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Books on the topic 'Art, Australian Chinese influences'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Perry, Peter W. Max Meldrum & associates: Their art, lives and influences. Castlemaine, Vic: Castlemaine Art Gallery and Historical Museum, 1996.

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2

Institute of Modern Art (Brisbane, Qld.), ed. How Aborigines invented the idea of contemporary art: Writings on Aboriginal contemporary art. Sydney, N.S.W: Institute of Modern Art and Power Publications, 2011.

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3

The meeting of Eastern and Western art. 2nd ed. Berkeley: University of California Press, 1989.

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4

Jan, Baldwin, ed. Chinese style: The art of living. London: Conran Octopus, 2002.

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5

Jan, Baldwin, ed. Chinese style: The art of living. London: Conran Octopus, 2005.

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6

Strange country: Why Australian painting matters. Carlton, Vic: Melbourne University Publishing, 2014.

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7

Hikari wa Tōhō yori: Seiyō bijutsu ni ataeta Chūgoku Nihon no eikyō. Tōkyō: Kawade Shobō Shinsha, 1986.

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8

Yan jin yu yun dong: Zhongguo mei shu de xian dai hua, 1875-1976. Nanning Shi: Guangxi mei shu chu ban she, 2002.

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9

Tam, Vivienne. China chic. New York: ReganBooks, 2005.

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10

Xiao fei zhu yi shi dai Zhongguo she hui de wen hua yu yan: Zhongguo dang dai yi shu kao cha bao gao = Research report on Chinese contemporary art. Changchun Shi: Jilin mei shu chu ban she, 2010.

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11

Janicot, Eric. L'art moderne chinois: Nouvelles approches. Paris: You Feng, 2007.

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12

Zhongguo mei shu de xian dai hua: Mei shu qi kan yu mei zhan huo dong de fen xi (1911-1937). Beijing Shi: Sheng huo du shu xin zhi san lian shu dian, 2008.

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13

Installationskunst in China: Transkulturelle Reflexionsräume einer Genealogie des Performativen. Bielefeld: Transcript, 2013.

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14

Köppel-Yang, Martina. Semiotic warfare: A semiotic analysis, the Chinese avant-garde, 1979-1989. Hong Kong: Timezone 8, 2003.

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15

Dept, Hong Kong (China) Leisure and Cultural Services. Hua cai Bali, 1730-1930: Zhongguo jing shen, Faguo pin wei. [Xianggang]: Kang le ji wen hua shi wu shu, 2008.

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16

Kodaibi no henʼyō. Kyōto-shi: Shōraisha, 1986.

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17

Possessions: Indigenous art, colonial culture. New York, N.Y: Thames and Hudson, 1999.

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18

Wenbin, Xiong. Yuan dai Zang Han yi shu jiao liu. Shijiazhuang Shi: Hebei jiao yu chu ban she, 2003.

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19

Rhie, Marylin M. Interrelationships between the Buddhist art of China and the art of India and Central Asia from 618-755 A.D. Napoli: Istituto universitario orientale, 1988.

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20

Wenbin, Xiong, ed. Zao qi Han Zang yi shu. Beijing: Zhongguo Zang xue chu ban she, 1994.

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21

1940-, Kang Kyŏng-suk, and Hanʾguk Misulsa Hakhoe, eds. Koguryŏ misul ŭi taeoe kyosŏp: Che 4-hoe Chŏnʾguk Misul Sahak Taehoe. Sŏul-si: Yegyŏng, 1996.

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22

Hong-sŏp, Chin, ed. Paekche misul ŭi taeoe kyosŏp. Sŏul: Yegyŏng, 1998.

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23

Japan) International Symposium on Art Historical Studies (7th 1988 Kyoto. Tōyō bijutsu ni okeru eikyō no mondai: Kokusai Kōryū Bijutsushi Kenkyū[kai] Daishichikai Shinpojiamu. Kyōto-shi: Kokusai Kōryū Bijutsushi Kenkyūkai, 1990.

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24

Xian dai zhuan xing yu yi shu jia de shi jiao: The modern transformation and artist's perspective. Beijing: Ren min chu ban she, 2014.

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25

1642-1709, Pozzo Andrea, ed. La fábrica de las ilusiones: Los jesuitas y la difusión de la perspectiva lineal en China (1698-1766). Mexico]: El Colegio de México, 2004.

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26

Kobayashi, Hiromitsu. Figure compositions in seventeenth century Chinese prints and their influences on Edo period Japanese painting manuals. Ann Arbor, Mi: University of Michigan, 1987.

