Relevant bibliographies by topics / Architecture and science – history

Academic literature on the topic 'Architecture and science – history'

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Published: 26 July 2024
Last updated: 27 July 2024

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Journal articles on the topic "Architecture and science – history"

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Benkari, Naima. "THE FORMATION AND INFLUENCE OF THE MILITARY ARCHITECTURE IN OMAN DURING AL-YA'ARIBA PERIOD (1034-1162 AH/1624–1749 AD)." Journal of Islamic Architecture 6, no. 4 (December 26, 2021): 217–28. http://dx.doi.org/10.18860/jia.v6i4.12104.

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Despite its richness, the research corpus published about Islamic architecture presents some discontinuities in the knowledge of the architecture in the lands ruled by Muslims. Similarly, the dynamics of influence that might have operated between the "monumental" architecture in these lands and their popular architectures are insufficiently addressed. Moreover, the material culture related to the Islamic civilization is almost exclusively studied as a product that has stopped evolving. The architecture produced during Al-Ya'ariba (Al- Ya'rubi) Imamate (1624-1749) is an instance of these understudied topics in the history of Islamic architecture. This research argues that Al-Ya'rubi Imamate is not only an important chapter in the history of Oman, the Arabian Peninsula, Indian Ocean, and Eastern Africa, but also the architecture of this period has created the identity of Omani architecture as we know it today. Nonetheless, there is no architectural production in this era both in the major references and scientific publications of Islamic architecture in the 17th and 18th centuries. Through field research, comparative analysis, and literature review of the history of Omani architecture, especially in the 17th -18th centuries, this research examines the military architecture in Oman during Al-Ya'ariba Imamate including its reference, and its influence on other architectures. It is a contribution to the scientific endeavour to address this specific architectural typology from the perspective of its mechanism of (trans) formation and its continuity of forms until the contemporary architecture of Oman.
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Asak, Ilayda. "A study on graduate level education in architecture: Case of Turkey." Global Journal of Arts Education 6, no. 3 (May 31, 2017): 89–100. http://dx.doi.org/10.18844/gjae.v6i3.1702.

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Today, there are 41 universities offering graduate education programs in architecture. Those programs cover a number of different topics including architectural conservation and restoration, architectural restoration, architectural design, informatics in architectural design, architectural planning and design, architecture history, architectural history and theory, architecture and built environment, digital design in architecture and production. The council of higher education presents that 2978 master theses submitted and approved by Council of higher education. In this study, the master theses submitted to the graduate programs have been investigated. Matrix has been developed regarding o the sex, language, topics, universities. The types of graduate school are natural science and social science. The results of the study show that the number of female students is higher than the male students. The number of theses in Turkish is increasing. The increasing number of theses investigating build technology builds physics and building and construction and computational design is of importance. It is possible to determine that the current and popular topics of Turkish graduate programs in Architecture are in parallel with the prevailing agenda of World architecture. Key Words: theses in architecture, graduate level education, architectural education.
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Al-Sadkhan, Areage Karim, and Alaa Abdul-Razaq Karim. "THE EFFECT OF CONTEMPORARY SCIENCE PHILOSOPHY ON ARCHITECTURE." Journal of Engineering 12, no. 04 (December 1, 2006): 86–109. http://dx.doi.org/10.31026/j.eng.2006.04.02.

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The research tries to investigate the effects of Contemporary Science Philosophy on Architecture. The research depends on contemporary Science Philosophy of K.Popper and T.Kuhn. The procedures of the research contain the construction of comprehensive theoretical framework that includes the influence of contemporary of Philosophy of Science on Architecture in the following level which contains the general thought position, which includes (The position of Psychological Theory, knowledge Theory, the society, the history and the position of Architecture views). The conclusions of the research focus on the theoretical framework that depends on the previous views of K.Popper and T.Kuhn which reflected on Architectural views.
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Hejazi, Mehrdad, Bina Hejazi, and Saba Hejazi. "EVOLUTION OF PERSIAN TRADITIONAL ARCHITECTURE THROUGH THE HISTORY." Journal of Architecture and Urbanism 39, no. 3 (September 29, 2015): 188–207. http://dx.doi.org/10.3846/20297955.2015.1088415.

