Dissertations / Theses on the topic 'Architecture – Tunisie'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 42 dissertations / theses for your research on the topic 'Architecture – Tunisie.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Ben, Mohamed Sadok. "Palais du Bardo à Tunis : une histoire architecturale au temps des réformes." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040067.
To study the architectural history of the Beylical Bardo palace in Tunis , we have chosen to divide our research into three main parts, the first part entitled historical presentation , is reserved for the study of source and general conditions of the architectural creation in Tunis during the time of reforms (1824-1881). The second part entitled the Bardo palace; monographic study, is reserved for the architectural study of the monuments that still remain in the building sites and restoration that took place in the palace at the time of the reforming Beys ( Husayn Pacha , Mustafâ Pacha , Ahmad Pacha , Muhammad Pacha et Mohammad al-Sâdik Pacha )As for the third part , entitled the beylical building in Tunis at the time of reforms, is reserved for the study of the building art characteristics in Tunis during the era of reforms inferred (derived ) from the data that we have drawn from the two firs parts
Mosbah, Chiraz. "L'héritage colonial de la ville de Tunis entre 1900 et 1930 : étude architecturale et décorative des édifices de style néo-mauresque." Paris 4, 2006. http://www.theses.fr/2006PA040142.
This research tries to retrace the heritage of Tunisia as regards town architecture and decoration by underlining the contribution of major cycle of the urban transformation of the country and the constructive projects having modelled its landscape during the colonial period. This work of Protectorate, oscillates between an architecture which takes as a starting point an artistic repertory western (eclectic current, art nouveau, art deco or modernist) and an architecture which refer to the local repertories (neo-moresque current). Certain achievements thus made it possible to found a continuity and a dialogue with local art, whereas others present classic or modern architectural designs which reflect a foreign language breaking with the old heritage of Tunisia. This study was centred on the case of the town of Tunis, between 1900 and 1930, period during which the most outstanding buildings of style neo-moresque set up
Ouerghemmi, Saloua. "Les églises catholiques de Tunisie à l'époque coloniale : étude historique et architecturale." Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2033.
French occupation in Tunisia between 1851 and 1956 led to the construction of an important number of Catholic churches which by their existence and shape, changed the urban and rural landscape of Tunisia. This two-volume thesis is dedicated to the study of this architectural legacy and therefore contributes, in a certain extent, to its recognition and protection. We first established a list of these churches and a corpus of documents related to them. This corpus is composed of many pictures but also architectural plans, texts and maps. Another group of pictures of some French churches - mentioned in the thesis - are also part of the corpus. We referred to these documents throughout the three parts of our study in order to enrich the descriptions and analysis
Bohli, Nouri Olfa. "La fabrication de l’architecture en Tunisie indépendante : une rhétorique par la référence." Thesis, Université Grenoble Alpes (ComUE), 2015. http://www.theses.fr/2015GREAH019/document.
The high heterogeneity of the Tunisian cityscape raises important questions about the context of its emergence. A historical analysis of the country's last decades seems to be necessary towards understanding its origins. Since the State independence in 1956, several political, economical, and especially cultural evolutions have occurred. These have seemingly a great impact on the language of the contemporary architectural production.The present research focuses on the evolution of the references behind the Tunisian architecture from the independence until 2011. It mainly explores how an architecture was produced during the independent State establishment, and to what extent this architecture reflects the State's cultural policy.The main explored hypothesis concerns the impact of the interaction between the constructions initiated by the State and the architectural design on the current country's cityscape. Most of the project initiated by the independent State were built in the capital. Thus, Tunis is studied from a historical standpoint and buildings are analyzed in the triple process of architectural order, design, and communication, in order to understand the emergence circumstances of the current referential heterogeneity. A cross-reading of architecture publications highlights the different speeches that shape several imaginaries so to define contemporary Tunisian specificities, between modernity and tradition.Answering such a question implies a deep knowledge of the main State's projects during this period, but also the profiles of the different architects behind these projects design. A diverse corpus including graphical representations of the considered projects, general and specialized press publications, bank notes, stamps, and postcards, were selected for analysis. Besides its historical dimension, such a corpus enables observing the Architecture as a mean of communication from a cultural perspective.The cross-reading of this corpus brings out three types of speeches: a speech by, of, and on Architecture. The former, is observable on the official press, on the architectural representations of bank notes, on stamps and some postcards. Its analysis helped to determine the image that the State gives about its architectural realizations. The second type of speeches reflects the perception of the architect, as a designer of the Tunisian architecture. Research on graphical representations in public archives show the evolution of the architectural language. Moreover, the analysis of the diverse background of the architects, practicing during the period under study, shows the great impact of their architectural culture on the Tunisian cityscape. Finally, the last type of speech observed in specialized architectural magazines and private press, enables to extract receptions about the realized projects.References behind architectural realizations in Tunis seems to evolve together with the State evolution and the different definition of what is «Tunisian» at each moment. The study of the identified speeches led to three different imaginaries. The first is a progress imaginary, which characterizes the first decades of the independent State. It operates through an esthetic allusion following architectural inclination of great occidental metropolis. The second is a historical imaginary that emerges later and which mainly refers to a legacy architecture transformed into a protected heritage. Hence, the worship of the « medinal » architecture and recently the french protectorat legacy provide to some artefacts a status of reference for upcoming constructions. Finally, the third imaginary is syncretic and fluctuates between modernizing tradition and traditionalizing modernity towards a perfect fusion that eventually defines contemporary Tunisian architecture
Karoui, Khaled. "La restitution des arcs de Dougga dans leur contexte urbain." Bordeaux 3, 2011. http://www.theses.fr/2011BOR30065.
