Books on the topic 'Art, Australian Asian influences'

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1

Carroll, Alison. Finding a place on the Asian stage. Strawberry Hills, N.S.W: Currency House, 2012.

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2

Modern Asian art. Honolulu: University of Hawaii Press, 1998.

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3

John, Clark, ed. Modernity in Asian art. Broadway, NSW, Australia: Wild Peony, 1993.

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4

Perry, Peter W. Max Meldrum & associates: Their art, lives and influences. Castlemaine, Vic: Castlemaine Art Gallery and Historical Museum, 1996.

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5

Institute of Modern Art (Brisbane, Qld.), ed. How Aborigines invented the idea of contemporary art: Writings on Aboriginal contemporary art. Sydney, N.S.W: Institute of Modern Art and Power Publications, 2011.

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6

van, Campen Jan, and Hartkamp-Jonxis Ebeltje, eds. Asian splendour: Company art in the Rijksmuseum. Zutphen, Netherlands: Walburg Pers, 2011.

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7

Seki, Mamoru. Xi fang mei shu dong jian shi =: Xi fang mei shu dong jian shi. Shanghai: Shanghai shu dian chu ban she, 2002.

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8

1947-, Mills Cynthia, Glazer Lee (Lee Stephens), and Goerlitz Amelia, eds. East-West interchanges in American art: "a long and tumultuous relationship". Washington, D.C: Smithsonian Institution Scholarly Press, 2011.

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9

Higashiajia no naka no Nihon bijutsu. Tōkyō-to Chiyoda-ku: Shōgakukan, 2015.

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10

Strange country: Why Australian painting matters. Carlton, Vic: Melbourne University Publishing, 2014.

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11

Jan, Baldwin, ed. Chinese style: The art of living. London: Conran Octopus, 2002.

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12

Jan, Baldwin, ed. Chinese style: The art of living. London: Conran Octopus, 2005.

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13

Gallery, Hayward, Wolverhampton Art Gallery and Museums., and Manchester City Art Gallery, eds. The other story: Afro-Asian artists in post-war Britain. London: South Bank Centre, 1989.

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14

Margaret, Moore. Confess and conceal =: Mengakui dan Menutupi [(romanized form)] : 11 insights from contemporary Australia and South-east Asia. Perth, Western Australia: Art Gallery of Western Australia, 1990.

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15

Tongyun, Yin, and Chen Ruilin 1944-, eds. Dong xi yi shu bi jiao. Taibei Shi: Dong da tu shu gong si, 2012.

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16

Scherz, James P. Rock art pieces from Burrows' Cave in southern Illinois. Madison, WI: Ancient Earthworks Society, 1992.

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17

Japan) International Symposium on Art Historical Studies (7th 1988 Kyoto. Tōyō bijutsu ni okeru eikyō no mondai: Kokusai Kōryū Bijutsushi Kenkyū[kai] Daishichikai Shinpojiamu. Kyōto-shi: Kokusai Kōryū Bijutsushi Kenkyūkai, 1990.

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18

Nihon no naka no Ajia bunka: Kanji, nanga, butsuzō : kaikan goshūnen kinen Heisei 6 (1994)-nendo aki no tokubetsu kikakuten. Hiroshima-ken Fukuyama-shi: Hiroshima Kenritsu Rekishi Hakubutsukan, 1994.

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19

Bijutsukan, Tōkyō Kokuritsu Kindai. Ekkyōsuru Nihonjin: Kōgeika ga yume mita Ajia. Tōkyō: Tōkyō Kokuritsu Kindai Bijutsukan, 2012.

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20

Jeannine, Auboyer, and Boisselier Jean, eds. Indien und Südostasien. Berlin: Propyläen Verlag, 1985.

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21

A, Khakimov, ed. The art of Central Asia. Leningrad: Aurora Art Publishers, 1988.

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22

Pugachenkova, Galina Anatolʹevna. Hunar dar Āsiyā-yi Markazī. Tihrān: Vizārat-i Farhang va Irshād-i Islāmī, 1993.

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23

Bussagli, Mario. Indica et serindica: Scritti di storia dell'arte dell'India e dell'Asia centrale. Roma: Bardi, 1992.

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24

Sirimā, Sumon. Phǣndin wai: Phai klai tūa rīanrū phư̄a yūrō̜t. Kō̜thō̜mō̜. [i.e. Krung Thēp Mahā Nakhō̜n]: Bō̜risat ʻEtdūkhēchan Mai Lai Manthimīdīa, 2007.

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25

Uno, Everett Yayoi, and Lau Frederick, eds. Locating East Asia in Western art music. Middletown, Conn: Wesleyan University Press, 2004.

