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Books on the topic 'Art and state Australia'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

1954-, Dufour Gary, ed. State art collection: Art Gallery of Western Australia. [Perth], W.A: The Gallery, 1997.

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2

AURA Congress (1st 1988 Darwin, N.T.). State of the art: Regional rock art studies in Australia and Melanesia ; proceedings of Symposium C "Rock art studies in Australia and Oceania" and Symposium D "The rock art of Northern Australia" of the First AURA Congress held in Darwin in 1988. Melbourne: Australian Rock Art Research Association, 1992.

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3

Clotilde, Bullen, Knights Mary, and Pearn Tim, eds. Western Desert satellites: Works from the Western Australian state art collection : Fitzroy Crossing, Irrunytju (Wingellina), Kiwirrkura, Papulankutja (Blackstone), Warburton, Wirrimanu (Balgo Hills). Perth, W.A: Art Gallery of Western Australia, 2006.

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4

Razak, Ajala, and Anderton Malcolm Hey, eds. The arts in a state: A study of government arts policies from ancient Greece to the present. Bristol: Bristol Classical Press, 1988.

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5

Art and organisation: [making Australian cultural policy]. St. Lucia, Queensland: University of Queensland Press, 2000.

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6

Gardiner-Garden, John. Arts policy in Australia: A history of Commonwealth involvement in the arts. Canberra: Dept. of the Parliamentary Library, 1994.

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7

From Nimbin to Mardi Gras: Constructing community arts. St. Leonards, NSW, Australia: Allen & Unwin, 1993.

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8

Silsbury, Elizabeth. State of opera: An intimate new history of the State Opera of South Australia, 1957-2000. Kent Town, S. Aust: Wakefield Press, 2001.

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9

Images of the Pacific Rim: Australia and California, 1850-1935. University of Sydney, N.S.W: Power Publications, 2010.

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10

1958-, Fraser Margaret, ed. Arts management: A practical guide. St. Leonards, N.S.W: Allen & Unwin, 1996.

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11

Peter, Ward. A singular act: Twenty five years of the State Theatre Company of South Australia. Adelaide, S. Aust: State Theatre Co., 1992.

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12

A Singular Act: Twenty Five Years of the State Theatre Company of South Australia. Adelaide, Australia: State Theatre Company, Australia, 1992.

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13

Richardson, Donald. Art in Australia. Melbourne, Australia: Longman Cheshire, 1988.

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14

Art of Australia. Sydney, N.S.W: Pan Macmillan Australia, 2008.

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15

Empire and environmental anxiety: Health, science, art and conservation in South Asia and Australasia, 1800-1920. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2011.

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16

Religion in secular education: What, in heaven's name, are we teaching our children? Leiden: Brill, 2014.

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17

1964-, Croft Brenda L., ed. Indigenous art: Art Gallery of Western Australia. Perth, WA: Art Gallery of Western Australia, 2001.

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18

Grottanelli, Vinigi L. Australia, Oceania, Africa nera. Torino: UTET, 1987.

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19

Coyle, Rebecca. Apparition: Holographic art in Australia. Sydney: Power Publications, 1995.

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20

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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21

Graham, Dan. Dan Graham: Public/private. Philadelphia: The Gallery, 1993.

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22

Graham, Dan. Dan Graham: Œuvres, 1965-2000. Paris: Paris-musées, 2001.

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23

Graham, Dan. Dan Graham: 20 février-19 avril 1987, ARC (Animation, recherche, confrontation), Musée d'art moderne de la ville de aris. Paris: Musée d'art moderne de la ville de Paris, 1987.

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24

Graham, Dan. Dan Graham. Barcelona: Ediciones Polígrafa, 1998.

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25

Graham, Dan. Dan Graham: Public/private. Philadelphia, Pa: Goldie Paley Gallery, Levy Gallery for the Arts in Philadelphia, Moore College of Art and Design, 1993.

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26

Bennett, Simpson, Iles Chrissie, Anastas Rhea, Gordon Kim 1953-, Graham Rodney 1949-, Museum of Contemporary Art (Los Angeles, Calif.), and Whitney Museum of American Art., eds. Dan Graham: Beyond. Los Angeles: Museum of Contemporary Art, 2009.

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27

Graham, Dan. Dan Graham: Contemporary Art Gallery, September 24-November 15, 2003. [Vancouver]: The Gallery, 2003.

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28

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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29

Dahlhausen, Christoph. Australia: Contemporary non-objective art. Bremen: Hachmannedition, 2007.

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30

Rosenfeld, Andrée. Rock art conservation in Australia. 2nd ed. Canberra: Australian Govt. Pub. Service, 1988.

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31

1960-, Dahlhausen Christoph, Schmidt Hans M, Weste Dagmar, Gesellschaft für Kunst und Gestaltung (Germany), Museum im Kulturspeicher (Würzburg, Germany), and Dominikanerkirche (Osnabrück Germany), eds. Australia: Contemporary non-objective art. Bremen: Hachmannedition, 2007.

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32

Queensland Art Gallery. Gallery of Modern Art, ed. Contemporary Australia: Women. South Brisbane, Qld: Queensland Art Gallery, 2012.

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33

My country, I still call Australia home: Contemporary art from Black Australia. South Brisbane, Qld: Queensland Art Gallery, 2013.