Djelloul, Neji. "Les Installations militaires et la défense des Côtes tunisiennes du XVIe au XIXe siècles." Paris 4, 1988. http://www.theses.fr/1988PA040020.
This essay have for subject the military installations and the defences of the Tunisian coasts in the Ottoman periode (XVI-XIX centuries). . . He is divided into three unequal parts. .
Ben, Akacha Walid. "Statut juridique, évergétisme et urbanisme des villes de l'Afrique proconsulaire durant le haut-empire : exemples de "Thuburbo Maius", "Uchi Maius" et "Thugga"." Aix-Marseille 1, 2006. http://www.theses.fr/2006AIX10011.
Aloulou, Mohamed. "Les bùrj-s de Sfax : étude anthropologique." Paris 8, 2008. http://www.theses.fr/2008PA083019.
This thesis seeks to investigate a suggested framework for daily life in Tunisia, with special reference to the Sfax region as a propitious case study. This anthropological study is situated within the selected framework as well as the analytic toolkit that draws on my M. A. Thesis entitled "Structure, space and daily-life in Tunisia at the pre-colonial and colonial era : the Sfax region as a case study". However, it must be noted at this stage that we have deemed it necessary to develop this question by taking into consideration the complexity of the "Bùrj phenomenon". Consequently, this term is to be developed on the architectural (i. E. At the level of the structural organisations of the abode), family (i. E. The forms of social interaction inside the bùrj) and cultural (i. E. Rituals, symbols & social heritage) planes. Thus, our aim is to study Sfaxian bùrj as a residential space used by the Sfaxian population at a precise period ranging from the 17th to the 20th centuries. To this effect, this fortified structure represents the distinctive particularity of Sfax compared to the other Tunisian cities ; hence, our decision to single it out as a corpus for our socio-anthropological analysis. The importance of the Sfaxian residential space stems from its capacity to unravel the relationship between a population and the space that it occupies. Similarly, to identify the specificities of a social frame, it is essential to review the traditional habitat because it translates the system of values that governs the relations between the different family members. Moreover, this suggested framework has the potential of being significant thanks to its socio-cultural suggestions
Mahfoudh, Faouzi. "La ville de Sfax : recherches d'archéologie monumentale et évolution urbaine." Paris 4, 1988. http://www.theses.fr/1988PA040025.
This thesis is a study about the historical monuments in Sfax: surrounding walls, hydraulic reservoirs, the great mosque, oratories, urban and suburban houses and the shopping center site. The analysis of the buildings is based on the textual and epigraphic documentation. For this particular point, a "corpus" of the monumental inscriptions has been made out. It gave us the opportunity to understand the evolution of the monuments and the development of the city in space as well as in time. Then, it appeared to us that Sfax kept a medieval aspect inspired by the "basse antiquité". The structure of the urban frame has not changed a lot since the 9th century. Throughout his history, the city has remained very close to Ifriqiya and to different arts which happened to come across. Nevertheless, the city has developed, in parallel, a regional specificity which is especially perceptible in the modern age
Moualem, Rim. "La Médina de Sfax et son souk : mutation d’un héritage urbain." Paris 10, 2008. http://www.theses.fr/2008PA100078.
In spite of its small surface (24 hectares), and its old planning that goes back to the IXth century after J. C, the “medina” (city) of Sfax seems to be an exemplary illustration of an original urbanization process of regional (area) development background. Up till the nineteen sixties, the city of Sfax did not know huge architectural transformation (alteration). Its originality resided in the exact space balance between the different functions: Accommodation, Business (commerce), and Artisan and Public equipments. Because of the “Soukalization” witch took more and more place in the city, this balance is actually interrupted. Hence (therefore), the businessmen and the craftsmen that represent the wealthy families left gradually the city in order to settle in the outskirts. The houses witch were left, were partly converted to shops, workrooms, and storehouses; whereas others were occupied by people coming from the rural depopulation. This architectural disorder caused a disastrous impact. Nowadays, we can surely say that the city of Sfax (like the city of Fès in Morocco) is an “atelier-city”. The implantation of the economic activity witch is turned towards business (commerce) on the one hand and the morphological alteration (transfer) of houses to “Souks” on the other hand, made the city of Sfax to become much more like a big “Souk”. In other wards, a big mall or shopping centre rather than a producing centre
Belhassine, Asma. "Développement patrimonial et images touristiques de la Tunisie au XXe siècle : hôtels et architecture." Thesis, Université Côte d'Azur (ComUE), 2016. http://www.theses.fr/2016AZUR2038/document.
In this research, we study the perception and current representation of the architecture of some great hotels in the tourism trend in Tunisia. We are interested particularly on the work of a special architect named Olivier-Clément Cacoub. He was the contractor of many important constructions that marked an important period of tourism development in Tunisia. Our research is based on the study of the architectural heritage of Sousse, including the style and iconography of the facade of the hotels of the twentieth century hotels facade as well as the perpetuating aspects of tourism and the tourism image. Therefore, we made the question of whether tourism helps preserve the built heritage through the creation of hotels in the twentieth century ? How the image of the architectural heritage could be enhanced by the hotels facades ? How is the hotel's architectural representation made by architects ?The development of a touristic town largely depends on the preservation of its architectural heritage. Today, architects want to change the look of the city and to give it an another portrait. Hence, it gave us an idea of heritage conservation, its definition and in relation to its traditions, the role that the built heritage plays in the design of hotels. We will try as well to show how the representation of built heritage is largely implemented in hotels and how it participates in a territory promotion
Dhouib, Morabito Hounaïda. "La reconstruction en Tunisie de 1943 à 1947." Paris 1, 2009. http://www.theses.fr/2010PA010525.
