Relevant bibliographies by topics / Architecture and Sound

Academic literature on the topic 'Architecture and Sound'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Architecture and Sound.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Architecture and Sound"

1

Tamariska ; Roni Sugiarto, Livie. "THE DYNAMICS OF SOUNDSCAPE CONNECTION WITH ARCHITECTURAL ELEMENTS ON TERAS CIKAPUNDUNG BANDUNG." Riset Arsitektur (RISA) 2, no. 03 (July 5, 2018): 249–63. http://dx.doi.org/10.26593/risa.v2i03.2945.249-263.

Full text
Abstract:
Abstract- In architecture of public space, the experience of place plays an important role in the making of the good quality of public spaces. The experience of the space is multi-sensory, so architecture should emphasize its attention also on the architectural space approach through auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and Terrace Cikapundung architecture.The research method is qualitative and descriptive analysis. Quantitative measurements are made to complement the qualitative data. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about public space architecture, soundscape, sacred sounds, sense of place, intention of architecture, and perception theory.In Terrace Cikapundung are found quite a lot of natural sounds, which are considered as sounds that improve the quality of the people spatial experience. The natural sounds that are found there are the sound of birds, wind, and water flow. While the dominant voice heard is the sound of motor vehicle, which is considered as disturbing sound for the audiences in particular “man-made zone” (zone that borders the highway). This indicates that there are some architectural elements that have not been able to work optimally, especially the design of bordering element between the site with the main sound source (Jalan Siliwangi). Furthermore, the concave physical topology and the zonation of “man-made zone” and “natural zone” is well designed, based on the variety characterictic of function, location, and order of architectural elements, that will give us the study and example of spatial making and good experience of place.Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: soundscape, architectural element, open public space
APA, Harvard, Vancouver, ISO, and other styles
2

Tamariska ; Roni Sugiarto, Livie. "THE DYNAMICS OF SOUNDSCAPE CONNECTION WITH ARCHITECTURAL ELEMENTS ON TERAS CIKAPUNDUNG BANDUNG." Riset Arsitektur (RISA) 2, no. 03 (July 5, 2018): 248–63. http://dx.doi.org/10.26593/risa.v2i03.2945.248-263.

Full text
Abstract:
Abstract- In architecture of public space, the experience of place plays an important role in the making of the good quality of public spaces. The experience of the space is multi-sensory, so architecture should emphasize its attention also on the architectural space approach through auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and Terrace Cikapundung architecture.The research method is qualitative and descriptive analysis. Quantitative measurements are made to complement the qualitative data. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about public space architecture, soundscape, sacred sounds, sense of place, intention of architecture, and perception theory.In Terrace Cikapundung are found quite a lot of natural sounds, which are considered as sounds that improve the quality of the people spatial experience. The natural sounds that are found there are the sound of birds, wind, and water flow. While the dominant voice heard is the sound of motor vehicle, which is considered as disturbing sound for the audiences in particular “man-made zone” (zone that borders the highway). This indicates that there are some architectural elements that have not been able to work optimally, especially the design of bordering element between the site with the main sound source (Jalan Siliwangi). Furthermore, the concave physical topology and the zonation of “man-made zone” and “natural zone” is well designed, based on the variety characterictic of function, location, and order of architectural elements, that will give us the study and example of spatial making and good experience of place. Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: soundscape, architectural element, open public space
APA, Harvard, Vancouver, ISO, and other styles
3

Maeseneer, Martine De. "Make Architecture Sound." Assemblage, no. 41 (April 2000): 23. http://dx.doi.org/10.2307/3171283.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wheatley, John. "THE SOUND OF ARCHITECTURE." Tempo 61, no. 242 (October 2007): 11–19. http://dx.doi.org/10.1017/s0040298200000267.