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The architecture of Iran is wholly based on the comprehensive use of knowledge of both metaphysical and physical sciences. Architecture and structural engineering in Iran involve a great range of buildings distributed over a vast area from the borders of China to the Mediterranean coastlines. Certain design elements, developed by Iranian architecture and aesthetics, persisted for thousands of years and exerted a marked effect on other successive styles of construction throughout the world. Architecture in Iran solved complicated structural problems and created magnificent architectural masterpieces. In this paper, the evolution of Persian traditional architecture is discussed and a general overview of the paramount virtues of the traditional architecture and historical buildings of Iran with emphasis on structural and scientific features will be presented.
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Komarova, I. I., and A. L. Tretyakov. "Topical issues of dissertations’ references on architecture as an information resource to support research in architectural science." Bibliosphere, no. 3 (September 30, 2017): 85–90. http://dx.doi.org/10.20913/1815-3186-2017-3-85-90.

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Studying the architectural science bibliography has shown that during 150 years of its history few indices have been created, and recent decades almost all architectural bibliography has not gone beyond the framework of the nation-wide index «Chronicles of Book Chamber». This article examines the fundamental nature of bibliographic science for purposes of architectural research. The article objective is determining ways of architectural bibliography development and generating a unified database of architectural knowledge in the context of contemporary socio-economic and socio-cultural realities. It considers defended dissertations on specialty «Architecture»; describes information resources containing in their thesis structure on the subject area. Attention is focused on the distribution of defended dissertations by years, cities and thematic nests. The paper has revealed thesis devoted to the theory and history of foreign architecture. It emphasizes the need of further large-scale research with an analysis of the entire spectrum of human knowledge, which includes dissertations related to architectural science. The authors conclude: 1. There is no complete systematically presented unified catalog of dissertations on architecture, including resources of the Russian Book Chamber. 2. It is necessary to create such resource, which would satisfy the information needs of different groups of users.
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Larson, Julia Diane. "Design and Social Change: An Architectural History of the University of California, Santa Barbara." American Archivist 84, no. 2 (September 1, 2021): 240–55. http://dx.doi.org/10.17723/0360-9081-84.2.240.

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ABSTRACT The University of California, Santa Barbara (UCSB), campus as it stands today appears as an architectural mash-up of midcentury modern institutional buildings, both low rise and high rise; a smattering of World War II–era wooden buildings; 1970s-style double wide trailers; and new science buildings built by a who's who of internationally famous architects. In this case study, the author shows how the UCSB campus's architectural history mirrors the post–World War II boom in educational facilities throughout California and the social, cultural, and architectural history of the region as a whole. The key to discovering this history is archival research, both at the University Archives at the UCSB Library, as well as at the architecture-specific Architecture and Design Collection at the Art, Design & Architecture Museum on campus. In this case study, the author explains how the architectural history can be traced through the archival records to more fully understand the history of the campus.
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Oznobishcheva, G. "Towards New Architecture of European Security." World Economy and International Relations, no. 11 (2010): 3–20. http://dx.doi.org/10.20542/0131-2227-2010-11-3-20.

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On April 21st, 2010, the session of the Academic Council of the Institute of World Economy and International Relations, Russian Academy of Sciences, took place, where the keynote report "Towards New Architecture of European Security" was presented by N.K. Arbatova, Dr. Sci. (Political Science), Head of Department for European Political Studies at IMEMO. The session was run by N.I. Ivanova, Corresponding Member of RAS, Deputy Director of IMEMO. The IMEMO employees – A.G. Arbatov, Corresponding Member of RAS, V.G. Baranovskii, Corresponding Member of RAS, K.V. Voronov, Cand. Sci. (History), V.K.Zaitsev, Dr. Sci. (Economics), N.I. Kalinina, Dr. Sci. (Medicine), S.P. Peregudov, Dr. Sci. (History), А.А. Pikaev, Cand. Sci. (Political Science), as well as PIR Center employees – K.V. Smertina, V.A. Yaroshenko – participated in discussion of the report. The keynote report and the discussion succeded are introduced for readers' consideration.
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Remizova, Olena. "ARCHITECTURAL MEMORY AND FORMS OF ITS EXISTENCE." JOURNAL OF ARCHITECTURE AND URBANISM 44, no. 2 (September 14, 2020): 97–108. http://dx.doi.org/10.3846/jau.2020.13053.

