Relevant bibliographies by topics / Art and the body

Academic literature on the topic 'Art and the body'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Art and the body"

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Lapointe, François-Joseph. "Bio Art + Body Art = Inner-Body Art." International Journal of the Arts in Society: Annual Review 6, no. 3 (2011): 1–8. http://dx.doi.org/10.18848/1833-1866/cgp/v06i03/36047.

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Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (April 29, 2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

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Jerrentrup, Maja. "Body art." HAU: Journal of Ethnographic Theory 11, no. 3 (December 1, 2021): 1136–52. http://dx.doi.org/10.1086/718319.

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Hancocks, S. "Body art." British Dental Journal 195, no. 6 (September 2003): 357. http://dx.doi.org/10.1038/sj.bdj.4810541.

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Roberts, Janine. "Body art." Families, Systems, & Health 29, no. 2 (2011): 150. http://dx.doi.org/10.1037/a0023394.

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Wood, Catherine. "Body art." Lancet 356, no. 9248 (December 2000): 2197–98. http://dx.doi.org/10.1016/s0140-6736(00)03511-x.

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Miller, Marisa A. "Body Art." Athletic Therapy Today 8, no. 5 (September 2003): 52–53. http://dx.doi.org/10.1123/att.8.5.52.

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Mandabach, Mark G., Diedre A. McCann, and Gale E. Thompson. "Body Art." Anesthesiology 88, no. 1 (January 1, 1998): 279–80. http://dx.doi.org/10.1097/00000542-199801000-00053.

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Maroto, Michelle Lee. "Professionalizing Body Art." Work and Occupations 38, no. 1 (December 16, 2010): 101–38. http://dx.doi.org/10.1177/0730888410385402.

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King, Anthony. "Art: Body work." Nature 473, no. 7348 (May 2011): 451. http://dx.doi.org/10.1038/473451a.

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Dissertations / Theses on the topic "Art and the body"

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Lodder, Matthew C. "Body Art : Body Modification as Artistic Practice." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525734.

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This thesis is an investigation into the legitimacy and limits of the term "body art" in its vernacular sense, wherein it refers to methods of decorating or ornamenting the body, such as tattooing or piercing. Though the term is widely used and widely understood, it has rarely appeared in any writing which takes an explicitly arthistorical or art-critical approach, and has never been subjected to any sustained analysis which uses the methodologies deployed by specialists when engaging with other forms of art. If tattooing and its coincident technologies are "body art", they have not as yet been understood as such by art historians. The arguments made over the course of this work thus amount to a case for the applicability of art-historical and art-theoretical methodologies to body modification practice. The thesis first establishes the existence of a rhetorical yet broadly undefended case for the artistic status of practices which alter the form of the body. This claim is to be found amongst both the contemporary subcultural body modification community and amongst plastic surgeons. With particular reference to theories of art and aesthetics by John Dewey, Richard Shusterman, and Gilles Deleuze and Felix Guattari, the work investigates whether such claims are tenable. In light of these investigations, the thesis then presents a number of problems which immediately arise from such a claim - problems of authorship, ownership, objectivity and value - and attempts to resolve them through detailed analysis of a number of case-studies.
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Connor, Tenielle. "The body as a canvas : a non-permanent form of body art inspired by body adornment practices." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1439.

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Thesis (BTech (Surface Design))--Cape Peninsula University of Technology, 2010
Forms of body adornment and scarification practices have been around since the origin of mankind. Many forms of traditional body adornment have evolved overtime and still exist within our mainstream society today, however examples of recent body adornments, show that although still very much in practice, in many cases the meaning has been lost. The motivational routes of western adornments are today based on what looks good as apposed to a ritual or right of passage that marks one's body for life. Therefore, the aim of this dissertation is to share the value of representation with the viewer - as representation has played, and continues to play, such an important role within the social aspect of mankind. Bycreating a link between traditional practices of African body adornmentl scarification and connecting these with body expression and representation within my own sub-cultural context, I hope to create awareness of body adornment throughout time. Finally the practical component of this research will consist of a portfolio of different photographs and videos documenting the process and completion of adorning different female bodies. These works of art will be traditionally inspired, nonpermanent three-dimensional body art that will also undoubtedly represent selfexpression and comment on 'trendv' sub-cultural society. As Idocument my progress and work it is hoped that I portray in a conceptual framework, a life cycle that comments on the evolution of culture from rural to urban, and from traditional to Western, and how Western lifestyle is diluting our social being with trends rather than using the method of body adornment as a cultural conversation.
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Green, Allison. "Body of Process." Ohio Dominican University Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1337213923.