Marrakchi, Sana. "L' eau comme composante de l'espace construit et aménagé dans la culture arabo-musulmane : recherches théoriques et proposition concrète." Paris 1, 2012. http://www.theses.fr/2012PA010520.
Khaldi, Leila. "L’esthétique populaire de l’habitat à Tunis." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100087.
The popular construction of dwellings and their appearance in particular are discredited by the dominant groups in society. Considered as illegitimate as it is produced on the margins of official and architectural production processes, the current vernacular aesthetic of popular dwellings however constitutes a major part of the Tunisian urban landscape. This work is a modest contribution to the symbolic rehabilitation of this production and its aesthetics in particular. The façades as they appear to bystanders from the public space has led me, as an architect, to initially question how the inhabitant builders proceed to create an aesthetic on the facade of their dwelling, while seeking to inquire about the existence or not of an awareness of the image thus returned to the urban space. The numerous consultations with our interlocutors during the field surveys and the analysis of the collected data gradually convinced us that the methods of aesthetic fabrication by the inhabitant were based less on formal than practical considerations, as well as a growing awareness of the image of the dwelling as it is sent back to the public space
Sassi, Hajjej Ons. "L'habitat traditionnel en Tunisie : spécificités, usages et devenir : le cas de la ville de Kairouan." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAH031.
This PhD research raises the issue of conservation and integration of traditional housing in Tunisia and Kairouan.It showcases the specificities of this world heritage currently in danger, exploring the factors that have led to its degradation, wondering about its future in front of the development issues, lifestyle changes and modernization.Indeed, the preservation of cultural, social, economic and historical values and the adaptation of this heritage legacy, exposed to a high risk of degradation, the demands of modern life, constitute today a major challenge.The situation of traditional housing in Kairouan, thus explored through the elaboration of a diversified corpus, considered necessary to carry out this research such as the diagnosis, the SWOT analysis, the site investigation (surveys and interviews) with locals, officials and experts.A cross-reading of these methodological tools allows to highlight the state of this build and reflect upon the conditions it should meet to ensure that policy makers, local actors and peoples interest in this heritage and take it in hand, in a political, economic, social and financial support framework.The objective of this thesis is to study the traditional housing of the city of Kairouan in all its aspects (urban, architectural and social, etc.) to understand its degradation causes and to propose in a specific national and local context the conditions and strategic tools to ensure better housing management in an integrated and participatory approach, in order to encourage the population to settle down in their reference environment.This research, in view of the potentialities and prospects it offers, is a contribution to a better knowledge of the forgotten and marginalised medinal area of the city of Kairouan, including the traditional housing, a call for a real debate and a genuine collaboration between all heritage actors in Tunisia to increase mobilization of all sections of society in order to provide the necessary means and tools for its conservation.Furthermore, this research aims to establish a method of analysis and action devised to improve this current heritage situation, through the development of an analysis grid, specific to the local context issues which will be used later for actors in order to proceed in the right direction and preserve this heritage, while revitalizing the traditional housing, as evolutive heritage, to be adapted to the sustainable development challenges
Ben, Jaballah Ghazi. "Compétences, architecture organisationnelle et capacité d'absorption de la technologie." Paris 2, 2010. http://www.theses.fr/2010PA020002.
Marrakchi, Mohamed. "Couleur et conception lumière dans l'architecture hospitalière en Tunisie : approche esthétique et poïétique." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20095.
Innovation hospital design interested field and creation in reading and aesthetic and poietic approach. This research aims to contribute to reflections on aesthetics and poietics, through questions about color and light. The conceptual approach ends with a back and forth between theory and practice, between sensitivity and nervous system, between complexity and simplicity. I'm looking through this research, to find another identity sanitary spaces Tunisia, respecting both the technical requirements and medical heritage identity. I put the problems of the approach and methodology, reflection and reading, the theoretical and empirical. The different parts of this doctoral research focuses on the relationship between color and light designs and some questions for poietic and aesthetic
Saïd, Abderrahman. "La question du relevé et de l'état des lieux de la ville de Gabès : essai de topoétique architecturale." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2012. http://tel.archives-ouvertes.fr/tel-00772128.
Hbaieb, Mohamed Ali. "Bizerte et sa région : étude de géographie historique." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20010/document.
Bizerte and its region: study of historical geography is a try of regional monograph of an entity of the extreme northeast of Tunisia in the long period (from the second half from the VIIth century to XVIIIth century).Besides the achievement of a corpus of the Islamic monuments of the urban centers and of some rural zones of the region, this research has as an objective the study of the city in its general context: the villages and the countryside which encircles it. Exploiting as well the written and cartographic sources as a result of a field studies, this study describes a dozen of urban centers and some rural sites.The archaeology applied in the second party of this monograph is pluralistic. Besides, for the systematic inventory of the monuments of the urban centers, we adopted the methods of what the specialists call “extensive archaeology”. Also, the approaches practiced for the reading of the urban evolutions and territorial strategies are varied. The multiplication of methods and approaches allowed us to surpass the disadvantages of the silence of the written sources, to renew hypotheses and to create a new foundation of information for the next researches
Lecat, Zénaïde. "Recherches sur les fortifications des Hautes Steppes (Tunisie) à l'époque byzantine." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040234.