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The article attempts to highlight the traces of memory in the theory, history and practice of architecture. The subject of research is the existing forms of memory in architecture. It is traditionally accepted that the “history of architecture” as a science is the main repository of knowledge about the evolution of architecture. Facts and artifacts, descriptions of monuments and cities are retained in it. The article emphasizes that the traditional “history of architectural objects” is not the only form of memory. Another equally important and complicated aspect of the architectural memory is detected during the decoding of the evolution of project activity and its language. Analysis of the evolution of architecture allowed us to differentiate the epochs in which historical thinking prevails: the Renaissance, Romanticism, Eclecticism, Art Deco, Postmodernism. They are characterized by such ways of thinking as dialogical, historical and typological, historical and associative. They are opposed to design approaches in which abstract thinking dominates (Art Nouveau and Modernism). The article shows that the concept of architectural memory has many shades and manifests itself in a variety of different forms of professional consciousness. As historical knowledge, memory exists in such forms as: a chronological description, science of history, evolutionary studies, catalog of styles, museum, archive. In designing and its language, memory is represented in such forms as canon, dialogue with bygone era, norm, architectural fantasy, remembrance, historical association, reconstruction, restoration and others. It is shown that the most important way of storing and transferring information is the architectural language and compositional logic. Postmodern consciousness raised the problem of loss of memory and the development of architectural language and communication of culture.
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Fazeli, Hengameh, and Esmaeil Negarestan. "Architecture as A Physical, Psychological & Spiritual Science – A Case Study on Indo-Aryan Architecture." Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal 15, no. 1 (January 16, 2023): 53–67. http://dx.doi.org/10.26905/lw.v15i1.8934.

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Primitive dwellings and traditional houses were commonly built by the local craftsmen or by the dwellers themselves, both under the supervision of a spiritual figure called the spirit-man who was present to give guidance on a spiritual level and lead the performance of ritual ceremonies connected with the construction. With the development of social communities and advancement of knowledge, the architect gradually became the only person in charge of the whole process of designing; who was in fact professional in a wide range of sciences including mathematics and geometry, history, philosophy, physics, astrology, human inner system and medicine. These sciences were necessary to equip the architect with proper knowledge in dealing with different aspects of human living as physical, psychological and spiritual, occurring in every piece of architecture. Therefore, the building designed in this way was able to provide different needs of each household.However, as science advanced and the material views became popular, holistic views towards architecture got abandoned, and replaced with specialized sciences dealing with physical aspect of living, in the 20th century and the architectural education architect became confined to merely visual arts and physical comfort. Although many scholars such as Christopher Oliver, Christopher Day or Cooper Marcus, tried to emphasize on the importance of psychological aspects of human system, using traditional buildings as successful examples of architecture, the spiritual side of architecture remained unrevealed. The sciences of geomancy, human spiritual anatomy and astrology used to be important elements of design in traditional societies, that lead to creation of sciences such as Feng Shui or Vastru Shastra. This article, studying the art and architecture of Indo-Aryan societies, aims at introducing architecture as a combination of physical, psychological and spiritual sciences to help create buildings that not only provide physical comfort, but also promote health.
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Fazeli, Dr Hengameh, and Esmaeil Negarestan. "Architecture as A Physical, Psychological & Spiritual Science, A Case Study on Indo-Aryan Architecture." Journal of Architectural Research and Education 5, no. 1 (March 1, 2023): 121–38. http://dx.doi.org/10.17509/jare.v5i1.53652.

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Primitive dwellings and traditional houses were commonly built by the local craftsmen or by the dwellers themselves, both under the supervision of a spiritual figure called the spirit-man who was present to give guidance on a spiritual level and lead the performance of ritual ceremonies connected with the construction. With the development of social communities and advancement of knowledge, the architect gradually became the only person in charge of the whole process of designing; who was in fact professional in a wide range of sciences including mathematics and geometry, history, philosophy, physics, astrology, human inner system and medicine. These sciences were necessary to equip the architect with proper knowledge in dealing with different aspects of human living as physical, psychological and spiritual, occurring in every piece of architecture. Therefore, the building designed in this way was able to provide different needs of each household. However, as science advanced and the material views became popular, holistic views towards architecture got abandoned, and replaced with specialized sciences dealing with physical aspect of living, in the 20th century and the architectural education architect became confined to merely visual arts and physical comfort. Although many scholars such as Christopher Oliver, Christopher Day or Cooper Marcus, tried to emphasize on the importance of psychological aspects of human system, using traditional buildings as successful examples of architecture, the spiritual side of architecture remained unrevealed. The sciences of geomancy, human spiritual anatomy and astrology used to be important elements of design in traditional societies, that lead to creation of sciences such as Feng Shui or Vastru Shastra. This article, studying the art and architecture of Indo-Aryan societies, aims at introducing architecture as a combination of physical, psychological and spiritual sciences to help create buildings that not only provide physical comfort, but also promote health.
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Dissertations / Theses on the topic "Architecture and science – history"

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Lincicum, Shirley J. "The American Public Library Building : A Social History and Feminist Critique." Oberlin College Honors Theses / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1379332068.

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Merwood, Joanna. "Towards the architecture of the future : César Daly and the science of expression." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23202.