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Lomofsky, Lynne. "Body of evidence." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/13911.

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Includes bibliographies.
This body of work is an experiential study which aims primarily to investigate the effect of the Western medical anatomisation of myself - the cancer patient - on and through my artmaking. The dissertation aims to contextualise my practice - to situate it somewhere between the different readings of cancer according to the Western theory of disease, the Eastern and New Age understandings of the body and ill health, and the work of other artists. It seeks balance between these competing discourses and looks for integration through them. The responses of other artists to their ill bodies are described, several of them exploiting medical technology, others subverting the language of the dominant discourse and the image of the 'good' patient with a 'bad' body. My own work attempts to make art around and out of the experience of cancer. The artmaking is an attempt to gather an understanding of my condition and to integrate art and life. The challenge is to visually represent this. I began the work with an ambivalence - was I an activist helping others, or was I merely immersed in my own struggle to maintain sanity, to reach a peace with my body, a calm space from which to deal with my condition? I have dismissed this ambivalence and settled on the latter position, which has the indirect effect of helping others. I have realized, like Jo Spence, that it is easy to burn yourself out when you work from a position of anger. Art and science have exploited and depicted the body throughout their history, sometimes in ways that overlap, sometimes at cross purposes that conflict, and sometimes in mutually supportive ways. When examining the binaries of revealing and concealing, visibility and invisibility, legibility and illegibility, one cannot avoid a conflict with the medical system. However, through the excavation of my body by modern medical technology, I have evolved from previously seeing only the horror of a tumour to now also seeing the hidden beauty of the other landscapes inside my body. My artmaking is thus taken up as a personal issue, not attempting to shock or to be placatory, but to externalize the cancer experience and, rather than simply reacting to it, to find the beauty inside my body.
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Torres, Alessandra Lee Michelle. "OUT OF BODY." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/793.

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This thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evolve.
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Barry, Marie Porterfield. "Lesson 23: The Postmodern Body in Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/25.

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Skantze, Kristina. "Body anagram." Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5779.

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BODY ANAGRAM is a number of hand stitched sculptures, a growing collection of mountable body parts that can be organized and screwed together in different ways. The process of stitching and sculpting bodies is metaphorically compared to the art of anagrams, wordplays. Their common reversibility between recognition and destruction is discussed. Psychological perspectives on intersubjective, as well as subject-object relationships are used to explain what can happen when people and sculptures meet. How can common emotional experiences of relationships be embodied through human-like textile sculptures? This question is processed in video documentations of people interacting with the sewn body parts. These meetings as well as collaborations around the making of the film, “Your hands and their hands”, are explored further in this paper.
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Takacs, Stephen R. "Sing the Body Electric." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343344994.

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Clarke, Warwick Media Arts College of Fine Arts UNSW. "Body and soul." Publisher:University of New South Wales. Media Arts, 2008. http://handle.unsw.edu.au/1959.4/44096.

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The research component, "Body and Soul", is an interdisciplinary, comparative study of the essay form, focusing on the Weimar period. The essay is a marginal literary genre, which, like much documentary style photography, attempts "the imaginative recreation of a culture, a period or an individual". August Sander's photographic opus, People of the 20th Century and Robert Musil's essayistic novel, The Man Without Qualities invite comparison as complex and problematic portraits of their respective societies. Sander's typological portraits are well known and his legacy informs much of contemporary documentary photography. Sixty images were published in 1929 by Kurt Wolff, Transmare Verlag, Munich, as Antlitz der Zeit (Face of Our Time) with an introduction by Alfred D??blin. The rust two volumes of Robert Musil's, Der Mann ohne Eigenschaften (The Man Without Qualities), were published in 1930 and 1932 by Rowohlt Verlag, Hamburg. Recent publication of new editions of both Musil's and Sander's works prompted the attempt to reconcile two portraits of people and events of the early decades of the 20th Century in Germany and Austria. The essay form in literature and the documentary style in photography are examined with regard to the polemic associated with truth and reality. This review attempts to illustrate the inevitable inclusion of the fictional element into the fabric of both forms of investigation. The study concludes with a review of contemporary art practice in photo-documentary and some thoughts on future developments. The studio component, "Dargan", is a photographic essay of a site in the Blue Mountains West of Sydney. Focusing on relics of industrial activity in the region, and their effects on the landscape, large format colour photographs were produced to establish a documentary style body of work for exhibition as large-scale colour analogue prints. The work is the response to a need to engage with the Australian landscape and to establish a sustainable practice that recognises and takes into account an ambivalent relationship with "country".
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Fok, Siu-har Silvia. "Performance art and the body in contemporary China." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/b40203888.

