Relevant bibliographies by topics / Architecture – Australia

Academic literature on the topic 'Architecture – Australia'

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Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Architecture – Australia"

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Soldani, David, Malcolm Shore, Jeremy Mitchell, and Mark A. Gregory. "The 4G to 5G Network Architecture Evolution in Australia." Australian Journal of Telecommunications and the Digital Economy 6, no. 4 (November 2, 2018): 1–30. http://dx.doi.org/10.18080/ajtde.v6n4.161.

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This paper provides a review of selected design and security aspects of 5G systems and addresses key questions about the deployment scenarios of Next Generation Radio Access Networks in Australia. The paper first presents the most relevant 5G use cases for the Australian market in 2018-19, and beyond; 5G concept and definitions; 3GPP updates, in terms of system architecture and enabling technologies and corresponding timelines; and spectrum availability, linked to possible 5G deployments in Australia. Then, the paper discusses the 5G functional architecture, possible configuration options, enabling technologies and network migration strategies and related 5G security, in Australia and globally. This is followed by a description of the possible 5G deployment scenarios in a multivendor environment and includes, as a case study, the Huawei product portfolio and site solution in Australia. The paper concludes with a discussion on the potential benefits of a telecommunications security assurance centre to improve the whole-of-life security assurance of critical telecommunications infrastructure and why it is important for the Australia telecommunications sector.
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Soldani, David, Malcolm Shore, Jeremy Mitchell, and Mark A. Gregory. "The 4G to 5G Network Architecture Evolution in Australia." Journal of Telecommunications and the Digital Economy 6, no. 4 (November 2, 2018): 1–30. http://dx.doi.org/10.18080/jtde.v6n4.161.

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This paper provides a review of selected design and security aspects of 5G systems and addresses key questions about the deployment scenarios of Next Generation Radio Access Networks in Australia. The paper first presents the most relevant 5G use cases for the Australian market in 2018-19, and beyond; 5G concept and definitions; 3GPP updates, in terms of system architecture and enabling technologies and corresponding timelines; and spectrum availability, linked to possible 5G deployments in Australia. Then, the paper discusses the 5G functional architecture, possible configuration options, enabling technologies and network migration strategies and related 5G security, in Australia and globally. This is followed by a description of the possible 5G deployment scenarios in a multivendor environment and includes, as a case study, the Huawei product portfolio and site solution in Australia. The paper concludes with a discussion on the potential benefits of a telecommunications security assurance centre to improve the whole-of-life security assurance of critical telecommunications infrastructure and why it is important for the Australia telecommunications sector.
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Raxworthy, Julian. "Making Landscape Architecture in Australia." Landscape Journal 35, no. 1 (January 2016): 127–30. http://dx.doi.org/10.3368/lj.35.1.127.

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Rodeš, Sanja. "Italy/Australia: Postmodern Architecture in Translation." Fabrications 30, no. 2 (May 3, 2020): 284–86. http://dx.doi.org/10.1080/10331867.2020.1769605.

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Rashid, Md Mizanur, and Kaja Antlej. "Geospatial platforms and immersive tools for social cohesion: the 4D narrative of architecture of Australia’s Afghan cameleers." Virtual Archaeology Review 11, no. 22 (January 28, 2020): 74. http://dx.doi.org/10.4995/var.2020.12230.

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<p class="VARAbstract">This paper focuses on examining the scope of virtual architectural archaeology in forms of digital geospatial platforms and immersive tools such as Virtual Reality (VR) and Augmented Reality (AR) to be used for achieving social cohesion, particularly in a multicultural and multi-ethnic society like Australia’s. In the context of the current global and national concern about Muslims and Islam, as well as for the mistrust towards and distance between Muslims and Non-Muslims in Australia, it is imperative to delve deeper into the contribution of early Muslim pioneers, in this case, the Afghan Cameleers, in the social fabric of colonial Australia. Based on the premise that architecture could be a unique and revealing research frame to gain insight into human values, worldview and material culture, the main aim of this paper is to address two key issues using virtual architectural archaeology. Firstly, to demonstrate the application of 4D capturing and component-based modelling with metadata and paradata regarding the past of the lost architectural heritage sites in remote central and western Australia, also counting on assets such as Linked Open Data (LOD) for further dissemination and use. Secondly, to propose a mode to disseminate new knowledge through digital platforms and VR/AR experiences to the GLAM (Galleries, Libraries, Archives, and Museums) audiences and schools regarding the Muslims in Australia. Understanding properly them and their contribution to the Australian society would eventually minimise the cultural distance between Muslims and Non-Muslims in Australia. Greater awareness could mitigate the myth of fear and mistrust regarding Muslims and Islam, widely misunderstood for a long time.</p><p>Highlights:</p><ul><li><p>Architectural-archaeological heritage as a tool for achieving social cohesion and to minimise cultural/social differences between Muslims and non-Muslims in Australia.</p></li><li><p>4D capturing and digital geospatial platforms for contextualising architectural-archaeological heritage in a spatial and chronological way.</p></li><li><p>Gamified and non-gamified Virtual Reality (VR) and Augmented Reality (AR) applications to engage the general public with architectural-archaeological heritage from remote, hard-to-access areas.</p></li></ul>
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Karaičić, Danica. "[In]Corporeal Architecture: On the Clothed Body and Architectural Space." AM Journal of Art and Media Studies, no. 18 (April 15, 2019): 89. http://dx.doi.org/10.25038/am.v0i18.302.