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The writing of the French architectural theorist and critic Cesar Daly (1811-1894), editor of the influential Parisian journal, the Revue generale de l'architecture et des travaux publics, may be considered to be representative of the ambivalence of the supposed 19th century dialectic between scientism and metaphysical idealism. For Daly the physical and representational needs of society expressed in architecture were always and forever inextricably linked by the universal and permanent pattern of History. Although it was his fundamental thesis that the human sensibility was more important than any other consideration in the creation of architecture, his theory is paradigmatic of the contemporary ideology which attempted to define and systemise the expressive role of architecture according to rational scientific principles, and resulted in the concept of architecture as a prescriptive and predictive process.
Given the separation of architectural form and content, presence and meaning, and the consequent challenge to the possibility of shared experience initiated in the Enlightenment which is still an inherent part of our contemporary architectural thought, it is crucial to re-examine the architectural theory of the 19th century as the origin of the modern condition. This thesis is a critical examination of Daly's collections of polemical articles from the Revue as artifacts of architectural knowledge, through an analysis of their form and content in relation to other significant 19th century architectural texts.
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Theodore, David Michael. "Towards a New Hospital: Architecture, Medicine, and Computation, 1960-75." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11658.

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This dissertation provides an account of how computing left behind its origins in academic and military research to become part of the hospital's equipmental setting. I examine the efforts of reformers, including administrators, planners, architects, and computer consultants, to provide appropriate accommodation for modern biomedicine. I explore three stories in order to untangle the admixture of architecture, medicine, and computation as they intertwined through a mutual engagement with automation, operations research, cybernetics, and biomedical research in the postwar hospital. In Boston, pioneering research consultants Bolt Beranek and Newman collaborated with the Massachusetts General Hospital on an experimental total information system known as the Hospital Computer Project. In London, architects Llewelyn Davies Weeks used computer algorithms to help design Northwick Park Hospital. And in Canada, the Montreal Neurological Institute adopted computing to transform its expertise in clinical brain imaging research. When possible, I emphasize specific computers, arguing that attention to the presence of the machine itself contributes to our understanding of hospital life.
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Carr-Trebelhorn, Julia A. "FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY." UKnowledge, 2014. http://uknowledge.uky.edu/art_etds/4.

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Alexandre Brongniart was known for his work as an important geologist and as an administrator at the Sèvres Porcelain Manufactory, but his roles as art historian and museologist are overlooked. Brongniart created a holistic methodology taken directly from science and applied it to ceramic art of all cultures and eras. He had a uniquely modern perspective on time, world culture, and archeology. Brongniart wrote about the art of Asia and the Americas on an equal status with that of the Classical West at least fifty years before it became a mainstream idea. Brongniart integrated scientific principle and practice into the structure of the Sèvres Museum and a comprehensive set of books which includes Traité de Mineralogie avec des Applications aux Arts, Traité des Arts Ceramiques, and Description Methodique du Musée Ceramique de la Manufacture Royale de Porcelain de Sèvres. Numerous historians were influenced by Brongniart’s work, including Samuel Birch and Albert Jacquemart. Notably, the art historian Gottfried Semper refocused his ideas for Style in the Technical and Tectonic Arts after seeing the completed works of Brongniart. Although contemporary historians credit Semper with the development of a scientific approach to art history, Semper himself frequently acknowledged the importance of Brongniart’s work.
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Wexelblat, Alan Daniel. "Footprints : interaction history for digital objects." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/29146.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts & Sciences, 1999.
Includes bibliographical references (p. 139-143) and index.
Digital information has no history. When we interact with physical objects, we are able to read the traces left by past interactions with the object. These traces, sometimes called "wear," form a basis for the interaction history of the object. In the physical world, we make use of interaction history to help come up with solutions and guidance. This is not possible in the digital realm, because the traces are missing. This dissertation describes a theoretical framework for talking about interaction history. This framework is related to work in anthropology, ethnomethodology, architecture, and urban planning. The framework describes a space of possible history-rich digital systems and gives properties which can be used to analyze existing systems. The space consists of six properties: proxemic/distemic, active/passive, rate/form of change, degree of permeation, personal/social, and kind of information. We also present an implementation of these ideas in a system called Footprints, a toolset for aiding information foraging on the World Wide Web. Our tools assume that users know what they want but that they need help finding it and help understanding - putting in context - what they have found. Footprints is a social navigation system, designed to show that information from past users can help direct present problem-solvers. We present results from informal use of the tools over the last two years, and from formal surveys and experiments on a controlled task. These experiments showed that people could achieve the same or better results with significantly less effort by using our tools.
by Alan Daniel Wexelblat.
Ph.D.
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Gillin, Edward John. "The science of Parliament : building the Palace of Westminster, 1834-1860." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:65863190-6063-4320-813e-e60dd1a11fb2.

