Academic literature on the topic 'Architecture – URSS – 20e siècle'
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Journal articles on the topic "Architecture – URSS – 20e siècle"
Legault, Réjean. "Architecture et forme urbaine." Articles 18, no. 1 (August 7, 2013): 1–10. http://dx.doi.org/10.7202/1017820ar.
Full textVasold, Georg, and Hélène Sicard-Cowan. "Optique ou haptique : le rythme dans les études sur l’art au début du 20e siècle." rythmer, no. 16 (April 11, 2011): 35–55. http://dx.doi.org/10.7202/1001955ar.
Full textMelot, Michel. "Les Nouvelles Bibliothèques Nationales et la Mutation des Bibliothèques à la Fin du 20e Siècle." Alexandria: The Journal of National and International Library and Information Issues 9, no. 3 (December 1997): 173–83. http://dx.doi.org/10.1177/095574909700900302.
Full textEustache, Francis, and Denis Peschanski. "Le Programme 13-Novembre entre mémoire individuelle et mémoire collective." Biologie Aujourd’hui 217, no. 1-2 (2023): 39–48. http://dx.doi.org/10.1051/jbio/2023016.
Full textDissertations / Theses on the topic "Architecture – URSS – 20e siècle"
Bellat, Fabien. "France-URSS : regards sur l'architecture (1931-1958)." Paris 10, 2007. http://www.theses.fr/2007PA100034.
Full textThe soviet architecture had aroused the interest of French architects, even during the Stalinist era. Despite the discredit of constructivism in 1931 and the appearance of neo-academism, in a polemic context, the French architects never ceased to look on buildings of SSSR – meanwhile the soviet propaganda try to continue the bonds with the French like Auguste Perret, André Lurçat… Tree parts structured that thesis. A first part study the 1930’s, with the testimony of writers as Gide, Duhamel. The competition of the Palace of Soviets had a large echo in France, not only with Le Corbusier. The travels of French architects in SSSR are based on unpublished materials of the RGALI of Moscow. The travels of soviet architects in France are also evocated, like the one organised by Emile Maigrot in 1935. The second part, the 1940’s study the echo of the soviet Reconstruction in the French architectural press, the contacts between France and SSSR, around Perret, his pupils, Jacques Carlu… So the cold war haven’t stop the touchs connecting the two worlds. The third part, the 1950’s, treats on the blame of neo-academism, particularly criticized by the French architects during Moscow Congress of 1958. In fact, the soviet architecture has always been seen by the French architects, that looked on it with fascination and confusion
Essaïan, Elisabeth. "Le plan général de reconstruction de Moscou de 1935 : la ville, l'architecte et le politique : héritages culturels et pragmatisme économique." Paris 8, 2006. http://www.theses.fr/2006PA083318.
Full textThis thesis deals with the General Reconstruction Plan for Moscow of 1935. This plan is analysed in terms of Russian cultural traditions from before the Soviet period which survived due to the continuity of personnel. The genesis of the plan is studied in terms of the interaction between architects and political leaders. Particular attention is paid to economic factors, despite the symbolic dimension of the operation. Finally, the thesis demonstrates the gap between the proposed plan and its ultimate realisation and analyses the means by which the plan was adapted to the existing city
Gaessler, Stéphane. "Les grandes transformations de l'architecture et de l'urbanisme en URSS 1953 -1965. Renouvellement de la théorie et de la pratique dans l'architecture et l'urbanisme." Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL050.pdf.
