Relevant bibliographies by topics / Art as propaganda

Academic literature on the topic 'Art as propaganda'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Art as propaganda.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Art as propaganda"

1

Bendheim, Fred. "Art or propaganda?" Lancet 353, no. 9166 (May 1999): 1805–6. http://dx.doi.org/10.1016/s0140-6736(99)00092-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lambert, Steve. "Art and Fear of Propaganda." Media-N 17, no. 2 (October 26, 2021): 144–54. http://dx.doi.org/10.21900/j.median.v17i2.802.

Full text
Abstract:
Concerns about artwork that aims to impact power, “turning art into propaganda,” not only misunderstand how propaganda works in contemporary society, but also privilege a view of art and art’s role that favors the wealthy and powerful.
APA, Harvard, Vancouver, ISO, and other styles
3

Zieba, Daniela. "Altered images, art or propaganda?" XRDS: Crossroads, The ACM Magazine for Students 27, no. 1 (September 4, 2020): 9. http://dx.doi.org/10.1145/3417947.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gooding-Williams, Robert. "Beauty as Propaganda." Philosophical Topics 49, no. 1 (2021): 13–33. http://dx.doi.org/10.5840/philtopics20214912.

Full text
Abstract:
This paper considers W.E.B. Du Bois’s short story, “Jesus Christ in Texas,” in the perspective of his analysis of the concept of beauty in Darkwater (1920); his exposition of the idea that “all art is propaganda” in “Criteria of Negro Art” (1926); and his moral psychology of white supremacy. On my account, Du Bois holds that beautiful art can help to undermine white supremacy by using representations of moral goodness to expand the white supremacist’s ethical horizons. To defend this thesis, he relies on an image of “the cross and the lynching tree” to revise imagery that he draws from Albrecht Dürer’s 1504 painting, “The Adoration of Kings.”
APA, Harvard, Vancouver, ISO, and other styles
5

Kosman, Joshua, and Arnold Perris. "Music as Propaganda: Art to Persuade, Art to Control." Notes 43, no. 3 (March 1987): 562. http://dx.doi.org/10.2307/898206.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Blum, Joseph, and Arnold Perris. "Music as Propaganda: Art to Persuade, Art to Control." Ethnomusicology 32, no. 1 (1988): 152. http://dx.doi.org/10.2307/852234.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Luk’yanenko, Egor V. "SOVIET PROPAGANDA PORCELAIN: IDEOLOGY VS ART." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2022): 86–97. http://dx.doi.org/10.28995/2686-7249-2022-7-86-97.

Full text
Abstract:
The object of research of this article is Soviet propaganda porcelain, produced at the very beginning of the formation of Soviet Russia. The paper considers the beginning of the formation of a new porcelain production after the October Revolution of 1917, which took part in the framework of the Soviet monumental propaganda plan. This plan was developed by the leader of the revolution V.I. Lenin. The transformation of artistic techniques and images used on products made of “white gold” was also analyzed. The image on plates, vases, cups of communist slogans, symbols and portraits of revolutionary persons marked the beginning of the creation of such a unique phenomenon as propaganda porcelain, which was supposed to educate Soviet citizens in the context of party policy. The best Russian artists and sculptors of the first quarter of the 20th century worked on its creation. Therefore, the propaganda porcelain turned out to be highly artistic, which was the reason for its success at the international exhibitions and popularity among foreign collectors. However, this fact, combined with the complexity of production, has formed a high cost of products. This did not allow plates and cups with party calls and portraits of the leaders of the proletariat to penetrate into the wider population and conduct ideological propaganda in the everyday life. At the same time, through the products exhibited abroad, a demonstration of Soviet attributes and culture in general was made, which positively influenced the recognition of the new Russia abroad as an objective reality.
APA, Harvard, Vancouver, ISO, and other styles
8

Campbell, Craig. "Magnificent Maps: Power, Propaganda, and Art." Journal of Geography 111, no. 3 (May 2012): 125. http://dx.doi.org/10.1080/00221341.2011.616597.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Calovic, Dragan. "Art politicking in postwar Yugoslavia." Zbornik Matice srpske za drustvene nauke, no. 137 (2011): 533–46. http://dx.doi.org/10.2298/zmsdn1137533c.

Full text
Abstract:
In this paper, we are focusing on the process of art politicking in Yugoslav art theory in the period from 1945 to 1952. The work time span is determined by the existence of the Apparatus for agitation and propaganda, by means of which the development of art theory and practice was greatly determined in the postwar Yugoslavia. The set problem is to be approached through consideration of demands which official art theory was set to Yugoslav artist of this period, as well as through consideration of artistic and theoretic frames by which perspective of art politicking was determined. In this paper, art politicking is seen like specific manifestation of ideological position by which official political platform in the period from 1945 to 1952 was built. According to this, interpretation of art politicking not only as act of propaganda, but as well as symbol of fight for accomplishment of vision of new Yugoslav society is proposed.
APA, Harvard, Vancouver, ISO, and other styles
10

Averianova, Nina. "ART AS A TOOL OF PROPAGANDA AND COUNTER-PROPAGANDA UNDER RUSSIAN AGGRESSION." Almanac of Ukrainian Studies, no. 23 (2018): 107–12. http://dx.doi.org/10.17721/2520-2626/2018.23.17.

