Academic literature on the topic 'Aristocratic women'

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Journal articles on the topic "Aristocratic women"

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Hamilton, Dakota L., and Barbara J. Harris. "English Aristocratic Women: 1450-1550." Sixteenth Century Journal 35, no. 1 (April 1, 2004): 260. http://dx.doi.org/10.2307/20476894.

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Hoyle, R. W. "English Aristocratic Women, 1450-1550." English Historical Review 119, no. 480 (February 1, 2004): 199–200. http://dx.doi.org/10.1093/ehr/119.480.199.

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Stuard, Susan Mosher, and Theodore Evergates. "Aristocratic Women in Medieval France." American Historical Review 106, no. 1 (February 2001): 239. http://dx.doi.org/10.2307/2652351.

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Harris, Barbara J. "Aristocratic and Gentry Women, 1460–1640." History Compass 4, no. 4 (July 2006): 668–86. http://dx.doi.org/10.1111/j.1478-0542.2006.00332.x.

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Markuszewska, Aneta. "Music-Making Women-Aristocrats." Musicology Today 16, no. 1 (December 31, 2019): 3–30. http://dx.doi.org/10.2478/muso-2019-0001.

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Abstract The present article reflects on the shortage of studies concerning music-composing women in the 18th-century Polish-Lithuanian Commonwealth, and focuses on one unique figure among those female musicians – Maria Antonia Walpurgis, an aristocrat of Polish descent, who demonstrated versatile talents. Thoroughly educated in her childhood, she was a poet, composer, singer, and director of her own stage works. This paper discusses the aristocratic artist’s most important experiences and achievements in the field of music, as well as analysing her earliest surviving work, the cycle of 6 Arias for Soprano, Strings and Basso Continuo (1747), which Walpurgis may well have performed herself. The arias have been preserved in a manuscript kept at the Sächsische Landesbibliothek in Dresden, shelf mark Mus.3119-F-11. My analysis assesses their style and aesthetic.
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Bouchard, Constance B. "Aristocratic Women in Medieval France. Theodore Evergates." Speculum 75, no. 3 (July 2000): 688–89. http://dx.doi.org/10.2307/2903411.

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Harris, Barbara J. "Defining Themselves: English Aristocratic Women, 1450–1550." Journal of British Studies 49, no. 4 (October 2010): 734–52. http://dx.doi.org/10.1086/654911.

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Kalnická, Zdeňka. "First Woman Philosopher with a Doctorate: Elena Cornaro Piscopia." Studia z Historii Filozofii 12, no. 3 (December 14, 2021): 97–121. http://dx.doi.org/10.12775/szhf.2021.016.

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The study analyses the circumstances under which Elena Cornaro Piscopia became the first woman in the world to earn a Doctor degree in Philosophy, which she received from the University of Padua in 1678. The author presents the broader context of the outstanding accomplishment. She points out that, although universities did not allow women to enrol to study, Elena Cornaro managed to earn a doctorate thanks to several favourable circumstances. Of these, the author emphasises the tradition of intellectual centres at Renaissance courts in Italy, which were led by educated women-aristocrats; the development of the Venetian Republic in the sixteenth and seventeenth centuries, which affected the position of women, particularly those from aristocratic families; the openness of universities, namely the Universities of Padua and Bologna. Special attention is given to the family background, life, and studies of Elena Cornaro. The final part of the paper deals with other women philosophers of the seventeenth and eighteenth centuries.
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Nenadic, Stana, and Sally Tuckett. "Artisans and Aristocrats in Nineteenth-Century Scotland." Scottish Historical Review 95, no. 2 (October 2016): 203–29. http://dx.doi.org/10.3366/shr.2016.0296.

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This article considers relationships between artisans and aristocrats on estates and elsewhere in Scotland during the long nineteenth century. It argues that the Scottish aristocracy, and women in particular, were distinctly preoccupied with the craft economy through schemes to promote employment but also due to attachments to ‘romanticised’ local and Celtic identities. Building in part on government initiatives and aristocratic office-holding as public officials and presidents of learned societies, but also sustained through personal interest and emotional investments, the craft economy and individual entrepreneurs were supported and encouraged. Patronage of and participation in public exhibitions of craftwork forms one strand of discussion and the role of hand-made objects in public gift-giving forms another. Tourism, which estates encouraged, sustained many areas of craft production with south-west Scotland and the highland counties providing examples. Widows who ran estates were involved in the development of artisan skills among local women, a convention that was further developed at the end of the century by the Home Industries movement, but also supported male artisans. Aristocrats, men and women, commonly engaged in craft practice as a form of escapist leisure that connected them to the land, to a sense of the past and to a small group of easily identified and sympathetic workers living on their estates. Artisans and workshop owners, particularly in rural areas, engage creatively in a patronage regime where elites held the upper hand and the impact on the craft economy of aristocratic support in its various forms was meaningful.
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Saad, Heba. "Some Representations of Aristocratic Women in Islamic Art." Conference Book of the General Union of Arab Archeologists 15, no. 15 (November 1, 2012): 242–73. http://dx.doi.org/10.21608/cguaa.2012.37368.