Tunisian High Steppes include a great number of fortifications. For many of them, a date in the Byzantine period was proposed. On few large ones, inscriptions indicating official status were found, but there are also numerous under-studied little « fortlets ». These constructions are quite different. A serial handling, based on architectural standards specifically, has been carried out. Only the series which can reasonably be attributed to the byzantine period have been examined in greater detail. Their geographical distribution has been studied and spatial analysis have been done, using a Geographical Information System (GIS). Thanks to this work, it is possible to identify successive networks. Their settlement plans seem to have changed, from the time when the fortress was considered as a power symbol and installed near natural lines of defense. It evolved to probably more adapted surveillance networks. Indeed, the Byzantine’s enemies were Moorish tribes and Arabs, known to be mobile people and considered hard to control. This new approach of fortifications networks highlights a less negative vision of Byzantine Africa. There were certainly great security problems, but Byzantine representatives doesn’t seem to have let Africans to their own without trying to bring solutions
Kamoun, Sami. "Autoconstructions médinale tunisoise actuelle et déconstructivime architectural : quelles ressemblances esthétiques ?" Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0322/document.
Since the beginning of time, Tunisian autoconstructions of the medina had been brutally razed by the governement. The advent of the 2011 revolution revived the desire for their reappearances. The dynamiting them again aggravates the hemorrhage of their renewals. "Speculating", "valuing" them and looking at them differently instead of getting rid of them will open up new opportunities. In the present work, the comparative method between autoconstruction and Deconstructivism would certainly lead us to fruitful paths. The complexity, the chaos, the formal and bizarre geometry deployed by the architectural deconstruction and, from the outset, by the autoconstruction of the medina seem to us the first hypotheses. In these brief lines, we shall be content to develop other aspects. The problematic developed in the thesis is to take another look at the autoconstruction of the medina of Tunis, summoning the aesthetics of Deconstructivism to discuss it, even to enrich it, on the one hand, and on the other hand , to promote another approach to spontaneous housing in the city of Tunis that would be likely to provide another reading of the phenomenon of its emergence. One of the resemblances that combines autoconstruction with deconstruction is its ability to be deregulated. The result is totally bizarre spaces, distorted planes, unusual angles, broken lines, telescoped asymmetries, etc. The "idea" of deregulation of autoconstructions transgresses our habits of seeing architecture. More than deregulation, they seem "empty of rules" and remain completely non-academic, non-architectural and practically without qualified architects. Another resemblance between the (auto-) and (de-)construction lies in the "idea" of ruin. Witnesses general desertion, precariousness and suffering, autoconstructions embody the place of a chaotic defragmentation of architecture. Abandoned floors, unfinished posts, randomly overlapping facades, anarchically combined facades, completely or partly ruined buildings, etc ; all these frequent and current aesthetic aspects have strange resemblances to many deconstructivist achievements. A third resemblance resides in its incomplete appearance. Just by walking through the narrow streets of the medina, we come across sandy slopes, bags of cement, gravel, bricks, stones, corrugated sheets, wood waste, etc. The result is interminably open chantier. It also results in excessive use of precarious, urgent, essential building materials. Are the Tunisian autoconstructions of the medina in a "way of deconstruction"? Could they inspire deconstructivist architects ? Could we propose that Deconstructivism constitutes the best theoretical support that can enhance the aesthetic aspects of Tunisian autoconstructions ?
Saidane, Ikram. "L'évolution de la conception des espaces extérieurs hôteliers en Tunisie. Le cas de la région de Hammamet." Phd thesis, AgroParisTech, 2010. http://pastel.archives-ouvertes.fr/pastel-00605460.
Tarchoun, Abdelhariz Mounira. "Sfax, ville tunisienne à l'époque ottomane : sa topographie, son histoire urbaine, sociale, économique et ses waqfs." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0058.
Title: Sfax during the Ottoman Period. Its Topography, Its Urban, Social and Commercial History and Its WaqfsWaqf, the institution which played a primordial role in urban development and organisation of space in Ottoman-era cities, underlines relations between men and women and the built environment. Sfax is the example studied here and the role of waqf in intra and extramuros urban developmentIf the waqf documents represent a well-researched field nowadays, this is not the case for the study of the nature and typology of these documents nor for the terminology and diversity of information found within them.The PhD centers on the impact of waqf on the urban fabric of Ottoman Sfax from the end of the 16th century to the French colonisation. It studies urban life organised around places supported by waqf (mosques, zawiyas) as well as waqfs whose revenues supported society’s poor or the city infrastructure such as the maintenance of its walls.Furthermore, waqf participated in reinforcing the presence of European merchants and traders and the development of commercial life in Sfax
Benkari, Naïma. "L'architecture des mosquées ibadites au M'Zab, à Djerba et en Oman : lecture des principes de conception et de construction." Grenoble 2, 2004. http://www.theses.fr/2004GRE29054.
Our Research is about the built Heritage realised by the Ibadites in the M'Zab, Djerba and Oman. More precisely, our interrogations concern the relations that may exist between the typical aspect of the mosques in these three regions and the Ibadi Jurisprudence dealing with architecture "`Imâra" and urban planning "`Umrân". We investigated the architecture as well as the Fiqh works of the Ibadi community. We proceeded to the description of a representative number of mosques in the three regions in question. A historical approach of Ibadism and an exploratory research in the field of Ibadi religious laws, related to the construction and the management of mosques, had been undertaken in order to build up the necessary corpus to our analysis. At last, this research made possible a first "image" of what could be the architecture of an "Ibadi mosque", without ignoring the differences and the overtaking which characterize each region
Karoui, Saloua-Radhia. "Histoire des mentalités et iconographie : la représentation des xenia dans les mosaïques de la Tunisie romaine." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040260.
The mosaics of xenia in the Roman area of Tunisia are the most numerous at the scale of the Empire. They present three particularities, the first one concerns the compositions of the ornamental tiling: the xenia motifs are represented isolated and, in most cases, associated with other decorative themes; the second one relates to the distribution of those mosaics in the household space covering all components of the domus and not just the rooms reserved for the hosts; finally the third one touches the semantic of the xenia which does not refer itself only about hospitality
Hamrouni, Anwar. "Médiance, ambiantalité et réadaptation desespaces « oukalisés » à valeur patrimoniale : éloge d’une « alter-patrimonialisation »." Electronic Thesis or Diss., Université Grenoble Alpes, 2023. http://www.theses.fr/2023GRALH033.