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In this paper, I will discuss the clothed architectural body and how it simultaneously experiences and constructs architectural space. For this purpose, I will analyse [In]Corporeal Architecture, an art experiment that I conducted at an outdoor exhibition space called Testing Grounds in February 2018 as part of my current PhD studies in Melbourne, Australia. [In]Corporeal Architecture challenges relationships between the body, cloth and architecture. To address this complexity, I draw on Gins and Arakawa’s book Architectural Body. Article received: December 18, 2018; Article accepted: January 23, 2019; Published online: April 15, 2019; Original scholarly paperHow to cite this article: Karaičić, Danica. "[In]Corporeal Architecture: On the Clothed Body and Architectural Space." AM Journal of Art and Media Studies 18 (2019): 89–105. doi: 10.25038/am.v0i18.302
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Bernatskyi, Bohdan, and Marina Gorbatiuc. "Protecting Australian democracy: From attempting to ban the Communist Party to resisting foreign interference." Australian and New Zealand Journal of European Studies 15, no. 2 (December 29, 2023): 33–50. http://dx.doi.org/10.30722/anzjes.vol15.iss2.17977.

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The article analyses the shift of the limits of democratic tolerance in Australia. In 1950, the Australian Parliament passed an Act under which the activities of the Australian Communist Party were outlawed, and the party had to be dissolved. One year later, the High Court of Australia struck down the Dissolution Act and indicated that the "militant democracy" concept had never been a part of the Commonwealth Constitutional architecture. Thus, the interpretation of the judicial system of Australia went contrary to the findings, for instance, of the German Federal Constitutional Court, which dissolved the Communist Party of Germany in 1956. The latest developments in Oceania, such as a ban on foreign donations and the threat of foreign interference through political parties, require a new examination of the status quo of the limits of democratic tolerance in Australia and whether it has been subject to changes since the establishment of a highly liberal pathway to democratic competition.
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Margalit, Harry. "The State of Contemporary Architecture in Australia." Architectural Theory Review 11, no. 1 (April 2006): 7–16. http://dx.doi.org/10.1080/13264820609478551.

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Bates, Donald L., and Peter Davidson. "Federation Square, Melbourne, Australia Lab Architecture Studio." Assemblage, no. 40 (December 1999): 56. http://dx.doi.org/10.2307/3171372.

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Martin, Nigel. "Why Australia needs a SAGE: A security architecture for the Australian government environment." Government Information Quarterly 22, no. 1 (January 2005): 96–107. http://dx.doi.org/10.1016/j.giq.2004.10.007.

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Dissertations / Theses on the topic "Architecture – Australia"

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Boddy, Adrian. "Max Dupain and the photography of Australian architecture." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36005/25/__qut.edu.au_Documents_StaffHome_StaffGroupR%24_rogersjm_Desktop_36005_Vol1_Digitised%20Thesis%20Vol%201%20Compressed%20%20Boddy.pdf.

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This thesis considers Max Dupain (1911-1992) and his contribution to the development of architectural photography in Australia. Through his continuous and prolific output over six decades of professional photography Dupain greatly stimulated awareness of and interest in Australian architecture. Before Dupain began specialising in the field, little consistent professional architectural photography had been practised in Australia. He and some of his close associates subsequently developed architectural photography as both a specialised branch of photography and - perhaps more significantly - as a necessary adjunct to architectural practice. In achieving these dual accomplishments, Dupain and like-minded practitioners succeeded in elevating architectural photography to the status of a discipline in its own right. They also gave Australians generally a deeper understanding of the heritage represented by the nation's built environment. At the same time, some of the photographic images he created became firmly fixed in the public imagination as historical icons within the development of a distinctive Australian tradition in the visual arts. Within his chosen field Dupain was the dominant Australian figure of his time. He was instrumental in breaking the link with Pictorialism by bringing Modernist and Documentary perspectives to Australian architectural photography. He was an innovator in the earlier decades of his professional career, however, his photographic techniques and practice did not develop beyond that. By the end of the 1980s he had largely lost touch with the technology and techniques of contemporary practice. Dupain's reputation, which has continued growing since his death in 1992, therefore arises from reasons other than his photographic images alone. It reflects his accomplishment in raising his fellow citizens' awareness of a worthwhile home-grown artistic tradition.
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Furlan, Rafaello. "The Form of Houses Built by Italian Migrants in Post-World war II Brisbane, Australia." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/365639.

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This thesis begins with an enquiry into the way the house is the physical expression of interacting cultural factors. Despite views emphasizing the determinant influence of culture on the house form, an investigation of the literature on architectural sociology reveals that, in the contemporary development of the built environment, the relationship between house form and human behaviour and/or activities, as manifestation of the users’ cultural needs, was treated as secondary. This study provides a conceptual framework based on cross-cultural studies and architectural sociology to understand how first generation Italian migrants in Brisbane have influenced the form of a specific typology of dwelling, the archetypal ‘house on a quarter-acre block’, in the post WWII period, in response to cultural needs. Qualitative data collected from the testimonies of Italian migrants in conjunction with evidence left from four houses, were analysed to answer the research question: in what ways did Italian migrants influence the form of their houses built in Brisbane in the post WWII period, and what were the forces behind, and outcomes of, this influence? The findings revealed that the architectural form of the house is influenced by the need to continue architectural traditions. The spatial form of Italian houses was influenced by sociocultural factors and urbanization patterns. These are the lack of public urban spaces like a town square traditionally utilized by Italian migrants in their native built environment for performing social activities. This insight means that migration to another land represents a fundamental disruption of social activities and, in this regard, the spatial form of the house could be conceptualised as a means of re-establishing and enhancing social interactions.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith School of Environment
Science, Environment, Engineering and Technology
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Kourvaras, Vassilios. "Transparency and place : a visitors' center in Sydney Australia." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/67740.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1996.
Includes bibliographical references (leaf 97).
An exploratory design project is used as a vehicle to understand and identify approaches towards the notion of "place" and more precisely "visiting a place". The inquiry begins from the design challenge of an architectural competition for the design of a visitors' center in Sydney Australia. The international design competition set by AlA, ASCA and DuPont Glass Industry, is asking for a building, addressed to visitors of Sydney, that represents the "Australian culture" and can provide general information on ways to explore the continent. The design exploration navigates through several descriptions and approaches, on the city and the continent, conducted by a variety of intellectuals, writers, reporters, and Architects. The hints collected, enrich the design diary, and formulate the design process. "Transparency" is therefore used both as a means of looking through design as a tool of communication, research and representation, as well as a structural demand set by the competition. The design artifact navigates the design process towards the formulation of a specific proposal answering the primary demands; nevertheless in the research the focus is given on the experience of processing the design problem. Structured in a series of episodes, the design diary that follows, incorporates the research into a series of manifested notes on the issue of architectural conception. Diagrams and drawings representing several stages of the design evolution, are combined with the manifested theoretical points, and arguments in the form of parallel stories.
by Vassilios Kourvaras.
M.S.
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Zofkova, Magdalena. "Evolutionary dynamics in ephemeral pools : inferences from genetic architecture of large branchiopods." University of Western Australia. School of Animal Biology, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0048.

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[Truncated abstract] I have evaluated the effects of different types of ephemeral pools on the evolutionary dynamics of two large branchiopods in Australia, the clam shrimp Lynceus and the fairy shrimp Branchinella longirostris. Both shrimps are passive dispersers, relying on their sexually produced resting eggs for continuity of populations in time and space, although their actual dispersal ability remains speculative. The two currently recognised species of the genus Lynceus (L. tatei and L. macleyanus) are widespread across Australia, and they occupy a wide range of ephemeral fresh water habitats, while the fairy shrimp Branchinella longirostris is endemic to rock pools on granite outcrops in south-western Australia. Samples of populations were collected from a total of 96 ephemeral pools at 80 locations in New South Wales, Northern Territory, Queensland, South Australia and Western Australia . . . This highlighted the contrast between the two species and their microhabitats, and implied that these microhabitats offered different opportunities for dispersal. These were identified as frequent disturbances of the clam shrimp’s egg-banks due to ‘wash-out’ effects during heavy rains and animal and human vectors attracted by the water stored in the deep pools. My comparative study shows that the difference in evolutionary dynamics observed between the two species was a consequence of their environmental interactions rather than of the microhabitats themselves. Similar to patterns detected in other passive dispersers with disjunct population distribution, evolutionary dynamics in Lynceus and B. longirostris seem to be a result of complex interactions among gene flow, population histories and ecology of their habitat. The results contribute to the emerging evidence that branchiopod crustaceans are poor dispersers and highlight the importance of local context in determining evolutionary processes within species.
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Couzens, Mark Anthony. "Early cretaceous sequence stratigraphic architecture, Enderby Terrace, Carnarvon Basin, Western Australia /." Title page, abstract and contents only, 2003. http://web4.library.adelaide.edu.au/theses/09SB/09sbc872.pdf.

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Frendin, Maria. "Frendin Architecture : A project on the practice of an architect." Thesis, KTH, Arkitektur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-124365.

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‘Frendin Architecture – A project on the practice of an architect’ uses the realm of architectural design to engage with the design of architectural practice. With only a limited network of contacts and practical experience, without commissions in the pipeline or a portfolio of works, this project approaches the city as a site for architectural office and explores strategies for establishing an architect’s practice.  At the core of the thesis is a belief that a viable strategy for establishing a practice is to locate a potential within a given area, unlock that potential within a given site and position a practice at the heart of the potential with which we wish to engage. This statement translates into three key strategies of the practice that have been explored in the threefold structure of the project: firstly, as participants in and builders of society, to live, work and build locally; secondly, to appeal to a common condition by working within the framework of a typology; and thirdly, to initiate projects on a small scale and as an enlightened architectural developer as a means of establishing trust and generating clients. As such, with the main objective to design an architectural practice, the initial stages of the project aimed to formulate a series of strategies for establishing, operating and marketing an architectural practice, these strategies and the speculative process of the project were developed then within the context of a given area and the framework of a typology.
‘Frendin Arkitektur - Ett projekt om en arkitekts praktik’ använder arkitektonisk design för att designa en arkitekts praktik. Med endast ett begränsat nätverk av kontakter och praktisk erfarenhet, utan uppdrag i sikte eller en portfölj av byggt arbete, angriper detta projekt staden som en plats för en arkitekt byrå och utforskar strategier för att etablera en arkitekts praktik. I grunden till avhandlingen ligger en tro på att en hållbar strategi för att etablera en praktik är att finna en potential inom ett visst område, låsa upp denna potential inom en given plats och etablera en arkitekt byrå i hjärtat av den potential som vi önskar arbeta med. Detta uttalande leder till tre viktiga strategier som har undersökts i den trefaldiga strukturen för projektet: för det första, att som deltagare i och konstruktörer av samhället, att leva, arbeta och bygga lokalt; för det andra, att vädja till en allmän situation genom att arbeta inom ramen av en typologi; och för det tredje, att som en medveten arkitektonisk fastighets utvecklare initiera projekt i liten skala - som ett sätt att skapa förtroende, generera kunder och ett generellt intresse inom det bredare samhället. Med det huvudsakliga målet att utforma en arkitekts praktik syftade de inledande faserna av projektet att formulera en rad strategier för att etablera, driva och marknadsföra en arkitekt byrå. Dessa strategier och projektets spekulativa process har därefter utvecklats inom ramen av ett visst område och en specifik typologi.
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White, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.

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Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the continuing low numbers of women practitioners in Australia. Hypothesizes that contemporary Western architecture is imbued with a pervasive and dominant masculinity and that this is deeply imbedded in its discursive constructions: the body housed by architecture is assume to be male, the mind which produces architecture is assumed to be masculine. Given the cultural location of Australian architecture as a marginal participant in the wider arena of contemporary Western / international discourses, focuses on writing about two iconic figues in Western architecture; Le Corbusier, of international reknown; and, Glenn Murcutt, of predominantly local significance.
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Taylor, John J. "Joseph John Talbot Hobbs (1864-1938) : and his Australian-English architecture." University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0100.

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Architect and soldier Sir J.J. Talbot Hobbs was born on 24 August 1864 in London. After migrating from England to Western Australia in the late 1880s, Hobbs designed many buildings that were constructed in Perth, Fremantle, and regional areas of the State. Although Talbot Hobbs has previously been recognised as a significant and influential contributor to architecture in Australia, his development as an architect has not been documented, nor has his design output undergone critical analysis. A number of problems confront attempts to interpret Hobbs' contribution to architecture. One is that a number of his most prominent building designs have been demolished. Another is that national recognition for his achievements as a First World War Army General have overshadowed his extraordinarily productive pre and post-war career as an architect. Military service was intrinsic to his character, and thus is woven in to this architectural biography. The thesis examines Hobbs' life and work, filling the gap in documented evidence of his contributions, and fitting it within the context of Australian architectural and social history. The main proposition to be tested is whether Hobbs' Australian architecture, of English derivation, combined with vast community service, warrants his recognition as an architect and citizen of national significance. Completely new important issues, information, discussion and facts that have resulted from the research for this thesis are: 1. Biographical knowledge about Hobbs' life – including his upbringing, education and training in England, and his fifty years of comprehensive work and community service in and for Australia; 2. The elucidation of the late nineteenth and early twentieth century architectural issues that were relevant to Hobbs and other architects in Western Australia; 3. Examination of the important works of Hobbs' architect predecessors and contemporaries in Perth, and the setting of his own work within this context; 4. Revelation of his primary and pivotal role in war memorial design and organisational work for the far-flung theatres of Australian Army conflicts and selected personal design works within Australia itself during 1919-38; and 5. A chronology and summary of Hobbs' life, with thorough documentation of his output as a sole practitioner in the period 1887-1904 by development of a detailed web-based database - an extremely valuable tool for future researchers.
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Bennetts, Helen. "Environmental issues and house design in Australia : images from theory and practice /." Title page, contents and abstract only, 2000. http://web4.library.adelaide.edu.au/theses/09PH/09phb472.pdf.

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Kringas, Simon. "Design of the High Court of Australia." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18605.

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The High Court of Australia is a seminal work of architecture, recognised nationally after twenty-five years by the Royal Australian Institute of Architects 'Enduring Architecture' award, and internationally, as one of only ten Australian buildings registered on the Union of International Architects 'Architectural Heritage of the 20th Century'. Since its construction in 1980, the design of the High Court has been consistently ascribed to the architect Colin Madigan – a director of the firm Edwards Madigan Torzillo and Briggs. It is said to embody a 'unity of concept' with Madigan's National Gallery, and to accord with 'universal' principles, geometric 'design laws' and the 'craft-based attitude' of 'Madigan's architecture'. Such sustained references have effectively established a dominant and institutionally sanctioned narrative. A body of other acclaimed work produced by the firm is similarly construed as Madigan's oeuvre. In fact, the design of the High Court resulted from a national competition held between 1972 and 1973. Documented evidence credits its 'Design Team' and identifies architect Christopher Kringas as the 'Director in Charge'. The stated 'Design Concept' does not mention universal principles or geometric laws, nor does the High Court's architectonic design accord with such descriptors. Kringas's design role is further evident in the firm's most significant work. This thesis traces and critically reviews the prevailing narrative of the design of the High Court. Behind-the-scenes correspondence, original archives and oral histories expose machinations around its authorship and build a counter-narrative that re-contextualises the High Court according to Brutalist ideology, nation building agendas, individual agency and design experimentation, crystallised by an architectural competition. An alternate reading of the High Court design is developed, pointing to a radicalisation and shift of the Brutalist agenda, and salient innovations previously unexamined.
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Books on the topic "Architecture – Australia"

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David, Sullivan. Architecture: Inspired by Australia. Auckland, N.Z: Mint Pub., 2008.

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David, Bromfield, ed. Essays on art and architecture in Western Australia. Nedlands, W.A: Centre for Fine Arts, University of Western Australia, 1988.

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Julian, Raxworthy, ed. Sunburnt: Landscape architecture in Australia. Amsterdam: SUN, 2011.

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Jinich, Isidoro Izhar. Casas: Australia. [Buenos Aires]: Kliczkowski, 2005.

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Walter, Betsy. Living in Australia. San Francisco: Chronicle Books, 1992.

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Macarthur, John, and Silvia Michelli. Italy/Australia: Postmodern architecture in translation. Melbourne, Victoria: Uro Publications, 2018.

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Jackson, Davina. Next wave: Emerging talents in Australian architecture. New York: Princeton Architectural Press, 2008.

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Jackson, Davina. Next wave: Emerging talents in Australia architecture. London: Thames & Hudson, 2007.

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Gollings, John. Australia city living. New York, NY: Thames & Hudson, 2004.

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Goad, Philip. Melbourne architecture. Sydney, Australia: Watermark Press, 1999.

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Book chapters on the topic "Architecture – Australia"

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Felson, Alexander J., and Nano Langenheim. "Fisherman's Bend, Victoria, Australia." In Landscape Architecture for Sea Level Rise, 90–102. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003183419-12.

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Jones, David S., Kate Alder, Shivani Bhatnagar, Christine Cooke, Jennifer Dearnaley, Marcelo Diaz, Hitomi Iida, et al. "Indigenous Knowledge Systems and Education in Australia." In Learning Country in Landscape Architecture, 19–43. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-8876-1_3.

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Murphy, Julian R., Elizabeth Grant, and Thalia Anthony. "Indigenous courthouse and courtroom design in Australia." In Courthouse Architecture, Design and Social Justice, 75–106. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429059858-7.

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O’Rourke, Timothy. "Indigenous Traditional Knowledge and Contemporary Architecture in Australia." In The Handbook of Contemporary Indigenous Architecture, 413–32. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_16.

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O’Rourke, Timothy. "Aboriginal and Torres Strait Islander Domestic Architecture in Australia." In The Handbook of Contemporary Indigenous Architecture, 25–56. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_2.

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Lane, Francoise, Andrew Lane, and Kelly Greenop. "What’s the Story? Contemporary Indigenous Architecture in Practice in Australia." In The Handbook of Contemporary Indigenous Architecture, 331–46. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_13.

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Broffman, Andrew. "Tangentyere Design: Architectural Practice and Cultural Agency in Central Australia." In The Handbook of Contemporary Indigenous Architecture, 381–411. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_15.

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Fantin, Shaneen, and Gudju Gudju Fourmile. "Design in Perspective: Reflections on Intercultural Design Practice in Australia." In The Handbook of Contemporary Indigenous Architecture, 433–64. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6904-8_17.

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Legrand, Tim. "The Third Way and the Landscape of Welfare Reform: Australia, UK and USA." In The Architecture of Policy Transfer, 129–59. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55821-5_5.

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Pont, Graham, and Peter Proudfoot. "From Cosmic City to Esoteric Cinema: Pythagorean Mathematics and Design in Australia." In Architecture and Mathematics from Antiquity to the Future, 355–66. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00143-2_23.

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Conference papers on the topic "Architecture – Australia"

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Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections - his drawing of the City of Adelaide plan (1950) and his commission for art at Jorn Utzon's Sydney Opera House (1958). The paper also considers the ways that Le Corbusier’s work underwent translation into Australian architecture and urbanism in the mid to late 20th century through the influence his work exerted on others, identifying further possibilities for research on the topic. Keywords: Le Corbusier; post-war architecture; international modernism; Australian architecture, 20th century architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.752
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Saniga, Andrew, and Andrew Wilson. "Barbara van den Broek. Contributions to the Disciplines of Landscape Architecture, Town Planning and Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4024pu9ad.

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Barbara van den Broek (1932-2001) trained as an architect in Auckland, New Zealand before moving to Brisbane with her husband and fellow architect Joop, where they established an architectural practice. van den Broek went on to run an office as a sole practitioner and took on architecture and landscape architecture projects. Over the course of her career she completed post-graduate diplomas in Town and Country Planning, Landscape Architecture and Education, and a Master of Science – Environmental Studies, and collaborated on a number of key projects in Queensland and Papua New Guinea (PNG). Our paper will build an account of her career. In assessing the significance of her contribution to landscape architecture, planning and architecture in Australasia, it will bring a number of other spheres into the frame: conservation and Australia’s environment movement; landscape design and the bush garden; and van den Broek’s personal development that included artistic expression, single parenthood, teaching, and the navigation of male-dominated professional environments to develop a practice that contributed to town planning projects in cities across Australia, and made significant contributions to landscape projects in Queensland and PNG.
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McCabe, C. "Sustainable building design in Australia." In ECO-ARCHITECTURE 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/arc060241.

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Long, Thierry. "European High Definition - Double 4:2:2 Architecture." In SMPTE Australia Conference. IEEE, 1994. http://dx.doi.org/10.5594/m001134.

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Yoo, Haeyeon. "A Study on the Prefab Housing in New Zealand and Australia." In Architecture and Civil Engineering 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.100.33.

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Lana, Luca. "Queer Terrain: Architecture of Queer Ecology." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4016p5dw3.

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This paper seeks to ally the interdisciplinary frameworks offered by ‘Queer Ecology’ with an architectural inquiry to expand both fields. Queer theory alone offers scant discussions of material and architectural practices, while environmental discourse in architecture fails to address its role in ecological and social-political violence. A clothing-optional / cruising beach in rural Victoria, Sandy Beach also known as Somers Beach, exemplifies how the queer body’s navigation of space responds to complex ecological, urban, and social conditions. A queering of architectural definitions allows this site to be researched as a historically significant urban/architectural site of social and environmental value. It is suggested that the subtle yet complex practices of site transformations enacted through occupation are an architecture of environmental connective possibility. ‘Queered’ corporeality orientates the body and material practices towards assemblages where boundaries between humans and nature are transgressed, ultimately constituting a ‘queer ecological architecture’
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Maranelli, Francesco. "Engineering Melbourne’s “Great Structural- Functional Idea”: Aspects of the Victorian Post-war “Rapprôchement” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3998puxe9.

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In 1963, Robin Boyd wrote about a post-war “rapprôchement” between the disciplines of structural engineering and architecture. Etymologically, the term suggests the movement of two entities that draw closer to each other, either in an unprecedented fashion or resuming a suspended interaction. World War II and the “anxieties and stimulations” of the post-war period, to use Boyd’s expression, accelerated the process of overcoming longstanding educational and professional disciplinary barriers. They were the driving forces behind what he denominated the “great structural-functional idea” of the 1950s. Architecture schools embraced modernist/functionalist ideals, producing graduates with considerable technical knowledge - true “romantic engineers.” The global post-war fascination with unconventional structures played its part. Occasionally, Antoine Picon argues, architecture’s “symbolic and aesthetic discourses” walk a “strictly technical path.” Under the banner of Le Corbusier’s Esthétique de l’Ingénieur, architecture and engineering converged. New technologies made collaborations with engineers habitual. According to Andrew Saint, however, partnerships were rarely affairs of equals since “architectural jobs came to architects first.” The diversification and growing number of engineers also transformed them into a labour force, Picon suggests, affecting their prestige and, possibly, their historiographical fortune. Scholarship on post-war Melbourne architecture has generally privileged the architect as the protagonist in the creation of innovative structures, only occasionally acknowledging consultants. This does not reflect the concerted nature of design commissions and frequent evanescence of disciplinary boundaries. This paper aims to highlight the major playing grounds for this alignment within design professions. It also hints at the complex relationship between the contributions of Victorian engineers and their recognition by post-war newspapers and architectural journals, opening the analysis of Melbourne’s post-war architecture to the discourse of professional representation and arguing the importance of “unbiased” histories of the built environment.
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Hardwick, Carol. "W. M. Dudok and Hilversum: Architect and Municipal Planner; Dissemination of this Interconnection amongst Australian Architects, 1925-1955." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5022ptgt0.

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The architecture/town planning of the Dutch modernist Willem Marinus Dudok (1884-1974) is a significant example of the crossover between municipal planning and architecture. Dudok’s buildings, particularly those at Hilversum, are widely acknowledged and recognisable as design sources drawn upon by Australian modernists in the period 1925 to 1955. He planned Hilversum as a garden city in 1918 and it was visited by many Australian architects during this study period. Dudok initially trained as an engineer. His career, combining architecture and town planning, presented the ideal modernist project in practice. Hilversum was one of the key locations in Europe after World War I, where modern town planning and architecture worked in unity. Architecture, although often collaborative within a practice, could also be individualistic and Dudok’s practice in many ways exemplified this approach. Town planning required the coordination of professionals. At Hilversum, Dudok achieved this unity, with his well-planned municipal areas and modern buildings successfully integrated into them. This was within the context of contemporary Dutch town planning and housing laws, post World War I. This paper presents Dudok’s work, emphasising the crossover and integration of architecture and town planning. It examines the significance or not, of this crossover between these disciplines in the dissemination of his work by Australian architects and examines specifically whether Dudok’s town planning practices were part of the dissemination of his work. It concludes that for those Australian architects who experienced Hilversum first-hand, Dudok’s buildings were perceived as integrated into the town plan, particularly their context and the essentialness of the landscaping. Furthermore, Dudok had a commitment to the social wellbeing of the community through his planning with schools as focal points. Newcastle Technical College, New South Wales, is an exemplar of this in Australia.
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Gardiner, Fiona. "Yes, You Can Be an Architect and a Woman!’ Women in Architecture: Queensland 1982-1989." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4001phps8.

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From the 1970s social and political changes in Australia and the burgeoning feminist movement were challenging established power relationships and hierarchies. This paper explores how in the 1980s groups of women architects actively took positions that were outside the established professional mainstream. A 1982 seminar at the University of Queensland galvanised women in Brisbane to form the Association of Women Architects, Town Planners and Landscape Architects. Formally founded the association was multi-disciplinary and not affiliated with the established bodies. Its aims included promoting women and working to reform the practice of these professions. While predominately made up of architects, the group never became part of the Royal Australian Institutes of Architects, it did inject itself into its activities, spectacularly sponsoring the Indian architect Revathi Kamath to speak at the 1984 RAIA. For five years the group was active organising talks, speakers, a newsletter and participating in Architecture Week. In 1984 an exhibition ‘Profile: Women in Architecture’ featured the work of 40 past and present women architects and students, including a profile of Queensland’s then oldest practitioner Beatrice Hutton. Sydney architect Eve Laron, the convenor of Constructive Women in Sydney opened the exhibition. There was an active interchange between Women in Architecture in Melbourne, Constructive Women, and the Queensland group, with architects such as Ann Keddie, Suzanne Dance and Barbara van den Broek speaking in Brisbane. While the focus of the group centred around women’s issues such as traditional prejudice, conflicting commitments and retraining, its architectural interests were not those of conventional practice. It explored and promoted the design of cities and buildings that were sensitive to users including women and children, design using natural materials and sustainability. While the group only existed for a short period, it advanced positions and perspectives that were outside the mainstream of architectural discourse and practice. Nearly 40 years on a new generation of women is leading the debate into the structural inequities in the architectural profession which are very similar to those tackled by women architects in the 1980s.
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Southern, Carolyne, Joseph Wong, and Keith Bladon. "Challenges of Integrating Multidisciplinary Wayside Databases." In ASME 2012 Rail Transportation Division Fall Technical Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/rtdf2012-9446.

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A single, integrated database to store inputs from multiple, and multidisciplinary wayside systems is a pre-requisite for cross-correlation of data, and the development of intelligent algorithms to determine alarm levels and automate decision making. Australian rail operators run on three track gauges, operate a mix of American, European and uniquely Australian rolling stock, and lack a unified set of interchange standards, making the development of operational and condition monitoring rules a complex task. Over the years, Wayside Equipment vendors have adopted different database architectures and data structures for their proprietary systems. Recognizing the need for an industry-wide standard, Pacific National and Track Owners in Australia have initiated a project to develop the architecture for an integrated, open database to capture and store data feeds from multiple wayside systems, from different suppliers. This paper describes the objectives, constraints, challenges and projected benefits of the project for the track owner and the rail operator, and the planned implementation of an integrated condition monitoring database in the Australian rail environment.
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Reports on the topic "Architecture – Australia"

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Burns-Dans, Elizabeth, Alexandra Wallis, and Deborah Gare. A History of the Architects Board of Western Australia, 1921-2021. The Architects Board of Western Australia and The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.1.

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An economic and population boom in the 1890s created opportunities for architects to find work and fame in Western Australia. Architecture, therefore, became a viable profession for the first time, and the number of practicing architects in the colony (and then state) quickly grew. Associations such as the Western Australian Institute of Architects were established to organise the profession, but as the number of architects grew and Western Australian society matured, it became evident that a role for government was required to ensure practice standards and consumer protection. In 1921, therefore, the Architects Act was passed, and, in the following year, the Architects Board of Western Australia was launched. This report traces the evolution and transformation of professional architectural practice since then, and evaluates the role and impact of the Board in its first century.
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Wilson, Karen. The Architecture of the System of National Accounts: A Three Country Comparison, Canada, Australia, and United Kingdom. Cambridge, MA: National Bureau of Economic Research, February 2005. http://dx.doi.org/10.3386/w11106.

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, December 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia. Its population is booming and its local governments are working together to establish world-class communications, transport and health infrastructure, while maintaining the integrity of the region’s much-lauded environment and lifestyle. As a result, the Sunshine Coast Council is regarded as a pioneer on smart city initiatives, while Noosa Shire Council has built a reputation for prioritising sustainable development. The region’s creative economy is growing at a faster rate that of the rest of the economy—in terms of job growth, earnings, incomes and business registrations. These gains, however, are not spread uniformly. Creative Services (that is, the advertising and marketing, architecture and design, and software and digital content sectors) are flourishing, while Cultural Production (music and performing arts, publishing and visual arts) is variable, with visual and performing arts growing while film, television and radio and publishing have low or no growth. The spirit of entrepreneurialism amongst many creatives in the Sunshine Coast was similar to what we witnessed in other hotspots: a spirit of not necessarily relying on institutions, seeking out alternative income sources, and leveraging networks. How public agencies can better harness that energy and entrepreneurialism could be a focus for ongoing strategy. There does seem to be a lower level of arts and culture funding going into the Sunshine Coast from governments than its population base and cultural and creative energy might suggest. Federal and state arts funding programs are under-delivering to the Sunshine Coast.
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Duan, Jingming, and Darren Kyi. Australian Lithospheric Architecture Magnetotelluric Project (AusLAMP): Victoria data release report. Geoscience Australia, 2018. http://dx.doi.org/10.11636/record.2018.021.

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Kyi, D., J. Duan, A. Kirkby, and N. Stolz. Australian Lithospheric Architecture Magnetotelluric Project (AusLAMP): New South Wales: data release report. Geoscience Australia, 2020. http://dx.doi.org/10.11636/record.2020.011.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
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