Academic literature on the topic 'Art as proposition'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Art as proposition.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Art as proposition"
Paul Deharme and Anke Birkenmaier. ""Proposition for a Radiophonic Art”." Modernism/modernity 16, no. 2 (2009): 406–13. http://dx.doi.org/10.1353/mod.0.0102.
Full textHulks, David. "World Art Studies: a radical proposition?" World Art 3, no. 2 (September 2013): 189–200. http://dx.doi.org/10.1080/21500894.2013.823886.
Full textAnke Birkenmaier. ""Proposition for a Radiophonic Art": Introduction." Modernism/modernity 16, no. 2 (2009): 403–5. http://dx.doi.org/10.1353/mod.0.0090.
Full textHidayat, Desman, Apriani Kurnia Suci, and Gita Khadijatu Saliha. "Market Segmentation, Customers, and Value Propositions Analysis for Polymer Clay Art Business Start-Up." Binus Business Review 7, no. 1 (May 30, 2016): 89. http://dx.doi.org/10.21512/bbr.v7i1.1488.
Full textLaguarda, Alice. "Art et Politique." Emulations - Revue de sciences sociales, no. 9 (September 10, 2018): 57–68. http://dx.doi.org/10.14428/emulations.009.004.
Full textYap, Sau Bin. "Artist as Purveyor of Meanings: Notes, Proposition and Reprise." International Journal of Creative Multimedia 1, no. 1 (May 18, 2020): 32–38. http://dx.doi.org/10.33093/ijcm.2020.1.1.5.
Full textFillis, Ian, Kim Lehman, and Morgan P. Miles. "The museum of old and new art." Journal of Vacation Marketing 23, no. 1 (August 1, 2016): 85–96. http://dx.doi.org/10.1177/1356766716634153.
Full textDay, Kevin. "Reversal, Disconnect, and Proposition." Proceedings of the ACM on Computer Graphics and Interactive Techniques 4, no. 2 (July 30, 2021): 1–8. http://dx.doi.org/10.1145/3465624.
Full textWashburn, Dorothy K. "An Interactive Test of Color and Contour Perception by Artists and Non-Artists." Leonardo 33, no. 3 (June 2000): 197–202. http://dx.doi.org/10.1162/002409400552504.
Full textJoselit, David. "Conceptual Art of the Press Release, or Art History without Art." October 158 (October 2016): 167–68. http://dx.doi.org/10.1162/octo_a_00276.
Full textDissertations / Theses on the topic "Art as proposition"
Baraud, Dominique. "Proposition ornementale pour un "Celtic Revival"." Paris 1, 1989. http://www.theses.fr/1989PA010546.
Full textThis work is about graphic and symbolic studies of celtic ornamentation, through the three main gospels of the irish high middle ages: the book of kells, the book of lindisfarne and the book of durrow. The principles of harmony, the symbolism of language, and formal repertory are brought back to life to create a new ornamentation, with a sacred characteristic, early beginnings of a celtic revival. The elaboration of this particular type of expression generates the studies of our artistic and sacred context. Problems, constraints, and instructions are exposed, leading us imperceptibly to choose a spiritual option found again in our artistic past : the purity of cistercian art. This paradox is difficult to define: irish treasures and pureness of cistercian art constitute a double option: a graphic and spiritual one, for the suggested ornamental creation. Reference to "modern art" will justify the bases of our attitude. A triple objective is reached: bringing back to life celtic art, we'll propose to revalue the notion of ornamentation, to get a new expression of sacred art
Tillotson, Zoe. "Ephemeral art : a philosophical proposition about the nature of time and being." Thesis, University of the Arts London, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650331.
Full textSpaulding, Eric M. "The patient as art a critique from aesthetics of the transhumanist proposition /." Deerfield, IL : Trinity Graduate School, 2007. http://dx.doi.org/10.2986/tren.006-1561.
Full textNOVOA, PADRON MARIA TERESA. "Art public, étude de cas : Caracas, Montréal et Paris de 1980 à 1993, suivie d'une proposition personnelle." Paris 8, 1995. http://www.theses.fr/1995PA081108.
Full textThe following thesis is dealing with public art as a bidimensional or tridimensional piece of art situated in public locations determining or being determined by urban morphology. It's public status is creating the communauty patrimony and at least state patrimony. One of the purpose of this study is to discover the process of some contemporary public art experiences located as well in my own country or abroad. For the case study we choose the towns of caracas, montreal et paris with the following works. Caracas: - intervention in the petare metro - sculpture garden in the parque del est - sculpture composition plaza venezuela. Montreal: - place berri - sculpture park rene levesque - sculpture garden centre culturel canadien paris: - pont-neuf wrapped - patio d'honneur palais royal - major axis cergy- pontoise at least we'll espace our own intervention proposals on public locations. They are taking much care of the actual life needs. Our personnal proposals are dealing with the necessity to work public spaces as the support of art works
Ramade, Bénédicte. "Infortunes de l'art écologique américain depuis les années 1960 : proposition d'une réhabilitation critique." Paris 1, 2013. http://www.theses.fr/2013PA010558.
Full textLorent, Marie-Françoise. "Le cimetière du Dieweg à Uccle (1868-1946). Proposition pour une méthode d’approche de l’art funéraire dans sa dimension sociologique." Doctoral thesis, Universite Libre de Bruxelles, 2017. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/248053.
Full textDoctorat en Histoire, histoire de l'art et archéologie
info:eu-repo/semantics/nonPublished
Hsieh, Chenwei. "Processus de création d'un système d'images interactives pour le spectacle vivant : proposition d'une méthode de développement rapide et mise en oeuvre d'une structure d'un système d'interactivité multi-niveaux et multi-sources." Paris 8, 2013. http://octaviana.fr/document/170326594#?c=0&m=0&s=0&cv=0.
Full textIn this thesis, I try to present my process to create an interactive system in a live performance, specifically the dance and musical improvisation made collectively with several artists: performers, composers and creators of the interactive image. The first part is the artistic research about related artists’ works in their live performances. The technical research is the subject of the second part. It consists of my experience about the technology, hardware and software in the development of interactive creations, especially the sensor system of sound and movement. In the end, I propose a structure of system with the multiple-levels and interactive sources. It is a full process to create diversified mapping interactive system. The main goal of the process is to create a faster and more intuitive interactive program. It includes a structure of multiple- level scenes controls, the reusable and independent sensors systems by using the OSC protocol, and the creative function module in platform Unity with multiple input controls
Dodds, Christopher, and chris@iconinc com au. "Avatars and the Invisible Omniscience: The panoptical model within virtual worlds." RMIT University. Creative Media, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080424.100301.
Full textBravin, Alessandra. "L'art rupestre de la phase des cavaliers au Maroc : les sites de Foum Chenna (Vallée du Draa) et du Jebel Rat (Haut Atlas) : Analyse iconographique, thématique et proposition de chronologie." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3119.
Full textThe first part presents the general characters of the phase known as "Libyco-Berber". After a thorough examination of the literature, the very notion of "Libyco-Berber" is analysed and recognized as being inadequate to define the phase and it is proposed a new denomination i.e. the "phase of the horsemen."Its specific characters are analysed from the point of view of the introduction of the horse in North Africa, in terms of iconography and style, all set in the historical context of Morocco's I millennium BC.The second part relates to the plateau of Tizi 'n Tirghiyst, examined on the basis of publications and through an accurate prospecting work. From this approach emerges the complexity and heterogeneity of the rock art of this area that includes not only the phase of the horsemen but also earlier phases. The methodology includes the analysis of the iconographic typical elements: the horse and harness, his weapons and the themes.The third part is devoted to the study of Foum Chenna, in the Draa Valley. It is immediately detected the homogeneity of the site although an older phase is present. The methodology for the analysis is the detailed study of individual elements that led to the identification of new themes and the discovery of new inscriptions in Lybic letters.The fourth part is devoted to the comparison between the two sites, to highlight similarities and differences, to identify elements for a chronology.The three annexes are respectively the corpus of engravings of the horsemen phase of the Rat, of Foum Chenna and the totality of the Libyan inscriptions of this site
Carbogim, Luís Felipe de Souza. "Aprendizagem obscura: fragmentos arranjados por proposições artísticas." Universidade Federal de Juiz de Fora (UFJF), 2011. https://repositorio.ufjf.br/jspui/handle/ufjf/2664.
Full textApproved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T13:06:37Z (GMT) No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5)
Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T13:06:49Z (GMT) No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5)
Made available in DSpace on 2016-10-04T13:06:49Z (GMT). No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5) Previous issue date: 2011-03-23
Esta dissertação é um escrito que se compõe com multiplicidades que atravessam um professor de artes no seu formar-se, ou, deformar-se. É o exercício de trazer com a escrita, uma escrita de si, o processo da pesquisa, não um falar sobre a pesquisa, mas a pesquisa em si – perseguindo e sustentando a problemática como aula? Agenciando Hélio Oiticica, Gilles Deleuze, Félix Guattari e Friedrich Nietzsche, na busca de uma um corpo outro, uma aula outra em última análise. O conceito de proposição, tal como aparece na obra de Oiticica, é definido por ele como o declanchar de processos inventivos coletivos, deslocado aqui para a imanência das aulas, das leituras, das escritas, dos corpos... da vida. A proposição abala qualquer concepção dicotômica e disso deriva um campo problemático de encontros entre professor, arte, alunado, fruição, produção, poética, estética, política e ética. Esta problematização persegue a aula enquanto proposição: aulaproposição, mas não se trata da apresentação de uma didática para o ensino de artes, tampouco uma pedagogia da arte, está mais próxima de um abalo no campo educacional que faz tremer, especialmente, os alicerces da Arte/Educação, reverberando na questão tão cara à Arte/Educação escolar que traz como que um senso comum o objetivo do ensino de arte em formar um público crítico para as artes. Aulaproposição: processo de invenção coletivo anônimo, no qual os participantes são produtores, em busca de um ―estado de invenção‖, como coloca Hélio Oiticica. Daí, especialmente com Oiticica, um corpo interroga: como formar artistas e não formar público? Como formar público e não formar artistas? É possível, tendo em vista a proposição, um caminhar outro, o impossível? Relato alguns processos-aulas a partir do ―método‖ investigativo da cartografia, produzido por Deleuze e Guattari, no qual a pesquisa, pesquisador e pesquisado não se dão em separado. O processo de pesquisa é processo de invenção, importa ao pesquisador estar à espreita do acontecimento, atento às virtualidades que pululam no campo de pesquisa. Nesta ―perspectiva‖ o campo de pesquisa é jogo de forças, oficina de signos, e, a atenção do pesquisador-cartógrafo deve flutuar e pousar num movimento com o movimento vivo de um campo-jogo. Assim, preparo um corpo para estar atento difusamente aos processos que vivi com alunos e alunas de seis, sete, quinze e dezesseis anos, para exercitar a cartografia rente aos processos inventivos da experimentação dos propositores. Parte da pesquisa fora realizada a partir do meu arquivo pessoal produzido com um colégio da cidade de Juiz de Fora, especialmente interessado no processo poético-inventivo em aulas de artes visuais.
This dissertation is a written that is formed for multiplicities that cross an arts teacher on his auto form or auto deform. It is the exercise to bring with a written the research process, not to talk about the research, but the research itself – accompanying and supporting the problematic how class? Hélio Oiticica, Gilles Deleuze, Félix Guattari and Friedrich Nietzsche‘s touted consists in the search for, ultimately, another body, another class. The proposition concept, such as it appears in the Oiticica work, is defined by him as the collective inventive process initiate displaced here to the immanence of the classes, readings, writings, bodies…life. This proposition unsettles any dichotomous conception and causes meetings problematic field among teacher, art, pupils, fruition, production, poetic, aesthetics, policy and ethics. This problematization tries to understand class while proposition: classproposition. It‘s not the didactic presentation to the arts teaching, neither an art pedagogy. It‘s more closely of a seism on the educational field that especially making shake the Art/Education foundations, reverberating in the special question to the school Art/Education that brings like a common sense the objective of the art teaching to form a critical public to the arts in general. Classproposition: process of the anonymous collective invention in which the participants are producers in search of an ―invention state‖ according to Hélio Oiticica. So, especially with Oiticica, a body questions: how to form artists and public doesn‘t? How to form public and artists don‘t? Is it possible considering the proposition, another walk, the impossible one? Some class-processes are related based on the cartography investigative ―process‖ produced by Deleuze and Guattari in which the research, researcher and researched don‘t happen on the separate way. The research process is an invention process. It interest to the researcher to be lurking to the event, to be aware to the virtualities that sprout on the research field. In this ―perspective‖, the research field is forces game, signs workshop and the cartographer-researcher attention must float and land in the movement with the living movement of a game-field. Thus, a body is prepared to be diffusely aware to the processes lived together pupils with six, seven, fifteen and sixteen years old to exercise the cartography close to the inventive processes of the proponents‘ experimentation. A part of the research was done from a personal portfolio produced with a Juiz de Fora school, especially interested in the inventive poetic process in visual arts classes.
Books on the topic "Art as proposition"
Gauthier, Annie. Pink link, ou, La proposition rose. Montréal]: La Centrale Galerie Powerhouse, 2001.
Find full textM, Herbert Lynn, Porter Jenelle, Heon Laura Steward, and Contemporary Arts Museum (Houston), eds. Matthew Ritchie: Proposition player. Houston, Tex: Contemporary Arts Museum in association with Hatje Cantz, 2003.
Find full textBesson, Pierre. Qui est là?: Une proposition. [Paris]: J.M. Place, 2001.
Find full textVortex of silence: Proposition for an art criticism beyond aesthetic categories. Milano: Charta, 2004.
Find full textConseil des communautés culturelles et de l'immigration du Québec. La proposition de politique culturelle du Québec: "une politique de la culture et des arts", mémoire. [Montréal]: Conseil des communautés culturelles et de l'immigration, 1991.
Find full textConseil des communautés culturelles et de l'immigration du Québec. La proposition de politique culturelle du Québec: Une politique de la culture et des arts : mémoire présenté à la Commission parlementaire sur l'énoncé de politique en matière de culture, le 30 octobre 1991. Montréal, Québec: Le Conseil, 1991.
Find full textHoptman, Laura J. Drawing now: Eight propositions. New York: Museum of Modern Art, 2003.
Find full textMuseum of Modern Art (New York, N.Y.)., ed. Drawing now: Eight propositions. New York: Museum of Modern Art, 2002.
Find full textImages fixes: Propositions pour la sémiologie des messages visuels. Paris: Harmattan, 2008.
Find full textLeconte, Bernard. Images fixes: Propositions pour la sémiologie des messages visuels. Paris: Harmattan, 2008.
Find full textBook chapters on the topic "Art as proposition"
Mustaqim, Karna, and Muliyadi Mahamood. "Construction of Design: A Formal Proposition of Graphics Analysis of Comics." In International Colloquium of Art and Design Education Research (i-CADER 2014), 173–93. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_19.
Full textKlein, Kristin. "Post-digital, Post-internet: Propositions for Art Education in the Context of Digital Cultures." In Post-Digital, Post-Internet Art and Education, 27–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73770-2_2.
Full textYuchi, Jian. "What Are Major Driving Forces to the US Manufacturing, Financial and Internet Industries?" In Value Proposition, 35–45. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5025-6_5.
Full textYuchi, Jian. "Internet, Big Data, AI and E3 Economic Theory Are Driving Forces to the Transformation of the China’s Economy." In Value Proposition, 93–135. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5025-6_8.
Full textPollard, Carl. "Are (Linguists’) Propositions (Topos) Propositions?" In Logical Aspects of Computational Linguistics, 205–18. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22221-4_14.
Full textKünne, Wolfgang. "Are Questions Propositions?" In Contributions to Phenomenology, 83–93. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0207-2_6.
Full textBooth, David, and Renatus Ziegler. "Are There Undecidable Propositions?" In Finsler Set Theory: Platonism and Circularity, 63–72. Basel: Birkhäuser Basel, 1996. http://dx.doi.org/10.1007/978-3-0348-9031-1_6.
Full textHuet, Armand, Romain Pinquie, Philippe Veron, Frederic Segonds, and Victor Fau. "Design Rules Application in Manufacturing Industries: A State of the Art Survey and Proposal of a Context-Aware Approach." In Lecture Notes in Mechanical Engineering, 335–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70566-4_53.
Full textKelly, Simon, Paul Johnston, and Stacey Danheiser. "Value Propositions: So What Are They?" In Value-ology, 25–42. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-45626-3_2.
Full textGall, Gregor. "Introduction — Themes, Concepts and Propositions." In New Forms and Expressions of Conflict at Work, 1–6. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137304483_1.
Full textConference papers on the topic "Art as proposition"
Li, Shumei. "Proposition of courses offering for martial art specialty in Shandong province." In 2013 International Conference on Sport Science and Computer Science. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/cccs130561.
Full textNewman, Graham. "How might Generative Art be a Proposition for Cross Curricular Learning in Schools." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.29.
Full textLu, Jiachuan. "Study on the Influence of the Classical Aesthetics Proposition on Chinese Early Painting Concepts." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.23.
Full textNoun, Hassan, Walid Fahs, Ali Kalakech, and Jamal Haydar. "Performance of Revocation Protocols for Vehicular Ad-Hoc Network. Review of State-of-Art Techniques and Proposition of New Enhancement Revocation Method." In 2018 2nd Cyber Security in Networking Conference (CSNet). IEEE, 2018. http://dx.doi.org/10.1109/csnet.2018.8602793.
Full textMaras, Karen. "This time without ‘feeling’: Children’s intuitive theories of art as a logical basis for learning progression in visual arts." In Research Conference 2021: Excellent progress for every student. Australian Council for Educational Research, 2021. http://dx.doi.org/10.37517/978-1-74286-638-3_3.
Full textBen Hamida, Sonia, Marija Jankovic, Franco Curatella, Simone Sasse, Suzanne Baltay, Martine Callot, Alain Huet, and Jean-Claude Bocquet. "Value Proposition Design for Systems and Services by Adapting Affordance-Based Design." In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-60089.
Full textKao, Yueying, Weiming Li, Zairan Wang, Dongqing Zou, Ran He, Qiang Wang, Minsu Ahn, and Sunghoon Hong. "An Appearance-and-Structure Fusion Network for Object Viewpoint Estimation." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/684.
Full textConsole, Marco, Paolo Guagliardo, and Leonid Libkin. "Do We Need Many-valued Logics for Incomplete Information?" In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/851.
Full textDe Rosa, Fernando, Bento Alves Da Costa Filho, and Jose Gaspar Nayme Novelli. "STUDENT GLOBALIZATION: HOW MUCH INTERNATIONALIZED ARE BRAZILIAN MBA STUDENTS? A MEASUREMENT PROPOSITION." In 8th Teaching & Education Conference, Vienna. International Institute of Social and Economic Sciences, 2019. http://dx.doi.org/10.20472/tec.2019.008.006.
Full textFelix, Heitor, Francisco Simões, Kelvin Cunha, and Veronica Teichrieb. "Image Processing Techniques to Improve Deep 6DoF Detection in RGB Images." In XXI Symposium on Virtual and Augmented Reality. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/svr_estendido.2019.8457.
Full textReports on the topic "Art as proposition"
Abrego, Lisandro, Raymond Riezman, and John Whalley. How Often Are Propositions on the Effects of Customs Unions Theoretical Curiosa and When Should They Guide Policy? Cambridge, MA: National Bureau of Economic Research, May 2001. http://dx.doi.org/10.3386/w8304.
Full textBerger, J. M. A Paler Shade of White: Identity & In-group Critique in James Mason’s Siege. RESOLVE Network, April 2021. http://dx.doi.org/10.37805/remve2021.1.
Full textHossain, Niamat Ullah Ibne, Raed Jaradat, Michael Hamilton, Charles Keating, and Simon Goerger. A historical perspective on development of systems engineering discipline : a review and analysis. Engineer Research and Development Center (U.S.), April 2021. http://dx.doi.org/10.21079/11681/40259.
Full textHendricks, Kasey. Data for Alabama Taxation and Changing Discourse from Reconstruction to Redemption. University of Tennessee, Knoxville Libraries, 2021. http://dx.doi.org/10.7290/wdyvftwo4u.
Full text