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Books on the topic "Art and the body"

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Hill, Deborah. Body art. Canberra, ACT: Published by the National Library of Australia, 2013.

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Hawes, Alison. Body art. Stevenage: Badger Learning, 2014.

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Burke, Adrienne. Body art. New York, NY: Sterling Innovations, 2008.

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Wood, Alix. Body art. New York: Gareth Stevens Publishing, 2015.

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Body art. New York, NY: Sterling Innovations, 2008.

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McComb, David. Body art. London: Titan Books, 2011.

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Body art. [Place of publication not identified]: Select Editions, 2002.

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Beach body art. Toronto: elan Press, 1999.

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Wicked! body art. London: Caxton Editions, 2001.

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McComb, David, and Ashley. Body art 2. London: Titan, 2011.

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Book chapters on the topic "Art and the body"

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Andrews, Elmer. "Body." In The Art of Brian Friel, 208–62. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23986-3_5.

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Holmes, Thom. "Sounds of the Body." In Sound Art, 48–54. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781315623047-5.

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Pluciennik, Mark. "Art, Artefact, Metaphor." In Thinking through the Body, 217–32. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0693-5_12.

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Swift, B. "Body Art and Modification." In Essentials of Autopsy Practice, 159–86. London: Springer London, 2004. http://dx.doi.org/10.1007/978-1-4471-0637-1_7.

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Millett-Gallant, Ann. "Sculpting Body Ideals." In The Disabled Body in Contemporary Art, 51–81. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109971_3.

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De Cuyper, Christa, and Davy D'hollander. "Materials Used in Body Art." In Dermatologic Complications with Body Art, 13–28. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-03292-9_2.

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De Cuyper, Christa, and Davy D’hollander. "Materials Used in Body Art." In Dermatologic Complications with Body Art, 21–48. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77098-7_2.

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Negrin, Llewellyn. "Body Art and Men’s Fashion." In Appearance and Identity, 97–115. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230617186_6.

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Pinotti, Andrea. "Do Styles Have a Body?" In History and Art History, 134–48. New York, NY : Routledge, 2021. | Series: Routledge research in art history: Routledge, 2020. http://dx.doi.org/10.4324/9780429288623-9.

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Montag, Markus, Maria Köster, K. van der Ven, and Hans van der Ven. "Polar Body Biopsy." In Gamete Assessment, Selection and Micromanipulation in ART, 261–68. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8360-1_20.

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Conference papers on the topic "Art and the body"

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"[Cover art]." In 2010 International Conference on Body Sensor Networks (BSN). IEEE, 2010. http://dx.doi.org/10.1109/bsn.2010.64.

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Silva, Priscila Ramos da. "Corpo na arte, body art, body modification: fronteiras." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3690.

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Tão freqüentemente associado à produção artística atual, o termo corpo na arte é, para muitos, uma incógnita. Afinal, do que se trata falar, simultaneamente em arte e corpo? A junção das duas palavras parece, à primeira vista, mais confundir do que esclarecer. Com freqüência, a arte do corpo dos anos 1990/2000 é confundida duas outras manifestações em que o corpo é o suporte da criação: a body art dos anos 1960/70 e o a body modification, fenômeno que compreende a realização de piercings, tatuagens, escarificações e outras intervenções corporais. No que se refere à arte contemporânea, um estudo aprofundado sobre a questão do corpo deve se deter, de início, sobre duas questões metodológicas fundamentais: a primeira é a definição o do próprio termo corpo na arte. A segunda, a delimitação das fronteiras entre os três campos de ação distintos: a arte do corpo atual, body art e a body modification. Estas serão as questões discutidas nesta comunicação.
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Besant, Derek. "Body of water." In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185889.