Full textThe in-depth study of architectural life in the USSR after the death of Joseph Stalin in March 1953 has so far only been the subject of fragmentary studies. This work attempts to fill this historiographical gap by approaching architecture, urban planning, and territorial development as inseparable domains, intersecting with the history of ideas and techniques. Our research in Russian, French, and American archives has enabled us to reconstruct a map of technical delegations and professional missions sent by the USSR to various countries in the Western and Southern worlds from 1955 onwards. Through this fairly systematic compilation, we aim to reveal which countries, which models, which objects, and techniques have had the most influence to and from the USSR, and to reconstruct the national and international roots of the late Soviet landscape. We will revisit the activities of the Soviets within various international organizations and associations, and the USSR's policy in favor of socialist standardization within the Communist Bloc and beyond in the Southern countries. Through the processing of unpublished archival funds located in Moscow, notably within the State Archives of the Economy of Russia (RGAE), the State Archives of Literature and Art (RGALI), the A.V. Shchusev National Museum of Architecture, and the Museum of the Moscow Architectural Institute (MArchI), as well as numerous professional Soviet periodicals and those of other countries, we have valuable sources to attempt to better understand the mechanisms of architectural creation and the technical and social evolution of the profession, between the end of the Second World War and the late 1960s. The aim is to study these developments through often unpublished objects, models, and drawings, buildings, urban ensembles, and landscapes, which, beyond their economic and social, political, and symbolic meanings, also touch on issues of aesthetics and art history
Nérard, François-Xavier. "Protestation et dénonciations dans l'URSS stalinienne, 1928-1941 : étude d'une pratique sociale et politique." Paris 1, 2003. http://www.theses.fr/2003PA010503.
Full textDeschepper, Julie. "Entre trace et monument. Le patrimoine soviétique en Russie : acteurs, discours et usages (1917-2017)." Thesis, Paris, INALCO, 2019. http://www.theses.fr/2019INAL0028.
Full textWhy, how and by whom have the material remains of the Soviet past been preserved – or not – in Russia? In the last fifteen years, this question has aroused an increasing interest. While scholars have mostly interrogated the multiple stakes raised by Soviet-Era monuments in Post-Socialist contexts, this work contributes to explain the current situation analyzing monumental productions through the prism of heritage and with a long-term perspective. Indeed, most of the Soviet-Era sculptures and buildings were already inscribed and designated as cultural heritage during the Soviet period. This study then scrutinizes the various heritagization processes of Soviet monuments, shedding light on the variety of actors they implicated and examining the evolution of uses, roles and functions of transforming Soviet monumental productions into heritage. The making of a heritage proper to Soviet Russia was indeed consubstantial with the establishment of the Socialist regime, especially because it allowed to create and control over its historical memory. Moreover, this analysis contributes to a broader debate on the relation between heritage as a concept and the understanding of space and time in the USSR. The last part of my dissertation explores the new uses of Soviet monuments since the 2000s, revealing the continuity in terms of uses and actors with the USSR, as well as the ambiguities dealing with the Soviet past. Overall, this dissertation intends to contribute to the writing of a cultural history of Russia, to offer new perspectives on the concept of heritage in Soviet context and to give some keys of understanding of Socialist-Era monument’s treatments in Post-Socialist contexts
Montlibert, Catherine de. "FACTEURS endogènes DE TRANSFORMATION DE LA société STALINIENNE : LE CAS PARTICULIER DE L'héroïsme (1929-1953)." Université Marc Bloch (Strasbourg) (1971-2008), 1991. http://www.theses.fr/1991STR20027.
Full textThe different ranks related to heroism in ussr generated an administrative system which gradually became institutionalized as the post revolutionary state expanded. Henceforth, heroes of soviet union are symbolic representatives of the soviet state according to the analysis make with the m mauss and h hubert's works, they are heroes of the state. They could not exist without the state. They forme the military elite either as field officiers or as general of moreover, they have the opportunity to make a career in government service or in politics. Heroes play an important social role within the soviet society. They take part in the process of politic legitimacy. Thet set an example for the education of the ideal homo sovieticus. The heroes'social position evidences the equality of opportunity extolled by communism. Through, social promotion, working class people are able to get high positions. "podvig", the russian equivalent for act of heroism, is the basis of social differentiation and promotion. A growing state is likely to need charismatic figures. That is why soviet heroes come into conflict with orthodox martyrs. Martyrs and saints are both "founders"
Madhoun, Mimoun. "Le développement des relations sino-japonaises depuis la rupture sino-soviétique jusqu'à la signature du traité de paix sino-japonais (1960-1978)." Paris, INALCO, 1994. http://www.theses.fr/1994INAL0003.
Full textMonnier, Gérard. "Architecture et culture en France de 1918 à1950." Paris 1, 1986. http://www.theses.fr/1986PA010564.
Full textMarangé, Céline. "Trajectoire historique du communisme vietnamien : transfert et appropriation des modèles soviétique et chinois (1919-1991)." Paris, Institut d'études politiques, 2010. http://www.theses.fr/2010IEPP0023.
Full textThis thesis deals with the socio-historical formation of a socialist single-party state in a formerly colonized country: Vietnam. In order to grasp the specificity of Vietnamese communism, we study the agents of the communist ideology diffusion, the impact of anti-colonialism and war, the various forms of influence exercised by the Soviet and the Chinese communists between 1919 and 1991, as well as the processes of appropriation and resistance caused by this new form of domination. Our inquiry relies on various Russian, Chinese, American and French archival documents, and on a large array of printed sources in Vietnamese. It shows that, no matter the state of their relations with Moscow and Beijing, the Vietnamese communists continuously drew their inspiration from the Soviet and Chinese models. Though the observed transfers were born out of constraint at two founding moments, they resulted mostly from a permanent inclination to mimic. The Vietnamese party-state differs little from the Soviet and the Chinese models in its organization and its modes of governance. Its resemblance is mainly due to the Vietnamese communists’ fidelity to the Leninist model, as well as to the doctrinal rigidity and practical nature of the communist ideology. However, there is one domain in which the Vietnamese communists asserted specificity: the nation-building process. If their policies of ethnic homogenization and territorial administration are reminiscent of the Soviet and Chinese practices, their willingness to create a supra-national state and to recast the historical discourse also signals the persistence of some domination schemes and forms of racism, inherited from the colonial period
Dorlin, Sabrina. "Histoire culturelle des Allemands au Kazakhstan de la Seconde Guerre mondiale à nos jours : des efforts d'enracinement aux perspectives de retour." Lyon 2, 2003. http://theses.univ-lyon2.fr/documents/lyon2/2003/dorlin_s.
Full textOur study consists of an analysis of the German community in Kazakhstan and the elements which make it considered an ethnic group. It aims to answer the following question : can we speak about a German community in Kazakhstan ?ʺ Indeed, even if the Germans in Kazakhstan have not found any autonomous political structure since 1941, they have however maintained their cultural identity. We chose several angles of reflection : initially the research of the origins of the Germans in Russia and Kazakhstan and their history since the 1940s; then the analysis of the place granted to the German language and its evolution; finally, the study of the German cultural revival. By presenting fields such as media, literature, theatre, arts, religious confessions and traditions supported by robust statistics, examples and testimonies, this work offers an empirical and theoretical study of social and cultural phenomena
Books on the topic "Architecture – URSS – 20e siècle"
Lemoine, Bertrand. Prouesses du 20e siècle. [Paris]: Gallimard loisirs, 2008.
Find full textLemoine, Bertrand. Guide d'architecture France: 20e siècle. Paris: Picard, 2000.
Find full textÉcole polytechnique fédérale de Lausanne. Archives de la construction moderne, ed. L'architecture du 20e siècle en Valais: 1920-1975. Gollion: Infolio, 2014.
Find full textCorky, Binggeli, ed. Interior design illustrated. 2nd ed. Hoboken, N.J: John Wiley & Sons, 2005.
Find full textConseil général de la Manche, ed. Une renaissance au 20e siècle: La reconstruction de la Manche, 1944-1964 : catalogue de l'exposition. Cully [Frrance]: OREP, 2011.
Find full textMatthews, Mervyn. Education in the Soviet Union: Policies and institutions since Stalin. Ann Arbor, MI: University Microfilms International, 1994.
Find full textCarter, Sebastian. Twentieth century type designers. Aldershot: Lund Humphries, 2002.
Find full textJencks, Charles. Critical modernism: Where is post-modernism going? 5th ed. Chichester, England: John Wiley, 2007.
Find full textJencks, Charles. Critical modernism: Where is post-modernism going? 5th ed. Chichester, England: John Wiley, 2007.
Find full textInterior design illustrated. New York: Van Nostrand Reinhold, 1987.
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