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Journal articles on the topic "Arnold Suites"
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NEFF, SEVERINE. "An Unlikely Synergy: Lou Harrison and Arnold Schoenberg." Journal of the Society for American Music 3, no. 2 (May 2009): 155–93. http://dx.doi.org/10.1017/s1752196309090129.
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AbstractThis essay addresses the unlikely but profound synergy between Arnold Schoenberg and Lou Harrison. Despite their personal rapport and mutual interests in visual art, they held antithetical beliefs about the nature of musical composition. Schoenberg maintained that a composition was the presentation of a metaphysical “Idea.” Harrison saw composition as the process of systematically gathering and assembling resources and techniques.After studying with Henry Cowell and Schoenberg, Harrison displayed a fascination with musical resources that led him to compose twelve-tone works using disparate compositional tools. A 1937 piano piece combines Schoenberg's methods of variation with Cowell's and Seeger's techniques of “dissonation.” The “Conductus” from the 1942 Suite for Piano, a work inspired by Schoenberg's Suite für Klavier, op. 25, explores all twelve prime forms of the row in light of Cage's square-root form. A nontonal 1944 string quartet ends on a triad like Schoenberg's Ode to Napoleon, op. 41.In the 1950s Harrison rejected the aims of the total-serialist movement and found his own voice in just intonation instead. By the 1980s all vestiges of twelve-tone technique disappeared from his pieces; however, analogous serial techniques resurfaced in his paintings. Thus Harrison retained deep respect for Schoenberg as a composer, teacher, and friend.
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Britz, Margaret. "A tribute to Professor Arnold L Demain – a lifetime in industrial microbiology." Microbiology Australia 31, no. 2 (2010): 97. http://dx.doi.org/10.1071/ma10097.
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Professor Arnold (Arny) Lester Demain is one of the few scientists who have witnessed the progress of biotechnology in a career that has spanned almost 60 years. He is one of the world?s leading industrial microbiologists who has pioneered discovery in genetic and nutritional regulation of biosynthetic pathways leading to overproduction of a suite of primary and secondary metabolites, and their subsequent scale-up in manufacturing processes. These metabolites have huge economic value due to their application in the food, pharmaceutical and agricultural sectors. In this article, Arny?s story is summarised and put in context of the changing face of biotechnology in the various ?golden ages? of biotechnology. A former Rubbo Orator in 1979, Arny will be visiting Australia again in 2010 to present the closing plenary address at the Genetics of Industrial Microorganisms Symposium (GIMS) in Melbourne, a role he played before at the first GIMS in 1970.
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Paunović, Tatjana, and Milica Savić. "Discourse Intonation - Making It Work." ELOPE: English Language Overseas Perspectives and Enquiries 5, no. 1-2 (June 16, 2008): 57–75. http://dx.doi.org/10.4312/elope.5.1-2.57-75.
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Discourse Intonation (DI) (Brazil 1997; Chun 2002) seems to be particularly well suited for use in the EFL classroom, much more so than the rather complex traditional models (e.g. O’Connor and Arnold 1973) or some recent phonological theories. Yet if L2 teachers are to be provided with clear guidelines on how to incorporate DI into communicative language teaching, much more empirical research is needed with L2 students of different L1 backgrounds to uncover the specific problems they face. The small-scale study presented here examines how 15 second-year students of the English Department in Niš manage intonation in a reading task. The analysis focuses on the components singled out by Chun (2002) as crucial for language learners: sentence stress (nuclear tone placement), terminal contour (direction of pitch change) and key (pitch range at transition points).
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Ahn, So-Yung. "Musical Exchange and Interaction between Eisler and Schoenberg, Evidenced by their Serial Music." Studia Musicologica 59, no. 1-2 (June 2018): 21–39. http://dx.doi.org/10.1556/6.2018.59.1-2.2.
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This study demonstrates that Hanns Eisler's serial music composed in the early 1920s and his cantatas created in the 1930s are interrelated with Arnold Schoenberg's serial music. The specific purpose is to reveal the musical interactions between the two composers, such as how Eisler was influenced by Schoenberg, and how Eisler himself influenced Schoenberg. The former aspect is highlighted by the analysis of Schoenberg's Suite für Klavier (1923) and Eisler's Zweite Sonate für Klavier (1925). The latter is shown while Eisler's Deutsche Symphonie from the 1930s and Schoenberg's A Survivor from Warsaw (1947) are subjected to a comparative analysis. Eisler was not simply a pupil who renounced Schoenberg's teachings, but a “true disciple” who succeeded Schoenberg's serial technique in a manner comparable to that of Webern and Berg and who, in addition, was a musical companion of Schoenberg, influencing Schoenberg's later music.
