Relevant bibliographies by topics / Ariadne auf Naxos (Strauss, Richard)

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Ariadne auf Naxos (Strauss, Richard)'

Author: Grafiati
Published: 26 July 2024

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Journal articles on the topic "Ariadne auf Naxos (Strauss, Richard)"

1

Hamilton, David. "Ariadne auf Naxos. Richard Strauss." Opera Quarterly 5, no. 4 (1987): 112–17. http://dx.doi.org/10.1093/oq/5.4.112.

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Baxter, R. "Ariadne auf Naxos. Richard Strauss." Opera Quarterly 22, no. 1 (2006): 179–81. http://dx.doi.org/10.1093/oq/kbi082.

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Araújo, Alberto Filipe, and José Augusto Lopes Ribeiro. "Ariadna en Naxos sobre el signo de la metamorfosis. Una contribución mitocrítica y educacional." DEDiCA Revista de Educação e Humanidades (dreh), no. 7 (March 1, 2015): 85–110. http://dx.doi.org/10.30827/dreh.v0i7.6940.

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El presente estudio realiza un análisis mitocrítico de Ariadna en Naxos (Ariadne auf Naxos) de Richard Strauss (1916), con un doble objetivo. El primero, comprobar la pertinencia de la tesis de Gilbert Durand sobre la permanencia, derivación y usura del mito cuando se aplica a textos literarios, libretos musicales, textos fundamentales de la cultura, de la ciencia y del arte, así como en soporte iconográfico, fílmico y musical. Nuestro segundo objetivo es reflexionar, desde el punto de vista de la hermenéutica simbólica, sobre el mensaje antropológico, psicológico y espiritual contenido en la
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Marcos Hierro, Ernest. "Metamorfosi i divinització a l'"Ariadne aux Naxos" d'Hugo von Hofmannsthal i Richard Strauss." Anuari de Filologia. Antiqua et Mediaeualia 2, no. 9 (2020): 143–52. http://dx.doi.org/10.1344/afam2019.9.2.14.

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Aquest article examina com un cas de «mythopoiesis» l’ús creatiu del mite de l’abandonament d’Ariadna a Naxos i de la seva unió posterior amb el déu Dionís-Bacchus a l’òpera Ariadne auf Naxos de Hugo von Hofmannsthal i Richard Strauss. Amb la introducció del personatge de Circe com a pretendent amorosa prèvia del jove déu, Hofmannsthal converteix el «deus ex machina» de la faula original en el subjecte d’un procés mutu d’enamorament amb Ariadne presentat com una «allomatische Verwandlung», una metamorfosi recíproca.
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Sharypina, Tatiana A., and Polina D. Kazakova. "Creative Search by Richard Strauss and Hugo von Hofmannsthal in the Opera “Ariadne on Naxos”: to the Problem of Music and Words Interaction." Studia Litterarum 8, no. 1 (2023): 64–81. http://dx.doi.org/10.22455/2500-4247-2023-8-1-64-81.

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The subject of the article is the problem of the synthesis of arts in the creative collaboration of Hugo von Hofmannsthal and Richard Strauss. А special turn of the problem «music and word» is analyzed, when a musical performance arises in close cooperation between a composer, who is responsible for correcting the text and a writer dealing with the musical palette of their common creation. R. Strauss and G. Hofmannsthal were united by the very concept of the philosophical and aesthetic inheritance of F. Nietzsche, whose research predetermined the theoretical and philosophical basis of their co
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GILLIAM, BRYAN. "Ariadne, Daphne and the problem of Verwandlung." Cambridge Opera Journal 15, no. 1 (2003): 67–81. http://dx.doi.org/10.1017/s0954586703000673.

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The theme of transformation (Verwandlung) plays a significant role in the work of Richard Strauss, from his Tod und Verklärung (1889) to his Metamorphosen (1945). This article examines two Strauss operas where transformation is a central aspect of the libretto: Ariadne auf Naxos (1912/16), libretto by Hugo von Hofmannsthal, and Daphne (1937), libretto by Joseph Gregor. Though each opera focuses on transformation, this concept is interpreted and realized in entirely different ways. For Hofmannsthal, Verwandlung is a journey outward to a new level of existence, attaining a new sense of humanity.
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Aleksić, Milica. "Ariadne's Weaving in the Musical-Visual Field." Kwartalnik Młodych Muzykologów UJ, no. 50 (3) (June 2022): 5–41. http://dx.doi.org/10.4467/23537094kmmuj.21.005.16099.

