Journal articles on the topic 'Art, american – 20th century – exhibitions'
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WESSELING, H. L. "Editorial: the American Century in Europe." European Review 12, no. 2 (May 2004): 123–26. http://dx.doi.org/10.1017/s1062798704000122.
Full textLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Full textCalo, Mary Ann. "A Community Art Center for Harlem: The Cultural Politics of “Negro Art” Initiatives in the Early 20th Century." Prospects 29 (October 2005): 155–83. http://dx.doi.org/10.1017/s0361233300001721.
Full textDane, William J. "Public art libraries and artists and designers: a symbiotic scheme for success." Art Libraries Journal 12, no. 3 (1987): 29–34. http://dx.doi.org/10.1017/s0307472200005277.
Full textFedotova, E. D. "Серия акварелей «Campi Phlegraei» английского мецената и итальянского художника века Просвещения." Iskusstvo Evrazii [The Art of Eurasia], no. 1(20) (March 31, 2021): 260–69. http://dx.doi.org/10.46748/arteuras.2021.01.018.
Full textYartseva, O. A. "Коллекция Пегги Гуггенхайм." Iskusstvo Evrazii [The Art of Eurasia], no. 1(20) (March 31, 2021): 270–79. http://dx.doi.org/10.46748/arteuras.2021.01.019.
Full textOtdelnova, V. A. "SOVIET ART OF THE SECOND HALF OF THE 20TH CENTURY AS PART OF THE WORLD ART PROCESS: METHODOLOGICAL APPROACHES AND PERSPECTIVES FOR FUTHER STUDIES." Вестник Пермского университета. История, no. 2 (2022): 55–71. http://dx.doi.org/10.17072/2219-3111-2022-2-55-71.
Full textPuerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress." Art Libraries Journal 20, no. 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Full textAllen, Nancy S. "History of Western sources on Japanese art." Art Libraries Journal 11, no. 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Full textKirking, Clayton C. "Both sides of the fence, librarian and curator: forming a Latin American library collection." Art Libraries Journal 20, no. 3 (1995): 11–14. http://dx.doi.org/10.1017/s0307472200009445.
Full textIan Shin, K. "The Chinese Art “Arms Race”." Journal of American-East Asian Relations 23, no. 3 (October 27, 2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.
Full textLeśniak, Kamila. "The Family of Man in Poland: An Exhibition as a Democratic Space?" Ikonotheka 26 (June 26, 2017): 213–38. http://dx.doi.org/10.5604/01.3001.0010.1679.
Full textOrlova, E. V. "Из истории Людвиг Музеум – от коллекции к музею." Iskusstvo Evrazii [The Art of Eurasia], no. 1(20) (March 31, 2021): 164–75. http://dx.doi.org/10.46748/arteuras.2021.01.012.
Full textNiemira, Konrad. "Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)." Ikonotheka 26 (June 26, 2017): 167–91. http://dx.doi.org/10.5604/01.3001.0010.1677.
Full textNgoei, Wen-Qing. "Exhibiting Transnationalism after Vietnam: The Alpha Gallery’s Vision of an Artistic Renaissance in Southeast Asia." Journal of American-East Asian Relations 29, no. 3 (September 20, 2022): 271–99. http://dx.doi.org/10.1163/18765610-29030004.
Full textŘičář Libánská, Anna, and Josef Řičář. "Zpráva z Humboldtova fóra v Berlíně." Muzeum Muzejní a vlastivedná práce 60, no. 1 (2022): 89–95. http://dx.doi.org/10.37520/mmvp.2022.011.
Full textWagner, Keith B., and Michael A. Unger. "Photographic and cinematic appropriation of atrocity images from Cambodia: auto-genocide in Western museum culture and The Missing Picture." Visual Communication 18, no. 1 (January 3, 2018): 83–106. http://dx.doi.org/10.1177/1470357217742333.
Full textBraziūnienė, Alma, and Kotryna Rekašiūtė. "Oto fon Mauderodės spaudiniai LMA Vrublevskių bibliotekoje / Otto von Mauderode’s Publications in the Wroblewski Library of the Lithuanian Academy of Sciences." LMA Vrublevskių bibliotekos darbai 12 (2023): 138–48. http://dx.doi.org/10.54506/lmavb.2023.12.7.
Full textNikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.
Full textSenuliene, Jurgita. "Searching for Identity in the 20th-Century Lithuanian-American Food Exhibitions." Loci Communes 1, no. 2 (June 28, 2022): 1–19. http://dx.doi.org/10.31261/lc.2022.02.04.
Full textBenetti, Alessandro. "GAIA CARAMELINO; STÉPHANIE DADOUR (a cura di): THE HOUSING PROJECT: DISCOURSES, IDEALS, MODELS, AND POLITICS IN 20TH-CENTURY EXHIBITIONS." Proyecto, Progreso, Arquitectura, no. 27 (2022): 206–7. http://dx.doi.org/10.12795/ppa.2022.i27.12.
Full textBurganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (December 10, 2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Full textŠeparović, Ana. "Feministički iskazi u kritičkoj recepciji skupnih izložbi hrvatskih umjetnica." Ars Adriatica 8, no. 1 (December 28, 2018): 195–210. http://dx.doi.org/10.15291/ars.2762.
Full textBeck, Mirja. "A Lived Experience—Immersive Multi-Sensorial Art Exhibitions as a New Kind of (Not That) ‘Cheap Images’." Arts 12, no. 1 (January 17, 2023): 16. http://dx.doi.org/10.3390/arts12010016.
Full textPasitska, Oksana. "«TRADE LOCAL, BUY LOCAL, BE LOCAL»: AGRICULTURAL EXHIBITIONS AND FAIRS IN HALYCHYNA IN THE 20-30S OF THE 20TH CENTURY." Contemporary era 8 (2020): 19–27. http://dx.doi.org/10.33402/nd.2020-8-19-27.
Full textMark, Reet. "Endel Kõksi abstraktsetest maalidest." Baltic Journal of Art History 11 (November 30, 2016): 125. http://dx.doi.org/10.12697/bjah.2016.11.07.
Full textKrzysztofowicz-Kozakowska, Stefania. "„Raumkunst” autorstwa Teodora Axentowicza." Lehahayer 8 (December 19, 2021): 185–90. http://dx.doi.org/10.12797/lh.08.2021.08.06.
Full textRosso, Aluminé. "The cinefication of museums: from exhibitions to films. The case of Tate Modern." Digital Age in Semiotics & Communication 5 (December 30, 2022): 35–61. http://dx.doi.org/10.33919/dasc.22.5.3.
Full textGerasimova, Natalia V. "Exhibitions of Art Works from Private Collections of Kazan in the Second Half of 19th — Beginning of 20th Century." Observatory of Culture 21, no. 2 (April 19, 2024): 214–23. http://dx.doi.org/10.25281/2072-3156-2024-21-2-214-223.
Full textIttu, Gudrun-Liane. "Siebenbürgisch-deutsche Künstlerinnen vom Ende des 19. und Anfang des 20. Jahrhunderts." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (December 31, 2020): 127–55. http://dx.doi.org/10.24193/subbhistart.2020.07.
Full textBennett, Theodore. "Tortured genius: The legality of injurious performance art." Alternative Law Journal 42, no. 1 (March 2017): 24–28. http://dx.doi.org/10.1177/1037969x17694791.
Full textPetit, David A. "The Object as Subject in 20th Century American Art." Art Education 43, no. 2 (March 1990): 36. http://dx.doi.org/10.2307/3193205.
Full textWeibel, Peter. "Music, Machines, Media and the Museum." Organised Sound 14, no. 3 (December 2009): 231–35. http://dx.doi.org/10.1017/s1355771809990197.
Full textMount, Sigrid Docken. "Evolutions in exhibition catalogues of African art." Art Libraries Journal 13, no. 3 (1988): 14–19. http://dx.doi.org/10.1017/s0307472200005769.
Full textShalinskyi, Ihor, and Andrii Zabuzhko. "CONTEMPORARY ART AND ART MANAGEMENT INITIATIVES IN THE CONTEXT OF LOCAL SOCIAL TRANSFORMATIONS IN UKRAINE: THE CASE OF THE TEPLE MISTO PLATFORM." Art Research of Ukraine, no. 23 (November 28, 2023): 129–36. http://dx.doi.org/10.31500/2309-8155.23.2023.299212.
Full textPark, Hyesung. "Rethinking the 20th-Century Korean Embroidery from Gender Perspectives." Korean Journal of Art History 320 (December 31, 2023): 65–98. http://dx.doi.org/10.31065/kjah.320.202312.003.
Full textPawłowska, Aneta. "African Art: The Journey from Ethnological Collection to the Museum of Art." Muzeológia a kultúrne dedičstvo 8, no. 4 (2020): 161–76. http://dx.doi.org/10.46284/mkd.2020.8.4.10.
Full textRusakov, Serhii. "Establishment of the Art Market in the Context of Ukrainian Historical and Cultural Tradition." Studia Warmińskie 59 (December 31, 2022): 111–24. http://dx.doi.org/10.31648/sw.8330.
Full textŞtefănescu, Mircea. "The Beginnings of The Modern Art." Review of Artistic Education 18, no. 1 (March 1, 2019): 255–61. http://dx.doi.org/10.2478/rae-2019-0028.
Full textCummings, Paul. "20th Century Drawings from the Whitney Museum of American Art." Leonardo 22, no. 2 (1989): 274. http://dx.doi.org/10.2307/1575256.
Full textSabinina, Anastasia A. "Project of The All-Slavic Art and Industry Exhibition in St. Petersburg: 1902–1912." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 71 (2024): 225–33. http://dx.doi.org/10.37816/2073-9567-2024-71-225-233.
Full textФедорук, Олександр. "The Kyiv artistic life in the late 19th and early 20th centuries. Polish discourse." CONTEMPORARY ART, no. 18 (November 29, 2022): 307–20. http://dx.doi.org/10.31500/2309-8813.18.2022.273817.
Full textAlbano, Caterina. "The Exhibition as an Experiment: An Analogy and Its Implications." Journal of Visual Culture 17, no. 1 (April 2018): 97–116. http://dx.doi.org/10.1177/1470412918763446.
Full textBarris, Roann. "Exhibiting Russia." Experiment 23, no. 1 (October 11, 2017): 142–57. http://dx.doi.org/10.1163/2211730x-12341307.
Full textChernysheva, Anna Igorevna. "N. N. Zeddeler and A. P. Somova-Zeddeler: the forgotten names of early 20th century Russian art. Japonism in Russian printmaking at the beginning of 20th century." Secreta Artis 5, no. 1 (June 9, 2022): 6–23. http://dx.doi.org/10.51236/2618-7140-2022-5-1-6-23.
Full textDrosos, Nikolas. "Modernism and World Art, 1950–72." ARTMargins 8, no. 2 (June 2019): 55–76. http://dx.doi.org/10.1162/artm_a_00235.
Full textKim, Seorim, and Kyoo Yun Cho. "Satire and Propaganda of Soviet Posters: The Artistic Representation of Laughter and Disgust in Deni’s Works." Institute for Russian and Altaic Studies Chungbuk University 25 (August 31, 2022): 99–128. http://dx.doi.org/10.24958/rh.2022.25.99.
Full textMetlenga, Weronika. "Sztuka performansu po "The Artist Is Present". Kontynuacja działań Mariny Abramović w twórczości jej uczniów." Panoptikum, no. 21 (December 18, 2019): 149–62. http://dx.doi.org/10.26881/pan.2019.21.09.
Full textBarashkov, V. V. "The Formation of Artistic Competence in the Evangelical Church in Germany in the XX – Early XXI Century." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 35 (2021): 115–24. http://dx.doi.org/10.26516/2073-3380.2021.35.115.
Full textLawrence, Deirdre E. "The formation of an Islamic art library collection in an American museum." Art Libraries Journal 21, no. 2 (1996): 24–26. http://dx.doi.org/10.1017/s0307472200009846.
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