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ALONSO TOMÁS, DIEGO. "A Heretic in the Schoenberg Circle: Roberto Gerhard's First Engagement with Twelve-Tone Procedures in Andantino." Twentieth-Century Music 16, no. 3 (August 15, 2019): 557–88. http://dx.doi.org/10.1017/s1478572219000306.
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AbstractShortly before finishing his studies with Arnold Schoenberg, Roberto Gerhard composed Andantino, a short piece in which he used for the first time a compositional technique for the systematic circulation of all pitch classes in both the melodic and the harmonic dimensions of the music. He modelled this technique on the tri-tetrachordal procedure in Schoenberg's Prelude from the Suite for Piano, Op. 25 but, unlike his teacher, Gerhard treated the tetrachords as internally unordered pitch-class collections. This decision was possibly encouraged by his exposure from the mid-1920s onwards to Josef Matthias Hauer's writings on ‘trope theory’. Although rarely discussed by scholars, Andantino occupies a special place in Gerhard's creative output for being his first attempt at ‘twelve-tone composition’ and foreshadowing the permutation techniques that would become a distinctive feature of his later serial compositions. This article analyses Andantino within the context of the early history of twelve-tone music and theory.
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Perold, S. M. "Studies in the liverwort genus Fossombronia (Metzgeriales) from southern Africa. 7. F. capensis var. spiralis, a new variety from Western Cape." Bothalia 29, no. 1 (September 30, 1999): 1–4. http://dx.doi.org/10.4102/abc.v29i1.567.
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Fossombronia capensis S.W.Amell var. spiralis Perold, var. nov. from Western Cape is described. It is distinguished from the typical variety by a suite of characters, the most obvious being the strong spirals in the elaters. In F. capensis var. capensis the spirals are weak except for two Arnell collections in which they are quite strong. Subtle differences in spore ornamentation are then, perhaps, the most definitive character to separate the two varieties.
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Shi, Qianqian, Xinlei An, Li Xiong, Feifei Yang, and Li Zhang. "Dynamic analysis of a fractional-order hyperchaotic system and its application in image encryption." Physica Scripta 97, no. 4 (February 28, 2022): 045201. http://dx.doi.org/10.1088/1402-4896/ac55bb.
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Abstract Compared with integer order chaotic systems, fractional order chaotic systems can reflect natural phenomena more accurately, which are more suitable for chaotic cryptosystems. In order to explore the application of fractional order chaotic system in cryptography, a novel fractional order hyperchaotic system is constructed and implemented on DSP platform. More progressively, based on Adomian decomposition method, the dynamic behavior is studied by phase diagram, bifurcation diagram, Lyapunov exponent spectrum and spectral entropy (SE) complexity. It is found that each parameter and order have a large range of intervals that can keep the system in a hyperchaotic state. Therefore, the hyperchaotic sequences generated by the constructed fractional order hyperchaotic system have sufficient randomness and are well suited for applications in secure communications. In addition, a color image encryption scheme is designed based on the fractional order hyperchaotic system and DNA dynamic coding. Firstly, the improved Arnold algorithm is used to scramble the original image, then the column cyclic shift method is applied for secondary scrambling, and finally the pixel value is diffused by DNA sequence operation. The security analysis results indicate that the designed encryption algorithm can not only encrypt images effectively, but also has high security and can resist various common attacks.
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Rochlitz, Raphael, Marc Seidel, and Ralph-Uwe Börner. "Evaluation of three approaches for simulating 3-D time-domain electromagnetic data." Geophysical Journal International 227, no. 3 (August 4, 2021): 1980–95. http://dx.doi.org/10.1093/gji/ggab302.
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SUMMARY We implemented and compared the implicit Euler time-stepping approach, the inverse Fourier transform-based approach and the Rational Arnoldi method for simulating 3-D transient electromagnetic data. We utilize the finite-element method with unstructured tetrahedral meshes for the spatial discretization supporting irregular survey geometries and anisotropic material parameters. Both, switch-on and switch-off current waveforms, can be used in combination with direct current solutions of Poisson problems as initial conditions. Moreover, we address important topics such as the incorporation of source currents and opportunities to simulate impulse as well as step response magnetic field data with all approaches for supporting a great variety of applications. Three examples ranging from simple to complex real-world geometries and validations against external codes provide insight into the numerical accuracy, computational performance and unique characteristics of the three applied methods. We further present an application of logarithmic Fourier transforms to convert transient data into the frequency domain. We made all approaches available in the open-source Python toolbox custEM, which previously supported only frequency-domain electromagnetic data. The object-oriented software implementation is suited for further elaboration on distinct modelling topics and the presented examples can serve for benchmarking other codes.
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Иоанну, М., and И. С. Попова. "The Work of the Composer Nikos Skalkottas with the Melpo Merlier Musical Folklore Archives during Creation of the Suite “36 Greek Dances”." OPERA MUSICOLOGICA, no. 2022 (February 18, 2022): 94–111. http://dx.doi.org/10.26156/om.2022.14.1.006.
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В статье рассматривается фольклористическая деятельность Никоса Скалкотаса — одного из самых известных греческих композиторов ХХ века, получившего музыкальное образование в Афинах, а затем в Берлине (у А. Шёнберга). После прихода к власти национал-социалистов Скалкотас покинул Германию и вернулся на родину, где создал одно из самых значимых своих сочинений — сюиту «36 греческих танцев» (36 Ελληνικών Χορών) для большого оркестра (1933–1936). В нем композитор использовал типичные ладовые и ритмические особенности народной музыки, процитировал традиционные танцевальные мелодии из различных регионов Греции, а также создал собственные темы в национальном духе. Созданию грандиозного сочинения предшествовала длительная и кропотливая работа музыканта по транскрибированию звукозаписей музыкального фольклора, сделанных в 1930 году французской собирательницей греческого происхождения Мельпо Мерлье (1889–1979). Источниковедческой базой исследования являются неопубликованные расшифровки Скалкотаса в двух собраниях г. Афины (Греция): в Архиве музыкального фольклора Мельпо Мерлье (M.F.A.) и в Архиве Никоса Скалкотаса Музыкальной библиотеки Греции «Лилиан Вудури» (NSA MLGLV). Установлено, что композитор работал с фонографическими материалами Мельпо Мерлье в 1934–1935 годах: отслушивал, осуществлял отбор и делал расшифровки наиболее интересных образцов. На примере двух номеров сюиты «36 греческих танцев» раскрываются приемы и способы работы композитора с танцевальными мелодиями. The article examines folkloristic activities of Nikos Skalkottas, one of the most famous Greek composers of the twentieth century, who received his musical education in Athens, and then in Berlin (studying with Arnold Schoenberg). After the National Socialists came to power, Skalkottas left Germany and returned to his homeland, where he created one of his most significant works — the suite “36 Greek Dances” (36 Ελληνικών Χορών) for large orchestra (1933–1936). In this work, the composer used typical modal and rhythmic features of folk music, quoted traditional dance melodies from various regions of Greece, and created his own themes in the national spirit. This epic creation was preceded by a long and painstaking work of the musician on transcribing musical folklore, recorded in 1930 by the French collector of Greek origin Melpo Merlier (1889–1979). This research is based on unpublished transcripts by Skalkottas located in two places in Athens: the Melpo Merlier Musical Folklore Archives (M.F.A.) and the Nikos Skalkottas Archive in the “Lilian Voudouri” Music Library of Greece (NSA MLGLV). It is established that the composer worked with the phonographic materials of Melpo Merlier in the period 1934–35, selecting and transcribing the most interesting samples. Until today, six handwritten transcriptions of Greek folklore have been identified, most them being attributed to original sound recordings. Comparative analysis shows thoroughness of Skalkottas’s approach to fixation of the traditional melody, attention to the details of pitch and rhythmic structure, accuracy of reflection of the ornaments, articulation, phrasing and dynamics. The analysis of two dances of the “36 Greek Dances” suite reveals the techniques and methods of the composer’s work with dance folklore.
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Bess, Michael K., David Lipset, Kudzai Matereke, Stève Bernardin, Katharine Bartsch, Harry Oosterhuis, Samuel Müller, Frank Schipper, Benjamin D'Harlingue, and Katherine Roeder. "Book Reviews." Transfers 7, no. 2 (June 1, 2017): 124–43. http://dx.doi.org/10.3167/trans.2017.070211.
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Penny Harvey and Hannah Knox, Roads: An Anthropology of Infrastructure and Expertise (Ithaca, NY: Cornell University Press, 2015), 264 pp., 16 illustrations, $26.95 (paperback)Noel B. Salazar and Kiran Jayaram, eds., Keywords of Mobility: Critical Engagements (New York: Berghahn Books, 2016), 196 pp., $90 (hardback)Lutz Koepnick, On Slowness: Toward an Aesthetic of the Contemporary (New York: Columbia University Press, 2014), 336 pp., 43 illustrations, $40 (hardback)Gérard Duc, Olivier Perroux, Hans-Ulrich Schiedt, and François Walter, eds., Histoire des transports et de la mobilité: Entre concurrence modale et coordination (de 1918 à nos jours) [Transport and mobility history: Between modal competition and coordination (from 1918 to the present)] (Neuchâtel: Editions Alphil-Presses Universitaires Suisses, 2014), 462 pp., $54 (paperback)Kimberley Skelton, The Paradox of Body, Building and Motion in Seventeenth- Century England (Manchester: Manchester University Press, 2015), 204 pp., 60 illustrations, £70 (hardback)Ruth Oldenziel, Martin Emanuel, Adri Albert de la Bruhèze, and Frank Veraart, eds., Cycling Cities: The European Experience—Hundred Years of Policy and Practice (Eindhoven: Foundation for the History of Technology, 2016), 256 pp., 100 illustrations. €37.50 (hardback)Glen Norcliffe, Critical Geographies of Cycling: History, Political Economy and Culture (London: Routledge, 2015), 290 pp., 24 illustrations, $119.95 (hardback)Hod Lipson and Melba Kurman, Driverless: Intelligent Cars and the Road Ahead (Cambridge, MA: MIT Press, 2016), 328 pp., 31 illustrations, $29.95 (hardback)Mathieu Flonneau, Léonard Laborie, and Arnaud Passalacqua, eds., Les transports de la démocratie: Approche historique des enjeux politiques de la mobilité [The transport of democracy: A historical approach to the political issues of mobility] (Rennes: Presses Universitaires de Rennes, 2014), 224 pp., €19 (paperback)Erik M. Conway, Exploration and Engineering: The Jet Propulsion Laboratory and the Quest for Mars (Baltimore: Johns Hopkins University Press, 2015), 416 pp., 21 illustrations, $32.95 (paperback)Hariton Pushwagner, Soft City (New York: New York Review Books, 2016), 160 pp., $35 (hardback)
Dissertations / Theses on the topic "Arnold Suites"
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Linder, Arnold. "Arnold Keller, 1841-1934 : Generalstabschef der schweizerischen Armee, 1890-1905 /." Aarau : Sauerländer, 1991. http://catalogue.bnf.fr/ark:/12148/cb35707640v.
Full textBooks on the topic "Arnold Suites"
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Koller, Arnold. Die Schweiz und die jüngere Zeitgeschichte: Erklärung von Bundespräsident Arnold Koller vor der Vereinigten Bundesversammlung am 5. März 1997 = La Suisse et son histoire récente : déclaration du président de la Confédération Arnold Koller devant l'Assemblée fédérale en Chambres réunies le 5 mars 1997 = La Svizzera e la storia recente : dichiarazione del presidente della Confederazione Arnold Koller dinnanzi all'Assemblea federale del 5 marzo 1997 = Switzerland and its recent contemporary history : declaration given on March 5th, 1997, by the president of the Swiss Confederation Arnold Koller before the Joint Federal Assembly. Zürich: Schulthess Polygraphischer Verlag, 1997.
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d'Arnaud, François-Thomas-Marie. Suite des nouvelles historiques : le Comte de Strafford: Par M. ' Arnaud. Gale NCCO, Print Editions, 2017.
Find full textBook chapters on the topic "Arnold Suites"
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Albers, H. Elliott. "Arnold A. Gerall A headshot of Arnold A. Gerall in a suit and a tie. He smiles at the camera." In Biographical History of Behavioral Neuroendocrinology, 51–58. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-12970-4_8.
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Griffiths, John. "Flora Annie Steel, ‘A Bad-Character Suit’, in Indian Scene (London: Edward Arnold, 1931), pp. 122–141." In Empire and Popular Culture, 245–54. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024709-36.
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Skeel, Sharon. "“Her ballet, Barn Dance, was the first truly American balletic composition that we have ever seen.”." In Catherine Littlefield, 175–96. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190654542.003.0012.
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Catherine dismisses agent Arnold Meckel because she anticipates many prestigious engagements in light of her company’s European triumphs. Although these engagements fail to materialize, she secures some bookings on her own and premieres new ballets such as Classical Suite, a neoclassical piece set to music by Bach. She hires agent Michael Myerberg, who secures a contract with the Chicago City Opera for the 1938 fall season. She wins over Chicagoans who were initially upset at her displacement of Chicago dancer/choreographer Ruth Page. In Chicago, Catherine changes the name of her company back to the Littlefield Ballet and premieres her ballet Americana pieces Café Society and Ladies’ Better Dresses. Karen Conrad leaves the Littlefields to join Mikhail Mordkin’s troupe, which becomes Ballet Theatre. Miriam Golden and others also join Ballet Theatre. Catherine is passed over for the Philadelphia Award.
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Rippon, Stephen. "The boundaries of early medieval kingship." In Kingdom, Civitas, and County. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198759379.003.0018.
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In the past the study of early medieval kingdoms has mostly been a singledisciplinary activity based upon the extremely limited documentary sources, with boundaries back-projected from much later evidence (e.g. Bailey 1989, fig. 8.1). What is presented in this study, in contrast, is an attempt to have a more archaeologically and landscape-based discussion that includes using the distributions of cultural indicators such as artefact types, architectural forms, burial practices, and the locations of particular sites that appear to have been positioned in liminal locations. Three phases in the development of these kingdoms can be distinguished: • The fifth to sixth centuries (emergent kingdoms): the period of Grubenhäuser and Anglo-Saxon burials associated with a suite of material culture showing marked regional affinities. Anglo-Saxon kingdoms existed by the end of this period, and a broad consensus has emerged that they were formed through the amalgamation of a series of smaller regiones (e.g. Arnold 1988; Bassett 1989a; Yorke 1990; Scull 1993; 1999; Harrington and Welch 2014). This model—which Bassett (1989b) has compared to a football knock-out competition—is, however, based largely upon the fragmentary and very partial documentary record (see Chapter 7), and it does not explain the close correspondence of the boundaries between the fifth- to sixth-century socio-economic zones spheres identified here and those of the Iron Age and Roman periods. • The seventh and eighth centuries (mature kingdoms): a new suite of material culture (e.g. East Anglian and East Saxon coinage, and Ipswich Ware) whose circulation in part appears to have been restricted to the polities within which they were produced. The authority of the East Saxon kings had started to decline during the latter part of this period, although East Anglia survived. • The ninth century (the declining kingdoms): the East Saxon kingdom virtually disappeared and become a territory within Wessex. The distributions of later eighth- and ninth-century inscribed coinage, and distinctive artefact types such as silver wire inlaid strap ends, suggest that the East Anglian socio-economic sphere, and the kingdom that was based upon it, survived within the same boundaries that had emerged by the fifth and sixth centuries until it was overrun by the Danes in the 870s.
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Ehlinger, Timothy J. "Ecology, Phenotype, and Character Evolution in Bluegill Sunfish: A Population Comparative Approach." In Geographic Variation in Behavior. Oxford University Press, 1999. http://dx.doi.org/10.1093/oso/9780195082951.003.0010.
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Evolutionary ecology explores the intimate relationships between the mechanisms responsible for the production and maintenance of organismal form and the ecological function of the structures and behaviors that compose form (Arnold 1983). The analysis of diversity from this perspective is founded on the premise that variation in measured phenotypes can reflect the results of the process of natural selection (Williams 1966, 1992; Gould and Vrba 1982). However, because the fitness consequences of any particular phenotype are the result of complex interactions among an individual’s genotype, morphology, behavior, and the environment within which it must function (Gould and Lewontin 1978, Endler 1986), a phenotype best suited for one set of environmental conditions may not perform best in another (e.g., Endler 1983, Rausher 1984, Ehlinger and Wilson 1988, Schluter 1993). When making comparisons among populations, phenotypic variation due to underlying genetic differences that may reflect evolutionary responses to different environments must be distinguished from phenotypic variation that results from phenotypic plasticity and/or genotype–environment interactions (Stearns 1989). For example, regional environmental variation can result in different selective regimes among populations and produce “site-dependent” fitnesses for phenotypes (e.g., Reznick et al. 1990, Robinson and Wilson 1994; chapters in this volume). Likewise, varying social and trophic conditions on a local scale can result in “situation-dependent” performances and payoffs for different phenotypes within populations (Maynard-Smith 1974, Ehlinger 1990, Krebs and Kacelnik 1991). Both phenomena may influence patterns of geographic variation and must be considered when studying phenotypic differences among populations. My aim in this chapter is to illustrate how population comparisons of bluegill sunfish (Lepomis macrochirus) can be used to study the evolution of behavioural and morphological variation. Critical features that shape bluegill trophic ecology (e.g., temperature, depth, substrate type, prey types, productivity, and predator abundance) vary among lakes in combination with forces that influence reproductive ecology (e.g., availability of spawning habitat and age or size structure of the population). Population comparisons provide unique opportunities for discerning the roles of sexual and trophic selection in bluegill phenotypic evolution.
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Rippon, Stephen. "Anglo-Saxon colonization." In Kingdom, Civitas, and County. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198759379.003.0014.
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Two strands of evidence can be used to map where Anglo-Saxon immigrants made their home in Britain: the distributions of Grubenhäuser and burials furnished with a distinctive suite of Germanic grave goods (which are referred to here as ‘Anglo-Saxon’ burials). Exactly who is buried within ‘Anglo-Saxon’ cemeteries is not altogether clear, as they may include both the immigrant population with their direct descendants and some native Britons (e.g. Arnold 1988; Hodges 1989; Härke 1990; 2002; Higham 1992; Scull 1995; Lucy 2000; Hamerow 2002; Hills 2003; 2007; 2009; 2011), and without major advances in scientific analysis we will never know whether some of those buried were ‘really just disguised Britons’ (Hills 1993, 15). Recent work on ancient DNA at Oakington, in Cambridgeshire, has established that both immigrants and natives were buried in this ‘Anglo-Saxon’ cemetery (Pitts 2016), but in order to determine how far Anglo-Saxon colonization extended across the landscape of eastern England we must rely upon more traditional archaeology. Of particular importance is the distribution of Grubenhäuser, as these distinctive structures had no precedent in late Roman Britain, suggesting that they were constructed and used by immigrant communities. Grubenhäuser are represented in the archaeological record as shallow(c.0.3–0.5m deep), sub-rectangular (c.3 by 4 m), steep-sided, and flat-bottomed pits above which was probably constructed a suspended wooden floor (e.g. Fig. 8.1; Tipper 2004). These distinctive structures have variously been called ‘huts’, ‘sunken huts’, ‘sunken featured buildings’, and ‘SFBs’, although all of these terms are problematic. The term ‘hut’ in particular led to an interpretation that they were crude hovels, whereas, now that examples have been reconstructed, we can see that they were substantial and impressive buildings (Fig. 8.2). The German term Grubenhäuser is used here specifically because it indicates that they were an alien formof architecture: although a number of Romano-British buildingswith sunken floors have been excavated, Tipper (2004, 7–11) has demonstrated that they represent an entirely different building tradition of cellars with revetted sides, entrance stairways, and floors associated with hearths and sunken storage jars (e.g. King Harry Lane in Verulamium: Stead and Rigby 1989).
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Zengeya, Stanley Tamuka, and Tiroumourougane V. Serane. "Examination of cranial nerves." In The MRCPCH Clinical Exam Made Simple. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780199587933.003.0015.
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Cranial nerve examination is one of the commonly assessed areas of the nervous system in the MRCPCH clinical examination. The examiner may ask you to examine some of the cranial nerves or just the eye. This guide will take you through a systematic nerve examination, which is followed by most practitioners. You may need to individualize the examination sequence to suit your style. The key competence skills required in the cranial nerve examination are given in table 9.1. Cranial nerves cases commonly encountered in the MRCPCH Clinical Exam are listed in table 9.2. Causes of the different cranial nerve lesions are given in table 9.3. These steps are repeated in every system to reiterate their importance and to help you recollect the initial approach of any clinical exam. Also refer to chapter 4. • On entering the examination room, demonstrate strict adherence to infection control measures by washing your hands or by decontaminating them with alcohol rub. • Introduce yourself both to the parents and the child. • Talk slowly and clearly with a smile on your face. • Establish rapport with the child and parents. • Ensure privacy. • Positioning: examine the older child while they sit on the edge of the bed or on a chair. It is preferable to examine the younger child on a parent’s lap rather than on a couch, as this can cause much anxiety. The aim of the visual survey is to capture every available clue, which may help you to reach the correct diagnosis. • Look at the child and try to estimate their approximate age. • Always consider whether the findings combine to form a recognizable clinical syndrome. Common syndromes with cranial nerve involvement include Aicardi’s syndrome, Angelman’s syndrome, Arnold–Chiari malformation, Crouzon’s syndrome, Lesch–Nyhan syndrome, Sturge–Weber syndrome, and Werdnig–Hoff man disease.
Conference papers on the topic "Arnold Suites"
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Bickford, Randall L., Donald J. Malloy, Jeffrey F. Monaco, and David S. Kidman. "Ground Test Data Validation Using a Subscale F/A-22 Engine Inlet Empirical Model." In ASME Turbo Expo 2006: Power for Land, Sea, and Air. ASMEDC, 2006. http://dx.doi.org/10.1115/gt2006-90165.
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The US Air Force’s two main aeropropulsion test centers, Arnold Engineering Development Center and the Air Force Flight Test Center, are developing a common suite of modeling and simulation tools employing advanced predictive modeling technologies. These modeling and simulation tools incorporate real-time data validation, system identification, parameter estimation, model calibration, and automated model updating as new test results or operational data become available. The expected benefit is improved efficiency and accuracy for online diagnostic monitoring of Air Force assets. This paper describes the integrated approach to real-time data validation. Implementation of a software package to enable efficient model handoff between test groups and centers and extension of the capability to aeropropulsion models is discussed. An F/A-22 inlet model is used to demonstrate the approach. Compact polynomial function models of the distortion and recovery flow descriptors and 40-probe pressure values are derived from quasi-steady and instantaneous subscale wind tunnel data. The total-pressure inlet distortion and recovery models are integrated in a real-time equipment health monitoring system designed to support test operations, and preliminary results are given. A companion paper describes the integrated approach to system identification, parameter estimation, and model updating.
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Monaco, Jeffrey F., David S. Kidman, Randall L. Bickford, and Donald J. Malloy. "Calibration of a Subscale F/A-22 Engine Inlet Empirical Model Using Ground and Flight Test Data." In ASME Turbo Expo 2006: Power for Land, Sea, and Air. ASMEDC, 2006. http://dx.doi.org/10.1115/gt2006-90050.
Full textAbstract:
The US Air Force’s two main aeropropulsion test centers, Arnold Engineering Development Center and the Air Force Flight Test Center, are developing a common suite of modeling and simulation tools employing advanced predictive modeling technologies. This common set of modeling and simulation tools incorporates real-time data validation, system identification, parameter estimation model calibration, and automated model updating as new test results or operational data become available. The expected benefit is improved efficiency and accuracy for online diagnostic monitoring of Air Force assets. These resultant models could also be used for flight manual development, determining compliance to specifications, or to aid in real-time equipment monitoring. This paper describes the integrated approach to system identification, parameter estimation, and model updating. Implementation of a software package to enable efficient model handoff between test groups and centers is discussed. An F/A-22 inlet model is used to demonstrate the approach. Compact polynomial function models of the distortion and recovery flow descriptors and 40-probe pressure values are derived from quasi-steady and instantaneous subscale wind tunnel data. The model parameters are then calibrated with F/A-22 flight test data. Results show that the modeling algorithm captures the relevant nonlinear physics of the application, and the calibration and updating procedure improves the model match to flight data. A companion paper provides preliminary results from integrating the calibrated total-pressure inlet distortion and recovery models into a real-time equipment health monitoring system to support test operations.