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Recognition and reflection of the radially structured semantic intertextual raster in the opera Ariadne auf Naxos Op. 60 by Richard Strauss and Hugo von Hofmannsthal, are the goals of this paper, with the awareness that ‘reading’ of this complex textual amalgam cannot be comprehensive and that this is only one of the possible ways of looking at different languages, their texts, and relationships in which they come in, with the emphasis on the connection between the music and architectural texts. The focus is to spot some of the paths in this specific music-scenic maze. The recognition of the ‘
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Власова, Н. О. "“Our chief joint work”. Notes on Richard Strauss’ and Hugo von Hofmannsthal’s “Die Frau ohne Schatten”." Научный вестник Московской консерватории, no. 2(41) (June 19, 2020): 92–113. http://dx.doi.org/10.26176/mosconsv.2020.41.2.004.

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В статье на основе переписки Рихарда Штрауса и Гуго фон Гофмансталя, а также других документальных источников подробно освещается сложный и длительный процесс создания оперы «Женщина без тени», от первых набросков либретто (1910) до премьеры в 1919 году. Эта опера, которой оба соавтора придавали огромное значение, может рассматриваться как их совместный opus magnum, которому присущи итоговые черты. Гофмансталь очень долго и тщательно работал над либретто, объединив в нем множество источников, сюжетных мотивов, цитат, отсылок к различным текстам европейской культуры. Созданная им волшебная сказ
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Lücker, Arno. "ZAUBERSCHÖN!" Opernwelt 64, no. 4 (2023): 52. http://dx.doi.org/10.5771/0030-3690-2023-4-052.

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Napolitano, Michele. "Hofmannsthal, Strauss. E Senofonte. Appunti su una possibile fonte greca per il finale di Ariadne auf Naxos." Antike und Abendland 68, no. 1 (2022): 101–26. http://dx.doi.org/10.1515/anab-2022-0006.

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Dissertations / Theses on the topic "Ariadne auf Naxos (Strauss, Richard)"

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Easterling, Douglas. "Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality." Thesis, University of Cincinnati, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1561131.

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<p>Self-referentiality plays an important, but often overlooked, role in the works of Richard Strauss. The broad category of self-reference includes works of metafiction, which literary critic Patricia Waugh has defined as fiction that &ldquo;self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality&rdquo; and &ldquo;explores the <i>theory </i> of writing fiction through the <i>practice</i> of writing fiction.&rdquo;<sup>1</sup> Additionally, Werner Wolf has conceptualized self-reference to inc
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Chen, Yi-Wen, and 陳怡文. "Ariadne Transformed: The Strauss-Hofmannsthal Collaboration on the "Ariadne auf Naxos"-Workgroup." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/66nkd3.

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博士<br>國立臺灣師範大學<br>音樂學系<br>106<br>According to the Strauss Werkverzeichnis (by Franz Trenner, 3rd edition, Munich, 1999), the TrV 228 includes four versions. The first two versions (TrV 228、TrV 228a) carry the title “Ariadne auf Naxos.” The former, consisting of the “opera” Ariadne auf Naxos and the Strauss’s “incidental music” for Hofmannsthal’s adaptation of the play Der Bürger als Edelmann, was premiered in Stuttgart on 25 October 1912. The later, which is performed more often nowadays, was premiered in Vienna on 4 October 1916. The third version (TrV 228b), premiered at Deutsches Theater Be
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Books on the topic "Ariadne auf Naxos (Strauss, Richard)"

1

Richard Strauss: Ariadne Auf Naxos. Creative Media Partners, LLC, 2022.

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2

Richard, Strauss. Ariadne auf Naxos in Full Score. Dover Publications, 1993.

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3

Daviau, Donald G., and George J. Buelow. Ariadne Auf Naxos of Hugo Von Hofmannsthal and Richard Strauss. University of North Carolina Press, 2020.

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Book chapters on the topic "Ariadne auf Naxos (Strauss, Richard)"

1

Gilliam, Bryan. "Der Rosenkavalier — Ariadne auf Naxos — Die Frau ohne Schatten." In Richard Strauss Handbuch. J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-00510-6_14.

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SCHMIDT-NEUSATZ, HELGA. "ARIADNE AUF NAXOS:." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.11.

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"ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.12.

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LESNIG, GÜNTHER. "75 JAHRE ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 1987. http://dx.doi.org/10.2307/j.ctvg8p5p8.3.

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"ARIADNE AUF NAXOS – AN IMPROVISED COLLAGE." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.10.

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SCHLÖTTERER-TRAIMER, ROSWITHA. "DAS KLAVIER IN ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.5.

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"THE PIANO IN ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.6.

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SCHLÖTTERER, REINHOLD. "DAS HARMONIUM IN ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.7.

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"THE HARMONIUM IN ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.8.

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HERZ, JOACHIM. "ARIADNE AUF NAXOS – EINE IMPROVISIERTE COLLAGE." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.9.

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