Journal articles on the topic 'Art and Music in Britain'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Art and Music in Britain.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Guthrie, Kate. "Democratizing Art: Music Education in Postwar Britain." Musical Quarterly 97, no. 4 (December 2014): 575–615. http://dx.doi.org/10.1093/musqtl/gdv001.
Full textBarry, Malcolm. "Improvisation: the State of the Art." British Journal of Music Education 2, no. 2 (July 1985): 171–75. http://dx.doi.org/10.1017/s0265051700004782.
Full textMcGeary, T. "Handel as art collector: art, connoisseurship and taste in Hanoverian Britain." Early Music 37, no. 4 (November 1, 2009): 533–76. http://dx.doi.org/10.1093/em/cap107.
Full textGuthrie, Kate. "Propaganda Music in Second World War Britain: John Ireland's Epic March." Journal of the Royal Musical Association 139, no. 1 (2014): 137–75. http://dx.doi.org/10.1080/02690403.2014.886430.
Full textBORN, GEORGINA, and KYLE DEVINE. "Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain." Twentieth-Century Music 12, no. 2 (August 26, 2015): 135–72. http://dx.doi.org/10.1017/s1478572215000018.
Full textKisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII." Early Music History 16 (October 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.
Full textСысолятин, Б. В. "MUSICAL FOLKLORE OF GREAT BRITAIN IN PERCY GRAINGER’S OEUVRE." Music Journal of Northern Europe, no. 2(22) (May 8, 2024): 33–51. http://dx.doi.org/10.61908/2413-0486.2020.22.2.33-51.
Full textCohen, Selma Jeanne. "Music hall ballet in Britain." Dance Chronicle 16, no. 1 (January 1993): 129–31. http://dx.doi.org/10.1080/01472529308569118.
Full textGUTHRIE, KATE. "Vera Lynn on Screen: Popular Music and the ‘People's War’." Twentieth-Century Music 14, no. 2 (June 2017): 245–70. http://dx.doi.org/10.1017/s1478572217000226.
Full textPorter, Laraine. "OK for Sound? The Reception of the Talkies in Britain, 1928–32." Journal of British Cinema and Television 17, no. 2 (April 2020): 212–32. http://dx.doi.org/10.3366/jbctv.2020.0520.
Full textShelepnytska-Govorun, Natalia. "PERIODIZATION OF VOCAL CULTURE DEVELOPMENT OF MUSIC ART SPECIALISTS IN EUROPE." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 49–52. http://dx.doi.org/10.36550/2415-7988-2021-1-195-49-52.
Full textPostolenko, Iryna. "PRACTICAL IMPLEMENTATION OF EDUCATIONAL PROGRAMS IN MODERN SCHOOLS IN GREAT BRITAIN." Psychological and Pedagogical Problems of Modern School, no. 2(6) (December 21, 2021): 13–19. http://dx.doi.org/10.31499/2706-6258.2(6).2021.247507.
Full textMcKinnon, Dugal. "Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art." Leonardo Music Journal 23 (December 2013): 71–74. http://dx.doi.org/10.1162/lmj_a_00158.
Full textFrantzen, Allen J. "The Handsome Sailor and the Man of Sorrows: Billy Budd and the Modernism of Benjamin Britten." Modernist Cultures 3, no. 1 (October 2007): 57–70. http://dx.doi.org/10.3366/e2041102209000318.
Full textTusheva, Viktoriya. "STUDY OF SCIENTIFIC RESEARCH CULTURE OF FUTURE MUSIC TEACHERS IN EUROPEAN COUNTRIES." 1 1, no. 1 (September 2020): 23–29. http://dx.doi.org/10.34142/27091805.2020.1.01.04.
Full textMoore, James Ross. "The Gershwins in Britain." New Theatre Quarterly 10, no. 37 (February 1994): 33–48. http://dx.doi.org/10.1017/s0266464x00000075.
Full textGuzy-Pasiak, Jolanta. "Polish musical life in Great Britain during the Second World War." Muzyka 64, no. 1 (April 1, 2019): 144–53. http://dx.doi.org/10.36744/m.249.
Full textCloonan, Martin. "‘I fought the law’: popular music and British obscenity law." Popular Music 14, no. 3 (October 1995): 349–63. http://dx.doi.org/10.1017/s0261143000007789.
Full textFargion, Janet Topp. "African Music in the World and Traditional Music Section at the British Library Sound Archive." History in Africa 31 (2004): 447–54. http://dx.doi.org/10.1017/s0361541300003600.
Full textCaston, Emily. "The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain." Journal of British Cinema and Television 16, no. 4 (October 2019): 545–70. http://dx.doi.org/10.3366/jbctv.2019.0498.
Full textCollins, Marcus. "‘I say high, you say low’: the Beatles and cultural hierarchies in 1960s and 1970s Britain." Popular Music 39, no. 3-4 (December 2020): 401–19. http://dx.doi.org/10.1017/s0261143020000458.
Full textMorris, Carl. "The rise of a Muslim middle class in Britain: Ethnicity, music and the performance of Muslimness." Ethnicities 20, no. 3 (January 11, 2019): 628–48. http://dx.doi.org/10.1177/1468796818822541.
Full textTackley, Catherine. "Shanty singing in twenty-first-century Britain." International Journal of Maritime History 29, no. 2 (May 2017): 407–21. http://dx.doi.org/10.1177/0843871417694014.
Full textWILSON, ALEXANDRA. "Killing time: Contemporary representations of opera in British culture." Cambridge Opera Journal 19, no. 3 (October 17, 2007): 249–70. http://dx.doi.org/10.1017/s0954586707002364.
Full textParker, Lawrence. "Not going 'pop': the aesthetic criticism of early British Maoism." Twentieth Century Communism 22, no. 22 (September 12, 2022): 141–65. http://dx.doi.org/10.3898/175864322835917900.
Full textSLOAN, RACHEL. "THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN." Art History 32, no. 3 (June 2009): 545–77. http://dx.doi.org/10.1111/j.1467-8365.2009.00681.x.
Full textBerkowitz, Michael. "Out of the Whirlwind Reconsidered." European Judaism 53, no. 2 (September 1, 2020): 1–12. http://dx.doi.org/10.3167/ej.2020.530202.
Full textScott, Derek. "Music Hall: Regulations and behaviour in a British cultural institution." Muzikologija, no. 26 (2019): 61–74. http://dx.doi.org/10.2298/muz1926061s.
Full textBailey, Chris. "The history of Live Music in Britain, Volume 1: 1950–1967." Cultural Trends 23, no. 3 (June 25, 2014): 205–7. http://dx.doi.org/10.1080/09548963.2014.925288.
Full textKimber, Marian Wilson. "Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England." Nineteenth-Century Music Review 4, no. 1 (June 2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.
Full textPettegree, Jane. "Volunteer Bands and Local Identity in Caithness at the Time of the Second Reform Act." Scottish Studies 40 (January 24, 2024): 83–110. http://dx.doi.org/10.2218/ss.v40.9291.
Full textHeinrich, Anselm. "Theatre in Britain during the Second World War." New Theatre Quarterly 26, no. 1 (February 2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.
Full textSomers, Matthias, and Sami Sjöberg. "Reading Ray: Avant-Garde and Transnationalism in Interwar Britain." Modernist Cultures 16, no. 2 (May 2021): 216–41. http://dx.doi.org/10.3366/mod.2021.0329.
Full textJones, Peter Blundell. "Reflections on the competition for National Centre for Popular Music, Sheffield." Architectural Research Quarterly 1, no. 4 (1996): 16–27. http://dx.doi.org/10.1017/s1359135500003043.
Full textSitumeang, Joel Franky, and Agusti Efi. "KAJIAN PERTUNJUKAN MUSIK IRINGAN TARI JOGI DI SANGGAR WARISAN PANTAI BASRI PULAU PANJANG BATAM KEPULAUAN RIAU." Gorga : Jurnal Seni Rupa 12, no. 1 (April 21, 2023): 11. http://dx.doi.org/10.24114/gr.v12i1.42331.
Full textJohnson-Williams, Erin. "Kate Guthrie. The Art of Appreciation: Music and Middlebrow Culture in Modern Britain. California Studies in 20th-Century Music. Oakland: University of California Press, 2021. Pp. 306. $70.00 (cloth)." Journal of British Studies 62, no. 2 (April 2023): 563–64. http://dx.doi.org/10.1017/jbr.2023.60.
Full textSafitri, Ragil, and Sugirin Sugirin. "Senior high school students’ attitudes towards intercultural insertion into the ELT: Yogyakarta context." EduLite: Journal of English Education, Literature and Culture 4, no. 2 (September 4, 2019): 261. http://dx.doi.org/10.30659/e.4.2.261-274.
Full textCoombs, David Sweeney. "The Sense and Reference of Sound; or, Walter Pater’s Kinky Literalism." Nineteenth-Century Literature 72, no. 4 (March 1, 2018): 487–514. http://dx.doi.org/10.1525/ncl.2018.72.4.487.
Full textBrincker, Benedikte, and Athena S. Leoussi. "Anthony D. Smith and the role of art, architecture and music in the growth of modern nations: a comparative study of national parliaments and classical music in Britain and Denmark." Nations and Nationalism 24, no. 2 (April 2018): 312–26. http://dx.doi.org/10.1111/nana.12409.
Full textWard, W. R. "Art and Science: or Bach as an Expositor of the Bible." Studies in Church History 28 (1992): 343–53. http://dx.doi.org/10.1017/s0424208400012547.
Full textHUGHES, JEFF. "What is British nuclear culture? UnderstandingUranium 235." British Journal for the History of Science 45, no. 4 (December 2012): 495–518. http://dx.doi.org/10.1017/s0007087412001021.
Full textLloyd, Sarah. "Pleasing Spectacles and Elegant Dinners: Conviviality, Benevolence, and Charity Anniversaries in Eighteenth-Century London." Journal of British Studies 41, no. 1 (January 2002): 23–57. http://dx.doi.org/10.1086/386253.
Full textDale, Catherine. "Britain's ‘Armies of Trained Listeners’: Building a Nation of ‘Intelligent Hearers’." Nineteenth-Century Music Review 2, no. 1 (June 2005): 93–114. http://dx.doi.org/10.1017/s1479409800001579.
Full textFord, Boris. "The Cambridge Guide to the Arts in Britain." Journal of Aesthetics and Art Criticism 49, no. 1 (1991): 102. http://dx.doi.org/10.2307/431666.
Full textQureshi, Bilal. "Elsewhere." Film Quarterly 73, no. 2 (2019): 62–65. http://dx.doi.org/10.1525/fq.2019.73.2.62.
Full textSabyrova, Aliya, and Aigerim Baribayeva. "Overview of the documentary film "The first audio recording of Kazakh music. Road of people"." Central Asian Journal of Art Studies 6, no. 1 (March 31, 2021): 165–75. http://dx.doi.org/10.47940/cajas.v6i1.347.
Full textMollaghan, Aimee. "An audio-visual Gallivant: Psychogeographical soundscapes in the films of Andrew Ktting." Soundtrack 3, no. 2 (December 1, 2010): 125–30. http://dx.doi.org/10.1386/st.3.2.125_1.
Full textCoester, Markus. "Localising African popular music transnationally: ‘Highlife-Travellers’ in Britain in the 1950s and 1960s." Journal of African Cultural Studies 20, no. 2 (December 2008): 133–44. http://dx.doi.org/10.1080/13696810802522247.
Full textBoschi, Elena. "‘Where you from, you sexy thing?’ Popular Music, Space and Masculinity inThe Full Monty." Journal of British Cinema and Television 13, no. 4 (October 2016): 516–35. http://dx.doi.org/10.3366/jbctv.2016.0338.
Full textDovzhyk, Sasha. "Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity." Modernist Cultures 16, no. 2 (May 2021): 191–215. http://dx.doi.org/10.3366/mod.2021.0328.
Full text