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This thesis examines science's role in the construction of Britain's new Houses of Parliament between 1834 and 1860. Architecturally the Gothic Palace embodies Victorian notions of the medieval and romanticized perceptions of English history. Yet in the mid-nineteenth century, the building not only reflected, but was involved in, the very latest scientific knowledge. This included chemistry, optics, geology, horology, and architecture as a science itself. Science was chosen, performed, trusted, displayed, contested, and debated through the physical space of government. Parliament was a place where science was done. Not only was knowledge imported to guide architectural construction, but it was actively produced within the walls of Britain's new legislature. I argue that this attention to science was not coincidental. Rather, it was a crucial demonstration of the changing relationship between science and politics. Science was increasingly asserted to be a powerful form of knowledge, and to an institution struggling to secure authority in the uncertainty of reformed British politics, it appeared a valuable resource for credibility. Contextualizing the use of science at Parliament in the political instability of the 1830s and 1840s emphasizes how the use of new knowledge was a potent practice of constructing political authority.
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Marfella, Claudia. "Art, industrial design, science and popular culture : modernism and cross-disciplinarity in Italy and Great Britain, 1948-1963." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/33746/.

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Conceived inside a chronological frame, which starts in 1948, the year the Institute of Contemporary Arts in London founded, and ends in 1963, when Gillo Dorfles wrote a crucial essay on industrial design, concluding more than a decade of discussions, the thesis aims to examine some artistic and cultural phenomena identified in Italy and Great Britain, and seen as the acknowledgement or as the reaction to modernity. Topics and fields taken in consideration within the thesis are technology, science (fact and fiction), vision of the future, the relationship between arts and the awareness of industrial design as a new discipline. All these aspects, that might seems unusual in relationship with visual arts, are perceived as the expression of a second phase of Modernism. The British personalities included in the thesis are Reyner Banham, Richard Hamilton, Nigel Henderson, John McHale, Eduardo Paolozzi, Alison and Peter Smithson, all members of the Independent Group. With the presence of architects, visual artists, photographers, critics and, in a broader sense, designers, the group encompassed a variety of popular interests, with the inclusion of mass‐produced goods. The Italian figures presented in the thesis – Gillo Dorfles, Bruno Munari, Ettore Sottsass and Giuseppe Pinot‐Gallizio – focused on industrial design objects, viewed as a new artistic branch, to promote, to plan or to question. Other recurring figures analysed in the thesis are Max Bill, Asger Jorn and Tomás Maldonado, who give international connections to the themes and British and Italian personalities examined. In order to provide a wider understanding of the 1950s and their crucial function in the story of post‐war Europe, the thesis aims to emphasise the role played at different level by British and Italian visual artists, designers and critics, and explain the reasons that, in the following decade, would push Italy in its industrial miracle and Great Britain at the peak for its popular culture, pop music and fashion creativity.
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Schütte, Ansel Arjan 1970. "Patina : layering a history-of-use on digital objects." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/62341.

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Touloumi, Olga. "Architectures of Global Communication: Psychoacoustics, Acoustic Space, and the Total Environment, 1941-1970." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11690.

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This dissertation examines architectural engagements with communication technologies, within the framework of mid-twentieth-century efforts to institute a global community and engineer media democracies. I interrogate the sound modernities that architects constructed in collaboration with engineers, officials, and acousticians, and I demonstrate the architectural strategies that informed them: the theater, the concert hall, the cinema. These interiors, I argue, reconfigured the international community as a networked audience, and the institutions of world organization as the main stages of international diplomacy.
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Tsai, Binghuan. "A museum of nature and science: the shaping of forms." Thesis, Virginia Polytechnic Institute and State University, 1992. http://hdl.handle.net/10919/52126.

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Structures of perfect symmetry, order, and beauty exist in both discoveries of science and objects found in natures. With careful observation and analysis, creative applications of these interesting forms can be and have been applied in many architectural structures with great success. In this project the utilization of these forms can not only bring out the purpose of this Museum of Nature and Science, but because these forms are derived from natural studies, they can also give viewers a sense of familiarity and peacefulness.
Master of Architecture
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Books on the topic "Architecture and science – history"

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Il'vickaya, Svetlana. History of architecture of world confessions. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1416908.