Over the last few decades, heritage interest in Tunisia has been translated intostrategies of intervention, conservation and enhancement of an existing site withhistorical, social and/or symbolic value, defining a set of practices and discourses.However, the technical nature of the various approaches and their institutional set-up,which is often heavy and slow, make it difficult to deal with the sensitive aspect, theemotional relationships, the ambient chronicles, the life stories and the memory of theplace.Starting from the case of oukalised spaces with heritage value, located in the olddistricts of the suburbs of Tunis, the present study raises the question of mediationand its entanglements with the feeling of the situation experienced by the users. Twoworlds cohabit: the building with heritage value, with its spatial wealth, its historicalimportance and its original atmosphere on the one hand, and on the other hand, thenew way of living in it, of transforming it into a home: "a new type of habitat" oftenshared and pooled, characterised by new atmospheres.Simultaneously places of diversity, precariousness and illegality, these spaces giverise to new ways of occupying and transforming the city, subject to multipletemporalities, 'chronotopias' (M. Bakhtine, 1978), dictated by the capacity of theoccupants to reinvest them, through ways of doing things, diversions, (re)adjustmentsand (re)appropriations.The present work thus attempts to question the process of patrimonialization of the"oukalised" buildings through an ethno-sociological and immersive approach, in orderto follow the occupants (squatters - oukalizers) in their daily practices and understandtheir motivations, interactions and investments. This moment of in-situ investigationwill allow us to detect 'alter-patrimonialisations'. These are defined by the capacity ofthese places to heal the social esteem of the occupants, to constitute an element ofidentification and affirmation of the self. Moreover, we will be able to understand theextent to which the environments experienced interfere with the logics of incrustation,the boundaries of promiscuity, of sharing and the trauma of expulsion
Azzouz, Karima. "Esthétique et poïétique de la coloration dans l'architecture traditionnelle et contemporaine dans les villes du sud tunisien." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-00944011.
Matri, Faiza. "La conservation du patrimoine architectural et urbain de la Medina de Tunis pendant la période du protectorat (1881-1956)." Grenoble 2, 2005. http://www.theses.fr/2005GRE29003.
Álvarez, Dopico Ilham. "Qallaline. Les revêtements céramiques des fondations beylicales tunisoises du XVIIIe siècle." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040141.
This PhD deals with the production of ceramic tiles from XVIII th century Tunisian Qallaline workshops and its use in the Beylical architecture of the time. The first part consist of a monographic study of this ceramics production, which, in turns, enables us to contextualize it both historically and geographically by means of setting a contrasted chronology and establishing a systematic typology of the different tile models. It also includes an iconographic analysis of the patterns present in the ceramic panelling, together with the study of their origin and evolution. Then, we focus on the foreign influences affecting Tunisian workshops. Finally, the distribution of this ceramic panelling within the Ottoman Regency of Tunisia and in the surrounding Regencies, as well as the use and practices associated with such Tunisian panelling in Northern African architecture in the XVIIIth century are also studied. The second part contains a catalogue of the different tiles and tile panels. This catalogue offers an open classification, which means that it does not consider only the mere description of the items it contains when giving an interpretation. The formal description and the study of this ceramics production has enabled us to define Qallaline from a stylistic point of view as an expression of Ottoman provincial art
Dridi, Hédi. "Recherches sur le marbre et ses usages dans l'Occident phénicien et le monde punique : des premières fondations phéniciennes à la chute de Carthage." Paris 1, 2001. http://www.theses.fr/2001PA010649.
Libaud, Geneviève. "Symbolique de l'espace et habitat chez les Beni-Aïssa du Sud tunisien /." Paris : Éd. du Centre national de la recherche scientifique, 1986. http://catalogue.bnf.fr/ark:/12148/cb36624076v.
Slim, Ghaya. "L'Espagne en Tunisie: projet de sauvegarde et de mise en valeur du Fort de "La Karraka" à La Goulette." Master's thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/18715.
Daknou, Amani. "Architecture distribuée à base d’agents pour optimiser la prise en charge des patients dans les services d’urgence en milieu hospitalier." Thesis, Ecole centrale de Lille, 2011. http://www.theses.fr/2011ECLI0011/document.
Health-care organizations are facing new challenges such as the aging population, the rise of health care costs and the rapid progress of medical technologies. New policies of health care budget control have been introduced to increase efficiency, reduce waste and reshape the entire health care system. Targeted organizations are complex networks of human,financial, structural and technological resources aiming at guarantying best public health care.These issues concern all the more Emergency Departments (ED) congested by the massive influx of passages and which must provide quick decisions and ensure the sizing of its resources to reduce waiting times for patients with out compromising quality of care.The objective of this thesis is to propose appropriate solutions to ED to improve carefor patients in terms of waiting time. We began by analyzing the problems of the emergency department in order to initiate a process of improvement. Subsequently, we modeled the process of care for patients at ED by using an open and dynamic multi-agent system. The proposed system can provide decision support on business planning and allocation of medical resources in a unit where one is often faced with an emergency situation requiring rapid and effective response. In this context, we study the reactive problem for optimizing scheduling of operations care and the coordination problem of medical staff. We take into account the skills mastered by human resources at ED in order to find a match with those required by the medical activity. This approach aims to increase quality, reduce time of expectation and provide pointers gains management
Menif, Masmoudi Imen. "Le confort du personnel soignant : étude comparative dans deux hôpitaux tunisiens." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100169.
