Books on the topic 'Art and globalization – congresses'

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1

Bhavanishanker, Shastri, and Vanasthalī Vidyāpīṭha. Dept. of Visual Arts., eds. Globalization & art. Newai, Rajasthan: Navjeewan Publication, 2007.

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2

Comité international d'histoire de l'art and International Congress of the History of Art (32nd : 2008 : Melbourne, Vic.), eds. Crossing cultures: Conflict, migration and convergence : the proceedings of the 32nd International Congress in the History of Art. Carlton, Vic: Miegunyah Press, Melbourne University Publishing, 2009.

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3

International Conference on Systems Research, Informatics and Cybernetics (14th 2002 Baden-Baden, Germany). Sustainable development and global community: The art of harmonious living ... Windsor, Ont: International Institute for Advanced Studies in Systems Research and Cybernetics, 2002.

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4

editor, Jezierska Anna 1981, Szewczyk Aleksandra 1979 editor, and Śliwowska Anna 1972 editor, eds. Historia sztuki w dobie globalizacji: Materiały IV Środkowoeuropejskiego Forum Doktorantów Historii Sztuki, Wrocław 5-8 listopada 2009 = Art history in the age of globalization : materials of 4th Central-European Forum for Doctoral Students of Art History, Wroclaw 5-8 November 2009. Wrocław: Oficyna Wydawnicza Atut - Wrocławskie Wydawnictwo Oświatowe, 2013.

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5

Art, culture et connaissance (Association) and Association euroméditerranéenne pour l'histoire de l'art et l'esthétique, eds. L'art, l'argent et la mondialisation. Paris: L'Harmattan, 2013.

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6

Bassing-Kontopidis, Antonie, Charlotte Matter, and Filine Wagner. Into the wild: Kunst und Architektur im globalen Kontext = art and architecture in a global context. München: Edition Metzel, 2018.

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7

Finland), Nykytaiteen museo (Helsinki, and ARS 01 Exhibition (2001 : Helsinki, Finland), eds. Unfolding perspectives: Three days of lectures and discussions at the ARS 01 Exhibition. Helsinki: KIASMA, Museum of Contemporary Art, 2002.

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8

Seminário Internacional Arte, Crítica e Mundialização (2004 Universidade de São Paulo. Museu de Arte Contemporânea). Arte, crítica e mundialização. São Paulo: ABCA-Associação Brasileira de Críticos de Arte, 2008.

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9

Seminário Internacional Arte, Crítica e Mundialização (2004 Universidade de São Paulo. Museu de Arte Contemporânea). Arte, crítica e mundialização. São Paulo: ABCA-Associação Brasileira de Críticos de Arte, 2008.

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10

kunstsenter, Henie-Onstad, ed. (Re)staging the art museum. [Høvikodden, Norway]: Henie Onstad Art Centre, 2011.

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11

Estetiche della globalizzazione. Roma: Manifestolibri, 2013.

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12

Institute), Clark Conference (2000 Sterling and Francine Clark Art. Compression vs. expression: Containing and explaining the world's art. Williamstown, Mass: Sterling and Francine Clark Art Institute, 2006.

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13

Clark Conference (2000 Sterling and Francine Clark Art Institute). Compression vs. expression: Containing and explaining the world's art. Williamstown, Mass: Sterling and Francine Clark Art Institute, 2006.

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14

Documenta (11th 2001 Vienna, Austria and Berlin, Germany). Democracy unrealized: Documenta 11, Platform 1. Ostfildern-Ruit: Hatje Cantz, 2002.

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15

Manuel Parada López de Corselas and Laura María Palacios Méndez. Arte y globalización en el mundo hispánico de los siglos XV al XVII. Granada: Editorial Universidad de Granada, 2020.

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16

Toussaint, Evelyne, and Parsons Michael. Partages d'espaces: Regards croisés sur l'art et la géopolitique. Pau: PUPPA, 2014.

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17

Peter, Hrsg :. Weibel, ed. Contemporary art and the museum: a global perspective. Ostfildern: Hatje Cantz Verlag, 2007.

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18

Meeting, African Literature Association. Literature, the visual arts, and globalization in Africa and its diaspora. Trenton, NJ: Africa World Press, 2011.

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19

Jan, Lucassen, ed. Global labour history: A state of the art. 2nd ed. Bern: Peter Lang, 2008.

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20

1962-, Papastergiadis Nikos, ed. Complex entanglements: Art, globalisation and cultural difference. London: Rivers Oram, 2003.

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21

1962-, Papastergiadis Nikos, ed. Complex entanglements: Art, globalisation and cultural difference. London: Rivers Oram, 2003.

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22

Rouet, François Soulages Gilles. FRONTIÈRES GÉOCULTURELLES ET GÉOPOLITIQUES. Paris: Editions L'Harmattan, 2013.

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23

Anna, Detheridge, and Fondazione Antonio Ratti, eds. Diversities: L'Europa e gli altri = Europe and the others. Milano: Charta, 2004.

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24

Império e arte colonial (Conference). Império e arte colonial: Antologia de ensaios. Lisboa: Artravel, 2017.

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25

Peter, Weibel, Buddensieg Andrea, Araeen Rasheed, Internationales Forschungszentrum Kulturwissenschaften, and Zentrum für Kunst und Medientechnologie Karlsruhe., eds. Contemporary art and the museum: A global perspective. Ostfildern: Hatje Cantz, 2007.

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26

Deutsche Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft. Tagung. Figuren des Globalen: Weltbezug und Welterzeugung in Literatur, Kunst und Medien. Göttingen: V&R Unipress, 2014.

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27

1940-, Jara José, Asociación Iberoamericana de Filosofía y Política., and Simposio Iberoamericano de Filosofía Política (8th : 2003 : Valparaíso, Chile)., eds. La política en la era de la globalización. Providencia, Santiago: Editorial Cuarto Propio, 2007.

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28

Jean-Pierre, Durix, ed. The global and the particular in the English-speaking world. Dijon: Centre de recherches Images/Texte/Langage, 2002.

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29

Gavīśa, Hirēmaṭha, ed. Jāgatīkaraṇa mattu jānapada. Beṅgaḷūru: Karnāṭaka Jānapada mattu Yakṣagāna Akāḍemi, 2007.

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30

Étienne, Berthold, ed. Mondialisation et cultures: Regards croisés de la relève sur le Québec. Québec: Les Editions de l'IQRC, 2007.

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31

Danimarca, Accademia di, ed. Classical music and modern classical music in globalization and consumer society: International symposium, Accademia di Danimarca, Rome, 23rd-26th March 2009. Rome: Accademia di Danimarca, 2010.

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32

Mabrūk, Muḥammad Ibrāhīm. Ibn Rushd wa-fīlm al-Maṣīr wa-Yūsuf Shāhīn wa-fīlm al-Ākhar wa-ʻawlamat al-ḥarb ḍidda al-Islāmīyīn. al-Kīt Kāt [Giza]: Markaz al-Ḥaḍārah al-ʻArabīyah, 1999.

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33

Coloquio Internacional TRANSIT (4th 2015 Universidad Nacional Autónoma de México). Transnacionalismo y fotografía en America Latina. México: Universidad Nacional Autónoma de México, Centro de Investigaciones sobre America Latina y el Caribe, 2018.

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34

Colloque Mondialisation et postcolonialisme (2001 Montréal, Québec). Mondialisation et postcolonialisme: Actes du colloque tenu au Musée d'art contemporain de Montréal les 5 et 6 octobre 2001. Montréal: Musée d'art contemporain de Montréal, Direction de l'éducation et de la documentation, 2002.

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35

Gerfried, Stocker, and Schöpf Christine, eds. Unplugged: Art as the scene of global conflicts = Kunst als Schauplatz globaler Konflikte. Ostfildern: Hatje Cantz, 2002.

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36

1955-, Elkins James, Valiavicharska Zhivka, and Kim Alice, eds. Art and globalization. University Park, Pa: Pennsylvania State University Press, 2010.

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37

UCLA Entertainment Symposium (33rd 2009). Hollyworld: The challenges and opportunities of globalization : thirty-third annual UCLA Entertainment Symposium. Edited by Dang Loan T, Stutz Daniel R, Zofcin Christa C, University of California, Los Angeles. School of Law, and UCLA Entertainment Symposium Advisory Committee. [Los Angeles, Calif.]: Regents of the University of California, 2009.

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38

Europe, Council of. Globalisation and images of the other: Challenges and new perspectives for history teaching in Europe : report and presentations of the symposium organised by the Council of Europe and the Research Centre for Islamic History, Art and Culture (IRCICA), Istanbul, 30 November - 1st December 2008 = Mondialisation et images de l'autre : défis et nouvelles perspectives pour l'enseignement de l'histoire en Europe : rapport et présentations du symposium organisé par le Conseil de I'Europe et le Centre de recherches sur l'histoire, l'art et la culture islamiques (IRCICA), Istanbul, 30 novembre - 1er décembre 2008. Istanbul: IRCICA, 2009.

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39

Newport, R. I. ). William B. Ruger Chair Workshop (2006. Economics and maritime strategy: Implications for the 21st century. Newport, R.I: Naval War College, 2007.

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40

Migrating images: Producing, reading, transporting, translating. Berlin: Haus der Kulturen der Welt, 2004.

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41

Sakhuja, Vijay. Reinvigorating IOR-ARC. New Delhi: Pentagon Press, 2012.

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42

Kazakhstan) International Forum Korea - Central Asia (3d 2011 Alma-Ata. Global strategy for economic cooperation between Korea and Central Asia: III International forum Korea Central Asia = Globalʹnai︠a︡ strategii︠a︡ ėkonomicheskogo sotrudnichestva mezhdu Koreeĭ i T︠S︡entralʹnoĭ Azieĭ III Mezhdunarodnogo foruma Korei︠a︡--T︠S︡entralʹnoĭ Azii︠a︡. Almaty: Kazakhstan Institute for Strategic Studies, 2011.

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43

Maḥmūd Kutī ibn Mutawakkil Kutī Timbuktī. The Timbuktu chronicles, 1493-1599: English translation of the original works in Arabic by Al Hajj Mahmud Kati in Ta'rikh al fattash. Trenton, NJ: Africa World Press, 2011.

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44

Philipsen, Lotte. Globalizing contemporary art: The art world's new internationalism. Aarhus: Aarhus University Press, 2010.

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45

Lee, Pamela M. Forgetting the art world. Cambridge, MA: The MIT Press, 2012.

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46

Crouch, Christopher. Contemporary Chinese visual culture: Tradition, modernity, and globalization. Amherst, NY: Cambria Press, 2010.

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47

1963-, Schirm Stefan A., ed. Globalization: State of the art and perspectives. London: Routledge, 2007.

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48

Kehoe, Marsely L. Trade, Globalization, and Dutch Art and Architecture. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723633.

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Abstract:
We all look to our past to define our present, but we don’t always realize that our view of the past is shaped by subsequent events. It’s easy to forget that the Dutch dominated the world’s oceans and trade in the seventeenth century when our cultural imagination conjures up tulips and wooden shoes instead of spices and slavery. This book examines the Dutch so-called “Golden Age” though its artistic and architectural legacy, recapturing the global dimensions of this period by looking beyond familiar artworks to consider exotic collectibles and trade goods, and the ways in which far-flung colonial cities were made to look and feel like home. Using the tools of art history to approach questions about memory, history, and how cultures define themselves, this book demonstrates the centrality of material and visual culture to understanding history and cultural identity.
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49

Watson, Mark James. Diplomatic Aesthetics: Globalization and Contemporary Native Art. [New York, N.Y.?]: [publisher not identified], 2012.

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50

Global Alien. Berlin: Traktor Verlag, 2008.

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