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The textbook discusses the features of the cult architecture of a number of Eastern countries. These are architectural monuments, the main types of temples, as well as the style trends of the main denominations of India, China, Japan, the region of Southeast Asia, Arab-Muslim countries, the Orthodox East, etc. The problem of cultural interaction between the West and the East in the context of architectural science and globalization in architecture is presented. It contains not only a theoretical part, but also a practical one, including the methodology for performing analytical work on this course, methods of architectural research of monuments, topics of scientific abstracts aimed at in-depth assimilation of theoretical material, as well as lists of recommended literature. The textbook completes the thesaurus of architectural terms. Meets the current requirements of the Federal State Educational Standard of Higher Education. For students of educational institutions of higher education — future architects, designers and art historians, for students studying related disciplines: urban planning, cultural studies, art history, design, etc., as well as for graduate students and teachers of architectural faculties and universities. It can be useful to all those who are interested in architectural monuments of world confessions.
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Huntar, Oluwatoyin. Traditional African environments: The science, the history, the thought processes. Yaba, Lagos: Touché (Nigeria) Ltd., 1992.

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Béatrice, Didier, Neefs Jacques, and Albertone Manuela 1953-, eds. Chantiers révolutionnaires: Science, musique, architecture : études. Saint-Denis: Presses universitaires de Vincennes, 1992.

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service), SpringerLink (Online, ed. Crossroads: History of Science, History of Art: Essays by David Speiser, vol. II. Basel: Springer Basel AG, 2011.

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The architecture of matter: Galileo to Kant. Oxford: Clarendon, 2004.

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Yanni, Carla. Nature's museums: Victorian science and the architecture of display. Baltimore, Md: Johns Hopkins University Press, 1999.

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Yanni, Carla. Nature's museums: Victorian science and the architecture of display. London: Athlone, 1999.

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1969-, Schlimme Hermann, ed. Practice and science in early modern Italian building: Towards an epistemic history of architecture. Milan: Electa, 2006.

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Buchanan, Alexandrina. Robert Willis: Science, technology and architecture in the nineteenth century : proceedings of the International Symposium held in Gonville and Caius College, Cambridge UK, 16th-17th September 2016. Madrid]: Instituto Juan de Herrera, 2016.

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Ferreiro, Larrie D. Ships and science: The birth of naval architecture in the scientific revolution, 1600-1800. Cambridge, Mass: MIT Press, 2007.

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Book chapters on the topic "Architecture and science – history"

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Fu, Xinian. "Architecture Technology." In A History of Chinese Science and Technology, 1–194. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-44163-3_1.

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Williams, Kim. "Architecture, Mathematics and Theology in Raphael’s Paintings." In Crossroads: History of Science, History of Art, 29–39. Basel: Springer Basel, 2011. http://dx.doi.org/10.1007/978-3-0348-0139-3_3.

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Augé, Marc. "Art, Contemporaneity, History." In Architecture and the Social Sciences, 13–18. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53477-0_2.

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Fu, Xinian. "The Architecture in Ancient China." In History of Science and Technology in China, 281–325. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7853-3_9.

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Toohey, Jason Leigh. "Architecture in the Andes: Domestic Architecture." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–8. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_10119-1.

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McCurdy, Leah. "Architecture of the Maya: Public Architecture." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–15. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_10151-1.

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Zámolyi, Ferenc. "Architecture: Nomadic Architecture of Inner Asia." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–32. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-007-3934-5_10207-1.

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McCurdy, Leah. "Architecture of the Maya: Domestic Architecture." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–5. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_9882-1.

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Whelan, Debbie. "Architecture in South Africa: Domestic Architecture." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–9. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_9884-1.

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Toohey, Jason Leigh. "Architecture in the Andes: Domestic Architecture." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 464–71. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_10119.

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Conference papers on the topic "Architecture and science – history"

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Scharmen, Fred. "A Brief Pre-History of Houses Who Tweet." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.75.

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There are currently only a few houses who use social media. But with the increasing availability of inexpensive hardware, and prolific networked software, the number of houses who actively communicate online in one way or another is sure to grow. An examination of some tweeting house types from within the context of architecture history and theory reveals some models for how this social architecture might develop.This paper shows that tweeting houses raise concerns that are solidly within the set of questions traditionally addressed by architecture. The tweeting house’s existence depends on acts of translation between different media, some managed by a designer, some automated. The tweeting house actively presents social and tectonic affordances that offer opportunities for engagement, functional and otherwise. And finally, tweeting houses raise issues about the public, external representation of a set of private, internal conditions, some of them personal to the house’s occupants, some of them intended for broader reading. This paper will use examples from the history of architecture, adjacent design disciplines, computer science, science fiction, and hybrid example projects that partake of all of these fields, to show that while the house with a social media account is a unique and new techno-architectural possibility, it is not without history or precedent.
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Caldwell, Damon, and Pasquale DePaola. "Architectural History, Version 21.Now." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.68.

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Questioning the fossilized approach of historical education, which disconnected the historical narrative from its studio counterpart and fast forwarding to now, this paper attempts to question the current utility of history in architectural education by examining when history cohabitates with what is a predominantly a studio-based structure. More specifically, this paper analyzes a particular and methodologically integrative way of teaching architectural history so that its pedagogy, outcomes, and expectations are complementary with those of the design studios. Every design involves historical/theoretical investigations, and architecture can be understood as a practice of concepts and ideas; that practice may precede history as often as history precedes practice. Within this framework, history assumes the role of “repertoire” for applied knowledge, where the analysis of particular buildings does not depend on mnemonic tasks, but centers around cultural and social ideas as well as predisposing constructional techniques. This approach emphasizes specific natures of architectural production: composition (i.e. sequencing, ordering systems, geometry, etc.), tectonics (materiality, structure, assemblies), and culture (politics, science, zeitgeist, etc.), which are also analyzed in specific course assignments. Design studios reinforce history’s usefulness by direct analyses of historical precedents, which are not understood as a mere collection of stylistic artifacts, but rather as conceptual, tectonic, and organizing machines.
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Guo, Xiaoning. "Research on Space Form in the Field of Architecture History." In 2nd International Conference on Management Science and Industrial Engineering (MSIE 2013). Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/msie-13.2013.131.

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Karcı, Ahenk, and Ayşe Kalaycı Önaç. "Evaluation of User Experience of Indoor Display in Virtual Reality (VR)." In 7th International Students Science Congress. Izmir International guest Students Association, 2023. http://dx.doi.org/10.52460/issc.2023.052.

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Housing is one of the most essential needs of humanity since the beginning of existence. The discipline of architecture has emerged and developed based on this need and has continued to evolve with the advancement of civilization and technology. When looking at the history of architecture, it can be seen that the visualization of architectural design has a long history. Nowadays, with the parallel development of computer technologies, architectural visualization techniques have also greatly advanced. Virtual reality (VR) technology is used in many sectors such as education, health, and entertainment today. The discipline of architecture enables designers to visualize their designs in a realistic way. Especially in the architecture field, where isualization is very important, the use of this technology is crucial in increasing the realism of the user's experience in the design phase. VR is a developing and wide-spreading technology in the field of architecture these days. Although there are studies on this subject in literature, studies which are examining the effect of VR technology in architectural visuals on people's sense of reality and feelings about the VR experience are limited. The aim of this study is to help fill the gap in this subject of iterature. The main purpose of this study is to investigate the experience and reality sense of architectural design visuals’ aterials, light and shadow, outdoor view, indoor plants, furniture, objects, and participants’ feelings of provide through the use of virtual reality (VR). In this context, the use of VR technology in architecture was examined first. Later, a three-dimensional interior space environment designed was visualized using computer techniques and experienced by users through a VR headset. In the study, the participant's feelings about the VR experience and their thoughts on the realism of the experience were revealed through the prepared survey questions.
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Karcı, Ahenk, and Ayşe Kalaycı Önaç. "Evaluation of User Experience of Indoor Display in Virtual Reality (VR)." In 7th International Students Science Congress. Izmir International guest Students Association, 2023. http://dx.doi.org/10.52460/issc.2023.052.

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Housing is one of the most essential needs of humanity since the beginning of existence. The discipline of architecture has emerged and developed based on this need and has continued to evolve with the advancement of civilization and technology. When looking at the history of architecture, it can be seen that the visualization of architectural design has a long history. Nowadays, with the parallel development of computer technologies, architectural visualization techniques have also greatly advanced. Virtual reality (VR) technology is used in many sectors such as education, health, and entertainment today. The discipline of architecture enables designers to visualize their designs in a realistic way. Especially in the architecture field, where isualization is very important, the use of this technology is crucial in increasing the realism of the user's experience in the design phase. VR is a developing and wide-spreading technology in the field of architecture these days. Although there are studies on this subject in literature, studies which are examining the effect of VR technology in architectural visuals on people's sense of reality and feelings about the VR experience are limited. The aim of this study is to help fill the gap in this subject of iterature. The main purpose of this study is to investigate the experience and reality sense of architectural design visuals’ aterials, light and shadow, outdoor view, indoor plants, furniture, objects, and participants’ feelings of provide through the use of virtual reality (VR). In this context, the use of VR technology in architecture was examined first. Later, a three-dimensional interior space environment designed was visualized using computer techniques and experienced by users through a VR headset. In the study, the participant's feelings about the VR experience and their thoughts on the realism of the experience were revealed through the prepared survey questions.
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Bates, Sherry. "Certainty Certaintly Not: Protocols of Change: Knowledge, Power, and Authority in Architecture and Science." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.34.

