao. "The Use of Communication Strategies by Second Language Learners of Chinese in a Virtual Reality Learning Environment." SAGE Open 12, no. 4 (October 2022): 215824402211418. http://dx.doi.org/10.1177/21582440221141877.
Full textAbstract:
Virtual reality (VR) for Language learning has been shown effective in improving students’ communication skills. However very few studies reveal the communication strategies students used in communicating in a VR environment, especially in learning Chinese as a foreign or second language (CFL/CSL). In this pilot study, a prototype Virtual Experiential Language Learning Environment (VELLE) was used to provide immersive learning experiences in developing CFL students’ communication strategies. Productive Failure was employed as an instructional approach to support the learning design. The participants were six CFL students learning in an Australian university. The main data sources included audio recordings of the students’ communication in VR and interview data. The findings showed that participants’ use of various types of communication strategies was influenced by the VELLE and Productive Failure design. In particular, the use of L1 in the problem-solving phase enriched the participants’ learning opportunities and all participants used a lesser number of resource deficit-related strategies after the instruction. Second, Students reported enhanced engagement in language use in the VR context.
27
Kim, Se Hwa. "Comparison of the Perception of Formative Elements on Digital Media Art by Cross‐Cultural Differences-focused on Korean, Chinese, and Australian-." Journal of Basic Design & Art 23, no. 5 (October 31, 2022): 105–17. http://dx.doi.org/10.47294/ksbda.23.5.8.
Full text
28
Mew, Geoff, and Adrian Humphris. "The 102-foot Australian Invasion of Central Wellington in the 1920s." Architectural History Aotearoa 8 (January 1, 2011): 30–35. http://dx.doi.org/10.26686/aha.v8i.7098.
Full textAbstract:
A significant change to the building bylaws by the Wellington City Council in the early 1920s allowed for the design and erection of much taller buildings in the central city than had previously been permitted. Coupled with the use of steel frames and concrete floors, buildings started to reach eight or nine storeys; not tall by American standards, but regarded as skyscrapers in a city where three- and four-storey buildings were still the norm. The fact that several of the most prominent of these new buildings were designed mainly by Australian architects, both in the 1920s and the early 1930s, does not seem to be widely known, or has been partially concealed by quoting the local supervising architects as the prime movers in the planning. Some of the buildings were erected to house branches or Wellington head offices of Australian firms but others were solely for New Zealand clients. The firm of A & K Henderson of Melbourne led the way with their 1926 design of the T & G Building (now Harcourts) on Lambton Quay, in association with Atkins and Mitchell. Australian born and trained Llewellyn Williams had already designed the tall, but narrow, Druids Chambers further to the north and went on to oversee more tall structures in the next few years. Hennessy & Hennessy, also Australian, pioneered Wellington Art Deco designs in the early 1930s. Both the building techniques and the architectural styles employed showed strong American influences, particularly the tripartite form developed in Chicago. At first the massing of Inter-War Stripped Classical was employed, later followed by the more flowing lines of Art Deco. Local architects were not slow to accept the new challenges required in the construction of taller, more massive buildings. The firm of Atkins and Mitchell was responsible for the DIC Building (now Harbour City Centre) in 1928 whereas JM Dawson had planned the Hope Gibbons Building, a rather more traditional structure, in Dixon Street in 1925. He was also responsible for Wakefield Chambers on the corner of Wakefield Street and Taranaki Street in 1928. The huge new commercial buildings of the 1920s took advantage of the increasing availability and affordability of electric power for lighting, heating, lifts and the pumping of water. Telephones could be fitted in every office; central heating started to be installed, and there was better fire-fighting equipment. Steel-framed buildings were less susceptible to earthquake shocks. Many of the buildings we describe here are still standing, although often modified for other uses. They have become iconic structures reflecting the marked advances of the 1920s era.
29
Zheng, Sisi. "Process drama in Chinese education: Possibilities and challenges in governmental policy papers and the curriculum of moral education." Applied Theatre Research 9, no. 2 (November 1, 2021): 155–72. http://dx.doi.org/10.1386/atr_00055_1.
Full textAbstract:
The article explores the potential of applying process drama in moral education in Chinese schools. By conducting a thematic review of the current national curriculum and policy documents from both historical and contemporary perspectives, the interconnection between the role of art and moral cultivation in China is discussed. Through an analysis of the national curriculum, the article suggests that applying process drama in school education can contribute to learning in the curriculum areas of both aesthetic and moral education. However, the existing commingling of concepts and definitions influences the actual drama practices in China. Consequently, a discussion of terminology is brought in, as well as an argument for the need to include drama as a discrete subject in schools, in addition to its function as a method for educational purposes. A process drama sample from the author’s drama praxis is included. The overall aim of the article is to contribute to an extended understanding of educational drama and theatre in a Chinese context and to gain new insights into possibilities and challenges for the future implementation of drama in education in China.
30
Bren, Frank. "Ripple Effect: the Theatrical Life of Max Linder." New Theatre Quarterly 25, no. 3 (August 2009): 241–54. http://dx.doi.org/10.1017/s0266464x09000426.