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27

Natur und Landschaft: Der Einfluss von Athanasius Kirchers "China Illustrata" auf die europäische Kunst. Berlin: Reimer, 2003.

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28

Kosugi, Kazuo. Chūgoku bijutsushi: Nihon bijutsu no genryū. Tōkyō: Nanʼundō, 1986.

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29

Vance, Mary A. Chinoiseries: A bibliography. Monticello, Ill: Vance Bibliographies, 1985.

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30

Koryŏ wa pukpang munhwa. Sŏul-si: Yangsajae, 2011.

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31

Anna, Pang Mae, ed. Point & counterpoint: Influence and innovation in the arts of China and Japan : National Gallery of Victoria. Melbourne, Vic: The Gallery, 1995.

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32

Royal Pavilion, Art Gallery, and Museums, ed. Chinese whispers: Chinoiserie in Britain, 1650-1930. Brighton [England]: Royal Pavilion & Museums, 2008.

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33

Shinbunsha, Asahi, and Nara Kokuritsu Hakubutsukan, eds. Kentōshi to Tō no bijutsu: Cultural crossings-- Tang art and the Japanese envoys. Tōkyō: Asahi Shinbunsha, 2005.

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34

Islamic chinoiserie: The art of Mongol Iran. Edinburgh: Edinburgh University Press, 2009.

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35

Kadoi, Yuka. Islamic chinoiserie: The art of Mongol Iran. Edinburgh: Edinburgh University Press, 2009.

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36

Chinoiserien in Österreich-Ungarn. Frankfurt am Main: Lang, 1995.

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37

Leite, José Roberto Teixeira. A China no Brasil: Influências, marcas, ecos e sobrevivências chinesas na sociedade e na arte brasileiras. Campinas, SP, Brasil: Editora da Unicamp, 1999.

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38

Dai Kentōshi-ten: Heijō sento 1300-nen kinen = Imperial envoys to Tang China : early Japanese encounters with continental culture. [Nara-shi]: Nara Kokuritsu Hakubutsukan, 2010.

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39

Higashiajia no naka no Nihon bijutsu. Tōkyō-to Chiyoda-ku: Shōgakukan, 2015.

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40

Chūgoku no kindai bijutsu to Nihon: 20-seiki Nitchū kankei no ichi danmen = Modern Chinese fine arts and Japan : a section of Sine-Japanese relationship in the 20th century. Okayama-shi: Daigaku Kyōiku Shuppan, 2007.

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41

Taiwan se cai huan jue yan jiu. Taibei: Nan tian shu ju, 2010.

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42

Jiafen, Pan, and Tuo Ping, eds. Zhongguo jun shi ke xue de xi chuan ji qi ying xiang. Shijiazhuang Shi: Hebei ren min chu ban she, 1999.

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43

Council, Hong Kong Urban. Cong Beijing dao Fanersai: Zhong Fa mei shu jiao liu. [Xianggang]: Xianggang Shi zheng ju, 1997.

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44

1956-, Huang Martha Elizabeth, ed. China chic: A visual memoir of Chinese style and culture. New York: ReganBooks, 2000.

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45

Heerbrant, Jean-Paul. Chinoiseries: Publication éditée à l'occasion de l'exposition Chinoiseries organisée par le Centre Albert Marinus au Musée communal de Woluwe-Saint-Lambert du 15 octobre 2009 au 3 janvier 2010. Woluwe-Saint-Lambert]: Centre Albert Marinus, 2009.

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46

Hallinger, Johannes Franz. Das Ende der Chinoiserie: Die Auflösung eines Phänomens der Kunst in der Zeit der Aufklärung. München: Scaneg, 1996.

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47

1964-, Markus Elizabeth Jane, Maltwood Art Museum and Gallery., and Vancouver Museum, eds. China & beyond: The legacy of a culture. Victoria, B.C: Maltwood Art Museum and Gallery, 2002.

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48

Master in Public Policy and Governance (MPPG) Program and Bangladesh. Ministry of Women and Children Affairs, eds. Proceedings of the National Seminar on Gender Policy in Bangladesh: Strategies, constraints, challenges : 5 October 2013, Ruposhi Bangla Hotel, Dhaka. Dhaka: Master in Public Policy & Governance (MPPG) Program, Department of Political Science and Sociology, North South University, 2014.

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49

Chūgoku kindai bijutsu shiron. Tōkyō: Akashi Shoten, 2010.

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50

Route chinoise: À la recherche de la Chine en Belgique. [Antwerp]: Fonds Mercator, 2009.

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