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34

Christopher, Allen. Art in Australia: From colonization to postmodernism. New York, N.Y: Thames and Hudson, 1997.

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35

Sturgeon, Graeme. Australia, the painters vision. Sydney: Bay Books, 1987.

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36

Pearce, Barry. Swiss artists in Australia, 1777-1991. Sydney: Art Gallery of New South Wales, 1991.

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37

Richardson, Donald. Art & design in Australia: A handbook. Melbourne, Australia: Longman, 1995.

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38

1968-, Slade Lisa, and Art Gallery of South Australia, eds. Heartland: Contemporary art from South Australia. Adelaide: Art Gallery of South Australia, 2013.

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39

Biennial State-of-the-Art Sensors Technology in Australia 2019-2020. MDPI, 2021. http://dx.doi.org/10.3390/books978-3-0365-0709-5.

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40

State of the art: Regional rock art studies in Australia and Melanesia ; proceedings of Symposium C "Rock art studies in Australia and Oceania" and Symposium ... Darwin in 1988 (Occasional AURA publication). Australian Rock Art Research Association, 1992.

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41

Artists in the University: Positioning Artistic Research in Higher Education. Springer, 2017.

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42

Wilson, Jenny. Artists in the University: Positioning Artistic Research in Higher Education. Springer, 2018.

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43

Jeffrey, Goldsworthy. 3 Australia: Devotion to Legalism. Oxford University Press, 2007. http://dx.doi.org/10.1093/acprof:oso/9780199226474.003.0004.

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The Commonwealth of Australia is a federation of six states, whose constitution was enacted by the United Kingdom Parliament in 1900, when Australia was part of the British Empire. The six states had previously been separate British colonies, each with its own constitution that continued in force after 1900, although subject to the new federal constitution. The authority of the United Kingdom Parliament to change Australian law was not formally terminated until 1986, when the Australia Act was passed by both the United Kingdom and the Commonwealth Parliaments. The fundamental documents of Australian constitutional law therefore comprise the federal constitution, the Australia Act, and the six state constitutions. This chapter looks at Australia's constitution and its origins and structure, judicial interpretation of the federal constitution, judicial review, High Court and its judges, problems and methods of constitutional interpretation, causes of interpretive difficulties, sources of interpretive principles, current interpretive methodology, extrinsic evidence of framers' intentions and purposes, ‘structural’ principles and implications, separation of powers, balance between legitimate and illegitimate creativity, and institutional and cultural factors underlying constitutional interpretation.
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44

Colonization, Wilderness, and Spaces Between: Nineteenth-Century Landscape Painting in Australia and the United States. Terra Foundation for American Art, 2020.

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45

Chad, Creighton, and Art Gallery of Western Australia., eds. Yirrkala artists everywhen: Bark paintings from the State Art collection. Perth, W.A: Art Gallery of Western Australia, 2009.

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46

Hawkins, Gay. From Nimbin to Mardi Gras: Constructing Community Arts (Australian Cultural Studies). Allen & Unwin Pty., Limited (Australia), 1994.

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47

Braby, Michael F. Butterflies of Australia. CSIRO Publishing, 2000. http://dx.doi.org/10.1071/9780643100770.

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This outstanding work is the ultimate guide for the identification of Australia’s butterflies. Nearly 400 species – all those currently recognised from Australia, plus those from surrounding islands – are represented, with all adults and some immature stages displayed in stunning colour sections. Introductory chapters cover the history of publications, classification, morphology, distribution, conservation and collection, together with a checklist of the butterfly fauna. The body of the text is arranged systematically, providing a wealth of information including description, variation, similar behaviour, distribution and habitat, and major literature references, giving a comprehensive summary of the present state of knowledge of these insects. Appendices provide details of those species recorded from Australian islands outside the Australian faunal subregion, those protected by legislation, the larval food plants, and the attendant ants. Extensive references, a glossary and an index of scientific and common names complete the work. Joint Winner of the 2001 Whitley Medal. Finalist Scholarly Reference section - The Australian Awards for Excellence in Educational Publishing 2001.
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48

Altman, Jon C. Brokering Aboriginal Art: A Critical Perspective on Marketing, Institutions, and the State (Kenneth Myer Lecture in Art & Entertainment Management). Deakin University Press, 2005.

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49

Joshua, Castellino, and Keane David. 2 Australia. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199574827.003.0003.

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This chapter emphasizes the causes of violations against minorities and indigenous peoples within the state. It seeks to explain the extent to which law has sought to address the position of the more vulnerable groups in Australian society. The chapter is divided into four main sections. Section 2.1 identifies the key historical moments that are important in understanding the backdrop to the plight of minorities and vulnerable peoples in Australia. Section 2.2 focuses on an identification of ‘Minorities’, ‘Indigenous Peoples’, and others that are covered by this chapter. Section 2.3 provides an analysis of the legal framework that regulates indigenous peoples' and minorities' entitlements in Australia. Section 2.4 reflects on the existing remedies available in Australian law, testing their efficacy. The chapter concludes by addressing the question of what ‘Australian-ness’ means and how its construction impacts the experience of vulnerable groups within society.
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50

The Australiana collection. [Sydney]: Fine Arts Press, 1990.

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