Relevant bibliographies by topics / Art and mythology

Academic literature on the topic 'Art and mythology'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Art and mythology"

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Nolasco, Ana. "Art, Mythology and Cyborgs." Dialogue and Universalism 25, no. 1 (2015): 104–11. http://dx.doi.org/10.5840/du201525114.

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Karim, Baigutov, Myrzakanov Madvakas Seksembaevich, Aiman Suyuberdieva, Gulzhan Maulenberdieva, Marzhan Kudaibergenova, Lyazzat Baybolat, and Kymbat Ibrayeva. "Painting education of Kazakh mythology." Cypriot Journal of Educational Sciences 16, no. 4 (August 31, 2021): 1956–75. http://dx.doi.org/10.18844/cjes.v16i4.6064.

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Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history. Previous scholars have always overlooked the study of mythology in the field of art. It’s for this reason, that this research article centered on the mythology in the art of painting education and especially pictorial analysis of Kazakh mythology. In the article, the definition and history of Kazakh mythology are given and the studies of the researchers on mythology are mentioned. The painting educations made within the scope of the research article are inspired by the myth of "Er Tostik". The research conducted within the scope of a creative and scientific analysis shows that the works related to the formation of Kazakh mythology have an important place in the history of Kazakh painting education. Besides, important subjects of Kazakh mythology in Kazakh art history were determined and how they affected the works of the painters were examined and interpreted comparatively. Keywords: Kazakh mythology, Kazakh painters, Er Tostik, art, painting, woodcut technique
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Dodson, Timothy. "Breaking Ground: Art, Archaeology & Mythology." International Journal of the History of Sport 34, no. 3-4 (March 4, 2017): 300–301. http://dx.doi.org/10.1080/09523367.2017.1373458.

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Waites, Ian. "Breaking ground: art, archaeology & mythology." International Journal of Heritage Studies 23, no. 9 (June 11, 2017): 906–8. http://dx.doi.org/10.1080/13527258.2017.1338604.

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Warwick, Tosh. "Breaking ground: art, archaeology & mythology." Sport in History 39, no. 1 (January 2, 2019): 116–19. http://dx.doi.org/10.1080/17460263.2019.1572994.

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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (July 20, 2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art and its relationship with contemporary animation art, so as to provide reference for the inheritance and development of Chinese traditional culture.
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Ball, Laurie. "Parallels between Art and Mythology: Implications for Art Education." Art Education 44, no. 2 (March 1991): 8. http://dx.doi.org/10.2307/3193300.

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Borea, Giuliana. "Personal cartographies of a Huitoto mythology:." Revista de Antropologia da UFSCar 2, no. 2 (December 1, 2010): 67–87. http://dx.doi.org/10.52426/rau.v2i2.27.

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Rember Yahuarcani López was born in Pebas, in the Peruvian Amazonian department of Loreto, in 1985. He belongs to the Aymenu clan of the Huitoto group. In 2003 he came to Lima for the first time. His father, the painter and sculptor Santiago Yahuarcani, was invited to impart workshops as part of the exhibition Serpiente de Agua. Instead, he decided to send his son. This opportunity would change Rember Yahuarcani’s perspective on his life and artwork. This article explores Rember Yahuarcani’s art practice and the creation of his own pictorial vocabulary based on his traditions, his artistic explorations, and his new experiences. The article also analyzes Yahuarcani’s discourse and performance in making himself a contemporary artist, and his receptivity in the Limeño art scene. Yahuarcani’s trajectory will be examined in relation to new art agents’ strategies, networks, and narratives that aim to provide a more established visibility to Amazonian contemporary art in Lima’s art circuits. A new art agenda in which Yahuarcani participates and thus shapes.
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Baigutov, Karim, Aman Ibragimov, Alzhanov Gadilbek Kh., Kumarkan Muratayev, Taiyrzhan Iskakov, and Dzhanaev Miyat. "Evaluating and redesigning the teaching practices of the Kazakh Mythology- engraving techniques." PLOS ONE 19, no. 5 (May 14, 2024): e0296905. http://dx.doi.org/10.1371/journal.pone.0296905.