Full textAbstract:
By 1909 the French actor, playwright, and director Max Linder was probably the most popular male film star of his time, and his success as an innovative writer-actor of variety and revue continued until the outbreak of the First World War. But this followed five years of frustration in stage-ornament roles on the professional, ‘legitimate’ stage, and only after success in the cinema did his playlets, integrating filmed and live action, further enhance his fame in variety venues across Europe. After the war, and Linder's stints in Hollywood, his long descent into bouts of manic depression tragically began. But his theatrical spirit survives in the cine-stage works of the Prague theatre, Laterna Magika, and Frank Bren also discusses here his possible influence on the work of Erwin Piscator, and more surely on the spectacular Paris music-hall production, Jour de fête à l'Olympia, created by and starring Jacques Tati in 1961. This was plainly modelled on Linder's cinema-theatre creations of 1910–1914, with Tati and Pierre Etaix the outstanding successors to Max in French film comedy. Australian actor-author Frank Bren is currently writing a biography of Pierre Etaix, whose classic film comedies of the sixties are now being restored for international re-release – two of them paying discreet homage to Max Linder. Bren has written or co-written histories of Polish and Chinese cinema and theatre as well as articles for diverse international periodicals.
31
Attiwill, Peter, Marilyn Ball, and Byron Lamont. "Preface introducing the 'Turner Reviews'." Australian Journal of Botany 47, no. 4 (1999): I. http://dx.doi.org/10.1071/btv47n4_pr.
Full textAbstract:
This issue of Australian Journal of Botany sees the first in a new series of scholarly reviews to be called the .Turner Reviews. in honour of John Stewart Turner, Ph.D. (Cantab.), FAA (1908.1991). John Turner was Professor of Botany and Plant Physiology at The University of Melbourne from 1938 to 1973. He was a foundation member of the Advisory Committee of the Australian Journal of Botany. The present Advisory Committee initiated the Turner Reviews in recognition of Turner.s wide-reaching influences on several generations of botanists and conservationists in Australia (see Rowan and Ashton, this volume). The Turner Reviews aim to provide critical, state-of-the-art evaluations that advance our knowledge in current, key areas of botanical research. The Turner Reviews will be commissioned by invitation, and will be numbered in sequence. A number of free reprints in a distinctive cover will be provided free of charge to authors. A Reviews Subcommittee has been formed to select authors and to oversee the refereeing process. The members are Dr Peter Attiwill, Dr Marilyn Ball and Professor Byron Lamont. We would greatly appreciate advice and suggestions on prospective reviewers for this important new series. Peter Attiwill School of Botany The University of Melbourne Parkville, Vic. 3052 Phone 03 9344 5068 Fax 03 9344 6857 Email p.attiwill@botany.unimelb.edu.au Marilyn Ball Australian National University Research School of Biological Sciences GPO Box 475 Canberra ACT 0200 Phone 02 6249 5057 Fax 02 6249 5095 Email mball@rsbs-central.anu.edu.au Byron Lamont School of Environmental Biology Curtin University of Technology GPO Box U 1987 Perth WA 6001 Phone 08 9266 7784 Fax 08 9266 2495 Email rlamontb@cc.curtin.edu.au
32
Chiu, Chen-Yu, Philip Goad, Peter Myers, and Nur Yıldız Kılınçer. "Jørn Utzon's synthesis of Chinese and Japanese architecture in the design for Bagsværd Church." Architectural Research Quarterly 22, no. 4 (December 2018): 339–60. http://dx.doi.org/10.1017/s1359135518000696.
Full textAbstract:
In his essay of 1983, ‘Towards a Critical Regionalism’, Kenneth Frampton referred to the Bagsværd Church as a primary exemplar, briefly citing the architect's representation of ‘the Chinese pagoda roof’ in this project, to emphasise the importance of crosscultural inspiration in the creation of ‘critical regionalism’. Peter Myers followed Frampton in his 1993 ‘Une histoire inachevée’, arguing for the significant role that Chinese architecture played as a source for Utzon's Bagsværd Church design and further variations on the theme of Chinese and Japanese exemplars on Utzon's work follows. Françoise Fromonot established the importance of the 1925 edition of the Yingzao-fashi (State Building Standard, first published in 1103 ad) and Johannes Prip-Møller's 1937 Chinese Buddhist Monasteries for Utzon; Philip Drew pointed out the significance of the work of Chinese writer Lin Yutang (1895–1976) and historian Osvald Sirén (1879–1966) as important channels through which Utzon perceived East Asian art and architecture; while in 2002, Richard Weston suggested Das Japanische Wohnhaus (1935), written by Japanese architect Tetsuro Yoshida (1894–1956), as a formational influence in Utzon's early perception of Japanese building culture. However, none of these works attempt to clarify the precise role that Chinese and Japanese precedents play in Utzon's architectural career. Two more recent studies, by Philip Goad and Michael Asgaard Andersen, have confirmed the role of Chinese architecture in Utzon's church design and have introduced new evidence and details, but there are still unanswered questions about the exact nature of these influences. This article attempts to address the detailed process of Utzon's cross-cultural practices for his design of the Bagsværd Church in order to reveal how Utzon interpreted specific ideas, ideals, and artefacts from East Asian building culture.
33
Guillen-Nuñez, César. "The Portrait of Matteo Ricci." Journal of Jesuit Studies 1, no. 3 (April 1, 2014): 443–64. http://dx.doi.org/10.1163/22141332-00103005.