Full text
Abstract:
There is a widespread perception that music and architecture are profoundly dissimilar, far removed from each other in the creative spectrum. While music is regarded as ephemeral, transient, involving vibration, pitch and time – you hear it, you feel it, its beauty is assigned to your memory – the general response to architecture is fundamentally different. Those homogeneous, concrete volumes and solid, three-dimensional forms are thought to occupy a permanent, static and unyielding part of our environment, a constant reminder of its unique presence in time, unrelated to any other art-form. Architecture just does not float away into space like music – as some might fervently wish! But music and architecture cannot possibly exist independently in hermetically sealed compartments – they are inexorably bonded together by their very nature and by the cultural history that surrounds them.
APA, Harvard, Vancouver, ISO, and other styles
5

Wheatley, John. "THE SOUND OF ARCHITECTURE." Tempo 61, no. 242 (October 2007): 11–19. http://dx.doi.org/10.1017/s0040298207000265.

Full text
Abstract:
There is a widespread perception that music and architecture are profoundly dissimilar, far removed from each other in the creative spectrum. While music is regarded as ephemeral, transient, involving vibration, pitch and time – you hear it, you feel it, its beauty is assigned to your memory – the general response to architecture is fundamentally different. Those homogeneous, concrete volumes and solid, three-dimensional forms are thought to occupy a permanent, static and unyielding part of our environment, a constant reminder of its unique presence in time, unrelated to any other art-form. Architecture just does not float away into space like music – as some might fervently wish! But music and architecture cannot possibly exist independently in hermetically sealed compartments – they are inexorably bonded together by their very nature and by the cultural history that surrounds them.
APA, Harvard, Vancouver, ISO, and other styles
6

Jablonska, Joanna, Elzbieta Trocka-Leszczynska, and Romuald Tarczewski. "Sound and Architecture – Mutual Influence." Energy Procedia 78 (November 2015): 31–36. http://dx.doi.org/10.1016/j.egypro.2015.11.110.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

da Silva, Bruno, Laurent Segers, An Braeken, Kris Steenhaut, and Abdellah Touhafi. "Design Exploration and Performance Strategies towards Power-Efficient FPGA-Based Architectures for Sound Source Localization." Journal of Sensors 2019 (September 15, 2019): 1–27. http://dx.doi.org/10.1155/2019/5761235.

Full text
Abstract:
Many applications rely on MEMS microphone arrays for locating sound sources prior to their execution. Those applications not only are executed under real-time constraints but also are often embedded on low-power devices. These environments become challenging when increasing the number of microphones or requiring dynamic responses. Field-Programmable Gate Arrays (FPGAs) are usually chosen due to their flexibility and computational power. This work intends to guide the design of reconfigurable acoustic beamforming architectures, which are not only able to accurately determine the sound Direction-Of-Arrival (DoA) but also capable to satisfy the most demanding applications in terms of power efficiency. Design considerations of the required operations performing the sound location are discussed and analysed in order to facilitate the elaboration of reconfigurable acoustic beamforming architectures. Performance strategies are proposed and evaluated based on the characteristics of the presented architecture. This power-efficient architecture is compared to a different architecture prioritizing performance in order to reveal the unavoidable design trade-offs.
APA, Harvard, Vancouver, ISO, and other styles
8

Kłopotowska, Agnieszka. "Architecture and sounds the interdisciplinary research on the use of audio signals in the cognition and design of architectural space." Budownictwo i Architektura 18, no. 2 (December 27, 2019): 111–19. http://dx.doi.org/10.35784/bud-arch.566.

Full text
Abstract:
In the contemporary world of image, the basic attribute of architecture is its visuality. Architectural spaces are designed primarily to be viewed by the public or the "eyes" of cameras. The design for the sense of sight only impoverishes the quality of human contact with architecture. The art of shaping space should involve all perception channels. One of the most important senses, allowing to feel the created space, to get to know it and live in it, is hearing. The sonic image of architectural space not only accompanies the visual image, but also significantly defines the quality of existential and aesthetic experiences. The architect's task should be to skilfully use acoustic signals as an integral part of the design process. This belief has inspired a multidisciplinary project entitled: "Sounds of architecture", devoted to the study of the phenomenon of sound and its significance in the perception and use of the architectural environment by people. This project was carried out under the guidance of the author in 2014-2015 with the involvement of representatives of various disciplines of science and art. The result of interdisciplinary research was the monograph "Sounds of Architecture", published in 2016.
APA, Harvard, Vancouver, ISO, and other styles
9