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The study was designed to explore and develop art students’ interest and engagement in Kazakh mythology and using engraving techniques. The archetypic and challenges of Kazakh mythology in art students were not previously explored. Therefore, the need for study in this domain was essential to cover the gap in the literature. The gap has been recently discovered by Kazakh scholars although it has been explored by foreign authors but the authenticity of such studies remains a question. The study was experimental and the results show a strong association between art’s student’s engagement with Kazakh mythology using engraving techniques. Moreover, the elective course was selected by 90% class of the art students voluntarily. The teaching method developed for the study provides strong results and the outcome of the experiment was well above 80%. The study used a systematic method along with comparative analysis based on Kazakh myths, culture, ethnology, folklore, mythology, and archeology.
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Holman, Beth L. "Goltzius' Great Hercules: mythology, art and polities." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 42-43, no. 1 (1991): 397–412. http://dx.doi.org/10.1163/22145966-90000625.

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Dissertations / Theses on the topic "Art and mythology"

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Lee, Chanju. "Birth and Women in Mythology." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/35.

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The Birth is a multi-media video installation inspired by my personal experiences of a miscarriage and the births of my two children. The work is influenced by the mythologies found in Korean culture that focus on the mother figure as a ¡°Great Mother¡±. She is an ¡°ideal woman¡±, a ¡°good mother¡± and a ¡°sincere wife¡±. Working abstractly across the media of painting, video, digital animation, and the paintings of my son, The Birth exploits metaphors and symbols, to tell the story of women, especially the stories of mothers. The work speaks to motherly love and my own identity as an artist and a mother.
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Vollkommer, Rainer. "Herakles in the art of classical Greece." Oxford : Oxford University Committee for Archaeology, 1988. http://books.google.com/books?id=ur2fAAAAMAAJ.

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Robinson, Scott E. (Scott Elmon) 1961. "Dichotomy in American Western Mythology." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500528/.

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The fundamental dichotomy between savage and civilized man is examined within the archetypal Western myth of American culture. The roots of the dichotomy are explored through images produced between 1888 and 1909 by artists Frederic Remington and Charles Russell. Four John Ford films are then used as a basis for the "dichotomous archetype" approach to understanding Western myth in film. Next, twenty-nine "historical" and "contemporary" Western movies are discussed chronologically, from The Virginian (1929) to Dances with Wolves (1990), in terms of the savage/civilized schema as it is personified by the roles of archetypal characters. The conclusion proposes a potential resolution of the savage/civilized conflict through an ecumenical mythology that recognizes a universal reverence for nature.
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Winch, Lauren. "Metabolism, mythology, magic or metaphor? : animals in the rock art of Thailand." Thesis, University of Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658567.

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A common feature of many rock art corpora is the inclusion of animals, both naturalistic and fantastical. For a long time it was assumed that animals in the art simply related to actual or desired prey species. In recent decades, however, research has increasingly revealed rock art to be full of subtle nuances, mythological phenomena, multifaceted magic and potency, and metaphorical references to various aspects of society and culture. In line with this burgeoning interest in the multiplicities inherent within rock art, the central aim of this thesis is to examine which animals feature in the rock art of Thailand and why. Evidence outlined in this thesis suggests that the rock art of Thailand was created almost exclusively within the last 4000 years and consists of anthropomorphic figures, wild animal species, domesticated animals, geometrics and boats. This thesis explores the specific social and environmental contexts of rock art in Thailand alongside considerations gleaned from rock art research in other parts of the world, and uses this in the analysis of data gathered during primary fieldwork in May-July 2011. Fieldwork was conducted in two study regions: the southern peninsula and inland mountains. The key conclusion of this research project is that metabolic, mythological, magical and metaphorical considerations all played a part in the inception of prehistoric rock art in Thailand in different and often complimentary ways. Another important deduction is that the notions of personal and collective identity permeate both the inland and peninsula datasets, albeit idiosyncratically manifested through alternative methods of literal and metaphorical representation. Fieldwork findings and secondary sources suggest that the rock art was most likely produced by communities who were predominantly hunter-gatherer-fishers who may have also practiced a certain degree of mixed subsistence strategies. Domesticated animals appear to be absent from the painted record of the peninsula region yet dominate the faunal repertoire of the inland sites; alongside archaeological evidence from the two regions from the period between 5,000-2,000 BP I therefore conclude that the peninsula painting communities had a subsistence economy which continued to be more strongly centred on hunter-gatherer lifeways than their inland counterparts in the face of expanding agricultural practices in Southeast Asia.
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Dipla, Anthi. "Images of revolt : women of myth in the art of classical Athens." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297329.