Full textAbstract:
This article discusses a rather unusual portrait that depicts the Italian missionary Matteo Ricci (1552–1610), to be found today in the Gesù church in Rome. When it was first exhibited it aroused such excitement among Jesuits that it was displayed next to the portraits of St. Ignatius of Loyola and St. Francis Xavier. At an uncertain date, a small inscription was attached to the frame with Ricci’s name, his years of birth and death, and a statement that the painting had been exhibited in the vestibule of the Gesù residence in 1617, but that its artist was unknown. Although the painter’s name was disclosed as that of the Chinese-Macanese Jesuit brother You Wenhui (alias Manuel Pereira) in an account by Sabatino de Ursis soon after Ricci’s death, both the painter and his work have remained practically ignored by most researchers. This article studies the portrait and its creator from an art-historical perspective in much greater detail than previously. Stylistic and iconographic influences of Chinese Ming portraiture observable in the style of the work are identified, as are features from late sixteenth-century Counter-Reformation portraits. Certain aspects of Ricci’s contributions to Chinese science are also discussed, along with a number of contemporary theological arguments that tell us much about the nature of the portrait, its subject, its creator, and its deep spiritual significance.
34
Chin, Tachia, and Ren-huai Liu. "Understanding labor conflicts in Chinese manufacturing: a Yin-Yang harmony perspective." International Journal of Conflict Management 26, no. 3 (July 13, 2015): 288–315. http://dx.doi.org/10.1108/ijcma-09-2014-0074.
Full textAbstract:
Purpose – The purpose of this paper is to employ a Yin-Yang harmony perspective to propose a novel circled 5C model to understand the unique harmonizing process of how conflicts are resolved in China. Despite increasing research on labor conflicts in Chinese manufacturing, Western theories still can not explain how Chinese culture influences conflict management. Design/methodology/approach – The authors investigate a large manufacturer where a severe labor strike happened in South China. A mixed-methods research design is adopted. The scale of Chinese harmony and analysis of variance are used to identify the underlying unharmonious factors triggering the labor strike. The grounding theory approach (a case study) was adopted to further examine the proposed 5C model. Findings – “Harmony with corporate system”, “Harmony between departments” and “Harmony with firm leader” were found to arouse employee grievances the most. Differences in age, gender, marital status, educational level, tenure and position were discovered to affect workers’ perceptions of workplace harmony. The proposed 5C model was supported. Practical implications – As a lesson in handling escalating labor conflicts, this study allows foreign investors to better understand how to cope with relevant labor strife issues in China. In addition, this project integrates research with consultancy service, which can be seen as an exciting step forward in bridging academics and practitioners. Originality/value – Based on Yin-Yang harmony thinking, this study suggests an integrative, context-specific concern – concern for harmony for China to transcend the Western dual-concern model regarding the choice of coping with conflicts. The paper constructs a novel circled 5C model of the Chinese harmonizing process (conflict, clash, communication, comprise and consensus), which characterizes the dynamic, contingent and art-oriented nature of Chinese conflict management.
35
Dubrovskaya, D. V. "BRITISH DEISTS AND “SHARAVADGISM”: FROM INTELLECTUAL LANDSCAPE TO THE LANDSCAPE PARK." Journal of the Institute of Oriental Studies RAS, no. 3 (13) (2020): 164–70. http://dx.doi.org/10.31696/2618-7302-2020-3-164-170.
Full textAbstract:
The article dwells further on the topic of Chinese philosophy and Confucian thought’s reception in the West in the era of the Enlightenment, repeatedly studied by the author, and problematizes the points of contact between the British followers of deism and Confucian thought. The article considers the ideas and some works of English deists, drawing inspiration from the ideas of the French Enlightenment, which actively appropriated the Chinese political experience in its presentation by Jesuit missionaries and travelers to China. The author makes an attempt to connect the natural-philosophical ideas of deists, who saw Confucian literati as their philosophical brothers in relation to religion and questions of creation, with the subsequent development of interest in Far Eastern influences on English culture and art, considering the case of the watercolor artist Alexander Cozens and the decisive turn of English park construction from the regular classicist norm of French parks to romantic English landscaped palace and park ensembles. The author comes to the conclusion that English parks and watercolors in some way turned into a visual expression of the ideas of deists, who called for observing and learning from nature and real life, while the landscape gardening ensembles themselves proved to be a reflection of the intellectual landscape.
36
Lukin, A., and I. Denisov. "Russia and the Conception of “Pivot to Asia”." Journal of International Analytics, no. 1 (March 28, 2015): 194–203. http://dx.doi.org/10.46272/2587-8476-2015-0-1-194-203.
Full textAbstract:
The article deals with the pivot to Asia started in the USA in 2011, now becoming a part of US military strategy. Asian-Pacific region will be playing increasingly important role in securing of political, economic and defence interests of the USA seeking to consolidate world order based on “American leadership from the position of strength” – which is the main principle of New National Security Strategy. Pivot to Asia is understood as modernization and reinforcement of traditional “security alliances”. The old policy of “deterrence” of China as main geopolitical competitor is still being pursued.Military presence of the USA on Japanese islands is used for rearmament of Japanese self-defence forces. New bilateral treaty is being prepared, thus creating the possibility of joint actions of armed forces of Japan and US on the territories in- and outside Pacific region. Threat for North Korea is used as a good pretext for build-up of US military forces and deployment of THAAD complexes on the territory of South Korea. China and Russia express same attitude in this respect regarding THAAD as an instrument for increase tension in the region. Defence co-operation between Australia and US has incentives for development as well as limitations: Australia is not sure US are able to fulfill its obligations in case of crisis and at the same time economic co-operation with Beijing is of crucial interest for Australia. The involvement of Philippines in the territorial dispute with China made possible for US to strengthen cooperation in the sphere of defence. After power shift in Thailand military cooperation with US stopped. Seeking new partners in the region, US is lifting embargo to supply of weapons to Vietnam and gradually unfreezing relations with Myanmar. US moves in SEA can be regarded as reaction to Chinese promotion of “Maritime silk route of the 21st century” concept. Relations with India are viewed in the USA as means of deterrence of China ambitions and competition with Russia in military co-operation.The article contains practical recommendations how Russia should act when purpose of increasing its influence in the region is on the agenda.
37
Li, Sixuan, Youyi Ni, and Qiuju Guo. "Sources and Variability of Plutonium in Chinese Soils: A Statistical Perspective with Moving Average." Atmosphere 13, no. 5 (May 10, 2022): 769. http://dx.doi.org/10.3390/atmos13050769.
Full textAbstract:
We investigated the different sources and their corresponding impact areas of Pu in Chinese surface soils to illustrate the state-of-the-art of the sources, levels and distributions of 240Pu/239Pu atom ratios as well as 239+240Pu activity concentrations in China. For the first time a moving average strategy in combination with statistical analysis was employed to partition geographic areas in China based on the reported 240Pu/239Pu atom ratio and 239+240Pu concentration data from public literature. During the partitioning, the median (MED) of the dataset was basically employed as a criteria in place of the commonly used arithmetic average (AM). Concisely, three areas were partitioned according to the different influences of Pu from the Lop Nor (LNTS) and Semipalatinsk (STS) test sites and the global fallout. The partitioned Ternary area (80° E–105° E, 35° N–50° N) was supposed to have multiple sources of Pu including the STS and LNTS besides the global fallout, which was characterized with slightly lower 240Pu/239Pu atom ratios (MED = 0.174) as well as elevated 239+240Pu concentrations (MED = 0.416 mBq/g). Meanwhile, the Binary area (35° N–45° N, 100° E–115° E) was considered to have received the extra contribution from the high-yield nuclear tests at the LNTS besides the global fallout, resulting in the highest 240Pu/239Pu atom ratios (MED = 0.200) across China. The remaining area was marked as the Unitary area, where it only received the exclusive contribution of global fallout. Furthermore, through the statistical analysis of the 240Pu/239Pu data in the Unitary area, we recommended a value of 0.186 ± 0.021 (AM ± SD) as a representative or area-specific 240Pu/239Pu atom ratio baseline to characterize the global fallout derived Pu in Chinese soils.
38
Taroutina, Maria. "Between East and West." Experiment 23, no. 1 (October 11, 2017): 66–79. http://dx.doi.org/10.1163/2211730x-12341301.
Full textAbstract:
Abstract Taking cue from Dmitry Sarabyanov’s seminal publications on the Stil Modern and turn-of-the-century Russian visual culture, the present article resituates Mikhail Vrubel’s œuvre “between East and West” by demonstrating that the artist moved beyond the narrowly circumscribed nationalist agenda typically attributed to the work he produced at the Abramtsevo and Talashkino artistic colonies. In addition to indigenous sources, Vrubel also assimilated a number of external artistic influences such as Jugendstil, medieval Gothic and Renaissance ceramics, Japanese and Chinese porcelain, and Egyptian and Assyrian art. Through a close analysis of Vrubel’s orientalist paintings, as well as his cycle of folkloric works such as Mikula Selyaninovich and the Volga (1896), I demonstrate that his aesthetic program crossed multiple boundaries: geographical, temporal, material, and institutional. Through a complex renegotiation of the global and the local, the past and the present, and the traditional and contemporary, Vrubel arrived at a strikingly modernist visual syntax, which paved the way for an entire generation of avant-garde artists such as Mikhail Larionov, Natalia Goncharova, Kazimir Malevich, Aleksandr Rodchenko, Liubov Popova, Vladimir Tatlin, and Naum Gabo, among others. Using Vrubel as a case study, this article thus proposes to rethink the opposing binary categories of avant-gardism and revivalism, historicism and innovation, Orientalism and Occidentalism, regionalism and cosmopolitanism, as they have been applied to the trajectory of modern Russian art—a set of ostensibly fixed dichotomies that Dmitry Sarabyanov had repeatedly and successfully challenged in his own work.
39
Muslim, Ahmad Bukhori, and Jillian R. Brown. "NAVIGATING BETWEEN ETHNIC AND RELIGIOUS IDENTITY: HERITAGE LANGUAGE MAINTENANCE AMONG YOUNG AUSTRALIANS OF INDONESIAN ORIGIN." Indonesian Journal of Applied Linguistics 6, no. 1 (July 29, 2016): 145. http://dx.doi.org/10.17509/ijal.v6i1.2747.
Full textAbstract:
<p>For ethnic minority groups, speaking a heritage language signifies belonging to their country of origin and enriches the dominant culture. The acculturation of major ethnic groups in Australia – Greek, Italian, Chinese, Indian and Vietnamese – has been frequently studied, but a minor one like Indonesian has not. Through semi-structured interviews at various places and observations at cultural events, the study explores the contextual use, meaning and perceived benefits of Bahasa Indonesia (Indonesian language) among Indonesian families and how this practice influences the young participants’ (18-26 years old) identification with Indonesia, the origin country of their parents, and Australia, their current culture of settlement. The findings suggest that Bahasa Indonesia serves as a marker of ethnic and religious identity glued in family socialization. Parents believe that not only does the language signify their Indonesian ethnic identity, but also provides a means for socializing family values, and is beneficial for educational purposes and future career opportunities. However, parents face a dilemma whether to focus on ethnic or religious identity in socializing the use of Bahasa Indonesia. Interestingly, most young participants demonstrate a more global worldview by embracing both Indonesian and Australian values. How religious identity relates to more global worldview should be addressed more comprehensively in future studies.</p>
40
Xu, Wenjing, and Daren Lyu. "Evaluation of Cloud Mask and Cloud Top Height from Fengyun-4A with MODIS Cloud Retrievals over the Tibetan Plateau." Remote Sensing 13, no. 8 (April 7, 2021): 1418. http://dx.doi.org/10.3390/rs13081418.
Full textAbstract:
The Tibetan Plateau (TP) has profound thermal and dynamic influences on the atmospheric circulation, energy, and water cycles of the climate system, which make the clouds over the TP the forefront of atmospheric and climate science. However, the highest altitude and most complex terrain of the TP make the retrieval of cloud properties challenging. In order to understand the performance and limitations of cloud retrievals over the TP derived from the state-of-the-art Advanced Geosynchronous Radiation Imager (AGRI) onboard the new generation of Chinese Geostationary (GEO) meteorological satellites Fengyun-4 (FY-4), a three-month comparison was conducted between FY-4A/AGRI and the Moderate Resolution Imaging Spectroradiometer (MODIS) for both cloud detection and cloud top height (CTH) pixel-level retrievals. For cloud detection, the AGRI and MODIS cloud mask retrievals showed a fractional agreement of 0.93 for cloudy conditions and 0.73 for clear scenes. AGRI tended to miss lower CTH clouds due to the lack of thermal contrast between the clouds and the surface of the TP. For cloud top height retrievals, the comparison showed that on average, AGRI underestimated the CTH relative to MODIS by 1.366 ± 2.235 km, and their differences presented a trend of increasing with height.
41
Bi, Zhicheng. "THE EVOLUTION OF THE FORMS OF SHANDONG PROVINCE'S STONE RELIEFS COMPOSITION OF THE HAN ERA." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 19–28. http://dx.doi.org/10.17223/22220836/42/2.
Full textAbstract:
The stone reliefs of the Han era (206 BC – 220 AD) are a special type of funerary art with its own specific set of plots and art forms. Shandong Province takes the first place in China in terms of number of founding relief images. The peculiarity of the compositional construction of the Han's reliefs is that it isn’t based on the spatial principle of image transmission, but on the plastic-planar pictorial principle of a two-dimensional composition, which, with its thoughtful use, can carry the maximum emotional charge [Moshkov, Kuznetsov 1994]. Based on that, author’s own typology of the compositions of Han reliefs was built. Article the object of the study are stone reliefs of the Han Dynasty, Shandong Province, represented on stone sarcophagi, in stone tombs, temples of ancestors and steles, and passed the past two stages of its heyday. The purpose and objective of the study is to identify and study the laws of evolution of the composition of the stone reliefs of the Han Dynasty, Shandong Province, based on V.M. Moshkova’s principles of composition, using systemic and iconological research methods. Images on the stone reliefs of the Han tombs are distinguished by the peculiarity of the forms of compositional constructions, the process of development and evolution of which occurs in accordance with certain laws. As a result of the study, it was revealed that the starting point for the development of relief compositions of stone sarcophagi were two forms – symmetrical and nested (including several levels following the outlines and forms of stone material), which during the heyday of the Western Han Dynasty supplemented the “V”-shaped composition. Their further development is associated with the use of dispersed, zoned, irregular composition techniques, which spread around in turn of the CE. At the same time, a variety of compositional forms is also observed in the reliefs of tombs, temples of ancestors and stelae, in the reliefs of which during the period of the Eastern Han (25–220 CE) many different forms of compositional organization appear: for example, asymmetric, segmented, shingles wrong etc. The composition of combinations of geometric shapes, consisting, as a rule, of squares and circles, is also distributed. A variety of compositional forms is associated, on the one hand, with the complication of the architecture of burial structures and an increase in their scale. On the other hand, with the enrichment of the content and plots of reliefs, which is becoming more diverse and includes not only the image of Confucian’s symbols, but also narratives that reflect episodes from the lives of those buried. This indicates not only the process of improving art forms during the Han era, but also reflects a certain evolution of religious and philosophical thought, changes that took place in this period in the social structure of ancient Chinese society, and also, possibly, some external influences on the development of Chinese art.
42
Hu, Zhenda. "Crude oil price prediction using CEEMDAN and LSTM-attention with news sentiment index." Oil & Gas Science and Technology – Revue d’IFP Energies nouvelles 76 (2021): 28. http://dx.doi.org/10.2516/ogst/2021010.
Full textAbstract:
Crude oil is one of the most powerful types of energy and the fluctuation of its price influences the global economy. Therefore, building a scientific model to accurately predict the price of crude oil is significant for investors, governments and researchers. However, the nonlinearity and nonstationarity of crude oil prices make it a challenging task for forecasting time series accurately. To handle the issue, this paper proposed a novel forecasting approach for crude oil prices that combines Complete Ensemble Empirical Mode Decomposition with Adaptive Noise (CEEMDAN), Long Short-Term Memory (LSTM) with attention mechanism and addition, following the well-known “decomposition and ensemble” framework. In addition, a news sentiment index based on Chinese crude oil news texts was constructed and added to the prediction of crude oil prices. And we made full use of attention mechanism to better integrate price series and sentiment series according to the characteristics of each component. To validate the performance of the proposed CEEMDAN-LSTM_att-ADD, we selected the Mean Absolute Percent Error (MAPE), the Root Mean Squared Error (RMSE) and the Diebold-Mariano (DM) statistic as evaluation criterias. Abundant experiments were conducted on West Texas Intermediate (WTI) spot crude oil prices. The proposed approach outperformed several state-of-the-art methods for forecasting crude oil prices, which proved the effectiveness of the CEEMDAN-LSTM_att-ADD with the news sentiment index.
43
Zhang, Jianfeng, Jiatuo Xu, Xiaojuan Hu, Qingguang Chen, Liping Tu, Jingbin Huang, and Ji Cui. "Diagnostic Method of Diabetes Based on Support Vector Machine and Tongue Images." BioMed Research International 2017 (2017): 1–9. http://dx.doi.org/10.1155/2017/7961494.
Full textAbstract:
Objective. The purpose of this research is to develop a diagnostic method of diabetes based on standardized tongue image using support vector machine (SVM).Methods.Tongue images of 296 diabetic subjects and 531 nondiabetic subjects were collected by the TDA-1 digital tongue instrument. Tongue body and tongue coating were separated by the division-merging method and chrominance-threshold method. With extracted color and texture features of the tongue image as input variables, the diagnostic model of diabetes with SVM was trained. After optimizing the combination of SVM kernel parameters and input variables, the influences of the combinations on the model were analyzed.Results. After normalizing parameters of tongue images, the accuracy rate of diabetes predication was increased from 77.83% to 78.77%. The accuracy rate and area under curve (AUC) were not reduced after reducing the dimensions of tongue features with principal component analysis (PCA), while substantially saving the training time. During the training for selecting SVM parameters by genetic algorithm (GA), the accuracy rate of cross-validation was grown from 72% or so to 83.06%. Finally, we compare with several state-of-the-art algorithms, and experimental results show that our algorithm has the best predictive accuracy.Conclusions.The diagnostic method of diabetes on the basis of tongue images in Traditional Chinese Medicine (TCM) is of great value, indicating the feasibility of digitalized tongue diagnosis.
44
Ahn, Jaeho. "A Rethink on the Origine of Songgungni Culture." Yeongnam Archaeological Society, no. 83 (January 30, 2019): 91–125. http://dx.doi.org/10.47417/yar.2019.83.91.
Full textAbstract:
Songgungni Culture, formed in the late Bronze Age of Korean peninsula, is characterized by the increased power of chieftains, uses of bronzeware, and constructions of huge burial mounds known as Guhoekmyo. The discussion on the difference of Songgungni Culture from previous cultural forms has been divided into the view to see it as foreign influences and that to see it derived from the previous local cultures. The author suggested the latter view first in 1992 but the findings accumulated since then lead us to rethink the origin of Songgungni Culture from a perspective that conjoins these two oft-conflicting views. The Zhou Dynasty and paddy field agrarian culture in the lower area of the Yangtze River influenced the formation of Songgungni Culture given the following findings. First, the Zhou Dynasty’s ceramic art called Beating Technique was discovered in Songgungni Culture with other artifacts such as weights made of stone, bottom parts of Chinese earthenware, and the jar coffins indicating the existence of ascribed status. Second, the excavations of paddy fields, Yunnan- style kilns, independent pillar structures, flask-shaped storage holes, and pestles suggest the propagation of the paddy field rice culture of the lower Yangtze along the coastline of the Shandong Peninsula. Under these foreign influences, Songguk-ri type potteries and other creative agricultural tools were produced. The differentiation of the previous joint family system into the nuclear produced lots of downsized dwelling areas which characterize Songguk-ri culture. And the innovation in the yielding capacity made possible by paddy fields also shows an aspect of Chiefdom settled into this area during the time. The surplus production of this period was not enough to advance towards the autonomous production of bronzeware. The increased size of chieftains’ tombs did not contain enough burial goods. Given the aforementioned findings, Songgungni Culture could be understood as an early stage of Chiefdom, just getting out of the state of fragmented society.
45
Muir, Tracey, Isabel Wang, Allison Trimble, Casey Mainsbridge, and Tracy Douglas. "Using Interactive Online Pedagogical Approaches to Promote Student Engagement." Education Sciences 12, no. 6 (June 17, 2022): 415. http://dx.doi.org/10.3390/educsci12060415.
Full textAbstract:
The COVID-19 outbreak in late 2019 required a complete shift to online learning across all educational institutions, including universities. The rapid transition to online learning globally meant that many educators were suddenly tasked with adapting their classroom-based pedagogy to the online space. While this was undoubtedly challenging for teachers and students, it also opened up possibilities for reimagining the delivery of content, along with creating increased access for students who had barriers for studying remotely before the impact of COVID-19. The study discussed in this paper examines the experiences of students studying at a regional Australian university that already offered online courses, and whose instructors were already using a diverse range of online delivery tools. Specifically, the study sought to investigate how instructors used interactive strategies to promote student engagement, and how the interaction between learner and content influences student engagement. With research showing that online students typically have higher attrition rates than their on-campus counterparts, engagement has been identified as an important factor in online learning. Online interaction in particular is considered to be instrumental in influencing student engagement and positively impacting student satisfaction, persistence, and academic performance. Data collected from interviews conducted with two different cohorts of students, studying two different courses (mathematics education and Chinese language) at the same university, demonstrated ways instructors utilised interactive online pedagogies to engage students with potentially challenging course content. The study has implications for online educators who are looking for ways to adapt their on-campus courses to online delivery, with a focus on engaging and maintaining online students’ interest and ongoing participation in their courses.
46
Sun, Lu, and Xingzhuang Zhao. "Coupled Dynamics of Vehicle-Bridge Interaction System Using High Efficiency Method." Advances in Civil Engineering 2021 (August 10, 2021): 1–22. http://dx.doi.org/10.1155/2021/1964200.
Full textAbstract:
Vehicle-bridge interaction is the core for a variety of applications, including vehicle vibration, bridge vibration, bridge structural health monitoring, weight-in-motion, bridge condition inspection, and load rating. These applications give rise to a great interest in pursuing a high-efficiency method that can tackle intensive computation in the context of vehicle-bridge interaction. This paper studies the accuracy and efficiency of discretizing the beam in space as lumped masses using the flexibility method and as finite elements using the stiffness method. Computational complexity analysis is carried out along with a numerical case study to compare the accuracy and efficiency of both methods against the analytical solutions. It is found that both methods result in a similar level of accuracy, but the flexibility method overperforms the stiffness method in terms of computational efficiency. This high efficiency algorithm and corresponding discretization schema are applied to study the dynamics of vehicle-bridge interaction. A system of coupled equations is solved directly for a simply supported single-span bridge and a four-degree-of-freedom vehicle modeling. Pavement roughness significantly influences dynamic load coefficient, suggesting preventative maintenance or timely maintenance of pavement surface on a bridge, to reduce pavement roughness, is of significant importance for bridge’s longevity and life-cycle cost benefit. For class A and B level pavement roughness, the dynamic load coefficient is simulated within 2.0, compatible with specifications of AASHTO standard, Australian standard, and Switzerland standard. However, the Chinese code underestimates the dynamic load coefficient for a bridge with a fundamental frequency of around 4 Hz. The proposed method is applicable to different types of bridges as well as train-bridge interaction.
47
Krätschmer, Stephan, Michèlle van der Does, Frank Lamy, Gerrit Lohmann, Christoph Völker, and Martin Werner. "Simulating glacial dust changes in the Southern Hemisphere using ECHAM6.3-HAM2.3." Climate of the Past 18, no. 1 (January 19, 2022): 67–87. http://dx.doi.org/10.5194/cp-18-67-2022.
Full textAbstract:
Abstract. Mineral dust aerosol constitutes an important component of the Earth's climate system, not only on short timescales due to direct and indirect influences on the radiation budget but also on long timescales by acting as a fertilizer for the biosphere and thus affecting the global carbon cycle. For a quantitative assessment of its impact on the global climate, state-of-the-art atmospheric and aerosol models can be utilized. In this study, we use the ECHAM6.3-HAM2.3 model to perform global simulations of the mineral dust cycle for present-day (PD), pre-industrial (PI), and last glacial maximum (LGM) climate conditions. The intercomparison with marine sediment and ice core data, as well as other modeling studies, shows that the obtained annual dust emissions of 1221, 923, and 5159 Tg for PD, PI, and LGM, respectively, generally agree well with previous findings. Our analyses focusing on the Southern Hemisphere suggest that over 90 % of the mineral dust deposited over Antarctica are of Australian or South American origin during both PI and LGM. However, contrary to previous studies, we find that Australia contributes a higher proportion during the LGM, which is mainly caused by changes in the precipitation patterns. Obtained increased particle radii during the LGM can be traced back to increased sulfate condensation on the particle surfaces as a consequence of longer particle lifetimes. The meridional transport of mineral dust from its source regions to the South Pole takes place at different altitudes depending on the grain size of the dust particles. We find a trend of generally lower transport heights during the LGM compared to PI as a consequence of reduced convection due to colder surfaces, indicating a vertically less extensive Polar cell.
48
Skvortsova, E. L. "Nishida Kitaro’s Views on Japanese Culture." Russian Journal of Philosophical Sciences, no. 8 (November 28, 2018): 46–66. http://dx.doi.org/10.30727/0235-1188-2018-8-46-66.
Full textAbstract:
Nishida Kitaro (1870–1945) is a well-known Japanese philosopher whose work is marked by attempts to combine the world outlooks of the national spiritual tradition with elements of European philosophical thought. The article analyzes Nishida’s views on culture that are an independent part of his original philosophical theory. Religion, art, morality, science are the ideal forms of being in the historical world. The work of a scientist or artist is a manifestation of the formative activity of a person. The historical world as the “sphere of absolute nothingness” is the final point of the introspection of “nothingness,” where reality comprehends the identity of its opposites through human activity. Nothingness, or “Emptiness,” in the East Asian tradition has another, dynamic, dimension – these are the relations between people and the relations between man and the cosmos, or Nature, which are not perceived by rough human feelings and not comprehended by equally rough mind. Nishida stressed that for Japan the issue of the authenticity of the national foundations of culture, separated from Chinese and Indian influences, has a clearly positive answer in the aesthetic sphere: in the field of traditional poetics. The traditional aesthetics of Japan reflects the archetypal structure of the national culture. All world cultures have a common prototype, but each of them is a deviation, one-sidedness of this prototype. In the West, a culture of the form triumphed, beginning with Plato and Aristotle. In Japan, on the contrary, the culture was characterized by fluidity, processability, formlessness. In fact, Nishida is one of founding fathers of modern Japanese cultural studies.
49
Harwanto, Edi Ribut. "Juridical Optics in the Formulation of Execution Application Form Act No. 6 of 2018 concerning Health Quarantine After the End of the Implementation of Large-Scale Social Restrictions and the Imposition of New Normal and Safe Life Coordination Period 19 to Achieve Criminal Justice for Every Indonesian Citizen." International Journal of Multicultural and Multireligious Understanding 8, no. 2 (February 3, 2021): 162. http://dx.doi.org/10.18415/ijmmu.v8i2.2407.
Full textAbstract:
World Health Organization (WHO) Director General of the World Health Organization, Tedros Adhanom Ghebreyesus officially announced the Corona virus (Covid 19) as a pandemic on Wednesday, March 11, 2020, so the world community and countries of the world were excited and asked to take steps prevention measures according to the health protocol established by WHO. The WHO reason is that prevention needs to be carried out by world countries, because the Corona Covid 19 Virus pandemic is an infectious disease that spreads easily from human to human in various parts of the world. I do not know, from where the source of this corona virus appears and infects and exposes the virus so that it becomes pandamic and kills many people in the countries of the world so quickly. Citing Worldometers website data, Tuesday (2/6/2020), the number of confirmed cases of corona virus infection globally is 6,358,294 (6.36 million) cases. Meanwhile, the number of deaths recorded was 377,031 cases. While the number of patients recovered as many as 2,888,571 (2.89 million) people. The number of active cases is 3,092,692 (3.09 million) cases, with 3,039,290 (3.04 million) in mild conditions, and 53,402 in serious conditions. Furthermore, the global tragedy to follow up and respond to the insistence of the WHO world health organization, the Indonesian state took anticipatory steps with the congressional movement starting on April 13, 2020, through the President of the Republic of Indonesia Joko Widodo expressly announcing and establishing and stating that the Covid 19 Virus is as a non-natural national disaster spreading Corona Virus Diseasses 2019 (Covid 19) as a national disaster. In order to prevent the exposure or the strongest Covid 19 virus to the people of Indonesia, the government issued Presidential Regulation No. 12 of 2020, and Government Regulation No. 21 of 2020 concerning the implementation of the related large-scale Social Restrictions (hurud b), Article 49 Paragraph (3) and Article 59 of Law Law No. 6 of 2018 concerning Health Qulity. Indonesia did not want to bother, and asked WHO, the results of the Corona Covid 19 virus were accepted, but were more focused on handling the corona virus in the country. Meanwhile, developed countries such as America, Britain, Australia, opposed cool in an opinion war against China, which is associated with several countries Corona Virus came and began to plague in Wuhan, China using the source of infectious diseases through the bat virus. America, can receive that information, namely the President of the United States Donald Trump, accepts anger and sulking, and even has evidence of the results of his intelligence reports related to it, the Corona virus is actually not a virus transmitted from a bat virus to humans, but Donald Trump's presumption , that's the corona virus, originating from chemical laboratories in Wuhan China, which leaked and infected humans and eventually became a plague of infectious viruses throughout the world. Latest information, Britain, Australia, America will file a claim for compensation to the Chinese state through a lawsuit to the International Criminal Court (ICC). Furthermore, to support the objectives of this study, the paradigm used in this study is the post-positivism paradigm. The post-positivism paradigm wants to prove everything is based on reality (which can be built based on experience, observation), the researcher is neutral towards the object of research, even though the researcher holding this paradigm remains neutral towards the object of research, but he wants to examine what actually happened from things the thing that seems certain. The post-positivism paradigm ontologically conceptualizes reality as it really is, but it is realized that there are actually many factors that influence that reality. Consequently, ontologically the post-positivism paradigm conceptualizes the law as a set of rules that apply in society whose behavior will be influenced by factors (economic, political, cultural, etc.). Epistemologically, researchers sit themselves impersonal, separate from the object of research. The researcher's position on the object of research is neutral and impartial.
50
Rostami, Ali, and Chike F. Oduoza. "Key risks in construction projects in Italy: contractors’ perspective." Engineering, Construction and Architectural Management 24, no. 3 (May 15, 2017): 451–62. http://dx.doi.org/10.1108/ecam-09-2015-0142.
Full textAbstract:
Purpose Risks play an important role in the success of construction projects. Failure in identification and assessment of risks can lead to inadequacy in the process of managing risks, which in turn can critically affect the projects’ resources. A formal risk management is rarely practised in construction projects due to the lack of contractors’ awareness of key risks. The purpose of this paper is to focus on the investigation of risk factors in construction projects in Italy from contractors’ perspective. Design/methodology/approach Semi-structured interviews were conducted to collect data, based on which a total of ten key risks were ascertained. The identified risks were compared with the findings of the surveys conducted in the Australian and Chinese construction industry to address the unique risks associated with construction projects in Italy. Findings The key risks included delays in payments, client variations, design variations, inaccurate cost estimates, and tight project schedules. The comparison between those three countries specified the delays in payments and project funding problems as the most critical factors that are related to cultural influences and behaviour of clients. The findings assist contractors in the risk identification process, and can be applied to the development of a risk management framework for construction projects. Research limitations/implications The findings of this study cannot be generalised statistically for the whole of Italy as it was constrained geographically, with respondents drawn only from a self-selection sample of construction projects in the Veneto region of Northern Italy. The findings represent a snapshot of the key potential internal and external risks from the perspective of contractors. Originality/value The results of the study specified the key risks of construction projects from the perspective of contractors which can contribute to risk management for construction projects.