Rancier, Megan. "Music, Sound, and Architecture in Islam." Ethnomusicology 65, no. 3 (October 1, 2021): 614–17. http://dx.doi.org/10.5406/ethnomusicology.65.3.0614.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Fa, Stefan Williamson. "Music, sound, and architecture in Islam." Ethnomusicology Forum 28, no. 3 (September 2, 2019): 384–87. http://dx.doi.org/10.1080/17411912.2019.1700817.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Architecture and Sound"

1

Reilly, Andrew J. "Sound + architecture." This title; PDF viewer required. Home page for entire collection, 2005. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Durham, Robert Carson. "The architecture of sound." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23910.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hart, Charles J. "Architecture of light and sound." Thesis, This resource online, 1997. http://scholar.lib.vt.edu/theses/available/etd-09092008-063818/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hällgren, Nina. "Designing with Urban Sound : Exploring methods for qualitative sound analysis of the built environment." Licentiate thesis, KTH, Arkitektur, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-240078.

Full text
Abstract:
The licentiate thesis Designing with Urban Sound explores the constitution and qualitative characteristics of urban sonic space from a design-oriented and practice-based perspective. The act of lifting forth and illuminating the interaction between architecture, the creation of sound and a sonic experience aims to examine and develop useful tools and methods for the representation, communication and analysis of the exterior sonic environment in complex architectural spaces. The objective is to generate theoretical and practical knowledge within the field of urban sound planning and design by showing examples of different and complementary ways of communicating and analyzing sound than those which are commonly recognized.
Licentiatavhandlingen Designa med stadens ljud undersöker det urbana ljudrummets konstitution och kvalitativa egenskaper utifrån ett designorienterat och praktiknära perspektiv. Avsikten med arbetet är att utveckla verktyg och metoder för representation, kommunikation och analys av stadens exteriöra ljudmiljö genom att synliggöra interaktionen mellan arkitektur, ljudbildning och upplevelse. Genom att visa exempel på andra sätt att kommunicera och analysera ljud i staden än dagens vedertagna metoder, är syftet är att bidra till kunskapsutvecklingen inom fältet för urban ljudplanering- och design.

QC 20181211

APA, Harvard, Vancouver, ISO, and other styles
5

Rudnycky, Andrew. "Architecture and the exhibition of sound." PDF viewer required Home page for entire collection, 2008. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nakagawa, Junko 1975. "Sculpting space through sound." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/69433.

Full text
Abstract:
Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.
Includes bibliographical references (p. 192-197).
How does one experience space? What kind of information do humans collect in the process of constructing space in their mind? How does one begin to understand volume, light, texture, material, smell and sense of space? The focus of this thesis investigation is on the basic parameters of space, specifically on sound. What leads to this study is my previous experience performing musical instruments and my fascination in discovering how one acoustically experiences space. It is especially crucial to understand how acoustic influences spatial experience in a time when optical media dominate, and the sense of sight and visual perception have a greater significance. It seems that the elementary relationship between sound and space has been neglected. So, what does it mean to experience space acoustically? Can one choreograph spaces with sounds to change the spatial experience? Can one invent spaces that are formed using sound as building material? The goal of the proposal is to transform one's understanding of space and it's relationship to the surrounding environment by acoustically shaping space.
by Junko Nakagawa.
M.Arch.
APA, Harvard, Vancouver, ISO, and other styles
7

Martin, Chris (Christopher Landrum). "In pursuit of sound." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/97269.

Full text
Abstract:
Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2015.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
CD-ROM contains audio of thesis presentation, mp4 format.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (page 71).
Architectural tools are built around visualizing our environment, however it is sound that paints the most accurate picture of our experiences. A glass wall feels more constricting than a opaque sheet, because when sound can reach our ears, our worlds are opened up. It is time that we leverage the technology that gives us so much insight into the science of sound, and start designing architectural experiences that can communicate visually what we understand sonically. Historically we have relied on a known quantity of sound in order to generate space. Pythagoras unifies specific rules of harmony and proportion from sound in order to determine guidelines for pleasant spaces. Years later, Xenakis composes a musical score that informs the constructed surface of the Philips pavilion. Both pioneers of sonic architecture, and both pushing the technology of sound design. This thesis advances the theory of sound architecture by focusing on the smallest component of sound -the frequency- and translating that into the smallest component of form, -the gradient. Frequencies layer on one another to create an entire sonic composition, so must the gradients blend together to bring architecture into being. The invitation to explore sonic movements as architectural experiences comes from the success of these gradients to convey imagined spaces among a flat image. It is through the production and implementation of this image that the architect can seek new control over visual forms that capture the ears as well as the eyes.
by Chris Martin.
M. Arch.
APA, Harvard, Vancouver, ISO, and other styles
8

Numrich, George. "Modern sound works--building new music." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/76406.

Full text
Abstract:
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Bibliography: leaves 70-73.
by George Numrich III.
M.S.V.S.
APA, Harvard, Vancouver, ISO, and other styles
9

Lehecka, Kurt S. "Aural Design: Merging of Sound and Space." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491313819383138.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Botha, Ilse. "Sound space training facility for the deaf and hard of hearing and sound exploratorium." Diss., Pretoria :[s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-07102008-133033.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Architecture and Sound"

1

Buchen, Bill. Sonic architecture. New York: The Authors, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Buchen, Bill. Sonic architecture. New York: The Authors, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sabine, Paul Earls. Acoustics and architecture. S.l: s.n., 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Soundspace: Architecture for sound and vision. Basel: Birkhauser, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Soundspace: Architecture for sound and vision. Boston, MA: Birkhauser, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Leitner, Bernhard. Bernhard Leitner: Sound, space. Ostfildern: Cantz, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

María, Alvarez Ana, ed. Light color sound: Sensory effects in contemporary architecture. New York: W.W. Norton & Co., 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bahamón, Alejandro. Light, color, sound: Sensory effects in contemporary architecture. New York: W.W. Norton & Co., 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Duncan, Templeton, ed. The architecture of sound: Designing places of assembly. London: Architectural Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Laura, Moretti, ed. Sound and space in Renaissance Venice: Architecture, music, acoustics. New Haven: Yale University Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Architecture and Sound"

1

Newmarch, Jan. "Overview of Linux Sound Architecture." In Linux Sound Programming, 15–19. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2496-0_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Delage, B. "Sound Town Planning." In 1989 2nd European Conference on Architecture, 33–35. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bak, Sebastian Hølt, Nina Rask, and Sebastian Risi. "Towards Adaptive Evolutionary Architecture." In Evolutionary and Biologically Inspired Music, Sound, Art and Design, 47–62. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31008-4_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Neuhaus, Christiane. "‘Music as fluid architecture’." In Body, Sound and Space in Music and Beyond: Multimodal Explorations, 168–88. Abingdon, Oxon; New York, NY: Routledge, 2017. | Series: SEMPRE studies in the psychology of music: Routledge, 2017. http://dx.doi.org/10.4324/9781315569628-10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pool, Doris A. Chi, Jaqueline S. McNamara Trujillo, and Edwin González Meza. "Ceiling Sound Reflectors to Optimize Acoustic Performance Using Parametric Tools." In Advances in Architecture, Engineering and Technology, 261–71. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11232-4_23.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Papalexandrou, Amy. "Sacred Sound and the Reflective Cornice." In Architecture and Visual Culture in the Late Antique and Medieval Mediterranean, 37–48. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ama-eb.5.124432.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Couto, Beatriz, and Sara Eloy. "Borealis Sound an Interactive Wall for Situational Awareness: The Impact of Responsive Architecture on Users." In Formal Methods in Architecture, 133–43. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-57509-0_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Read, Heather L., and Alex D. Reyes. "Sensing Sound Through Thalamocortical Afferent Architecture and Cortical Microcircuits." In The Mammalian Auditory Pathways, 169–98. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71798-2_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Samartzis, Philip. "Articulating Sound in a Synthesised Material Space." In Supervising Practices for Postgraduate Research in Art, Architecture and Design, 51–64. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6209-019-4_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wyse, Lonce, Purnima Kamath, and Chitralekha Gupta. "Sound Model Factory: An Integrated System Architecture for Generative Audio Modelling." In Artificial Intelligence in Music, Sound, Art and Design, 308–22. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03789-4_20.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Architecture and Sound"

1

Breinbjerg, Morten. "Urban sound interfaces." In the 4th Media Architecture Biennale Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2421076.2421083.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Louis, Dermagne, Gauthier Philippe-Aubert, and Berry Alain. "Characterization of sound environments using ambisonics sound capture and blind deconvolution with application to sound field reproduction." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610946.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rosenhouse, G. "Sound barriers to enable open windows and integration in landscape." In ECO-ARCHITECTURE 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/arc060331.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Berman, Lewis I., and Keith B. Gallagher. "Using sound to understand software architecture." In the 27th ACM international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621995.1622019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Sciotto, F. Myles, and Jean-Michel Crettaz. "Stoicheia: Tesla’s Apotheosis, Architecture and Sound." In ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.079.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sciotto, F. Myles, and Jean-Michel Crettaz. "Stoicheia: Tesla’s Apotheosis, Architecture and Sound." In ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.079.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ola, Frengky B., and Nimas Sekarlangit. "Diffuse Material as a Substitute for Indoor Sound Absorber." In International Webinar on Digital Architecture 2021 (IWEDA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220703.004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Abubakar, Mohammed Mansur, and Taner Tuncer. "Heart Sounds Classification Using Hybrid CNN Architecture." In International Students Science Congress. Izmir International Guest Student Association, 2021. http://dx.doi.org/10.52460/issc.2021.023.

Full text
Abstract:
In this paper, we propose a hybrid model for diagnosing heart conditions by analyzing heart sounds and signals. The Hybrid CNN (Convolutional Neural Network) model is trained to classify distinguishable pathological heart sounds into three classes; normal, murmur, and extrasystole. Scalogram images of heart sounds were obtained by applying wavelet transform to heart sound signals. Images are inputs for Resnet50 and Resnet101 CNN models. The feature vectors of these architectures in the fc1000 layer are combined. Relief feature selection algorithm was applied to the obtained feature vector, and then the classification was performed with the support vector machine algorithm. Training the proposed model resulted in accuracy of 92.75%, thus, making it the best performing model in comparison to other models in this paper.
APA, Harvard, Vancouver, ISO, and other styles
9

Hong, Seong-Shin, Je-Hoon Jeong, and Chan-Hoon Haan. "Improvement of Sound Insulation Performance of Walls Using ALC Blocks." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.150.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Troschka, Stefan, Melina Stephan, Benjamin Yatfung Wong, and Thomas Gorne. "Listening experiment on the perception of spatial sound configurations." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610880.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Architecture and Sound"

1

Willemsen, Jorge F. Feasibility Assessment of a Transient Sound Sensor Based on the Silicon Retina Architecture. Fort Belvoir, VA: Defense Technical Information Center, June 1992. http://dx.doi.org/10.21236/ada252288.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hillson, R., and H. J. Shyu. Modeling and Simulation Architecture for the Effects of Sound on the Marine Environment (ESME). Fort Belvoir, VA: Defense Technical Information Center, September 2007. http://dx.doi.org/10.21236/ada573106.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pettit, Chris, and D. Wilson. A physics-informed neural network for sound propagation in the atmospheric boundary layer. Engineer Research and Development Center (U.S.), June 2021. http://dx.doi.org/10.21079/11681/41034.

Full text
Abstract:
We describe what we believe is the first effort to develop a physics-informed neural network (PINN) to predict sound propagation through the atmospheric boundary layer. PINN is a recent innovation in the application of deep learning to simulate physics. The motivation is to combine the strengths of data-driven models and physics models, thereby producing a regularized surrogate model using less data than a purely data-driven model. In a PINN, the data-driven loss function is augmented with penalty terms for deviations from the underlying physics, e.g., a governing equation or a boundary condition. Training data are obtained from Crank-Nicholson solutions of the parabolic equation with homogeneous ground impedance and Monin-Obukhov similarity theory for the effective sound speed in the moving atmosphere. Training data are random samples from an ensemble of solutions for combinations of parameters governing the impedance and the effective sound speed. PINN output is processed to produce realizations of transmission loss that look much like the Crank-Nicholson solutions. We describe the framework for implementing PINN for outdoor sound, and we outline practical matters related to network architecture, the size of the training set, the physics-informed loss function, and challenge of managing the spatial complexity of the complex pressure.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Architecture and Sound' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography