Academic literature on the topic 'Art, american – 20th century – exhibitions'
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Journal articles on the topic "Art, american – 20th century – exhibitions"
WESSELING, H. L. "Editorial: the American Century in Europe." European Review 12, no. 2 (May 2004): 123–26. http://dx.doi.org/10.1017/s1062798704000122.
Full textLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Full textCalo, Mary Ann. "A Community Art Center for Harlem: The Cultural Politics of “Negro Art” Initiatives in the Early 20th Century." Prospects 29 (October 2005): 155–83. http://dx.doi.org/10.1017/s0361233300001721.
Full textDane, William J. "Public art libraries and artists and designers: a symbiotic scheme for success." Art Libraries Journal 12, no. 3 (1987): 29–34. http://dx.doi.org/10.1017/s0307472200005277.
Full textFedotova, E. D. "Серия акварелей «Campi Phlegraei» английского мецената и итальянского художника века Просвещения." Iskusstvo Evrazii [The Art of Eurasia], no. 1(20) (March 31, 2021): 260–69. http://dx.doi.org/10.46748/arteuras.2021.01.018.
Full textYartseva, O. A. "Коллекция Пегги Гуггенхайм." Iskusstvo Evrazii [The Art of Eurasia], no. 1(20) (March 31, 2021): 270–79. http://dx.doi.org/10.46748/arteuras.2021.01.019.
Full textOtdelnova, V. A. "SOVIET ART OF THE SECOND HALF OF THE 20TH CENTURY AS PART OF THE WORLD ART PROCESS: METHODOLOGICAL APPROACHES AND PERSPECTIVES FOR FUTHER STUDIES." Вестник Пермского университета. История, no. 2 (2022): 55–71. http://dx.doi.org/10.17072/2219-3111-2022-2-55-71.
Full textPuerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress." Art Libraries Journal 20, no. 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Full textAllen, Nancy S. "History of Western sources on Japanese art." Art Libraries Journal 11, no. 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Full textKirking, Clayton C. "Both sides of the fence, librarian and curator: forming a Latin American library collection." Art Libraries Journal 20, no. 3 (1995): 11–14. http://dx.doi.org/10.1017/s0307472200009445.
Full textDissertations / Theses on the topic "Art, american – 20th century – exhibitions"
Manasseh, Cyrus. "The problematic of video art in the museum (1968-1990)." University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Full text이윤영 and Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
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Fine Arts
Master
Master of Philosophy
Silverthorne, Diane. "New spaces of art, design and performance : Alfred Roller and the Vienna Secession 1897-1905." Thesis, Royal College of Art, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602330.
Full textOhki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.
Full textSoprano: Hitomi Ohki
Piano: Anders Kilström
Aaron Copland (1900-1990)
Twelve Poems of Emily Dickonson
1, Nature, the gentlest mother
2, There came a wind like a bugle
3, Why do they shut me out of Heaven?
4, The world feels dusty
5, Heart, we will forget him!
6, Dear March, come in!
7, Sleep is supposed to be
8, When they come back
9, I felt a funeral in my brain
10, I've heard an organ talk sometimes
11, Going to Heaven!
12, The Chariot
White, Steven Robert. "A confluence of thinking: The influence of 20th century art history on American landscape architecture." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278634.
Full textBellettiere, Giovanna Marie. "AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.
Full textM.A.
This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoretical thread that links the work of these artists: namely, that photography allowed professional women of this time to react and rise above the constrictions of gender expectations, and moreover, how their own attitudes based in feminist sensibility enabled them to fashion and broadcast bold, liberated self-images. Inspired by the radical transformations of women’s social roles in the United States, each artist produced photographs that represented the evolving role of women in the late nineteenth and early twentieth centuries. Using visual analysis and historical context associated with the “New Woman” movement, I argue that each artist discussed in this thesis not only challenges the domestic sphere conventionally assigned to women photographers, but also makes new strides by engaging in work that allows for them to autonomously travel within their own territories or new expansive locations. This thesis gives fresh insight as to how photography provided novel opportunities for elevating women’s place in society, as well as in the artistic realm. Overall, photography was an important tool for each artist as these three women act as agents of change by demonstrating a control of womanhood while the role of a female was beginning to become less constrained by the domestic and social norms of society.
Temple University--Theses
Collins, Curtis J. 1962. "Sites of Aboriginal difference : a perspective on installation art in Canada." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38172.
Full textBrown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Full textClarke, Jennifer. "The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture." [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.
Full textLampe, Mary Margaret. "Morton Schamberg's role in precisionism." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc798467/.
Full textBooks on the topic "Art, american – 20th century – exhibitions"
1957-, Zakian Michael, and Palm Springs Desert Museum, eds. Transforming the western image in 20th century American art. Palm Springs, Calif: Palm Springs Desert Museum, 1992.
Find full text1951-, Craven David, Lozano Luis-Martín, and Museum of Fine Arts (Museum of New Mexico), eds. Mexican modern: Masters of the 20th century. Santa Fe: Museum of New Mexico Press, 2006.
Find full textWeiner, Longhauser Elsa, Szeemann Harald, Museum of American Folk Art., and Philadelphia Museum of Art, eds. Self-taught artists of the 20th century: An American anthology. San Francisco: Chronicle Books, 1998.
Find full textGavino, Julianne, and Rebecca Tucker. Rethinking regionalism: 20th century American art and visual culture. Colorado Springs, Colo: Colorado Springs Fine Arts Center at Colorado College, 2021.
Find full textHough, Katherine Plake. Transforming the western image in twentieth (or 20th) century American art. Palm Springs, Calif: Palm Springs Desert Museum, 1992.
Find full textWadsworth Atheneum Museum of Art., John and Mable Ringling Museum of Art., and Austin Museum of Art, eds. Images from the world between: The circus in 20th century American art. Cambridge, Mass: MIT Press, 2001.
Find full textNorthern Illinois University. Art Gallery in Chicago., ed. 20th century American folk art from the Arient family collection. [DeKalb, Ill: Northern Illinois University, 1987.
Find full textWhitney Museum of American Art. 20th century drawings from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1987.
Find full textArt, Whitney Museum of American. 1995 biennial exhibition. New York: Whitney Museum of American Art, 1995.
Find full textKlaus, Kertess, ed. 1995 Biennial exhibition. New York: Whitney Museum of American Art, 1995.
Find full textBook chapters on the topic "Art, american – 20th century – exhibitions"
Birbragher-Rozencwaig, Francine. "Modern Latin American Art." In Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.
Full textBirbragher-Rozencwaig, Francine. "Contemporary Cuban Art." In Essays on 20th Century Latin American Art, 79–101. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-4.
Full textBirbragher-Rozencwaig, Francine. "Carnival in Latin America and the Caribbean." In Essays on 20th Century Latin American Art, 123–45. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-6.
Full textBirbragher-Rozencwaig, Francine. "Abstraction in Latin America." In Essays on 20th Century Latin American Art, 35–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-2.
Full textBirbragher-Rozencwaig, Francine. "Conclusion." In Essays on 20th Century Latin American Art, 146–49. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-7.
Full textBirbragher-Rozencwaig, Francine. "Politics in Latin American Art from the 1960s to the 1980s." In Essays on 20th Century Latin American Art, 59–78. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-3.
Full textBirbragher-Rozencwaig, Francine. "Art in Central America and the Caribbean since the 1990s." In Essays on 20th Century Latin American Art, 102–22. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-5.
Full textPeterson, William. "The Master of the Form." In Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.
Full textGrunenberg, Christoph. "American Gothic Art." In American Gothic Culture. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401616.003.0009.
Full text"Critical Documents of 20th-Century Latin American and Latino Art." In Resisting Categories: Latin American and/or Latino? The Museum of Fine Arts, Houston, 2012. http://dx.doi.org/10.37862/aaeportal.00102.005.
Full textConference papers on the topic "Art, american – 20th century – exhibitions"
Петрухина, О. В. "INSTALLATIONS AND EXHIBITIONS USING KINETIC AND PROJECTION TECHNOLOGIES IN THE USSR." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.10.
Full textDumont d'Ayot, Catherine. "Machines à exposer." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.
Full textDOSPINESCU, Liviu. "Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0011.
Full textReports on the topic "Art, american – 20th century – exhibitions"
Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, March 1994. http://dx.doi.org/10.18235/0007910.
Full textSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt, and Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), June 2023. http://dx.doi.org/10.21079/11681/47184.
Full textNikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, February 2005. http://dx.doi.org/10.18235/0008269.
Full text50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, June 2009. http://dx.doi.org/10.18235/0008282.
Full textTurns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, August 2010. http://dx.doi.org/10.18235/0005958.
Full textParadox & Coexistence 2. Inter-American Development Bank, May 2005. http://dx.doi.org/10.18235/0008263.
Full textNikkei Latin American Artists of the 20th Century: Featuring Artists of Japanese Descent from Argentina, Brazil, Mexico, and Peru. Inter-American Development Bank, June 2005. http://dx.doi.org/10.18235/0005929.
Full textGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, September 2002. http://dx.doi.org/10.18235/0005919.
Full textParadox and Coexistence: Latin American Artists, 1980 - 2000. Inter-American Development Bank, January 2002. http://dx.doi.org/10.18235/0005931.
Full textHighlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding Works by Artists from the Spanish, English, French, and Dutch Speaking Caribbean. Inter-American Development Bank, October 2007. http://dx.doi.org/10.18235/0006408.
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