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Relevant bibliographies by topics / Architecture and Sound / Books

Books on the topic 'Architecture and Sound'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Buchen, Bill. Sonic architecture. New York: The Authors, 1998.

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2

Buchen, Bill. Sonic architecture. New York: The Authors, 1998.

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3

Sabine, Paul Earls. Acoustics and architecture. S.l: s.n., 2008.

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4

Soundspace: Architecture for sound and vision. Basel: Birkhauser, 2003.

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5

Soundspace: Architecture for sound and vision. Boston, MA: Birkhauser, 2004.

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6

Leitner, Bernhard. Bernhard Leitner: Sound, space. Ostfildern: Cantz, 1998.

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7

María, Alvarez Ana, ed. Light color sound: Sensory effects in contemporary architecture. New York: W.W. Norton & Co., 2010.

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8

Bahamón, Alejandro. Light, color, sound: Sensory effects in contemporary architecture. New York: W.W. Norton & Co., 2010.

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9

Duncan, Templeton, ed. The architecture of sound: Designing places of assembly. London: Architectural Press, 1986.

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10

Laura, Moretti, ed. Sound and space in Renaissance Venice: Architecture, music, acoustics. New Haven: Yale University Press, 2009.

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11

Pallasmaa, Juhani. K2S Architects: Beyond the wall of sound. Stockholm: Arvinius+Orfeus, 2014.

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12

Site specific sound. Frankfurt, Germany: Errant Bodies/Selektion with Ground Fault Recordings, 2004.

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13

Howard, Deborah. Sound and space in Renaissance Venice: Architecture, music, acoustics. New Haven: Yale University Press, 2009.

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14

Leitner, Bernhard. Bernhard Leitner: Geometrie der Töne, wiegen/wölben = geometry of sound, swinging/arching. Ostfildern-Ruit: Cantz Verlag, 1997.

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15

Greening the landscape: Strategies for environmentally sound practice. New York: Norton, 2012.

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16

Tuned city: Zwischen Klang- und Raumspekulation = Between sound and space speculation. Idstein: Kookbooks, 2008.

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17

Site and sound: The architecture and acoustics of new opera houses and concert halls. New York: Monacelli Press, 2011.

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18

D'Arcy, Roger. RA, the book: The Recording Architecture book of studio design. London: Black Box Press, 2011.

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19

D'Arcy, Roger. RA, the book: The Recording Architecture book of studio design. London: Black Box Press, 2011.

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20

A, Barker Bradley, Pezzoni J. Daniel 1961-, Racine Charles, Racine Marilyn, Van Dolsen Nancy, and Edenton Woman's Club (Edenton, N.C.), eds. Between the river and the sound: The architectural heritage of Chowan County, North Carolina. Edenton, N.C: Edenton Women's Club, 2012.

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21

Sound of worship: A handbook of acoustics and sound system design for the church. Amsterdam: Focal Press, 2011.

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22

Making tracks: Unique recording studio environments. Atglen, PA: Schiffer Pub., 2006.

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23

Consultants, Artec. Artec Consultants Inc: Feasibilty and economic studies, programming and planning, theatre design and planning, theatre equipment consulting, sound & communication systems consulting, acoustics consulting. New York, N.Y: Artec, 2000.

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24

Moeller, Christian. A time and place: Christian Moeller : media architecture, 1991-2003. Baden, Switzerland: Lars Müller, 2004.

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25

The new natural house book: Creating a healthy, harmonious, and ecologically sound home. New York: Simon & Schuster, 1998.

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26

David, Pearson. The new natural house book: Creating a healthy, harmonious, and ecologically sound home. London: Conran Octopus, 1998.

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27

Pearson, David. The natural house book: Creating a healthy, harmonious, and ecologically-sound home environment. New York: Simon & Schuster, 1989.

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28

Tjallingii, S. P. Ecopolis: Strategies for ecologically sound urban development. Leiden: Backhuys Publishers, 1995.

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29

Sykes, David. Sound & Vibration 2.0: Design Guidelines for Health Care Facilities. New York, NY: Springer New York, 2013.

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30

Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

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This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.

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31

française, International Institute for Conservation of Historic and Artistic Works Section. Préserver les objets de son patrimoine: Précis de conservation préventive. Sprimont (Belgique): Mardaga, 2001.

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32

Battle ready: The National Coast Defense System and the fortification of Puget Sound, 1894-1925. Pullman, Washington: Washington State University Press, 2014.

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33

California. Bureau of State Audits. California K-12 High-Speed Network: The network architecture is sound, but opportunities exist to increase its use. Sacramento, Calif: California State Auditor, Bureau of State Audits, 2006.

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34

Sioli, Angeliki, and Elisavet Kiourtsoglou, eds. The Sound of Architecture. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664563.

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Acoustic atmospheres can be fleeting, elusive, or short-lived. Sometimes they are constant, but more often they change from one moment to the next, forming distinct impressions each time we visit certain places. Stable or dynamic, acoustic atmospheres have a powerful effect on our spatial experience, sometimes even more so than architecture itself. This book explores the acoustic atmospheres of diverse architectural environments, in terms of scale, function, location, or historic period—providing an overview of how acoustic atmospheres are created, perceived, experienced, and visualized. Contributors explore how sound and its atmospheres transform architecture and space. Their essays demonstrate that sound is a tangible element in the design and staging of atmospheres and that it should become a central part of the spatial explorations of architects, designers, and urban planners. The Sound of Architecture will be of interest to architectural historians, theorists, students, and practicing architects, who will discover how acoustic atmospheres can be created without complex and specialized engineering. It will also be of value to scholars working in the field of history of emotions, as it offers evocative descriptions of acoustic atmospheres from diverse cultures and time periods.

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35

Architectures of Sound. de Gruyter GmbH, Walter, 2020.

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36

Sound Architecture: Acoustic Atmospher. Leuven University Press, 2022.

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37

Till, Nicholas. “Sound Houses”. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.48.

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This chapter looks at the relationship of music and architecture, both historically and with regard to the “spatial” and “acoustic” turns in recent cultural thinking. The author suggests that during the twentieth century sound art offered a distinctive challenge to the formalizing tendencies of both modernist music and modernist architecture. Architecture is instead understood in its multi-sensory materiality, while the sonic is understood as an intrinsic property of architectural experience. Similarly, space is understood as an intrinsic property of music, while much recent musical practice is shown to have recognized the inextricable association of sound and space. Examining the work of sound artists alongside the spatially conceived music of composers, this chapter considers the spatial and acoustic turns of the later twentieth century as a means for thinking about the postmodern sonic as a field that challenges the old modernist aspiration of both music and architecture to aesthetic autonomy.

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38

Guillebaud, Christine, and Catherine Lavandier. Worship Sound Spaces. Taylor & Francis Group, 2021.

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39

Worship Sound Spaces. Taylor & Francis Group, 2019.

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40

Thorburn. Acoustics and Architecture. Taylor & Francis Group, 2005.

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41

Fowler, Michael. Architectures of Sound: Acoustic Concepts and Parameters for Architectural Design. de Gruyter GmbH, Walter, 2017.

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42

Fowler, Michael. Architectures of Sound: Acoustic Concepts and Parameters for Architectural Design. de Gruyter GmbH, Walter, 2017.

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43

Sound Materials: Innovative Sound-Absorbing Materials for Architecture and Design. Frame Publishers, 2017.

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44

Frishkopf, Michael, Ali Asani, and Federico Spinetti. Music, Sound, and Architecture in Islam. University of Texas Press, 2018.

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45

Music, Sound, and Architecture in Islam. University of Texas Press, 2018. http://dx.doi.org/10.7560/312452.

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46

Music, Sound, and Architecture in Islam. University of Texas Press, 2018.

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47

Frishkopf, Michael, and Federico Spinetti. Music, Sound, and Architecture in Islam. de Gruyter GmbH, Walter, 2018.

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48

Colin, Ripley, Polo Marco, Wrigglesworth Arthur, and Ryerson University, eds. In the place of sound: Architecture, music, acoustics. Newcastle, UK: Cambridge Scholars Publishing, 2007.

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49

Atkinson, Niall. Noisy Renaissance: Sound, Architecture, and Florentine Urban Life. Pennsylvania State University Press, 2017.

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50

Guillebaud, Christine, and Catherine Lavandier. Worship Sound Spaces: Architecture, Acoustics and Anthropology. Taylor & Francis Group, 2019.

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