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Kelly, Ann Therese. "Contemporary truths through creation-centered mythology: a visual thought process /." Online version of thesis, 1991. http://hdl.handle.net/1850/11292.

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Walker, Kathleen. "Chasing the Dragon's Tale: Europe's Fascination and Representation of the Dragon from the Twelfth to the Seventeenth Century." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437605968.

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Rhea, Jonthan P. "THE NEOTERICS A PANTHEON FOR THE 21ST CENTURY." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/1897.

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My thesis work explores the spiritual embodiments of 21st century culture by creating a set/series of sights, sounds and other sensory experiences that are symbolically representative of a new pantheon called The Neoterics and its mythology. It examines the human quest for stability (survival, community, and mental/physical/ financial stability) in a world of constant change. The exhibition introduces the six members of the pantheon as the embodiments of the primitive or basic needs, contemporary wants, and future desires of humanity, at least from the perspective of Westernized culture. This paper looks at mythology’s role in the 21st century. It examines the artistic process of creating and representing mythological entities in the gallery and museum space. It peers through the lenses of the literary theory of ‘carrier bag fiction’ and the theory of the artistic gifts in relationship to the exhibition. Finally concluding with where this new mythology might go as it expands and grows in the future.
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Zhang, Ting. "Alfred Bruyas : the mythology and practice of art collecting and patronage in nineteenth-century France." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247778.

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Sun, Linda. "Translocation this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design) in the year 2004." Full thesis. Abstract, 2004.

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Books on the topic "Art and mythology"

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Aryan, K. C. Hanuman: Art, mythology & folklore. 2nd ed. New Delhi: Rekha Prakashan, 1994.

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Parrinder, Edward Geoffrey. African mythology. New York: P. Bedrick, 1986.

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Ansone, Elita. Padomjzemes mitoloģija =: The mythology of sovietland. Rīga: Neputns, 2008.

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Vaysse, Jean-Marie. Schelling, art et mythologie. Paris: Ellipses, 2004.

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Charles, Rosen. Romanticism and realism: The mythology ofnineteenth-century art. New York: Norton, 1985.

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Sarah, Thomas. Antony Hamilton: The mythology of landscape. Adelaide: Art Gallery of South Australia, 1999.

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Quellec, Jean-Loïc Le. Rock art in Africa: Mythology and legend. Paris: Flammarion, 2004.

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1946-, Warner Marina, Bakewell Sarah, and Science Museum, eds. Metamorphing: Transformation in science art and mythology. London: Wellcome Trust, 2002.

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Varadpande, Manohar Laxman. Ganapati in Indian mythology. Gurgaon: Shubhi Publications, 2008.

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Barber, Antonia. Apollo & Daphne: Masterpieces of Greek mythology. Los Angeles: J. Paul Getty Museum, 1998.

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Book chapters on the topic "Art and mythology"

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Thomopoulos, Stelios C. A., Panagiotis Tsimpiridis, Eleni-Ino Theodorou, Christos Maroglou, Efstathios Georgiou, and Christiana Christopoulou. "COSMOS. Cultural Osmosis – Mythology and Art." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 361–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73043-7_30.

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Marini, Maria Giulia. "Bridging from Mythology to Contemporary Care: The Art of Listening." In Narrative Medicine, 11–17. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-22090-1_2.

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Ovla, Arman. "Myth and Mythology Related to Water in Indian and Iranian Culture." In Art and Architectural Traditions of India and Iran, 85–99. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003229421-8.

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Schmitt, Rüdiger. "Edward Burnett Tylor: Primitive Culture: Researches into the Development of Mythology, Philosophy, Religion, Language, Art and Custom (1871)." In Schlüsselwerke der Religionssoziologie, 65–69. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-15250-5_8.

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Smith-Shank, Deborah L. "Art History versus Art Mythology." In Semiotics, 487–92. Semiotic Society of America, 1988. http://dx.doi.org/10.5840/cpsem198869.

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"Art, Architecture, and Mythology." In Traveling Prehistoric Seas, 109–34. Walnut Creek, California : Left Coast Press, [2015]: Routledge, 2016. http://dx.doi.org/10.4324/9781315416410-15.

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"WHY MYTHOLOGY?" In Historical Studies in Late Roman Art and Archaeology, 305–22. Peeters Publishers, 2023. http://dx.doi.org/10.2307/jj.12949140.24.

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"Mythology and humanism." In The Mind and Art of Calderón, 340–47. Cambridge University Press, 1989. http://dx.doi.org/10.1017/cbo9780511897917.027.

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Wright, Charles A. "The Mythology of Difference." In Art, Activism, and Oppositionality, 76–93. Duke University Press, 1998. http://dx.doi.org/10.1215/9780822396109-005.

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Wright, Charles A. "The Mythology of Difference:." In Art, Activism, and Oppositionality, 76–93. Duke University Press, 1998. http://dx.doi.org/10.2307/j.ctv11smnp2.8.

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Conference papers on the topic "Art and mythology"

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Zhang, Dong. "Review of Research on Chinese Mythology." In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.038.

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Liu, Tianyi. "Reflections on Man and Nature in Greek Mythology: From the Name of Natural Creatures." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.019.

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Wang, Ruishu, and Wanbing Shi. "Teaching Objectives and Strategies of Greek and Roman Mythology for College Students*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.141.

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Huang, Zhan. "Path Analysis of Chinese Mythology to Fantasy Film in the Digital Age." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.212.

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Bondarenko, Igor. "The Ensemble of the Acropolis of Athens in the Light of Ancient Greek Mythology." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.6.

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Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S: THE BOOK OF THEL. THE AESTHETIC VERSUS THE USEFUL?" In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.23.

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In The Book of Thel (The Book of ????, that is The Book of the Female), Blake�s main preoccupation, in my opinion focuses on the juxtaposition between the aesthetic and the useful, their antithesis and their synthesis to produce and explain the female identity. Knowing that Blake�s thought always moves in oppositional and synthetical structures, the useful versus the aesthetic is nothing more than the restless and perpetual fight of the dualisms of innocence and experience, energy and Urizen, imagination and reason. Taking into consideration that Blake�s dualisms are constructive rather than destructive, in The Book of Thel, he wonders and oscillates between the aesthetic and the useful. He attributes an indefinite, unclear kind of beauty to Thel, which is a progression of his thought since The Marriage of Heaven and Hell, where he associated the organs of reproduction with beauty, �the genitals Beauty�, the sublime and the beautiful together, that is the head and the genitals, a confirmation that �Man has no Body distinct from his Soul ��. This progression of his thought relates to the formation of what is commonly called beauty (aesthetic value), an ethical feminine development in contradistinction to use value the necessity of survival: �� without a use this shining woman liv�d, / Or did she live. to be at death the food of worms.� Nevertheless, the issue seems problematic. Thel, �the daughter of beauty,� finally is the �� beauty of the vales of Har.� (Har in Greek mythology, that is ????? is the ferryman who carried the dead to the underworld and the etymology of the word Har (X??-??) is an euphemism of the verb ?????, meaning enjoy, take pleasure in), thus signifying quite the opposite; that is the death of the aesthetic possibly in favour of the useful. Thel lives in a world of uselessness, depression, and oblivion. Thus, Blake�s Har and the Greek Har introduce death as Thel�s ultimate refuge. The question is: is Thel after having rejected the (her) use value, a mere aesthetic value belonging to Har? Or her aesthetic value in the real world, the world of experience equals death?
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Jara, Cynthia. "Architectural Caveats... Rummaging in the Pierian Spring." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.111.

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The Pierian Spring commands attention in a line that follows Alexander Pope’s warning, “A little learning is a dangerous thing”. Reference to drinking deeply from the spring, a location that symbolized both knowledge and inspiration in classical mythology, completes the aphorism: knowledge itself is not a danger, the peril lies rather in shallow or superficial under-standing. Assuming that knowledge pertaining to architecture, along with art and science, lies metaphorically within the Pierian Spring, it should be possible to delve – or, at least rummage a bit. And, in conjunction with current discussions and disagreements, unresolved conflicts from the past may surface... During the mid-1980s, two independent scholars – Peter G. Rowe (Rice University/Harvard) and Donald Schön (MIT) – investigated patterns intrinsic to the process of architectural design. Both reported on the observation of student behavior gleaned within a studio setting. Although their findings were in many ways similar, their respective interpretations differed dramatically. Rowe wrote a preliminary article, “A Priori Knowledge and Heuristic Reasoning in Architectural Design” – published in the autumn 1982 issue of the Journal of Architectural Education, coincident with the start of a new academic year.1 Shortly afterward in 1983, Schön presented his research in The Reflective Practitioner: How Professionals Think in Action.2 Rowe would continue his work, eventually producing the book Design Thinking in 1987.3 Despite intervening developments, assumptions and beliefs relating to these studies continue to influence contemporary methods of teaching design.
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Galanina, Ekaterina. "MYTHOLOGY CONSTRUCTION IN VIRTUAL WORLDS OF VIDEO GAMES." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/22/s09.067.

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Fabok, Jaroslav. "THE IDEA OF CULTURE, SOCIAL IDENTITY AND MYTHOLOGY." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/33/s12.104.

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Postnikova, Ekaterina. "MYTHOLOGY OF POWER IN WORKS OF M.Y. SALTYKOV-SHCHEDRIN AND F.M. DOSTOEVSKY." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.067.

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Reports on the topic "Art and mythology"

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Brock, Andrea, and Nathan Stephens-Griffin. Policing Environmental Injustice. Institute of Development Studies (IDS), October 2021. http://dx.doi.org/10.19088/1968-2021.130.

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Environmental justice (EJ) activists have long worked with abolitionists in their communities, critiquing the ways policing, prisons, and pollution are entangled and racially constituted (Braz and Gilmore 2006). Yet, much EJ scholarship reflects a liberal Western focus on a more equal distribution of harms, rather than challenging the underlying systems of exploitation these harms rest upon (Álvarez and Coolsaet 2020). This article argues that policing facilitates environmentally unjust developments that are inherently harmful to nature and society. Policing helps enforce a social order rooted in the ‘securing’ of property, hierarchy, and human-nature exploitation. Examining the colonial continuities of policing, we argue that EJ must challenge the assumed necessity of policing, overcome the mythology of the state as ‘arbiter of justice’, and work to create social conditions in which policing is unnecessary. This will help open space to question other related harmful hegemonic principles. Policing drives environmental injustice, so EJ must embrace abolition.
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Hellström, Anders. How anti-immigration views were articulated in Sweden during and after 2015. Malmö University, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM), 2021. http://dx.doi.org/10.24834/isbn.9789178771936.

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The development towards the mainstreaming of extremism in European countries in the areas of immigration and integration has taken place both in policy and in discourse. The harsh policy measures that were implemented after the 2015 refugee crisis have led to a discursive shift; what is normal to say and do in the areas of immigration and integration has changed. Anti-immigration claims are today not merely articulated in the fringes of the political spectrum but more widely accepted and also, at least partly, officially sanctioned. This study investigates the anti-immigration claims, seen as (populist) appeals to the people that centre around a particular mythology of the people and that are, as such, deeply ingrained in national identity construction. The two dimensions of the populist divide are of relevance here: The horizontal dimension refers to articulated differences between "the people", who belong here, and the "non-people" (the other), who do not. The vertical dimension refers to articulated differences between the common people and the established elites. Empirically, the analysis shows how anti-immigration views embedded in processes of national myth making during and after 2015 were articulated in the socially conservative online newspaper Samtiden from 2016 to 2019. The results indicate that far-right populist discourse conveys a nostalgia for a golden age and a cohesive and homogenous collective identity, combining ideals of cultural conformism and socioeconomic fairness.
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