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"[Cover art]." In 2012 Ninth International Conference on Wearable and Implantable Body Sensor Networks (BSN). IEEE, 2012. http://dx.doi.org/10.1109/bsn.2012.45.

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Pogue, Briohny. "Body story." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312863.

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"Cover Art." In 2014 11th International Conference on Wearable and Implantable Body Sensor Networks Workshops (BSN Workshops). IEEE, 2014. http://dx.doi.org/10.1109/bsn.workshops.2014.23.

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Haig, Ian. "Body Horror 2.0." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.6.

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Sabin, Jenny E. "Fourier carpet and body blanket." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400390.

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Pombo, Olga, Catarina Nabais, Marco Pina, and Silvia Di Marco. "Body-image: Crossing science and art." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.48.

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Bravo, Jason. "Bob's body parts." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281814.

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Reports on the topic "Art and the body"

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Oosterhof, Pauline. Practical Guides for Participatory Methods: Body Mapping. Institute of Development Studies, January 2023. http://dx.doi.org/10.19088/ids.2023.004.

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Body mapping may be useful for practitioners and researchers who want to: Examine and appreciate how emotions, cultural norms or practices relate to (specific parts of) physical bodies, or are embodied; Explore topics that people find difficult to express verbally; Build trust in groups.
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Longcope, Donald B. ,. Jr, Thomas Lynn Warren, and Henry Duong. Aft-body loading function for penetrators based on the spherical cavity-expansion approximation. Office of Scientific and Technical Information (OSTI), December 2009. http://dx.doi.org/10.2172/986592.

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Mizrach, Amos, Sydney L. Spahr, Ephraim Maltz, Michael R. Murphy, Zeev Schmilovitch, Jan E. Novakofski, Uri M. Peiper, et al. Ultrasonic Body Condition Measurements for Computerized Dairy Management Systems. United States Department of Agriculture, 1993. http://dx.doi.org/10.32747/1993.7568109.bard.

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The body condition (BC) score is recognized in the dairy industry as an essential tool for managing the energy reserves of the dairy cow, which is essential for sustaining optimal and efficient production over several lactations. The current use of BC scoring depends on the accuracy of subjective visual estimates, and this limits its kusefulness as a management aid in the dairy industry. A measuring tool that would frequently provide objective data on the cow's body reserves would be a major contribution to efficient dairy herd management. Ultrasonic sensors have the potential to be developed into an efficient BC measuring device, and the experimental use of such sensors for subcutaneous fat thickness (SDFT) estimates, as an indication for BC in beef cattle, supports this assumption. The purposes of this project were: 1. To compare visual BC scoring and ultrasonic fat thickness with on-line automated body weight (BW) measurements as monitors of nutritional adequacy of dairy cows at various stages of lactation. 2. To determine the effects of variation in digestive fill in early and late lactation on the accuracy of body weight measurements in lactating cows. 3. To modify an existing ultrasonic system and develop a specialized, low-cost sensor for repeatable determination of body condition scores by users with minimal training and skill. 4. To develop a standard for the assignment of body condition scores based on ultrasonic measurements of subdermal fat thickness. The procedure to execute these objectives involved: 1. Frequent measurement of BW, milk yield (MY), BC (visually scored) and subdermal fat thickness ultrasonically measured of dairy cows, and data analysis on average and individual basis. 2. Testing and selection of an appropriate special-purpose sensor, finding an optimum body location for working an ultrasonic measurement, prcessing the signals obtained, and correlating the resulting measurements with performance responses in lactating cows. Linking the ultrasonic signals to BC scores, and developing a BC scoring data acquisition system are the first steps towards fulfilling the necessary requirements for incorporating this device into an existing dairy herd management system, in order to provide the industry with a powerful managment tool. From the results obtained we could conclude that: 1. BC does not correlate with BW changes during all stages of lactation, although in general terms it does. These results were confirmed by individual cow BW and BC data obtained during the course of lactation, that were supported by individual objective ultrasonic measurement of SDFT. 2. BW changes reflect energy metabolism reliably ony after peak milk yield; early in lactation, a decrease in BW expresses mobilization of body reserves only qualitatively, and not quantitatively. 3. Gastrointestinal content increases throughout the whole period during which dry matter intake (DMI) increases. The drastic increase very early in lactation prevents the use of BW changes as a basis for quantitative estimatio of energy meatabolism; at this stage of lactation, konly a BC score or any other direct measurements willl provide a quantitative estimate of energy metabolism. 4. Ultrasonic measurements of subdermal fat thickness can be used to quantify changes that correlate with the actual condition of the cow, as assessed by performance and the traditional way of scoring. 5. To find the best site on the cow's body at which to obtain responses to BC and its changes in the course of lactation, additional sites have to be examined. From the present study, it seems that the sites between ribs 12 and 13 have the potential for this purpose. 6. The use of templates made it easier to repeat measurements at a desired site and spot. However, the convenient easy-to-handle way to standardize the measurement, described in this study, koffers scope for improvement. 7. The RF peak values of the A-mode are better indicators of the location of fat layer borders than image analysis, from the point of view of future commercial development. 8. The distances between the RF peaks of the A-mode can be automatically measured by suitable software, for future commercial development. 9. Proper analysis of daily body weight and milk yield data can provide the necessary information on body condition changes during lactation, until a direct BC measurement device is developed. 10. In any case, at least one visual BC assessment has to be done, preferably immediately after calving, for calibration purposes.
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Perrin, Richard A., Robert E. Bona, Bennis A. Brekhus, and Carol E. Fraser. ARN Integrated Retail Module (IRM) & 3D Whole Body Scanner System at Fort Carson, Colorado. Fort Belvoir, VA: Defense Technical Information Center, December 2006. http://dx.doi.org/10.21236/ada474423.