Full text
Abstract:
The territorial integrity of Ukraine and peace on its lands, preservation of state sovereignty are the main tasks of the Ukrainian government, society, and all Ukrainians. As for as today the real threats from the Russian Federation remain, the Kremlin's aggressive policy in the hybrid war against our state is aimed at returning Ukraine to the sphere of Russia's influence. For doing this the Russian Federation is using methods that destabilize the internal situation in Ukraine, first of all, it depletes the Ukrainian economy, uses a powerful propaganda arsenal to distort Ukrainian national values and national culture, and misleads the allies of the Ukrainian state. A large-scale propaganda campaign against our country in certain areas of the Ukrainian state made it possible to perceive events in Ukraine through the prism of the views of politicians, scientists and artists of the Russian Federation. In such a situation, it is possible to confront Russian aggression only by using a complex of military, political, economic, informational and socio-humanitarian actions. In these conditions, culture and art are becoming an important means of solving complex social conflicts. Modern technological development has created a wide field for cultural and artistic influences, which has the opportunity to play a stabilizing role in the state. The through the influence on social consciousness can achieve important results in creating of certain ideas, values, spiritual needs as well as stereotypes and patriotic ideals. Such special way of influence on social conscious is art. The art represents significant and value dimension of the national being of the Ukrainians, gives a vision of historical being of the Ukrainian national, reflects spiritual links between a personality and the national, spiritual unity and succession of generation; both imaginative-symbolic and significant attributes of the national values and ideals are characteristic of it. Therefore, the question of restoration of peace, consolidation of Ukrainians, de-occupation of Ukrainian territories is considered in the context of conducting various cultural state measures, in particular artistic ones. That is why such purposeful usage of art in modern conditions the can be a powerful factor of consolidation of Ukrainians.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Art as propaganda"

1

Lessa, Laís Quintella Malta. "Pop art e propaganda: uma relação interdisciplinar." Universidade Presbiteriana Mackenzie, 2009. http://tede.mackenzie.br/jspui/handle/tede/2726.

Full text
Abstract:
Made available in DSpace on 2016-04-18T21:31:57Z (GMT). No. of bitstreams: 4 Lais Quintella Malta Lessa1.pdf: 2945936 bytes, checksum: d3e25073feff799a26416c65c5cabb2c (MD5) Lais Quintella Malta Lessa2.pdf: 2673951 bytes, checksum: 5e8127363a4427999714a6d6021cfb71 (MD5) Lais Quintella Malta Lessa3.pdf: 2562198 bytes, checksum: a033cb82025efa8a63f7c56b684b3543 (MD5) Lais Quintella Malta Lessa4.pdf: 2789595 bytes, checksum: 0ae4ab36c01f425d2f3567ae6677a6a3 (MD5) Previous issue date: 2009-02-03
Fundo Mackenzie de Pesquisa
Through an interdisciplinary analysis between art and publicity, this study seeks to establish the relationship amid the propaganda spread in the post-war period in the United States and the Pop Art Movement. Focusing the changes that have occurred in the season with these two issues will prove that what happened with the Movement Pop and advertising, may be established as a homogenous relationship, in which symbols, icons and popular myths were portrayed in ways similar to works by artists and advertising of the period studied. This uniformity will be revealed through a semiotic analysis of advertisements and works of the movement, to develop critical values that might widen the scope of professional actuation of communication, and allow the knowledge and approach the subject, in reflection of their creations committed to the social and economic juncture of the season.
Por meio de uma análise interdisciplinar entre arte e publicidade, o presente estudo busca estabelecer a relação em meio à propaganda veiculada no período do pós-guerra nos Estados Unidos e o Movimento Pop Art. Evidenciar as transformações ocorridas na época com essas duas temáticas irá comprovar que o ocorrido com o Movimento Pop e a publicidade, pode ser estabelecido como uma relação homogênea, na qual símbolos, mitos e ícones populares eram retratados de maneiras similares em trabalhos de artistas e publicitários do período estudado. Esta homogeneidade será revelada por meio de uma análise semiótica entre anúncios publicitários e obras do movimento, no sentido de desenvolver criticamente valores que possam ampliar as possibilidades de atuação dos profissionais da comunicação, assim como permitir o conhecimento e a abordagem do tema, na reflexão de suas criações comprometidas com a conjuntura social e econômica da época.
APA, Harvard, Vancouver, ISO, and other styles
2

Thériault, Mark J. "Art as propaganda in Vichy France, 1940-1944." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112592.

Full text
Abstract:
The French government under Philippe Petain, based at Vichy, simultaneously collaborated with the Germans and promoted French patriotism. French artists and designers produced an abundance of posters, paintings, sculptures and other objets d'art, examples of which are included here, to promote the values of the "new order." Although Christian symbols were common, fascist symbols among the mass-produced images support the idea that the Vichy regime was not merely authoritarian, but parafascist.
The fine arts were purged of "foreign" influences, yet the German Arno Breker was invited to exhibit his sculptures in Paris. In the spirit of national redressement, traditional French art was promoted; however, Modern art, which Hitler condemned as cultural Bolshevism, continued to be produced. With reference to the words of Petain, Hitler, French artists and art critics, and a variety of artworks, this thesis shows how art was used to propagate the ideology of the Vichy regime.
APA, Harvard, Vancouver, ISO, and other styles
3

Bevan, Paul Graham. "Manhua artists in Shanghai 1926-1938 : from art-for-art ʼs-sake to wartime propaganda." Thesis, SOAS, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729337.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Žilinskas, Jonas. "Animacija, kaip propagandos įrankis." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140717_105817-59952.

Full text
Abstract:
Darbe nagrinėjama propagandos samprata, animacijos bruožai, animacijos, kaip propagandos įrankio, naudojimo priežastis. Darbo tikslas - išnagrinėti animacijos, kaip propagandos įrankio, naudojimą. Siekiant šio tikslo nagrinėjama bendra propagandos sąvoka, remiantis amerikiečių psichologo Knight Duplan teorija bei nacionalsocialistų partijos naudota propaganda Antrojo pasaulinio karo laikotarpiu, aptariami animacijos, kaip vizualinės kūrybos formos, bruožai, remiantis animatoriumi Tomu Mitkumi, remiantis Gintautu Mažeikiu aptariama propaganda šiuolaikiniame kontekste, nagrinėjami propagandinės animacijos kūriniai (Education for Death: The Making of the Nazi(1943), Der Fuehrer's Face (1942), Ending Overfishing (2012)). Kūrybiniame darbe, remiantis gautomis teorinėmis žiniomis, pateikiama propagandos interpretacija. Galutinis kūrybinio darbo rezultatas – animacinis video kūrinys „Cary Care“.
This work analyzes the concept of propaganda, the main aspects of animation and the reasons of the use of animation as a tool of propaganda. The aim of this work is to analyze the use of animation as a tool of propaganda. The purpose of this work is being attained by describing the definition of propaganda and its main principles according to American psychologist Knight Duplan and discussing the national socialist party’s use of propaganda during the period of World War II, describing the main aspects of animation according to animator Tomas Mitkus, discussing the use of propaganda in modern times, according to Gintautas Mažeikis, and analyzing the examples of propaganda animation(Education for Death: The Making of the Nazi(1943), Der Fuehrer's Face (1942), Ending Overfishing (2012)). The attained theoretical knowledge is applied in the creative project. The creative projects gives the author‘s interpretation of propaganda. The final result of creative project is an animated video work „Cary Care“.
APA, Harvard, Vancouver, ISO, and other styles
5

Daniel, Marko. "Art and propaganda : the battle for cultural property in the Spanish Civil War." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285847.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Chan, Nicole E. "Xing: Sex, Gender and Revolution in Contemporary Chinese Art." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/315.

Full text
Abstract:
This paper will explore the intersections of gender, sexuality and revolution in contemporary Chinese art through the lens of the Chinese Cultural Revolution. As an integral part in the process of narrative reconstruction, the propaganda imagery from the Cultural Revolution provides important insights into societal expectations for the masses. This paper will also analyze how contemporary artists seek to appropriate and respond to the events of the Cultural Revolution through their artwork, and describe the processes by which the I interpreted this information in order to create my own artwork.
APA, Harvard, Vancouver, ISO, and other styles
7

Fischer, Julia Claire. "Private Propaganda: The Iconography of Large Imperial Cameos of the Early Roman Empire." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1414586866.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Prölss-Kammerer, Anja. "DieTapisserie im Nationalsozialismus : Propaganda, Repräsentation und Produktion, Facetten eines Kunsthandwerks im "Dritten Reich /." Hildesheim : G. Olms, 2000. http://catalogue.bnf.fr/ark:/12148/cb38966187w.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Belli, Melia. "Royal umbrellas of stone memory, political propaganda, and public identity in Rajput funerary architecture /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1905690701&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Searle, Rebecca K. "Art, propaganda and the experience of aerial warfare in Britain during the Second World War." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6919/.

Full text
Abstract:
This thesis examines how artists working for the War Artists' Advisory Committee (WAAC) represented aerial warfare. In contrast to the scholarly attention lavished on wartime films and posters, official war art remains a much neglected aspect of the propaganda war. The few studies that do exist, most notably by Brian Foss, survey the collection as a whole and consider it from an art history perspective. By focusing on the single theme of aviation, a central and defining experience of the Second World War, I embed the WAAC within the economic, social, military and cultural histories of the period and locate it within a longer time frame. Through bringing these usually disparate fields of study into dialogue, I am able to use the art to enrich broader understandings of the period, in particular, the ways in which aerial warfare was represented, how this image evolved during the war and how these cultural products related to economic, military and social factors. This thesis highlights the different roles the WAAC was expected to fulfil. Housed within the Ministry of Information, the WAAC was expected to perform a propagandist function. The committee distanced itself from propaganda and insisted that its primary function was to record for posterity the experience of living through the war. I assess exactly what kind of record the WAAC bequeathed by looking thematically at the key aspects of aerial warfare: aircraft production; the Battle of Britain; the Blitz and the bombing of Germany. I argue that whilst there was broad correlation between war art and propaganda, these images registered aspects of experience that were incongruent with and therefore absent from wartime propaganda, such as the fear of aerial bombardment and the true nature of the bombing of Germany. Moreover, propagandist constructions were not entirely separate to lived experience, rather they both reflected experience and shaped the way that individuals understood and made sense of the world around them. Therefore, in producing images that accorded with propagandist portrayals, the WAAC artists were recording a fundamental part of the experience of living through the war.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Art as propaganda"

1

Propaganda prints. London: A&C Black, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Vitaly, Komar, Melamid Aleksandr, Ashton Dore, and Independent Curators Incorporated, eds. Monumental propaganda. New York: Independent Curators Incorporated, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

1957-, Min Anchee, Duoduo 1951-, and Landsberger Stefan, eds. Chinese propaganda posters. Köln: Taschen, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Orwell, George. All Art is Propaganda: Critical Essays. Orlando: Harcourt, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Music as propaganda: Art to persuade, art to control. Westport, Conn: Greenwood Press, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Barisione, Silvia. Pubblicità e propaganda: Ceramica e grafica futuriste. Cinisello Balsamo (Milano): Silvana, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rhodes, Anthony Richard Ewart. Propaganda: The art of persuasion, World War II. Secaucus, NJ: Wellfleet Press, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hadacek, Jérôme. The art of Jeep: From propaganda to advertising. Paris: Histoire & Collections, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Tippett, Maria. Canada, art and propaganda during the Great War. London: Canadian High Commission, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Palazzo Zevallos Stigliano (Gallery : Naples, Italy), ed. La Grande Guerra: Società, propaganda, consenso. Cinisello Balsamo, Milano: Silvana editoriale, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Art as propaganda"

1

Leprohon, Ronald J. "Ideology and Propaganda." In A Companion to Ancient Egyptian Art, 307–27. Chichester, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Crawford, Elizabeth. "The art of suffrage propaganda." In Women’s Suffrage in Word, Image, Music, Stage and Screen, 149–66. Abingdon, Oxon; New York: Routledge, 2021. | Series: Interdisciplinary research in gender: Routledge, 2021. http://dx.doi.org/10.4324/9780429344534-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lyons, Martyn. "Art, Propaganda and the Cult of Personality." In Napoleon Bonaparte and the Legacy of the French Revolution, 178–94. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23436-3_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bevolo, Marco. "Manifestos, propaganda, and the art of marketing." In The Golden Crossroads, 68–87. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230250697_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Kwon, Heangga. "Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography." In Interpreting Modernism in Korean Art, 49–57. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Williams, Georgina. "The Static Representation of Movement in Art and War." In Propaganda and Hogarth's Line of Beauty in the First World War, 69–92. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57194-6_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Levy, Evonne. "The German Art Historians in the Great War. Kulturpropaganda and the Stillbirth of Propaganda Analysis." In Apologeten der Vernichtung oder »Kunstschützer«?, 43–60. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508340.43.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Thomson, C. Claire. "“It All Comes from Beer”: Tuborg, Carlsberg, and the Role of Film in Danish Cultural Diplomacy." In Nordic Media Histories of Propaganda and Persuasion, 55–71. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05171-5_3.

Full text
Abstract:
AbstractIt All Comes from Beer is the title of a 1952 short film, commissioned by Carlsberg to showcase its philanthropic contributions to science and art in Denmark to anglophone viewers. But Carlsberg and its rival brewery, Tuborg, used film at least a quarter-century earlier as “propaganda”, not just for their beer but also for the culture, industry, and landscape of their home country. The case studies in this chapter show how inter-war film genres such as tourist films, promotional footage, educational films, and even science films tended to overlap and merge, depending on where they travelled and to which audiences they were screened. The movement of films and of the material culture (from beer glasses to science equipment) that accompanied them facilitated an entrepreneurial form of cultural diplomacy on Denmark’s behalf.
APA, Harvard, Vancouver, ISO, and other styles
9

Mazliak, Laurent, and Rossana Tazzioli. "French Propaganda." In Mathematicians at war, 171–79. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2740-5_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Cole, Ben. "The Rebels Are Extremists." In The Syrian Information and Propaganda War, 299–337. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93282-4_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Art as propaganda"

1

Tihomirov, V. A. "Social and political talk shows on Russian television as a tool political propaganda." In Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Yu, Jinsong, and Shengli Chen. "Research on China Propaganda Picture from the Perspective of Visual Art." In 2018 2nd International Conference on Management, Education and Social Science (ICMESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icmess-18.2018.188.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zora, Viktoria. "Cultural Propaganda and Anglo-Soviet Music Exchanges 1941-1948." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.36.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zhang, Xiaoli. "College English Teaching Reform of China under the External Propaganda Policy." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.53.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Martino, Giovanni Da San, Stefano Cresci, Alberto Barrón-Cedeño, Seunghak Yu, Roberto Di Pietro, and Preslav Nakov. "A Survey on Computational Propaganda Detection." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/672.

Full text
Abstract:
Propaganda campaigns aim at influencing people's mindset with the purpose of advancing a specific agenda. They exploit the anonymity of the Internet, the micro-profiling ability of social networks, and the ease of automatically creating and managing coordinated networks of accounts, to reach millions of social network users with persuasive messages, specifically targeted to topics each individual user is sensitive to, and ultimately influencing the outcome on a targeted issue. In this survey, we review the state of the art on computational propaganda detection from the perspective of Natural Language Processing and Network Analysis, arguing about the need for combined efforts between these communities. We further discuss current challenges and future research directions.
APA, Harvard, Vancouver, ISO, and other styles
6

Gruew, Georgi. "REFERENCES TO THE ANCIENT ART AND HISTORY IN THE PROPAGANDA POSTERS OF WORLD WAR I." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s23.011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Shi, Fangzheng. "Analysis on the Online Propaganda Business Transformation of Chinese Traditional Media During the COVID-19 Epidemic." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.397.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jiménez Caballero, Inmaculada. "Charles-Edouard Jeanneret miembro de l´OEUVRE." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.634.

Full text
Abstract:
Resumen: Esta investigacióvn presenta la influencia en Charles-Edouard Jeanneret de su maestro Charles L´Eplattenier a través de dos instituciones: l´École d´Art de La Chaux-de-Fonds donde ambas figuras se encontraron y la asociación de la Suiza francófona l´OEUVRE, en la que los dos coincidieron también un breve espacio de tiempo en la misma época. La actividad en ambas instituciones representa la doble vertiente de un único proyecto para reformar los procesos artísticos ligados a los oficios artesanales; el propósito era incorporar al producto industrial producido en serie el valor añadido de su calidad artística, siguiendo el ejemplo de la Werkbund alemana. Para tal fin era necesario llevar a cabo una profunda reforma en el programa de enseñanza de dibujo en l´École d´Art, y desarrollar a la vez, una serie de acciones que permitieran visualizar los logros alcanzados. Su estrategia estaba apoyada en dos pilares: formación y propaganda. La presente investigación detalla de que manera Jeanneret participó en este proyecto a través de su intervención tanto en l´École d´Art y las nuevas estructuras para renovar la enseñanza del dibujo, como en la asociación l¨OEUVRE y sus distintos proyectos, A través de estas iniciativas encontramos el origen de algunos temas a los que Le Corbusier dedicará su atención; identificamos personajes que jugarán un papel importante en distintos momentos de su vida o proyectos y artículos que anunciarán propuestas teóricas y prácticas de sus trabajos posteriores. Abstract: This research presents the influence in Charles-Edouard Jeanneret of his master Charles L'Eplattenier in the context of two institutions. On one hand ´École d´Art de La Chaux-de-Fonds, where both figures met and where they established a first line of common work; and on the other hand, the association from the french-speaking Switzerland called l'Oeuvre, in which both briefly met. The activity in both institutions had the same goal and was in reality a single project: the reform of artistic processes bounded to the craft trades to provide the mass-produced industrial goods with the added value of artistic quality, following the example of the Deutscher Werkbund. In order to do this, it was necessary to carry out a profound reform of the drawing education program of l´Ecole d´Art and develop a series of propaganda actions allowing to visualize its achievements. Thus, the strategy was based on two pillars: education and propaganda. This research details how Jeanneret contributed to this project through his involvement in both, l´École d´Art’s renovation of drawing education and the Association l'Oeuvre’s various projects. Through them we discover the origin of some of the subjects that Le Corbusier will devote its attention to, characters that will play an important role in different moments of his life, or projects and articles that announce theoretical proposals or practices of his subsequent work. Palabras clave: Cours Supérieur; Nouvelle Section; Ateliers d´Art Réunis; L´OEUVRE. Keywords: Cours Supérieur; Nouvelle Section; Ateliers d´Art Réunis; L´OEUVRE. DOI: http://dx.doi.org/10.4995/LC2015.2015.634
APA, Harvard, Vancouver, ISO, and other styles
9

Molteni, Elisabetta, and Alberto Pérez Negrete. "Assedi della guerra di Morea nel ciclo celebrativo di Francesco Morosini. Arte, topografia e storia militare." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11440.

Full text
Abstract:
Sieges of the Morea War in the celebratory cycle of Francesco Morosini. Art, topography and military historyThe forty-eight paintings executed between the seventeenth and eighteenth centuries to celebrate the military campaigns of Francesco Morosini (1619-1694) are an exceptional repertoire of military genre painting. The canvas uses different figurative registers to represent naval battles, cities and territories, siege operations. If the relations with war literature and propaganda prints, which spread across Europe and which had their official “historiographer” in Vincenzo Coronelli in Venice, are evident, equally strong relationships can be established between the paintings, war reports and the plans made on the battlefield by military engineers. This paper deals with the paintings dedicated to the sieges of Corone and Negroponte are examined here.
APA, Harvard, Vancouver, ISO, and other styles
10

Hofer, Nina. "Spatial Paradigms in the Travel Park: Sowing the Programmatic Field." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.10.

Full text
Abstract:
This paper attempts to provide a model for meaning by reading the overlay as potential in a banal – if not bizarre – contemporary project: a Chinese theme park in Orlando Florida. Proposed to prospective visitors as “Authentic” it is in fact an extraordinary collision of temporally and culturally distant spatial concepts and building practices. This paper uses an experimental ‘witnessing7 of the park to lay out a series of spacio-conceptual models for travel as power. These range from looking at the theme park as a Chinese propaganda tool, through Bachelard’s concepts of miniaturization and collection, empirical (Chinese) versus theoretical (American) standards for life safety, spatial strategies of 1 lth century Dream Journey Scrolls, and Feng Shui (the art of Placement) The changing nature of architectural practice instigates a movement from building representations of singular architectural ideas to the constructions of more complex ‘programmatic fields.’ We need neither despise nor formally caricature the polyglot programmatic shifts and collisions of our time. This paper takes a hopeful stance, maintaining that the overlay of resonant paradigms provides an opportunity not realized, perhaps, in the existing construction.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Art as propaganda"

1

Lylo, Taras. Ideologemes of modern Russian propaganda in Mikhail Epstein’s essayistic interpretations. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11404.

Full text
Abstract:
The article analyzes the main anti-propaganda accents in Mikhail Epstein’s essayistic argumentation about such messages of modern Russian propaganda as “Russia is threatened by an external enemy”, “Russia is a significant, powerful country”, “The collapse of the USSR was a tragedy”, “Russia is a special spiritual civilization”, “Our cause in Donbass is sacred”, “The enemy uses, or may use of illegal weapons”... A special emphasis is placed on the fact that the basis of these concepts is primarily ontological rather than ideological. Ideology is rather a cover for problematic Russian existence as a consequence of Russia’s problematic identity and for its inability to find itself in history. As a result, Russia is trying to resolve its historical issues geographically, through spatial expansion, trying to implement ideologemes such as “The Great Victory. We can repeat” or “Novorossia”. That is why M. Epstein clearly identifies the national and psychological basis of the Kremlin’s behavior in 2014-2021. М. Epstein easily refutes the main ideologemes of Russian propaganda. This gives grounds to claim that Russian political technologists use the classical principles of propaganda: ignore people who think; if the addressee is the masses, focus on a few simple points; reduce each problem to the lowest common denominator that the least educated person can repeat and remember; be guided by historical realities that appeal to well-known events and symbols and appeal to emotions, not to the mind. М. Epstein’s argumentation clearly points to another feature of modern Russian propaganda: if Soviet propaganda was concerned with the plausibility of its lies, then Kremlin propaganda does not care at all. It totally spreads lies, often ignoring even attempts to offer half-truth.
APA, Harvard, Vancouver, ISO, and other styles
2

Stelmakh, Marta. HISTORICAL CONTEXT IN THE COLLECTION OF ARTICLES BY TIMOTHY SNYDER «UKRAINIAN HISTORY, RUSSIAN POLITICS, EUROPEAN FUTURE». Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11098.

Full text
Abstract:
The article examines the problem of the image formation of Ukraine in the international arena in the historical journalism of Timothy Snyder. The subject of the research is the historical context in the journalistic collection «Ukrainian History, Russian Politics, European Future». It identifies the main considerations of the author on the past of Russian-Ukrainian relations and the need to develop historical consciousness in the fight against Russian manipulation. Methodology: the comparative, historical, system analysis and other methods are used in the process of scientific research. The results of the study were obtained by analysing the author’s journalistic works and by considering the main historical themes raised by Timothy Snyder. Main results: The historical context in Timothy Snyder’s journalism is often focused on the Holodomor and the events of World War II. After all, these events are connected with the beginning of the image formation of the Ukrainian people as supporters of Nazism by the Russian authorities and the devaluation of the Ukrainians’ contribution to the establishment of peace during the Second World War. It is determined that the non-reflective attitude to history, the inability to draw parallels between the events of the past and the future leads to an ineffective response to manipulation and propaganda, which can threaten world peace. Conclusions: the realization that Russian aggression against Ukraine has its own history is a necessary aspect in the elucidation of this issue. The Eurasian Union and cooperation with the European far-right are Russian propaganda tools that discredit the Ukrainian state in the world community. Publicist Timothy Snyder points out that Europe’s future interconnects with the past, so he emphasizes the need to study and rethink history, which today has become the object of propaganda and manipulation. Significance: The results of our study will help journalists who study the historical aspect of journalistic materials and research foreign materials on Ukrainian issues. In addition, our research is necessary for Ukraine, because Russia’s aggression continues, as well as the aggressor’s propaganda, which is based on the distortion and falsification of historical events.
APA, Harvard, Vancouver, ISO, and other styles
3

MacDonald, Stuart, Connor Rees, and Joost S. Remove, Impede, Disrupt, Redirect: Understanding & Combating Pro-Islamic State Use of File-Sharing Platforms. RESOLVE Network, April 2022. http://dx.doi.org/10.37805/ogrr2022.1.

Full text
Abstract:
In the face of content takedown and account suspensions on the biggest social media platforms, terrorist groups and their supporters have resorted to the use of file-sharing sites to ensure stable access to their propaganda. Amongst those to have employed this strategy are supporters of the so-called Islamic State (IS). Yet, while studies have repeatedly highlighted the key role that file-sharing platforms play in the dissemination of IS propaganda, there has been little investigation of the strategic considerations that may influence the choice of file-sharing sites from the many available. To address this, this report uses data gathered from 13 public IS Telegram channels over a 45-day period in July - September 2021 to assess three possible strategic considerations: the features offered by different file-sharing sites (such as data storage capacity, maximum upload size, and password file protection); a platform’s enforcement activity; and the ability to generate large banks of URLs quickly and conveniently. Based on these findings, the report proposes a four-pronged strategy to combat the exploitation of file-sharing sites by supporters of IS and other terrorist groups: remove terrorist content at the point of upload; impede the automated generation and dissemination of banks of URLs; disrupt the posting of these URLs on other platforms; and redirect users to other content and support services.
APA, Harvard, Vancouver, ISO, and other styles
4

Титаренко, Д. М. Геноцид єврейського населення на Донеччині під час нацистської окупації: деякі дискусійні аспекти проблеми. ДонНУ, 2008. http://dx.doi.org/10.31812/123456789/6496.

Full text
Abstract:
В статье освещены дискуссионные аспекты уничтожения еврейского населения на территории Донецкой области в период нацистской оккупации. Исследование базируется на материалах украинских и российских государственных архивов, архива управления Службы безопасности Украины в Донецкой области, федеральных архивов Германии, воспоминаниях очевидцев. В работе рассматриваются проблемы статистики числа жертв, ответственности вермахта за геноцид, основания и функционирования гетто в Сталино (Юзовке), реакции местного населения на геноцид, содержания антисемитской пропаганды. The article is aimed at characterizing the peculiarities, the most controversial aspects of the destruction of the Jews in the Donets’k oblast during the Nazi occupation. The investigation is based on the materials of the Ukrainian central and oblast’s state archives, the archives of the Security Service of Ukraine (SBU) in Donets’k oblast, the Federal archives of Germany, the state archives of Russian Federation as well as the recollections by eyewitnesses. The problems of the statistics of the sacrifices, the responsibility of the Wehrmacht for the genocide, the conditions of the establishment and functioning of ghetto in Stalino (Iuzivka), the reaction of the local population to the genocide, the essence of the anti-Semitic propaganda are emphasized.
APA, Harvard, Vancouver, ISO, and other styles
5

Krylova-Grek, Yulia, and Mariya Shyshkina. Blended Learning Method for Improving Students' Media Literacy Level. [б. в.], November 2020. http://dx.doi.org/10.31812/123456789/4467.

Full text
Abstract:
The paper discusses the issues of improving students' media literacy skills to help them to navigate through an increasingly complex information so- ciety. It reports on a project aimed at applying the blended learning model to boost high school students' media literacy levels. The given model is recognized to have a number of advantages for both teachers (tutors) and learners (students). It is generally accepted that the blended learning method provides students with profound theoretical knowledge and retains the emphasis on practice. Besides, online classes offer a great opportunity to reach a wider audience. The purpose of the paper is to describe the authors' experience in introducing a new method for improving the learners' media literacy skills based on the blended learning model. The survey responses demonstrated that the accessibility, ease-of-use, and duration of the classes were deemed effective in terms of students' engagement and increases in their media literacy level. The course helped learners to develop their critical thinking and other media-related skills, to identify propaganda, ma- nipulation, and fake messages found in media streams.
APA, Harvard, Vancouver, ISO, and other styles
6

Lyzanchuk, Vasyl. COMMUNICATIVE SYNERGY OF UKRAINIAN NATIONAL VALUES IN THE CONTEXT OF THE RUSSIAN HYBRID WAR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11077.

Full text
Abstract:
The author characterized the Ukrainian national values, national interests and national goals. It is emphasized that national values are conceptual, ideological bases, consolidating factors, important life guidelines on the way to effective protection of Ukraine from Russian aggression and building a democratic, united Ukrainian state. Author analyzes the functioning of the mass media in the context of educational propaganda of individual, social and state values, the dominant core of which are patriotism, human rights and freedoms, social justice, material and spiritual wealth of Ukrainians, natural resources, morality, peace, religiosity, benevolence, national security, constitutional order. These key national values are a strong moral and civic core, a life-giving element, a self-affirming synergy, which on the basis of homogeneity binds the current Ukrainian society with the ancestors and their centuries-old material and spiritual heritage. Attention is focused on the fact that the current problem of building the Ukrainian state and protecting it from the brutal Moscow invaders is directly dependent on the awareness of all citizens of the essence of national values, national interests, national goals and filling them with the meaning of life, charitable socio-political life. It is emphasized that the missionary vocation of journalists to orient readers and listeners to the meaningful choice of basic national values, on the basis of which Ukrainian citizens, regardless of nationality together they will overcome the external Moscow and internal aggression of the pro-Russian fifth column, achieve peace, return the Ukrainian territories seized by the Kremlin imperialists and, in agreement will build Ukrainian Ukraine.
APA, Harvard, Vancouver, ISO, and other styles
7

Melnyk, Iurii. JUSTIFICATION OF OCCUPATION IN GERMAN (1938) AND RUSSIAN (2014) MEDIA: SUBSTITUTION OF AGGRESSOR AND VICTIM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11101.

Full text
Abstract:
The article is dedicated to the examination and comparison of the justification of occupation of a neighboring country in the German (1938) and Russian (2014) media. The objective of the study is to reveal the mechanics of the application of the classical manipulative method of substituting of aggressor and victim on the material of German and Russian propaganda in 1938 and in 2014 respectively. According to the results of the study, clear parallels between the two information strategies can be traced at the level of the condemnation of internal aggression against a national minority loyal to Berlin / Moscow and its political representative (the Sudeten Germans – the pro-Russian Ukrainians, as well as the security forces of the Yanukovych regime); the reflections on dangers that Czechoslovakia / Ukraine poses to itself and to its neighbors; condemnation of the violation of the cultural rights of the minority that the occupier intends to protect (German language and culture – Russian language and culture); the historical parallels designed to deepen the modern conflict, to show it as a long-standing and a natural one (“Hussites” – “Banderites”). In the manipulative strategy of both media, the main focus is not on factual fabrication, but on the bias selection of facts, due to which the reader should have an unambiguous understanding of who is the permanent aggressor in the conflict (Czechoslovakia, Czechs – Ukraine, Ukrainians), and who is the permanent victim (Germans – Russians, Russian speakers). The substitution of victim and aggressor in the media in both cases became one of the most important manipulative strategies designed to justify the German occupation of part of Czechoslovakia and the Russian occupation of part of Ukraine.
APA, Harvard, Vancouver, ISO, and other styles
8

Prysyazhna-Gapchenko, Julia. VOLODYMYR LENYK AS A JOURNALIST AND EDITOR IN THE ENVIRONMENT OF UKRAINIAN EMIGRATION. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11094.

Full text
Abstract:
In this article considered Journalistic and editorial activity of Volodymyr Lenika (14.06.1922–02.11.2005) – one of the leading figures of Ukrainian emigration in Germany. First outlined basic landmarks of his life and creation. Journalistic and editorial activity of Volodymyr Lenik was during to forty years out of Ukraine. In the conditions of emigration politically zaangazhovani Ukrainians counted on temporality of the stay abroad and prepared to transference of the created charts and instituciy on native lands. It was or by not main part of conception of liberation revolution of elaborate OUN under the direction of Stepan Banderi, and successfully incarnated in post-war years. Volodymyr Lenik, executing responsible commissions Organization, proved on a few directions of activity, which were organically combined with his journalistic and editorial work. As an editor he was promotorom of creation and realization of models of magazines «Avangard», «Krylati», «Znannia», «Freie Presse Korespondenz», newspapers «Shliakh peremogy». As a journalist Volodymyr Lenik left ponderable work, considerable part of which entered in two-volume edition «Ukrainians on strange land, or reporting, from long journeys». Subject of him newspaper-magazine publications directed on illumination of school, youth, student, cultural, scientific problems, organization and activity of emigrant structures, political fight of emigration, to dethronement of the antiukrainskikh Moscow diversions and provocations. Such variety of problematic of works of V. Lenika was directed in the river-bed of retaining of revolutionary temperament in the environment of diaspore, to bringing in of it to activity in public and political life. Problematic of him is systematized publicism and journalistic appearances, which was inferior realization of a few important tasks, namely to the fight for Ukrainian independence in new terms, cherishing and maintainance of national identity, counteraction hostile soviet propaganda. On an example headed Volodymyr Lenikom a magazine «Knowledge» some aspects are exposed him editorial trade.
APA, Harvard, Vancouver, ISO, and other styles
9

Mehra, Tanya, and Julie Coleman. The Role of the UN Security Council in Countering Terrorism & Violent Extremism: The Limits of Criminalization? RESOLVE Network, October 2022. http://dx.doi.org/10.37805/sfi2022.4.

Full text
Abstract:
After the 9/11 attacks, a united global community entered an era which saw the proliferation of United Nations entities and organs focused on responding to terrorism. These bodies were created, at least in part, in response to the recognized need for a comprehensive multilateral counter-terrorism architecture to ensure international peace and security in the face of the growing specter of violent extremism. This response has notably also included an array of UN Security Council resolutions (UNSCRs) adopted to counter the threat of terrorism. A little over 20 years after the adoption of Resolution 1373 (2001), 52 terrorism related resolutions now exist, creating an elaborate set of measures for Member States to implement. Despite this, however, terrorism was arguably more prevalent in 2021 than in 2001. A myriad of factors have led to the continued spread of terrorism, including the increasingly transnational nature of terrorists and terrorist networks, as well as the failure to adequately address the structural factors and underlying conditions that are conducive to the spread of violent extremism. In order to explain its persistence, one must not only examine the continued appeal of terrorist groups and violent extremist ideology and propaganda, but also reflect upon where, how, and why counter-terrorism responses have often failed to reduce the threat or, in some cases, even exacerbated the factors which give rise to terrorism in the first place. This includes the response of the Security Council, whose resolutions have created the obligation or expectation for Member States to continuously expand the criminalization of terrorism, without evidence that such an approach will lead to less terrorism. This brief focuses on how some UNSCRs include measures that require Member States to criminalize conduct that has historically fallen within the pre-crime space and lacks a clear link to terrorist activities, and examines the subsequent impact this has on human rights and the effectiveness of the criminal justice system. At the same time, it explores the role that States themselves have played in the exceptionalization of terrorism in terms of criminal justice responses. Finally, it offers recommendations for both the UNSC and Members States on how to ensure that counter-terrorism architecture can both be human-rights based and simultaneously conducive to promoting peace and security.
APA, Harvard, Vancouver, ISO, and other styles
10

Quak, Evert-jan. Russia’s Approach to Civilians in the Territories it Controls. Institute of Development Studies (IDS), March 2022. http://dx.doi.org/10.19088/k4d.2022.041.

Full text
Abstract:
This rapid review synthesises the literature from academic sources, knowledge institutions, non-governmental organisations (NGOs), and trusted independent media outlets on the approach used by the Russian government to provide any support or services to civilians in the territories it controls. The rapid review concludes that Russia provides economic, social, government, and military support to de facto states that it controls, such as Abkhazia, South Ossetia, Transnistria and the Donbas region. Russia covers large parts of the state’s budget of these separatist regions. This review uses the term aid referring to a wide range of support, such as humanitarian, social safety nets, basic services, infrastructure, state development, and security. Due to the lack of transparency on the Russian aid money that flows into the regions that are the subject of this review, it is impossible to show disaggregated data, but rather a broader overview of Russian aid to these regions. Russia used humanitarian aid and assistance to provide for civilians. During armed conflict it provided, to some extent, food, and medicines to the people. However, from the literature Russia has used humanitarian aid and assistance as an instrument to pursue broader policy goals that could not be defined as humanitarian in nature. Russia often relied on the language of humanitarianism to strengthen its credentials as a neutral and impartial actor and to justify its continued support for the residents and de facto authorities of Abkhazia, South Ossetia, and Transnistria, to secure its aim to strengthen the political and social ties with these regions while weakening their allegiance to Georgia and Moldova. As the humanitarian activities to the Donbas region in eastern Ukraine demonstrate, the Russian state is not willing to allow scrutiny of their humanitarian aid by independent organisations. Mistrust, corruption, and the use of aid for propaganda, even smuggling arms into the separatist region, are commonly mentioned by trusted sources. After a conflict becomes more stabilised, Russia’s humanitarian aid becomes more of a long-term strategic “friendship”, often sealed in a treaty to integrate the region into the Russian sphere, such as the cases of South Ossetia, Abkhazia, and Transnistria clearly show. Although all these separatist regions rely on Russia (economically, politically, and through Russia’s military presence), this does not mean that they always do exactly what Russia wants, which is particularly the case for Abkhazia and Transnistria.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Art as propaganda' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography