Academic literature on the topic 'Art and holography'
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Journal articles on the topic "Art and holography"
Crenshaw. "The Dynamic Display of Art Holography." Arts 8, no. 3 (September 19, 2019): 122. http://dx.doi.org/10.3390/arts8030122.
Full textDesbiens, Jacques. "The Dispositif of Holography." Arts 8, no. 1 (February 26, 2019): 28. http://dx.doi.org/10.3390/arts8010028.
Full textPepper, Andrew. "The Gallery as a Location for Research-Informed Practice and Critical Reflection." Arts 8, no. 4 (September 27, 2019): 126. http://dx.doi.org/10.3390/arts8040126.
Full textAlonso Blanco, Angel. "El holograma como Experiencia Artística." Barcelona Investigación Arte Creación 4, no. 2 (June 2, 2016): 168. http://dx.doi.org/10.17583/brac.2016.1700.
Full textJohn, Pearl. "The Silent Researcher Critique: A New Method for Obtaining a Critical Response to a Holographic Artwork." Arts 8, no. 3 (September 10, 2019): 117. http://dx.doi.org/10.3390/arts8030117.
Full textBenyon, Margaret, and John Webster. "Pulsed Holography as Art." Leonardo 19, no. 3 (1986): 185. http://dx.doi.org/10.2307/1578235.
Full textRichardson, Martin. "Mixed Media: Holography within Art." Leonardo 20, no. 3 (1987): 251. http://dx.doi.org/10.2307/1578168.
Full textBarilleaux, René Paul, and Rene Paul Barilleaux. "Holography and the Art World." Leonardo 25, no. 5 (1992): 417. http://dx.doi.org/10.2307/1575746.
Full textMurray, Kevin. "Art in Holography2 Postcard collection, edited by Patrick Boyd. International Congress on Art in Holography ." Leonardo 34, no. 1 (February 2001): 83. http://dx.doi.org/10.1162/leon.2001.34.1.83a.
Full textCorda, Roberto, Daniele Giusto, Antonio Liotta, Wei Song, and Cristian Perra. "Recent Advances in the Processing and Rendering Algorithms for Computer-Generated Holography." Electronics 8, no. 5 (May 17, 2019): 556. http://dx.doi.org/10.3390/electronics8050556.
Full textDissertations / Theses on the topic "Art and holography"
Benyon, Margaret. "How is holography art?" Thesis, Royal College of Art, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359209.
Full textRush, Amy Art College of Fine Arts UNSW. "Rainbow holograms." Awarded by:University of New South Wales. School of Art, 2007. http://handle.unsw.edu.au/1959.4/35241.
Full textDiers, Belinda Gail. "Claywork within the holographic paradigm: a transpersonal perspective on art therapy." Thesis, Rhodes University, 1999. http://hdl.handle.net/10962/d1002471.
Full textChalfant, Deborah Parker. "Applications of art and technology for artists and educators in holography and videos." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322762112.
Full textDawson, Paula Heatley Art College of Fine Arts UNSW. "The Concrete Holographic Image: an Examination of Spatial and Temporal Properties and their Application in a Religious Art Work." Awarded by:University of New South Wales. School of Art, 2000. http://handle.unsw.edu.au/1959.4/18201.
Full textYoung, Duncan. "Fine art application of holography : the historical significance of light and hologram in visual preception and artistic depiction." Thesis, Liverpool John Moores University, 1998. http://researchonline.ljmu.ac.uk/5035/.
Full textAzevedo, Paola Cristine Almeida. "Gravura em luz : uma possibilidade holistica da calcogravura e a holografia." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284315.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T03:37:00Z (GMT). No. of bitstreams: 1 Azevedo_PaolaCristineAlmeida_D.pdf: 3042587 bytes, checksum: 6e2407a885f75cbe4b90031a1cadd1f1 (MD5) Previous issue date: 2007
Resumo: Esta pesquisa objetivou criar e refletir sobre o alargamento de linguagens usadas na arte e a tecnologia como parâmetros de criação de um trabalho em poéticas visuais. Para estruturar esses conceitos, foram levantadas leituras referentes à mudança paradigmática da segunda metade do século XX relativa ao campo da física quântica, assim como a retomada de uma postura unificadora das áreas do conhecimento proposta pela visão holística. Dessa maneira, no tratamento empírico realizaram-se os trabalhos poéticos considerados ? as hologravuras ? com objetivo de aproximar o observador de um estado de percepção maior ao vivido cotidianamente, com ênfase na fenomenologia da percepção, descrita e recorrente na produção de artistas nas últimas cinco décadas. O trabalho tem quatro partes. A primeira é dedicada às questões teóricas; a segunda ao histórico dos meios técnicos calcogravura e holografia; no terceiro a recorrência da fenomenologia e a utilização da linha como elementos pertinentes na ambientação do trabalho artístico, como método comparativo, nas duas últimas partes, uso das obras de artistas consolidados na área que fazem aproximações com esta pesquisa; na quarta e última parte, relato a produção empírica desta pesquisa envolvendo questões de imaterialidade do trabalho e sua relação frente à arte contemporânea. Esta pesquisa tem aplicações pertinentes a um estado de reflexão e sistematização em termos científicos na produção de trabalhos em poéticas visuais; as hipóteses aqui levantadas são compatíveis com os resultados alcançados no que se refere a um alargamento das linguagens artísticas usando como recurso a arte e a tecnologia, pois os trabalhos desenvolvidos a partir daí incluem informação científica e tecnológica, mas é atualizada dentro de moldes poéticos próprios, tornando-se exemplo do que é possível fazer: unir dois campos do conhecimento.Nesse sentido, buscando uma conscientização de dentro para fora, a fenomenologia pode ser tomada como modelo pelas artes que lidam com a tecnologia
Abstract: The present research project entitled Light Etchings; a Holistic Possibility of Calcogravure and Holography has as it?s main objective to reflect upon the widening of languages through the fusion of art and technology emphasizing these two quite different approaches as parameters for the creation of a visual poetics. In order to mount these concepts, readings regarding the paradigmatic changes in the area of Quantum Physics during the second half of the twentieth century became instrumental especially when placed in context to the vision proposed by Holistic Theory. In this way, in what regards empirical treatment, a number of Holoetchings (Hologravura) were elaborated with the objective of bringing the observer to a higher state of observation than that normally experienced and thus emphasizing methods recurrent in the production of artists during the past five decades regarding the phenomenology of perception. The work is organized in four parts. The first, dedicated to theoretical questions, the second to the technical aspects of metal engraving and holography, the third to the recurrence of phenomenology and the use of linearity as pertinent elements in the environment of the artistic work, as a comparative method in the last two parts I use the works of established artists whose work border this research, and in the fourth part, a description of the empirical work of this research involving questions of the immateriality of the work and it?s relation to contemporary art. This research has pertinent applications in relation to the reflection and systematization in scientific terms in relation to works in visual poetics, to the hypotheses here proposed which are compatible to the results obtained pertinent to the widening of artistic languages using as resources art and technology since works effected from that point contain information which is both scientific and technological, but brought up-to date within definite poetic molds, becoming thus, an example of what it is possible to achieve by blending two fields of knowledge. In this sense, searching for concicousness from inside out, phenomenology can be taken as a model by arts that deal with technology
Doutorado
Artes Visuais
Mestre em Artes
Rhoades, Michael Jewell. "Composing Holochoric Visual Music: Interdisciplinary Matrices." Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/102159.
Full textDoctor of Philosophy
In this paper the author explores the idea that, owing to their shared three-dimensional nature, holophons and holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is nonetheless within reach. Here, one methodological pipeline is delineated that employs the convergence of holography, holophony, and super-computing toward the creation of visual music compositions intended for head mounted displays or large scale 3D/360 projection screens and high-density loudspeaker arrays.
Tornari, Vivi. "Holographic interference : structural deformation detection applied to cultural heritage objects." Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5228/.
Full textAndersson, Johannes, and Matilda Pettersson. "IT IS MORE THAN WHAT MEETS THE EYE : Exploring Immersion & Co-Experience in Holographic Art." Thesis, Umeå universitet, Institutionen för informatik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-185233.
Full textBooks on the topic "Art and holography"
H, Jeong Tung, Bjelkhagen Hans I, and Lake Forest College. Center for Photonics Studies., eds. Sixth International Symposium on Display Holography, 21-25 July 1997, Lake Forest, Illinois. Bellingham, Wash: SPIE, 1998.
Find full textTyler, Douglas E. Leading lights: Women in holography. Notre Dame, Ind: Department of Art, Saint Mary's College, 2003.
Find full text1936-, Caulfield H. J., Leith Emmett N, and Denisi︠u︡k I︠U︡ N, eds. The art and science of holography: A tribute to Emmett Leith and Yuri Denisyuk. Bellingham, WA: SPIE Optical Engineering Press, 2004.
Find full textCroydon, Michael. 1991 fourth international exhibition of holography: Catalogue of holograms. Lake Forest, Ill: Lake Forest College, 1991.
Find full textInternational Symposium on Display Holography (7th 2006 St. Asaph, Wales). Proceedings of the 7th International Symposium on Display Holography. Edited by Bjelkhagen Hans I. [Exeter?]: River Valley Press, 2006.
Find full textPrinting, London College of. No art in holography: Dissertation for BA PFT, 1987. London: LCP, 1987.
Find full textCoyle, Rebecca. Apparition: Holographic art in Australia. Sydney: Power Publications, 1995.
Find full textTrois plaidoyers pour un art holographique. Paris: Harmattan, 2007.
Find full textJung, Dieter. Dieter Jung: Anders als man denkt. Würzburg: Museum im Kulturspeicher, 2003.
Find full textInternational Congress on Art and Holography (1990 Saint Mary's College (Notre Dame, Ind.)). International Congress on Art and Holography, Saint Mary's College, Notre Dame, Indiana, July 18-22, 1990. Notre Dame, Ind: Board of Regents, Saint Mary's College, 1991.
Find full textBook chapters on the topic "Art and holography"
Pioaru, I. "Virtual Reality Holography—A New Art Form." In Springer Series on Cultural Computing, 317–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42097-0_17.
Full textDenz, Cornelia. "Structuring and Securing Data with Holography—A Holistic Interdisciplinary Approach." In The Art of Structuring, 251–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06234-7_24.
Full textBally, G. "Holography in Medicine and Biology - State of the Art and the Problem of Increasing Militarization." In Optical Metrology, 441–58. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3609-6_28.
Full textStuerwald, Stephan. "Available Systems and State of the Art." In Digital Holographic Methods, 73–83. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00169-8_3.
Full textHaghanikar, Mojgan M. "The Art of Thinking About Complex Systems." In Visualizing Dynamic Systems: Volumetric and Holographic Display, 1–18. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-031-02092-6_1.
Full textTonomura, A. "Electron Holography and Its Applications to Surface Observation." In Ordering at Surfaces and Interfaces, 31–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-84482-9_4.
Full textAfshar, H., A. Bagchi, S. Detournay, D. Grumiller, S. Prohazka, and M. Riegler. "Holographic Chern–Simons Theories." In Modifications of Einstein's Theory of Gravity at Large Distances, 311–29. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10070-8_12.
Full textOldenburg, Ian Antón, Hayley Anne Bounds, and Nicolas C. Pégard. "High-Speed All-Optical Neural Interfaces with 3D Temporally Focused Holography." In Neuromethods, 101–35. New York, NY: Springer US, 2023. http://dx.doi.org/10.1007/978-1-0716-2764-8_4.
Full textSima, Adrian, Paul Schiopu, Marian Vladescu, Bogdan-Mihai Gavriloaia, Florin Garoi, and Victor Damian. "Real - Time Spatial Light Modulated Digital Holographic Interferometry Applied in Art Structural Diagnosis." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 193–98. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92213-3_28.
Full textLi, Rita Yi Man, Kwong Wing Chau, and Daniel Chi wing Ho. "AI Object Detection, Holographic Hybrid Reality and Haemodynamic Response to Construction Site Safety Risks." In Current State of Art in Artificial Intelligence and Ubiquitous Cities, 117–34. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0737-1_8.
Full textConference papers on the topic "Art and holography"
Pryputniewicz, Ryszard J. "Quantification of Holographic Interferograms: State of the Art Methods." In Holography. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/holography.1986.ma1.
Full textRichardson, Martin J., and Hans I. Bjelkhagen. "Art of color holography: pioneers in change." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402488.
Full textBenyon, Margaret. "Holography as art: cornucopia." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201887.
Full textBryskin, V. Z., and A. Prostev. "Holographic art." In International Seminar on 3-D Holography, edited by Tung H. Jeong and Vladimir B. Markov. SPIE, 1991. http://dx.doi.org/10.1117/12.19366.
Full textBoone, Pierre M. "Holography: science and art." In International Conference on Applied Optical Metrology, edited by Pramod K. Rastogi and Ferenc Gyimesi. SPIE, 1998. http://dx.doi.org/10.1117/12.323316.
Full textAzevedo, Isabel, Joao Dixo, and Joao L. Pinto. "Holography and art: two ways of being a voyeur." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402491.
Full textMenning, Melinda, and James A. Piper. "Holography as a medium for the confluence of art and science." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402489.
Full textShetka, Stanley J. "World Art Project and holography." In LkForest 91, edited by Tung H. Jeong. SPIE, 1992. http://dx.doi.org/10.1117/12.57811.
Full textJeong, Tung H. "Holography In Art And Education." In 1985 Los Angeles Technical Symposium, edited by Lloyd Huff. SPIE, 1985. http://dx.doi.org/10.1117/12.946528.
Full textBarachevsky, Valery A. "Organic storage media for holographic optical memory: state-of-the-art and future." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402478.
Full textReports on the topic "Art and holography"
Maydykovskiy, Igor. Consciousness as a new form of the matter’s state. Intellectual Archive, August 2021. http://dx.doi.org/10.32370/iaj.2555.
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