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Dissertations / Theses on the topic "Aristocratic women"

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Payne, Helen Margaret. "Aristocratic women and the Jacobean Court, 1603-1625." Thesis, Royal Holloway, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395983.

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Aristocratic women were integral to Jacobean court life and actively involved in royal service, in the ceremonial of court and state, in the pursuit of financial benefit, in marriage strategies and court family networks, and in court, foreign and religious politics and patronage. The time scale of the thesis encompasses James VI's reign as James I of England, 1603-1625, as court life for aristocratic women did not end with the death of his queen consort, Anne of Denmark. As ladies-in-waiting and/or the kin or clients of powerful men at court, aristocratic (and other elite women) could exercise a degree of power, authority and influence and participate both formally (through their Privy Chamber posts) and informally in the life and functions of the Jacobean court. This study moves beyond, reappraises, and revises recent published work on the Jacobean court by literary scholars, which focuses on the court masque, literary pursuits and cultural patronage of a small number of aristocratic court women, and extends recent published work by historians who have included women in their studies of the Jacobean court. Together with the insights gained through extensive new archival research, this study provides a broader and deeper understanding than hitherto available, of the significant roles these women could play at court and the place of the court in their lives. Moreover, this view of the Jacobean court from a female perspective reveals much about that institution, about the nature of politics and patronage beneath the level of high politics and the careers of great ministers and royal favourites, and about early seventeenth century British aristocratic society and its relationship with the monarchy.
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Cha, Ga-ju. "The Lives of the Liao (907-1125) Aristocratic Women." Diss., Tucson, Ariz. : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1292%5F1%5Fm.pdf&type=application/pdf.

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Henderson, Nancy Ann. "British Aristocratic Women and Their Role in Politics, 1760-1860." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4799.

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British aristocratic women exerted political influence and power during the century beginning with the accession of George III. They expressed their political power through the four roles of social patron, patronage distributor, political advisor, and political patron/electioneer. British aristocratic women were able, trained, and expected to play these roles. Politics could not have existed without these women. The source of their political influence was the close interconnection of politics and society. In this small, inter-connected society, women could and did influence politics. Political decisions, especially for the Whigs, were not made in the halls of government with which we are so familiar, but in the halls of the homes of the social/political elite. However, this close interconnection can make women's political influence difficult to assess and understand for our twentieth century experience. Sources for this thesis are readily available. Contemporary, primary sources are abundant. This was the age of letter and diary writing. There is, however, a dearth of modern works concerning the political activities of aristocratic women. Most modern works rarely mention women. Other problems with sources include the inappropriate feminization of the time period and the filtering of this period through modern, not contemporary, points of view. Separate spheres is the most common and most inappropriate feminist issue raised by historians. This doctrine is not valid for aristocratic women of this time. The material I present in this thesis is not new. The sources, both contemporary and modern, have been available to historians for some time. By changing our rigid definition of politics by enlarging it to include the broader areas of political activities such as social patron, patronage distributor, political advisor, and political/electioneer, we can see British aristocratic women in a new light, revealing political power and influence.
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Reynolds, K. D. "Aristocratic women and political society in early- and mid-Victorian Britain." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260136.

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Rowley-Wiliams, Jennifer Ann. "Image and reality : the lives of aristocratic women in early Tudor England." Thesis, Bangor University, 1998. https://research.bangor.ac.uk/portal/en/theses/image-and-reality--the-lives-of-aristocratic-women-in-early-tudor-england(600bd565-69c7-4ace-97fe-55ddb1f444c6).html.

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The thesis examines both the image and the reality of upper class English women's lives in the period c. 1520 - c. 1560. The image is investigated through a study of the 'conduct books' and some other books written or published in English in that period, with a special emphasis on The Instruction of a Christian Woman by Juan Luis Vives. This material upholds the conventional patriarchal image which required woman to be chaste, submissive and home-based. A further aspect of the image of women is considered by a study of the law relating to women, based on The Lawes Resolution of Women's Rights by 'T E', and on relevant statutes. Much of the law relates to women and their rights regarding property The second part of the thesis examines the reality of women's lives. This is done firstly through a small selection of litigation involving women in the Courts of Star Chamber, Chancery and Requests under Edward VI. Here again the main emphasis is on property The major part of the study of 'reality' consists of case studies of the lives of five aristocratic women (two are gentlewomen rather than noblewomen). These are Honor Lady Lisle, Mary Countess of Northumberland (wife of the sixth Earl), Jane Lady Rochford, Susan Clarencius (chief lady in waiting to Mary Tudor) and Sabine Johnson (wife of a prosperous merchant) Both the law cases and the biographies show that women did not always follow the prescriptive literature, and were often assertive especially when dealing with their property rights However it becomes clear from the case studies and examples that the extent to which women followed the prescriptions varied with individual personalities and also with individual circumstances.
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Payne, Helen M. "Aristocratic women and the politics of marriage at the Jacobean court, 1603-1625 /." Title page, contents and preface only, 1994. http://web4.library.adelaide.edu.au/theses/09AR/09arp3462.pdf.

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Wolfson, Sara Joy. "Aristocratic women of the household and Court of Queen Henrietta Maria, 1625-1659." Thesis, Durham University, 2010. http://etheses.dur.ac.uk/527/.

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My doctoral thesis is not a gender study, but examines instead the political, social and religious roles that the aristocratic women of the court and household of Queen Henrietta Maria played predominantly in the period 1625-1642. It builds upon David Starkey’s and Kevin Sharpe’s emphasis on the royal court and social networks of the elite to demonstrate that early modern politics are defined increasingly by access to, and intimacy with, the monarch. In doing so, the PhD thesis highlights how aristocratic women played a pivotal role in Caroline domestic and international policy that has hitherto been ignored in Stuart historiography as politically insignificant. Consequently, the thesis presents not only new conclusions on aristocratic women and wider Stuart policies, but also on Henrietta Maria herself. It argues that the queen was a significant political figure from the start of her marriage with Charles I in 1625, re-evaluating, therefore, domestic and foreign policy up until the outbreak of the Anglo-French war of 1627-1629. The traditional understanding of Henrietta Maria’s court as solely Catholic is reassessed in light of new evidence and a greater concentration on the queen’s Protestant female attendants. Finally, the study of women at the apex of power demonstrates how they were integral to establishing their family at court. Patronage networks created or maintained by women placed Henrietta Maria’s establishment within an international and national dynamic. Accordingly, the thesis adds to the continuing debate on the ‘court’ versus ‘country’ divide and the definition of the royal court itself.
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Johns, Susan M. "Aristocratic and noblewomen and power in the twelfth-century Anglo-Norman realm." Thesis, Cardiff University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368506.

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Rendell, Jane. "Ramblers and cyprians : gender and architectural space, London's St James, 1821-8." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313054.

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Armstrong, Fiona Kathryne. "Highlandism : its value to Scotland and how a queen and two aristocratic women promoted the phenomenon in the Victorian age." Thesis, University of Strathclyde, 2017. http://digitool.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=28740.

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In 1859 a queen, a duchess and a clan chief’s daughter came together in Scotland for the inauguration of a pumping station. Piping water into Glasgow from distant Highland hills was an “engineering marvel.” The monarch opened the Loch Katrine Waterworks, a duke’s kilted army gave the royal salute - and city and countryside were linked. Victorian engineering skills mixed with tartan nostalgia. In these ‘Rob Roy’ haunts a progressive age beckoned, but it was one that took with it an invented past…This thesis will examine ‘Highlandism’, a phenomenon viewed with suspicion because it is a product of the British Empire, the British army, royalty and aristocracy. It will examine its authenticity, analyse its worth and detail the contribution made by three women to this male driven trend. Queen Victoria was a patron, the Duchess of Athole an enabler, and Miss MacGregor an intellect behind this plaid and piping craze. This work will show that Highlandism’s intellectual foundations are deeper than thought and that royal and aristocratic roles in its development are more positive than imagined. ‘Tartan and shortbread’ traditions are accused of impeding cultural and political change. Yet Highlandism has stimulated trade and tourism. It has encouraged a global piping tradition,boosted the Gaelic movement and engendered worldwide emotional support for Scotland. With the “tartan monster” possibly being viewed more kindly, perhaps the “haggis” can sit more comfortably with the “culture”.
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Books on the topic "Aristocratic women"

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Theodore, Evergates, ed. Aristocratic women in medieval France. Philadelphia: University of Pennsylvania Press, 1999.

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Aristocratic women and political society in Victorian Britain. Oxford: Clarendon Press, 1998.

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O’Cinneide, Muireann. Aristocratic Women and the Literary Nation, 1832–1867. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320.

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Women and aristocratic culture in the Carolingian world. Ithaca: Cornell University Press, 2009.

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Aristocratic women and the literary nation, 1832-1867. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

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Garbera, Katherine. The Spanish Aristocrat's Woman. Toronto, Ontario: Silhouette, 2008.

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Marlowe, Deb. An Improper Aristocrat. Toronto: Harlequin, 2008.

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Marlowe, Deb. An Improper Aristocrat. Toronto, Ontario: Harlequin, 2008.

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An Improper Aristocrat. Toronto (Ont.): Harlequin, 2008.

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Marlowe, Deb. An improper aristocrat. Toronto (Ont.): Harlequin, 2008.

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Book chapters on the topic "Aristocratic women"

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Hong Lee, Lily Xiao. "Aristocratic Marriages." In Oral Histories of Tibetan Women, 65–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003268031-14.

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Friðriksdóttir, Jóhanna Katrín. "Royal and Aristocratic Women." In Women in Old Norse Literature, 79–105. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137118066_5.

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Orr, Clarissa Campbell. "Aristocratic Feminism, the Learned Governess, and the Republic of Letters." In Women, Gender and Enlightenment, 306–25. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230554801_20.

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O’Cinneide, Muireann. "Aristocratic Lives: Life-Writing, Class and Authority." In Aristocratic Women and the Literary Nation, 1832–1867, 23–45. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_2.

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O’Cinneide, Muireann. "Affairs of State: Aristocratic Women and the Politics of Influence." In Aristocratic Women and the Literary Nation, 1832–1867, 153–79. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_7.

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O’Cinneide, Muireann. "Introduction." In Aristocratic Women and the Literary Nation, 1832–1867, 1–19. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_1.

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O’Cinneide, Muireann. "Dilettantes and Dandies: Authorship and the Silver Fork Novel." In Aristocratic Women and the Literary Nation, 1832–1867, 46–62. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_3.

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O’Cinneide, Muireann. "Silly Novels and Lady Novelists: Inside the Literary Marketplace." In Aristocratic Women and the Literary Nation, 1832–1867, 63–86. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_4.

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O’Cinneide, Muireann. "Wrongs Make Rebels: Polemical Voices." In Aristocratic Women and the Literary Nation, 1832–1867, 93–128. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_5.

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O’Cinneide, Muireann. "The Spectacle of Fiction: Self, Society and the Novel." In Aristocratic Women and the Literary Nation, 1832–1867, 129–52. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583320_6.

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Conference papers on the topic "Aristocratic women"

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Musa, Mahani. "Aristocratic Women In The Political And Economic Spheres In Malaya Before 1941." In INCoH 2017 - The Second International Conference on Humanities. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.09.47.

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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were revalued along with the recovery of the rococo. This political and cultural movement resulted not only in domestic interiors decorated with authentic pieces from the 18th century gathered together by collectors, but also in the production of new objects. Following decorative practices, studies anachronistically reclassified 18th artisans as artists, constructing their biographies, circumscribing their peculiarities, and identifying their works. Many pieces from the privates collections ended in museums. The porcelain aristocratic figures won the world and are produced until today. It was at the end of the 19th century, in the region of Thuringia, that the technique of lace porcelain emerged. Produced by women in a male-dominated environment, the technique involved the use of cotton fabric soaked with porcelain mass which was then sewed and molded over the porcelain bodies of male and female figures. After that, the piece was placed in the oven at high temperature, burning the fabric and leaving the lace porcelain. It is significant and relevant for the purposes of this research that the lace porcelain technique was never recognized as a object of interest by the academic literature on porcelain. It is likely that the presence of the female labor, the practice of sewing and the use of fabric have been interpreted by the male academic and amateur elite as discredit elements. Added to this, the lace porcelain became very popular in the 20th century. The reinterpretation of rococo in the 20th century was also understood as a lack of artistic inventiveness associated with marketing interests, which resulted in the marginalization of these sculptures. What is proposed here is to study these objects as pieces of domestic decoration practices, recognizing in them capacities to act on the production of social, age and gender distinctions. I intend, therefore, to demonstrate how these small and seemingly insignificant objects were associated with decorative practices of fixing women in the domestic space in Brazil during the 20th century. They acted not alone but in connection with other contemporary phenomena such as post-war fashion, the glamorization of personalities from the American movie and European aristocracy and the rise of Disney movies, which promoted the gallant pair as a romantic idea for children in the western world.
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Reports on the topic "Aristocratic women"

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Henderson, Nancy. British Aristocratic Women and Their Role in Politics, 1760-1860. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6682.

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