Comfort has become a major issue in the world of work. Among the various disciplines that have been interested in this concept, we have chosen to articulate two disciplines, notably architecture and environmental psychology. As such, this research relies on the work of Vischer (2004) and Rioux (2013) in environmental psychology and those of the « HQE Approach » in architecture in order to define comfort in terms of two dimensions: physical and psycho-environmental (evaluative and psychological). The physical dimension will be identified through the « HQE Approach » while the psycho-environmental dimension will be detected via the environmental satisfaction in the workplace (evaluative comfort) and via the attachment to the workplace (psychological comfort).Our research is meant to compare the psycho-environmental comfort of professional care providers in two different Tunisian hospital structures and whose difference lies in the architecture (pavilion and monobloc). The research attempts to detect the impact of psycho-organisational variables (professional burn out, perceived occupational stress and coping strategies) on the psychological comfort of professional care providers in these two different hospitals. Therefore, a questionnaire survey covering 297 professional care providers working in the two hospitals has been relied upon as a research tool. The findings of the analysis tend to indicate that monobloc professional care providers are more attached to their workplace but they are less satisfied with their working environment than those working in the pavilion hospital. They are more exhausted and more stressed and they rather use the coping strategies which is centred on emotions. The impact of psycho-organisational variables on the psychological comfort of professional care providers depends on the type of hospital
Young, T. Luke 1972. "Low-income communities in World Heritage Cities : revitalizing neighborhoods in Tunis and Quito." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/8794.
Includes bibliographical references (leaves 44-49).
Since the 1970s, international preservation and funding agencies have promoted revitalization projects in developing countries aiming to, among other things, benefit low-income communities. For the most part, these projects have resulted in visibly improved physical spaces, reflecting upgraded infrastructure along with conservation of the architectural fabric. These outcomes are impressive in light of decades of neglect and decay. The impact on low-income residents, however, remains obscure. In what cases have the poor really benefited from these revitalization projects? Through what specific channels can low-income communities benefit from interventions? How have governments in these countries responded to the external pressure to benefit low-income residents given their often limited institutions and budgets? This thesis seeks address these questions. In particular, it aims to understand the conditions under which revitalization projects in historic cities of developing countries can benefit low-income communities. It begins by considering the evolution of international philosophy, following the shift from a central focus on monument preservation to that of urban revitalization, with a notable difference being the incorporation of social objectives in the latter phase. It then turns to exploring how these goals of revitalization have played out in two World Heritage Cities, Tunis and Quito. Findings indicate that low-income residents have indeed benefited from revitalization projects in both cases. Drawing from these experiences, this thesis reveals four common elements in the process through which this favorable outcome was achieved: 1) a significant component of public participation, 2) a semi-public development agency with operational flexibility and innovative financing strategies, 3) international catalysts in the form of World Heritage recognition and collaboration with international organizations and agencies, and 4) image improvement leading to a renewed self-image of the neighborhood. While these four elements by no means offer a template for success, they do indicate institutional structures that may support developing countries' efforts to reach the poor while revitalizing their cities.
by T. Luke Young.
S.M.
Abachi, Farid. "Construire son chez-soi : dynamiques de l'espace domestique et mutations socio-familiales à Tozeur." Phd thesis, Paris, EHESS, 2012. http://www.theses.fr/2012EHES0101.
In the crossing of the urban sociology, the sociology of the family and the architectural analysis, this thesis deals with the changes brought by residents to their domestic space in Tozeur (Jerid, Tunisia), during the second half of the twentieth century. Based on about fifty sets of house's monographs, combining architectural statements and interviews, the analysis (lead according to the clue method) focuses on the evolution of the dwelling and its relationship with the household. The elaborate interpretation of traces and clues, detectable through detailed observation of the built environment, reveals the successive steps of the home occupation. The changing meaning of various terms identified (ḥûš, dâr. . . ) and their use, inform about the definition of areas of the house. If they are concurrent with the advent of new spaces, technological changes are evidence of an evolution of the concept of comfort, the emergence of new actors and transfers of know-how. The negotiations, identified during the settlements and the renovations shed light on the influence of statutory procedures and the differentiated strategies of bypassing. The preferential use of building materials, aesthetic treatments and new architectural styles indicates a search for social positioning and legitimacy. The investigation informs that adjusting the house and ordering the family are two simultaneous actions, while each appeal for different speeches and representations. The house is a manifestation of individuals living in family. A review of its dynamic transformation provides an analysis of the society
Sheldrick, Nichole. "Building the countryside : a regional perspective on the architecture and settlement of rural Tripolitania from the 1st c. BC to the 7th c. AD." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:903ae97c-60df-4e51-81bd-50a0767cdc47.
Ksouri, Hichem. "Le théâtre de Bulla Regia dans son contexte urbain." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00720408.
El, Ghali Adnen. "Du fondouk de la nation à l’hôtel consulaire. Les dimensions spatiales et symboliques de la diplomatie dans le quartier consulaire de Tunis (XVIIe-XIXe)." Doctoral thesis, Universite Libre de Bruxelles, 2021. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/317882.
Cette thèse décrit le fonctionnement et l’essor de la triade consulaire composée des consuls, des établissements consulaires et de leurs territoires d’inscription, physiques et symboliques, dans la capitale de la Régence ottomane de Tunis, en couvrant la période allant de la construction du premier spécimen (1660) à l’avènement du Protectorat français (1881). La thèse questionne la matérialisation des relations entre puissances par une série de pratiques formelles et d’espaces physiques auxquels se superposent des processus culturels et sociaux visant à cultiver la différence sur fond de quête de distinction et de compétition entre puissances mandataires. Les données recueillies par l’étude des sources et le dépouillement des archives consulaires et diplomatiques de huit puissances disposant de représentants accrédités à Tunis en la période étudiée, principalement en cinq langues (français, arabe, anglais, italien, espagnol), s’est faite au prisme de la micro-histoire globale. Cette analyse a compris la consultation des archives diocésaines et congrégationnelles documentant la vie quotidienne des communautés chrétiennes sous juridiction consulaire ainsi que les relations de voyage et les guides qui sont venus compléter les études, descriptions, illustrations et mémoires commandités à des scientifiques et autres officiers européens en mission dans la Régence. Le travail entrepris a permis de déterminer, à partir du XVIIe siècle, la position de ces édifices dans la ville et de reconstituer le quartier consulaire en en dressant la généalogie. La thèse a mis au jour l’existence de trois phases de développement des espaces consulaires. Une première phase d’existence (1660-1792) est initiée par la construction de fondouk des Français (1660) et inaugure un processus cumulatif et linéaire de multiplication des représentations consulaires concentrées dans la partie basse de la ville. L’octroi de fondouk, sa forme, ses dimensions et sa position témoignent de l’importance que revêt la nation mandataire et de sa place dans l’échiquier diplomatique de la Régence. L’archétype des origines, figé dans sa typologie, va s’en émanciper en intégrant, sur fond de tensions et de contestations avec l’Etat hôte et les représentants des autres puissances, des espaces de conquêtes, symboles de privilèges consacrant le rang et le prestige de l’Etat mandataire. A cette première phase, succède, par suite de l’éclatement de la Révolution française, une deuxième de « renversement des clartés » (1792-1816), marquée par la disparition d’anciennes puissances et l’apparition de nouveaux acteurs. Cette seconde phase est suivie de la troisième et dernière (1816-1881) qui nait sur fond de nationalismes, de bureaucratisation et d’affirmation de la fonction consulaire comme institution économique et politique. Le corps consulaire en gestation bouscule l’ordre établi et s’engage dans un processus de quête de distinction et de supériorité symbolique se manifestant par une conquête de l’espace dans la ville. Ruptures et continuités sont identifiées en tant que jalons rythmant les mutations des maisons consulaires qui, de l’archétype du fondouk, vont adopter progressivement le modèle européen d’hôtel particulier dont ils s’approprient les éléments architecturaux, ornementaux et spatiaux par à-coups. Ce processus culmine avec l'installation du consulat de France dans un hôtel particulier (1860) hors-les-murs actant ainsi la mort du fondouk des nations. L’œuvre de représentation du consul s’exprime de même en termes de mobilité, de réception, de soumission et de contournement du cérémonial de cour. Aux espaces géographiques se joignent des espaces symboliques où se joue une guerre subtile, celle de la conquête de privilèges témoignant du rang de l’Etat et de son prestige. Tout est prétexte à traiter « sur le pied le plus fort » et tout privilège est bon à prendre et à préserver. Usage des carrosses à quatre roues, soumission au cérémonial du baisemain, port du sabre et des souliers lors des audiences avec le Bey, mise à disposition d’une maison de campagne, font l’objet d’âpres négociations avec le pouvoir local qui se joue des concurrences et des égos en dispensant privilèges et sermons au gré de sa politique. Par les bâtiments qu’il contient, par son territoire spécifique formant un fragment de paysage urbain historique et par l’habitus consulaire dont les rites ont façonné la pratique des lieux, ce quartier constitue un patrimoine matériel et immatériel, révélé par la thèse, qu’il incombe de faire connaître afin que sa reconnaissance soit un prélude à sa protection future, désormais urgente.
Doctorat en Histoire, histoire de l'art et archéologie
info:eu-repo/semantics/nonPublished
Saoud, Maha. "État des lieux sur l'artisanat en Tunisie et la valorisation du savoir-faire local par le design : évolution, politiques et rapport designer-artisan." Thesis, 2020. http://hdl.handle.net/1866/25043.
Tunisia is a North African state belonging to the Arab Maghreb Union. Despite its small size compared to its neighboring countries, it has a rich and diversified heritage. Thanks to its geographical location, the heritage in question is the legacy of the different civilizations that settled in the country during its history. The country is made up of 24 governorates, each of them have an ancestral craft skill that are deeply specific, identity-based and unique. However, despite the richness of the Tunisian heritage and its socio-economic potential, Tunisian handicrafts are experiencing a difficult situation since the economic crisis of the Arab Spring in 2011. The government and the National Office of Tunisian Handicrafts strongly encourage the collaborations between designers and craftsmen that are organized along the creation of contemporary products inspired by local ancestral knowledge and know-how. These endeavours are made to preserve the country's tangible and intangible cultural heritage, also to encourage its socio-economic development. This research explores the issues, scope and limits of this collaboration. First of all, it identifies different strategies implemented around the world, with a particular focus on Tunisia, to preserve cultural heritage. Then, it looks more specifically at the designer-craftsmen relationship, based on literature and a field survey. Interviews have been realised with three designer’s owner of SME in Tunisia and eight craftsmen who have been collaborated with them. Additional interviews with three craftswomen followed, to better document their various experiences. Their collaborative dynamics are characterized by many pitfalls. Indeed, there are different point of views and visions between these actors regarding the contribution of each.
Tissaoui, Leïla. "Revêtement en céramique et architecture domestique à Tunis : une analyse comparative." Thèse, 2007. http://hdl.handle.net/1866/7986.
Meddeb, Nader. "La modernisation de Tunis : un urbanisme et une architecture d’État au miroir d’une anthologie de la percée dans la médina (1881-1987)." Thèse, 2015. http://hdl.handle.net/1866/14028.