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26

Possessions: Indigenous art, colonial culture. New York, N.Y: Thames and Hudson, 1999.

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27

1960-, Pande Anupa, Sharma Mandira, and National Museum Institute (New Delhi, India), eds. The art of Central Asia and the Indian subcontinent in cross-cultural perspective. New Delhi: National Museum Institute [and] Aryan Books International, 2009.

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28

P, Aleksinskiĭ D., Alekseev, A. I︠U︡. (Andreĭ I︠U︡rʹevich), and Hermitage Amsterdam, eds. The immortal Alexander the Great: The myth, the reality, his journey, his legacy. Amsterdam: Museumshop Hermitage Amsterdam, 2010.

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29

Pugachenkova, Galina Anatol'evna. Thea rt of Central Asia. Leningrad: Aurora Art Publishers, 1988.

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30

International Symposium on Art Historical Studies (10th 1991 Kobe, Japan). Tōyō bijutsushi ni okeru nishi to higashi: Tairitsu to kōryū : Dai 10-kai Kokusai Shinpojiamu. Kyōto-shi: Kokusai Kōryū Bijutsushi Kenkyūkai, 1992.

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31

Kodaibi no henʼyō. Kyōto-shi: Shōraisha, 1986.

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32

Bīṭār, Zīnāt. al- Istishrāq fī al-fann al-rūmānsī al-Farancī. al-Kuwayt: al-Majlis al-Waṭanī lil-Thaqāfah wa-al-Funūn wa-al-Adāb, 1992.

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33

Musée, Guimet (Paris France). L' Inde et le monde indianisé au Musée national des arts asiatiques, Guimet. Paris: Réunion des musées nationaux, 1992.

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34

Zhongguo qi qi yi shu dui xi fang de ying xiang. Beijing Shi: Ren min chu ban she, 2012.

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35

Islamic chinoiserie: The art of Mongol Iran. Edinburgh: Edinburgh University Press, 2009.

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36

Kadoi, Yuka. Islamic chinoiserie: The art of Mongol Iran. Edinburgh: Edinburgh University Press, 2009.

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37

Mari, Nagy. Elfelejtett ősök árnyai: Tanulmányok 1972-1998. Budapest: Püski, 2001.

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38

Mariemont, Musée royal de, ed. Mémoires d'Orient: Du Hainaut à Héliopolis. Morlanwelz: Musée royal de Mariemont, 2010.

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39

Nara bijutsu seiritsu shiron. Tōkyō: Chūō Kōron Bijutsu Shuppan, 2009.

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40

Prabha, Ray Himanshu, IIC-Asia Project, and India International Centre, eds. Sacred landscapes in Asia: Shared traditions, multiple histories. New Delhi: Manohar Publishers & Distributors, 2007.

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41

James, Bardon, ed. Papunya: A place made after the story : the beginnings of the Western Desert painting movement. Carlton, Vic: Miegunyah Press, 2004.

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42

1946-, Matias Osvaldo Gil, and Matias Osvaldo Gil 1946-, eds. Marfins: Marfins das províncias orientais de Portugal e Espanha no Brasil = Ivories : ivories from Asian colonies of Portugal and Spain in Brazil. Rio de Janeiro, Brazil]: Arte Ensaio, 2014.

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43

The birth of love: Dus̆an and Voitre Marek, artist brothers in Czechoslovakia and post-war Australia. Norwood, S. Aust: Moon Arrow Press, 2008.

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44

The yellow lady: Australian impressions of Asia. Melbourne: Oxford University Press, 1992.

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45

(Singapore), Asian Civilisations Museum, ed. Inspired by Japan and China: The Egawa collection of European ceramics. Singapore: Asian Civilisations Museum, 2011.

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46

Glowczewski, Barbara, and Rosita Henry. Challenge of indigenous peoples: Spectacle or politics. Cumnor, Oxford: Bardwell Press, 2011.

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47

Art Gallery of South Australia and National Gallery of Australia, eds. Crescent moon: Islamic art & civilisation in Southeast Asia = Bulan sabit : seni dan peradaban Islam di Asia Tenggara. Adelaide: Art Gallery of South Australia, 2005.

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48

Rubin Museum of Art (New York, N.Y.), ed. The Nepalese stylistic legacy in Tibetan painting: From early Beri to Ngor. New York: Rubin Museum of Art, 2010.

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49

Angel, Fernández Miguel. La Nao de China. Monterrey, México: Grupo Vitro, 1998.

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50

Orientalismos: Oriente y Occidente en la literatura y las artes de España e Hispanoamérica. Barcelona: PPU, 2010.

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