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Martinho, Diogo, Adam Field, and Hugo Sarmento. Soccer referees are also part of the game: a systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, August 2022. http://dx.doi.org/10.37766/inplasy2022.8.0052.

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Review question / Objective: The of this study was to review and organise the literature using a holistic approach about match indicators, testing, nutrition and physiology on soccer refereeing. Condition being studied: This review is focused on physical, physiological, body composition, and physiological outputs among soccer referees. Each main topic will be organized according to the results of extracted studies. Eligibility criteria: (1) population – male and/or female soccer referees and/or assistant referees; (2) relevant data about body size, body composition, physical performance, physiological outputs and nutrition.
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Molotylnikova, Vira. MODERN TYPES OF BODY RELAXATION METHODS AFTER INTENSE PHYSICAL EXERTION. Intellectual Archive, November 2022. http://dx.doi.org/10.32370/iaj.2748.

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The article presents varieties and variants of relaxation techniques advisable to use after intense physical exertion. The concept of "relaxation" and understanding of its role in physical education to maintain health and harmonious development of youth are considered. Considering the fact that one of the main trends in sports remains the increase in the intensity of training and the need to improve the results of competitions, the problem of restoring the athlete's performance capacity after physical exertion is extremely relevant today. Understanding the causes of fatigue and the physiological mechanisms of recovery, control over the relevant processes, the rational use of modern methods of body relaxation and means of recovery are important for assessing the impact of physical stress on the body, the effectiveness of training programs, identifying overtraining, determining the optimal rest time after physical exercises, and therefore, are necessary to improve the athlete's training and achieving high results.
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Saeidi, Elahe, and Eonyou Shin. What Are Whole Body Shapes for Plus Sized Women in the United States?: Implications for New Product Development. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8858.

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Reddy-Best, Kelly L., Eunji Choi, and Hangael Park. When and How Are Men Represented in Fashion Illustration Textbooks? A Critical Analysis of Race and the Body. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1843.

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Perrin, Richard A., Robert E. Bona, Carol E. Fraser, Douglas D. Deloach, Dennis A. Brekhus, Rainer Trieb, and Jochen Balzulat. Implementation of VITUS 3D Whole Body Scanning for Item Size Selection & Integration to ARN Systems for Issuing at Ft. Jackson. Fort Belvoir, VA: Defense Technical Information Center, December 2004. http://dx.doi.org/10.21236/ada444068.

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Cantwell, Brian J. The Effects of Initial Conditions on the 3-D Topology of Temporally Evolving Wakes, (ARI on 3-D Bluff Body Wakes). Fort Belvoir, VA: Defense Technical Information Center, September 1993. http://dx.doi.org/10.21236/ada271008.

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