This thesis deals with some key moments in the modern urban and architectural history of Tunis, in conjunction with the problematic of building a straight avenue through the historical core of the city : the Medina.This intervention in ancient urban fabric has its origins in an urban modernization project launched by the Beys of Tunis during the 19th century, pursued by the French coloniser from 1881 to 1956 and then by the independent government from 1956 to 1987. The research is organised in three time periods with main focus on the project called “la percée de la Casbah” adopted by the first president Habib Bourguiba at the end of 1959. For several reasons, it has been quoted in a sketchy way in the literature despite its importance in understanding the actual urban and architectural face of the Tunisian capital. In order to understand this chapter more thoroughly, we had to go back to the first attempts of urban improvement of the city conducted by the French coloniser since 1887. Studying further, we were able to identify the direct ancestor of what we called “la Percée Bourguibienne” appearing in the master plan of Tunis in 1948. From the first period (1881-1956), we highlighted the colonial strategies in managing the territory and their relationship to the process of valorisation/devalorisation of the Arab-Islamic heritage. The second period (1956-1964), coinciding with the initiation of decolonization conducted by the independent government since 1955, is being marked by an “open International competition for studying the development of the city of Tunis” organized by the Secretariat of State for public works in collaboration with the International Union of architects. Studying this event and the following seminar, the real political and economic reasons could be unveiled, concealed behind the trivial arguments concerning hygiene, traffic and beautification of Tunis. In order to reinforce this conclusion, the third period (1964-1987) has been dedicated to studying the main projects following the competition. The approach of the authorities focusing on the symbols of power and the obsessive desire to take ownership of them, reduced this improvement plan to a simple redistribution of the symbols of national sovereignty in favor of centralization and personification of the political power. This thesis belongs to the postcolonial studies. It projects a critical point of view on the decolonization in relation to what we named “urbanisme d’état” (urbanism of State). Propelled by a certain perception of Modernity, this urbanism is closely related to the political instrumentalization that puts emphasis on the question of identity and heritage, insists on rupture with the past simultaneously and tends to distract the public conscience from the issues related to territory development and preservation of collective memory. By using both of the methods: the contextual analysis of historical facts and the typomorphological analysis, this research draws attention to the magnitude of some governmental decisions regarding the development of urban space and the conservation of the architectural heritage throughout the time. It also informs about the role of communities, the elite and the professionals in channeling these decisions for or against their right to the city.
: تتطرق هذه الأطروحة إلى فترات معينة من التاريخ المعماري و الهندسي الحديث لمدينة تونس و تتناولهن إنطلاقا من مشكل شق المدينة العتيقة المبرمج ضمن مشروع تحديث البلدة الذي أسس إليه البايات في أواخر القرن التاسع عشر و واصلته الحماية الفرنسية ما بين 1881 و 1956 ثم الحكومة المستقلة طيلة الفترة المتراوحة بين 1956 و 1987. إستنادا لهذا، ينقسم البحث إلى ثلاث فترات يتوسطها ما يسمى بمشروع شق القصبة الذي تبناه الرئيس بورقيبة في أواخر 1959.غالبا ما يتم ذكر هذا الحدث سطحيا في النصوص رغم أهميته في فهم الوجه الحالي للعاصمة التونسية. لاستعابه، قمنا بالرجوع إلى أولى محاولات شق المدينة من طرف المستعمر في 1887، و من هنا تدرجنا نحو أصل المشروع البورقيبي الذي تضمنه المثال الرئيسي لتونس في 1948. من خلال دراستنا لهذه الفترة الأولى، تجلت لنا السياسات الإستعمارية في التهيئة العمرانية وعلاقتها بعملية الترقية/ التخفيض من شأن تراث الحضارة العربية الإسلامية. تتخلل الفترة الثانية الموافقة لعملية القطع مع النظام الإستعماري التي شرعت فيها الدولة المستقلة منذ 1955، "مناضرة عالمية مفتوحة لدراسة التهيئة العمرانية لمدينة تونس" نظمتها إدارة الدولة للأشغال العامة بالتعاون مع الإتحاد العالمي للمهندسين المعماريين. دراستنا لهذا الحدث و الندوة التي تبعته أزاحت الغطاء عن مسبباته السياسية و الإقتصادية التي غالبا ما تخفيها مشاكل النظافة، التجوال و تجميل تونس الكبرى. لمزيد دعم هذه النتائج، إهتممنا في الفترة الثالثة والأخيرة بالأشغال في تونس إثر المناظرة. التركيز على الأماكن الرامزة للسلطة والرغبة الملحة من السلطات للتملك بها جعلا من هذه الأشغال مجرد إعادة توزيع لرموز السيادة الدولية و العمل على مركزة السلطة و تشخيصها هذا العمل يندرج ضمن "دراسات ما بعد الإستعمار" ويقترح نظرة نقدية لعملية القطع مع النظام الإستعماري في علاقتها بما سميناه "تعمير الدولة (أو السلطة)". يدعم هذا التعمير تصور معين للحداثة لا يمكن فصله عن بعض الحسابات السياسية المرتكزة على قضايا الهوية و التراث، على الفصل التام مع الماضي و إقصاء الرأي العام من جل المسائل المتعلقة بالتهيئة العمرانية و صيانة الذاكرة العامة. بتحليلها لبعض الوقائع التاريخية وقراءتها التيبومورفولوجية لعملية شق القصبة، هذه الدراسة تحسس بجسامة بعض القرارات الحكومية في ما يخص تهيئة المجال العمراني و الحفاظ على الموروث المعماري في الأمد القريب، المتوسط والبعيد. وتوضح أيضا أهمية دور المجتمعات المحلية، النخبة المثقفة والمهنيين في توجيه هذه القرارات لصالح أو ضد حقهم في المدينة