Relevant bibliographies by topics / Art and antiquities market

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art and antiquities market'

Author: Grafiati
Published: 25 May 2024

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Journal articles on the topic "Art and antiquities market"

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Cook, B. F. "The archaeologist and the art market: policies and practice." Antiquity 65, no. 248 (September 1991): 533–37. http://dx.doi.org/10.1017/s0003598x00080121.

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The Keeper of Greek and Roman Antiquities at the British Museum sets out his view of where responsible museums and researchers should find a balance in the difficult matter of unprovenanced antiquities that may be the spoils of recent looting.
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Marks, P. "The ethics of art dealing." International Journal of Cultural Property 7, no. 1 (January 1998): 116–27. http://dx.doi.org/10.1017/s0940739198770109.

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The ethics of dealing in antiquities may be discussed in two parts: first, the ethical standards that govern the trade and its relation to clients, and second, the new legal standards that affect dealers and collectors arising from political ambitions in the international relations between source and market nations. Friction between these competing interests began with the ratification of the UNESCO Convention in 1972 and the passage of the Cultural Property Implementation Act in 1983. Unrealistic political approaches to the illicit trade in antiquities have exacerbated rather than solved the problem. A resolution of the conflicts, contradictions, and ambiguities of the present situation can be achieved by stressing the safety of objects and archaeological sites over partisan goals. A satisfactory denouement can be achieved through a partnership between source countries and the market, through an abandonment of retentionist export controls, and through the establishment of an open, free, and rational coalition. Any solution to present difficulties ought to acknowledge the value of continuing to collect and preserve antiquities in private and public collections.
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Mugnai, Niccolò, Julia Nikolaus, David Mattingly, and Susan Walker. "Libyan Antiquities at Risk: protecting portable cultural heritage." Libyan Studies 48 (August 22, 2017): 11–21. http://dx.doi.org/10.1017/lis.2017.8.

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AbstractThis article provides an outline of the Libyan Antiquities at Risk (LAaR) project, which has developed a reference database and website recording Libyan antiquities that are under threat of being stolen and sold on the illegal art market. Since the Arab Spring in 2011 and the subsequent political instability, the number of antiquities that are trafficked out of Libya has risen sharply. The illustrated reference collection created by LAaR is mainly aimed at customs officials, international agencies, museum curators, the police and cultural heritage sector, to alert them about the likelihood of Libyan provenance of previously unrecorded material of similar appearance to known pieces, and thereby help to prevent the sale of Libyan antiquities on the illegal art market. LAaR is a collaboration between the Society for Libyan Studies and the University of Leicester.
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Tremain, Cara Grace. "Fifty Years of Collecting: The Sale of Ancient Maya Antiquities at Sotheby’s." International Journal of Cultural Property 24, no. 2 (May 2017): 187–219. http://dx.doi.org/10.1017/s0940739117000054.

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Abstract:Pre-Columbian antiquities, particularly those from the Maya region, are highly sought after on the international art market. Large auction houses such as Sotheby’s have dedicated pre-Columbian departments and annual auctions, for which sales catalogues are created. These catalogues offer insight into market trends and allow the volume of antiquities being bought and sold to be monitored. The following study records the public sale of Maya antiquities at Sotheby’s over a period slightly exceeding 50 years from 1963 to 2016. More than 3,500 artifacts were offered for sale during this period, of which more than 80 percent did not have associated provenance information. The data suggests that the volume of Maya antiquities offered for sale at Sotheby’s public auctions have been steadily decreasing since the 1980s, but their relative value has increased. Quantitative studies of auction sales such as this one can be useful in monitoring the market for illegal antiquities and forgeries.
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Ede, J. "Ethics, the antiquities trade, and archaeology." International Journal of Cultural Property 7, no. 1 (January 1998): 128–31. http://dx.doi.org/10.1017/s0940739198770110.

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This article presents the perspective of a long-time dealer in ancient art and antiquities on the many attacks on the antiquities trade. After a brief historical review of collecting and the different national approaches to control of export of archaeological materials, the author presents an analysis of why the more draconian of the legal systems defeat their intended purposes and are themselves unethical in that they promote the destruction of archaeological sites and the black market in antiquities.
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Marrone, James, and Silvia Beltrametti. "“Sleeper” Antiquities: Misattributions in Sales of Ancient Art." International Journal of Cultural Property 27, no. 1 (February 2020): 3–51. http://dx.doi.org/10.1017/s094073912000003x.

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Abstract:“Sleepers” are artworks or collectibles that are undervalued because one or more characteristics go unrecognized. This article discusses 12 sleepers that have been sold at auction on the antiquity market since 2007 whose attribution as antiquities were originally overlooked, either accidentally or deliberately. The objects are presented in the context of a theoretical framework describing both the legal and economic incentives to perform due diligence and to reveal, or “awaken,” a sleeper antiquity. The theory implies that sleepers may arise for several reasons, and the case studies are grouped accordingly. Most pressingly, the analysis identifies two ways in which sellers are disincentivized to be transparent about an object’s identity: when they can exploit legal loopholes to deliberately misattribute an antiquity and mediate export and when they can hide disagreement about an object’s authenticity to mediate its sale. Placing the case studies in the broader market context, we highlight particular areas that should be addressed by policy or regulatory reform. The analysis also has wider applications to other forms of art.
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Merryman, John Henry. "A Licit International Trade in Cultural Objects." International Journal of Cultural Property 4, no. 1 (January 1995): 13–60. http://dx.doi.org/10.1017/s094073919500004x.

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SummaryRetentive nationalism has until recently dominated thinking about the international movement of cultural property, while the international interest in an active licit trade has been ignored and the interests of museums, collectors and the art and antiquities trade have been denigrated. An active licit market in cultural property advances the international interest, provides income to source nations and reduces the harm done by the black market. Trade in “culturally moveable” objects in private hands serves the international interest and is internationally licit, even when it offends national export controls. Source nations can reduce the damage from clandestine excavations by employing more sophisticated domestic controls and feeding surplus archaeological objects to the licit market. The “commodification” objection to an active trade in cultural objects lacks substance. Market nations can provide the most effective political force for development of an active market. They, and the art and antiquities trade, can help source nations finance organization of their cultural property resources for effective participation in a licit international trade.
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Stoll, Cameron Semmes. "The Effects of Judicial Decisions and Patrimony Laws on the Price of Italian Antiquities." International Journal of Cultural Property 19, no. 1 (February 2012): 65–96. http://dx.doi.org/10.1017/s0940739112000069.

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AbstractWhile practitioners of the legal and art and culture industries have traditionally believed their businesses to be independent of the other, the escalating battle over the repatriation of cultural property teaches otherwise. The antiquities market has flourished despite the increase in litigation surrounding some works and the number of works repatriated in recent years, making interdisciplinary study of the market more relevant and necessary than ever. This study establishes that the number of antiquities sold with legally- significant provenance information is steadily increasing as a result of the legal environment. Also, these objects are less risky and therefore sell for higher prices than works with no recorded history of ownership. Finally, evidence indicates that the occurrence of a legal event causes a slight, short drop in the market, followed by a significant rise in prices for the objects with reliable provenance information. In the end, the auction market for Italian antiquities is inexorably linked to activities that have ramifications for the legality of collecting these works.
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Gallagher, Steven. "“Purchased in Hong Kong”: Is Hong Kong the Best Place to Buy Stolen or Looted Antiquities?" International Journal of Cultural Property 24, no. 4 (November 2017): 479–96. http://dx.doi.org/10.1017/s0940739117000224.

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Abstract:The looting of antiquities from archaeological sites has received widespread coverage in the media. Concerns about the loss of heritage have resulted in international multilateral and bilateral agreements intended to prevent the illicit trade in looted antiquities. China has suffered from the looting of its archaeological sites for centuries, but the problem has been exacerbated in recent years because of the increased demand for Chinese antiquities and the consequent sharp increase in market prices. China has requested international assistance to combat the illicit trade in its heritage. It is strange therefore that one of China’s special administrative regions—Hong Kong—also one of the world’s major art markets, retains a “legal absurdity,”1which may protect the buyer of stolen or looted goods from claims for the return of stolen items. This statutory provision may result in the bizarre outcome that goods stolen from a museum or looted from an archaeological site and then purchased from a shop or market in Hong Kong may be protected from claims for their return; this protection may apply even if the loser is the Chinese state.
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Gill, David, and Christopher Chippindale. "The Trade in Looted Antiquities and the Return of Cultural Property: A British Parliamentary Inquiry." International Journal of Cultural Property 11, no. 1 (January 2002): 50–64. http://dx.doi.org/10.1017/s0940739102771579.

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The British parliamentary report on Cultural Property: Return and Illicit Trade was published in 2000. Three key areas were addressed: the illicit excavation and looting of antiquities, the identification of works of art looted by Nazis, and the return of cultural property now residing in British collections. The evidence presented by interested parties—including law enforcement agencies and dealers in antiquities—to the Culture, Media and Sport Committee is assessed against the analysis of collecting patterns for antiquities. The lack of self regulation by those involved in the antiquities market supports the view that the British Government needs to adopt more stringent legislation to combat the destruction of archaeological sites by looting.
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Dissertations / Theses on the topic "Art and antiquities market"

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Stüssi, Garcia Susana. "Les arts méconnus des Anciens Américains : discours savants, goût privé et évolutions dans le commerce en France au XIXe siècle." Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H090.

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Cette thèse étudie plusieurs moments marqués par un intérêt et engouement forts pour les artefacts et monuments précolombiens – ou pensés comme tels – pour comprendre leur présence et usages en France durant le long 19ème et avant leur appréhension esthétique de la première moitié du 20ème siècle. Suivant surtout des objets provenant du Mexique et de l’Amérique Centrale, cette étude privilégie deux aspects jusqu’alors moins explorés : le goût, les espaces et les usages privés d’une part; leur place dans le commerce de l’antiquité, de la curiosité et de l’art de l’autre. Le dépouillement de catalogues de collections et de ventes, de publications savantes artistiques et des enquêtes archivistiques en France et aux États-Unis ont permis de relever des moments où créativité érudite, intérêt amateur et marché ont évolués ensemble. Après suivre la formulation d’une valeur d’«antiquité» pour les «objets anciens» des Amériques à la fin du 18ème siècle, l’arrivée de nouvelles collections mexicaines à Paris et le projet de publication des Antiquités mexicaines (1834-1840) permettent d’identifier un nouveau foyer d’intérêt pour l’antiquité américaine et ses œuvres d’art au sein de la Société Libre des Beaux-Arts de Paris. A partir des années 1830 et en parallèle à l’intensification des échanges avec l’Amérique Latine, il est dès lors possible d’identifier des marchands et offrant des artefacts des Amériques et de suivre l’émergence des premiers «experts» de ce marché. La Deuxième Intervention Française au Mexique (1861-1867) permet d’explorer l’idée d’une relation privilégiée entre la France et le Mexique. L’étude des mutations du marché et des sensibilités montre comment cet épisode et l’engouement contemporain pour l’univers du «primitif» se sont traduits par un développement considérable du commerce et du collectionnisme d’artefacts des Amériques. Deux études de cas sur le marchand Eugène Boban et le collectionneur Eugène Goupil permettent de recontextualiser ces développements structuraux à l’échelle de l’individu. Enfin, l’étude d’un réseau de collectionneurs franco-mexicains et nord-américains, sous le double prisme de l’affirmation de discours patrimoniaux patriotiques et d’un marché de l’art transnational, éclairent la nouvelle valeur marchande et la mutation en «ouvre d’art» de ces objets partir des années 1920
This thesis examines different moments characterized by a strong interest for and fascination with Pre-Columbian artefacts – or though as such – to better understand their place in 19th century France, before their aesthetic “rediscovery” in the 20th century. Focusing on artefacts from Mexico and Central America and drawing from sales catalogues, scholarly and artistic publications and archival research, this thesis explores the role played by personal taste and private usages in collecting as well as the place occupied by these objects in the developping art and antiquities market. In the 1830s, the arrival of new collections in Paris and the publication of Antiquités mexicaines serve as the starting point from which to consider the Société Libre des Beaux-Arts as one of the main centres structuring interest for American Antiquity. It is now also possible to identify the first merchants and “experts” to offer Pre-Columbian artefacts for sale. We then examine the aftermath of the Second Franco-Mexican War (1861-67) : how it contributed to articulate the idea of a privileged relationship between France and Mexico and how the emergence of a new taste for all things “primitive” affected the commerce of Pre-Columbian artefacts. Finally, through the study of dealer Eugène Boban and collector Eugène Goupil we analyse these structural changes at the level of the individual and follow a network of Franco- Mexican and North American collectors whose activity, considered in terms of patriotic heritage discourses and the emergence of a transnational art market, contribute to understanding the transformation of Pre-Columbian material culture into “artworks” in the 1920s
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Skates, Elizabeth Anne. "Museum and antiquities market interactions : manifestations of the museum paradox." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/251720.

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Bianchin, Francesco <1995&gt. "CHINESE ART MARKET ON AUCTION." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16702.

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One of the main developments in the art market history of the twenty-first century is the emergence of China as a strong market player, and the growing prominence of Chinese art and antiquities, based on the record-high prices attained at auction in 2010. Within a three year period between 2007 and 2010, China has gone from sixth place to being the second-largest art market in the world, behind the US. Based on fine art auctions statistics, the buyer demographic of Chinese art and antiquities in the past three decades has moved from the West to China. PRC Chinese are the largest group of art buyers today, collecting Chinese antiquities, classical and modern paintings, and contemporary Chinese art. Following the time chronology of China in the thesis is analyzed the development of the art market throw the different historic periods and art of collecting Chinese antiquities, from the ancients dynasties to the modern collectors of the twentieth century. The global market for Chinese art today covers an extensive geographical area and a history spanning over two millennia. The thesis will explore the main developments in the Chinese art market within the global context in the twentieth century, and how these developments have shaped the growth of the art market in the twenty-first century. Through historical analysis, key players in the demographic market and price trends will be identified.
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Binder, Lisa M. "Contemporary African art in the London art market : 1995-2005." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.

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This thesis explores the market for contemporary African art in London from 1995 to 2005 using case examples of artists, museums, art festivals and fairs, auctions and galleries. The study is generally bracketed by two festivals, africa 95 and africa 05, touching also on events that transpired during the intervening decade. Many artists from Africa who were working, living or exhibiting in London during this time experienced degrees of marketable success as a result of their participation or relationship with actors involved in the marketplace and in private and public institutions. However, this was not the case for all connected with the two events. The purpose of this thesis is to examine the underlying network of market systems, in a particular place and time, for work by contemporary artists from Africa, in order to frame the various points of entry into the market and, by extension, the broadening of contemporary art historical canons
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Montgomerie, Elizabeth Amber. "Images of rural activities on mosaic pavements in Late Antiquity in the Levant." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:06c62da9-7dcf-4b34-96ec-3d5ea425e2cb.

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Images of rural activities become very popular in mosaic floor decoration in the Levant during the Late Antique period. I aim to explore different categories of iconography and discuss the images of people engaged in rural activities, such as pastoralism; hunting, fishing and activities connected with the vintage. I also aim to look at imagery that is often discussed in isolation without relation to other connected iconographic categories. The symbolic meaning of the representations of the zodiac found in synagogues, for example, is often discussed in detail without also looking at the rural calendars that appear in Christian contexts during the same period in the same region. I also want to explore the archaeological evidence for the activities that appear on the mosaic pavements. Studying both the archaeology and the iconography will, I hope, help us understand what the use of these particular categories of iconography in decorative schemes can tell us about the society that created them.
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Lu, Di Yin. "Seizing Civilization: Antiquities in Shanghai's Custody, 1949 – 1996." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10437.

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Seizing Civilization uses the Shanghai Museum as a case study to examine an extraordinary process of art appropriation that persisted from 1949 to 1996 in the People's Republic of China (PRC). At the heart of this story is the museum's destruction of the preexisting art market, its wholesale seizure of privately-owned antiquities, and its sale of these objects on the international market. My findings show that museum employees used these events to create public art collections in the PRC. The Shanghai Museum pioneered the techniques that Chinese museums use to transform craft objects, as well as select ancient paintings, ceramics, and bronzes, into canonized cultural relics. I argue that the application of these techniques explains the erasure of provenance at Chinese Museums, and demonstrate how state cultural institutions render acquisition ledgers, private collecting records, and connoisseurship disputes invisible. I examine cultural relics' transformation into Chinese cultural heritage in five chapters. I first demonstrate how museum employees appropriated private collections during nation-building campaigns such as the nationalization of industries (1956). Second, I investigate changes to the Chinese art historical canon, placing them in the context of art market takeovers, the wholesale acquisition of ethnic minority artifacts, as well as municipal programs in salvage archaeology. Then, in two chapters, I reveal the Shanghai Museum's active participation in antiquities confiscation and divestment during the Cultural Revolution (1966 – 1976), which enriched public art collections on a previously unprecedented scale. I conclude with an examination of the mass restitution of expropriated property in the 1980s and 90s, which underpinned the museum’s dual function as both a preservationist institution, as well as a political and commercial enterprise. The antiquities and events I analyze not only explain the ascendency of a dominant narrative about Chinese civilization, but also reveal the limits, contradictions, and challenges of PRC national patrimony.
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Tsirogiannis, Christos. "Unravelling the hidden market of illicit antiquities : the Robin Symes-Christos Michaelides network and its international implications." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648271.

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Tseng, Suliang. "The art market, collectors and art museums in Taiwan since 1949." Thesis, University of Leicester, 2001. http://hdl.handle.net/2381/31164.

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Radical changes in society have significantly influenced Taiwan since 1949. These changes have created a diversity of social forces, derived from politics, the economy and culture, which have widespread impacts. After 1980, these increasing forces contributed to a prospering art market, art collecting and museum expansion. Political changes intensified the ethnical conflict between the Benshengren and Waishengren, Economic prosperity provoked the art market, encouraged art collectors and diversified collecting interests. Cultural awareness, which was influenced by political ideology and growing Nativism, caused people to re-evaluate local culture. Collecting local cultural objects became very popular and rivalled the collecting of traditional Chinese objects. These social forces, which interweaved and interacted with each other, contributed to cultural development in Taiwan and consequently provoked a diversity of phenomena such as collecting fever, artistic fashion, faking, smuggling, theft and an explosion of museums, auction houses and dealerships. These phenomena emerged rapidly, grew and strongly influenced the art market. The prosperous art market thus can be seen as a place reflecting the social impact and the cultural evolution of Taiwan. Based on observation, historical review of contemporary sources and interviews, this thesis examines the complex relationships between these phenomena. Sociologically and historically, this research not only shows the complexity of these relationships but also provides a model for the operation of the art market as it enters Mainland China.
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Lane, David C. Jr. "The Social Economy of the Illicit Arts and Antiquities." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/83.

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This work will offer sociological theory about deviance, positing that deviance is part of larger social processes. Specifically, it will examine the illicit arts and antiquities trade, arguing that networks of legitimate status-role positions facilitate illegitimate behaviors. This theoretical framework is developed out of the notion that deviant actions may be the result of a social economy, and not the result of individual or psychological concerns. The work will use an exploratory methodology and attempt to explain or answer several research questions. This is tested by using qualitative, open-source data describing the context and means of participation in the status-role positions. The intent is to highlight specific cases and explain how the alternative theory of deviance may be more suitable to explain this type of phenomena.
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Ulmschneider, Katharina. "Markets, minsters and metal-detectors : the archaeology of Middle Saxon Lincolnshire and Hampshire compared /." Oxford : Archaeopress, 2000. http://catalogue.bnf.fr/ark:/12148/cb40210664x.

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Books on the topic "Art and antiquities market"

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Lake, Selina. Bazaar style: Decorating with market and vintage finds. New York: Ryland Peters & Small, 2008.

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Egloff, Brian. Bones of the ancestors: The Ambum Stone : from the New Guinea highlands to the antiquities market to Australia. Lanham, MD: AltaMira Press, 2008.

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Savita, Sharma. Imperial punch-marked coins of ancient India: A case study of Sarāi Dangri Hoard, Varanasi. New Delhi: Aryan Books International, 2016.

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Market art. Paris: Éditions François Bourin, 2016.

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Moody, Eric. The art market. London: Comedia, 1985.

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Donnelly, Harrison. The Art Market. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 1987. http://dx.doi.org/10.4135/cqresrre1987060500.

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Polsky, Richard. Art market guide: Contemporary American art. San Francisco: Marlit Press, 1998.

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Art production beyond the art market? Berlin: Sternberg Press, 2013.

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Sotheby's (Firm). Antiquities & Islamic art. New York: Sotheby's, 2002.

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Hecker, Sharon, and Peter J. Karol. Posthumous Art, Law and the Art Market. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003185697.

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Book chapters on the topic "Art and antiquities market"

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Eber, Anya. "Guardians in the Antiquities Market." In Crime and Art, 207–24. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84856-9_13.

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Fabiani, Michelle D., and James V. Marrone. "Transiting Through the Antiquities Market." In Crime and Art, 11–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84856-9_2.

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al-Saad, Ziad, and Stefan Simon. "Illicit Excavations and Trade in Antiquities." In Studies in Art, Heritage, Law and the Market, 81–101. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14084-6_6.

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Mackenzie, Simon. "The Market as Criminal and Criminals in the Market: Reducing Opportunities for Organised Crime in the International Antiquities Market." In Crime in the Art and Antiquities World, 69–85. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_4.

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al-Saad, Ziad, and Stefan Simon. "Correction to: Illicit Excavations and Trade in Antiquities." In Studies in Art, Heritage, Law and the Market, C1. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14084-6_14.

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Brodie, Neil. "The Market in Iraqi Antiquities 1980–2009 and Academic Involvement in the Marketing Process." In Crime in the Art and Antiquities World, 117–33. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_7.

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Rothfield, Lawrence. "Antiquities Crime as a Policy Problem." In Art Crime, 255–62. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40757-3_19.

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Gkioni, Maria. "Fraud Schemes in the Antiquities Market." In Cultural Property Crime and the Law, 144–61. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003363804-12.

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Bowman Balestrieri, Blythe Alison. "The Antiquities Licit-Illicit Interface." In The Palgrave Handbook on Art Crime, 79–87. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-54405-6_4.

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Rush, Laurie W. "Looting of Antiquities: Tearing the Fabric of Civil Society." In Art Crime, 132–42. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-40757-3_11.

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Conference papers on the topic "Art and antiquities market"

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Fotakis, Costas, Savas K. Georgiou, Vassilis Zafiropulos, and Vivi Tornari. "Laser technology of artworks and antiquities: fundamental aspects." In Lasers in Metrology and Art Conservation, edited by Renzo Salimbeni. SPIE, 2001. http://dx.doi.org/10.1117/12.445654.

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Northover, Peter. "How destructive is non-destructive? Electron and proton microprobe inspection of antiquities." In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950769.

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Laskowskaia, V. A. "INTEGRATION OF ART GRADUATES INTO THE ART MARKET SYSTEM." In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604789377_548.

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Пятых, Ф. О., and А. В. Карпов. "COMMERCIAL ART AS AN ART MARKET PHENOMENON: FEATURES AND FUNCTIONS." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.47.

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Художественный рынок сегодня является развитой системой взаимодействующих институтов, основанной на торговле произведениями искусства, однако коммерческое искусство как феномен арт-рынка имеет специфические черты и функции. Противоречие между эстетической и коммерческой ценностью искусства является одной из ключевых проблем в классификации коммерческого искусства. Цель данной статьи — определение основных черт коммерческого искусства и выявление его функций. Nowadays, the art market is a developed system of interacting institutions based on the sale of arts, however, commercial art is a phenomenon of the art market, which has specific features and functions. The contradiction between the aesthetic and commercial value of art is one of the key problems in the classification of commercial art. The purpose of this article is to identify the main features of commercial art and its functions.
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Zhang, Runjia, Zhizhen Huang, and Xiao-Yang Liu. "Machine Learning Approach for Art Market." In 2019 IEEE MIT Undergraduate Research Technology Conference (URTC). IEEE, 2019. http://dx.doi.org/10.1109/urtc49097.2019.9660414.

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Pavlova, A. S. "PROMOTION OF CONTEMPORARY RUSSIAN ART ON THE ART MARKET OF FRANCE." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_36.

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Gnezdova, Julia, and Elena Matveeva. "Features of the Art Market in Russia." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.97.

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Shashlova, S. G. "ZUNI CERAMICS ON THE MODERN ART MARKET." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_153.

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Gurjar, Shailendra, and Usha Ananthakumar. "Auctions and Estimates: Evidence from Indian Art Market." In 11th International Conference on Data Science, Technology and Applications. SCITEPRESS - Science and Technology Publications, 2022. http://dx.doi.org/10.5220/0011317200003269.

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Sorokina, K. S., and A. V. Karpov. "CONTEMPORARY CHINESE ART ON THE GLOBAL ART MARKET: RANKING ANALYSIS OF LEADING CHINESE ARTISTS." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_30.

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Reports on the topic "Art and antiquities market"

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Gustavsen, Arild, Bjorn Petter Jelle, Dariush Arasteh, and Christian Kohler. State-of-the-Art Highly Insulating Window Frames - Research and Market Review. Office of Scientific and Technical Information (OSTI), January 2007. http://dx.doi.org/10.2172/941673.

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Galenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. Cambridge, MA: National Bureau of Economic Research, February 2005. http://dx.doi.org/10.3386/w11152.

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Galenson, David, and Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, August 2002. http://dx.doi.org/10.3386/w9123.

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Alexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2010. http://dx.doi.org/10.55274/r0000005.

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Composite materials have been used to repair high pressure transmission pipelines. Over this time period a wide variety of composite systems have been developed and evaluated. With the increased demands being placed on pipeline systems around the world, it is expected that the market potential for composite repair systems will continue to expand. Additionally, as composite technology is further developed the opportunities for new applications will expand. An assessment of this composite repair technology is needed. This report has been developed to provide industry with a state of the art assessment of composite pipeline repair technology as it currently stands.
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Galenson, David. Do the Young British Artists Rule (or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market. Cambridge, MA: National Bureau of Economic Research, October 2005. http://dx.doi.org/10.3386/w11715.

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Calvo, Guillermo A. Monetary Policy Challenges in Emerging Markets: Sudden Stop, Liability Dollarization, and Lender of Last Resort. Inter-American Development Bank, December 2006. http://dx.doi.org/10.18235/0010971.

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The paper argues that Emerging Market economies (EMs) face financial vulnerabilities that weaken the effectiveness of a domestic Lender of Last Resort (LOLR). As a result, monetary policy is inextricably linked to the state of the credit market. In particular, the central bank should be ready to operate as LOLR during Sudden Stop (of capital inflows) by releasing international reserves in an effective manner. These conditions also impact on optimal monetary policy in normal but high-volatility periods. The paper further argues that during those periods interest rate rules may engender excessive volatility of exchange rates and, thus, that it may be advisable to temporarily supplement those rules by foreign exchange market intervention or outright exchange rate pegging. At a fundamental level, the analysis suggests that the state-of-the-art literature summarized by Woodford (2003) or even more heterodox approaches exemplified by Stiglitz and Greenwald (2003) are likely fall short of providing a satisfactory guide for monetary policy in EMs.
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Vodusek, Ziga, and Robert Devlin. Trade Related Capacity Building: An Overview in the Context of Latin American Trade Policy and the MERCOSUR-EU Association Agreement. Inter-American Development Bank, February 2005. http://dx.doi.org/10.18235/0008695.

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Trade has become an increasingly important strategic objective for developing countries. This is a relatively new phenomenon for many of them. Hence the demand to intensify an insertion into the world economy often advances faster than their institutional capacities to formulate effective strategies, trade policies and institutions. This is further complicated by the fact that the insertion is increasingly being undertaken through negotiation of ever more complex trade agreements with important asymmetries between the parties and large repercussions from market opening. Under these circumstances it is not surprising that trade-related capacity building (TRCB) has increasingly gained the attention of developing countries and donors alike. By practicing the art of the possible many advances have been achieved. But many shortcomings are still hindering the delivery of effective TRCB; ironically, some of them being outgrowths of attempts to perfect TRCB.
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Kamp, Bart, Carmen Vallverdu, and Eduardo Sisti . The servitization of business among industrial companies in Catalonia. Edited by Patricia Canto. Universidad de Deusto, 2023. http://dx.doi.org/10.18543/bieu8943.

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The concept of servitization refers to the trend among manufacturing companies to base their business not only on produced goods, but increasingly on services. This implies expanding the portfolio of value propositions in the market, integrating and linking them in the form of complete solutions. In turn, it implies generating revenue from the provision of services and/or charging for products as if they were services. This study conceptualizes the phenomenon of servitization, presents the state of the art among the Catalan industry (meso-economic perspective) and collects experiences of 8 Catalan companies (micro-economic perspective) to investigate barriers and benefits of servitization. At this time when all territories in the world are facing complex challenges, among which the climate emergency stands out, there is a need for profound social transformations. Moreover, the requirement that these transformations should be of a democratizing nature is also proving to be a relevant topic.
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Yang, Yu, and Hen-Geul Yeh. Electrical Vehicle Charging Infrastructure Design and Operations. Mineta Transportation Institute, July 2023. http://dx.doi.org/10.31979/mti.2023.2240.

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California aims to achieve five million zero-emission vehicles (ZEVs) on the road by 2030 and 250,000 electrical vehicle (EV) charging stations by 2025. To reduce barriers in this process, the research team developed a simulation-based system for EV charging infrastructure design and operations. The increasing power demand due to the growing EV market requires advanced charging infrastructures and operating strategies. This study will deliver two modules in charging station design and operations, including a vehicle charging schedule and an infrastructure planning module for the solar-powered charging station. The objectives are to increase customers’ satisfaction, reduce the power grid burden, and maximize the profitability of charging stations using state-of-the-art global optimization techniques, machine-learning-based solar power prediction, and model predictive control (MPC). The proposed research has broad societal impacts and significant intellectual merits. First, it meets the demand for green transportation by increasing the number of EV users and reducing the transportation sector’s impacts on climate change. Second, an optimal scheduling tool enables fast charging of EVs and thus improves the mobility of passengers. Third, the designed planning tools enable an optimal design of charging stations equipped with a solar panel and battery energy storage system (BESS) to benefit nationwide transportation system development.
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Carranza, Rafael, Mauricio De Rosa, and Ignacio Flores. Wealth Inequality in Latin America. Inter-American Development Bank, June 2023. http://dx.doi.org/10.18235/0004945.

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How much wealth has accumulated in the region and how is it distributed across households? Despite being widely recognized for its extreme income inequality, reliable data on wealth is scarce, partial and oftentimes contradictory, making it difficult to answer these basic questions. In this study, we estimate aggregates based on macroeconomic data, and inequality based on recently available surveys. We contrast our results with the literature, with a handful of state-of-the-art estimates from administrative sources, and with more available but extrapolated estimates from Credit Suisse and wid.world. Considering all the evidence, we distinguish reliable facts from what can only be conjectured or speculated. We find that aggregate wealth increased over two decades in four countries, now ranging close to 3.5 the national income for market value estimates and 5-6 times at book values. We also find that wealth inequality is amongst the highest in the world were it can be measured. Given data limitations, one can only speculate about aggregates in opaque countries and about inequality trends in any country in the region. Although recent research in the developed world has focused in combining data sources to better understand wealth, the region lags behind and urgently requires more and better public information.
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