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As architects and historians of architecture we are all acquainted with major sea changes in our discipline. The birth of Modernism and the advent of Post modernism’ are two episodes of our recent history familiar to most ofus. Customarily however we focus upon the content of such changes rather than the protocols they obey. I talk of protocols rather than rules because I shall argue that these are not a natural given but a product of cultural2 propriety. It is my thesis that there are protocols for such changes, which if not invariant are subject to modifications themselves that are only manifest over long periods of time. I further contend that the structures of the institutions of architecture, the building industry, the profession, the academy and the architectural press for example and of their relation to culture at large have a more powerfidly formative influence on the nature of such changes than any individual, group or movement. This paper can provide but a mere outline and brief illustration of these broad claims.
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Zakharov, Victor, Yury Stepchenkov, Dmitry Khilko, and Yury Diachenko. "Computing Dataflow Architectures: History and Implementation Perspectives." In 2021 International Conference Engineering Technologies and Computer Science (EnT). IEEE, 2021. http://dx.doi.org/10.1109/ent52731.2021.00024.

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Sodiya, Adesina, and Adebukola Onashoga. "Components- Based Access Control Architecture." In InSITE 2009: Informing Science + IT Education Conference. Informing Science Institute, 2009. http://dx.doi.org/10.28945/3374.

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Ensuring adequate security of information has been a growing concern of individuals and organizations. There is then the need to provide suitable access control mechanism for preventing insider abuses and ensuring appropriate use of resources. This paper presents an access control scheme that adopts the techniques of Role-Based Access Control (RBAC), Purpose-Based Access Control (PBAC), Time-Based Access Control (TBAC) and History-Based Access Control (HBAC) as components to form an integrated Components-based Access Control Architecture (CACA). In CACA, an Access Control Score (ACS) is computed from the combined access control techniques. CACA also combines ACS with the sensitivity nature of system resources before a level of access is granted. The architecture was implemented within a payroll system developed using JAVA and SQL. Using usability testing, the evaluation of CACA showed 92% reduction in insider abuses and misuse of privileges. This shows that CACA can provide higher level of security access as against what used to exist.
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Bevilacqua, Roberto, Graciela Pataro, and Gaston Aguilera. "Principles of design, something of History and Trends, in architectures and operating systems (II. History)." In 2018 Argentine Congress of Computer Science and Research Development (CACIDI). IEEE, 2018. http://dx.doi.org/10.1109/cacidi.2018.8584194.

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Akgün, Yenal. "Contemporary Adaptive Systems in Architecture and Structural Engineering: State of Art and Future Perspectives." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021165n10.

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In all times of history, engineers and architects have searched for opportunities to develop adaptive structures, buildings and building parts, which are equipped for adjusting to ever-changing requirements and conditions. The reasons behind this interest relate to the growing need for functional/ spatial flexibility, sustainability and extended capabilities of structural performance. Recent advancements in construction technology, robotics, architectural computing and material science have increased the interest for these structures/ systems; and allowed us to develop examples that are more advanced. This paper aims to introduce the state of art contemporary adaptive systems in architecture and structural engineering; and presents a future perspective for these systems and their potential applications in the construction industry.
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Reports on the topic "Architecture and science – history"

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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Sowell, P. K. The C4ISR Architecture Framework: History, Status, and Plans for Evolution. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada456187.

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McCurdy, C. William, Rick Stevens, Horst Simon, William Kramer, David Bailey, William Johnston, Charlie Catlett, et al. Creating science-driven computer architecture: A new path to scientific leadership. Office of Scientific and Technical Information (OSTI), October 2002. http://dx.doi.org/10.2172/806195.

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Simon, Horst D., C. William McCurdy, T. C. Kramer, Rick Stevens, Mike McCoy, Mark Seager, Thomas Zacharia, et al. Creating science-driven computer architecture: A new patch to scientific leadership. Office of Scientific and Technical Information (OSTI), May 2003. http://dx.doi.org/10.2172/813387.

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Weir, Gary E. Oceanography: The Making of a Science - Oral History Component [Weir]. Fort Belvoir, VA: Defense Technical Information Center, September 2000. http://dx.doi.org/10.21236/ada609774.

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Dalesio, Leo. A Client/Server Architecture for Supporting Science Data Using EPICS Version 4. Office of Scientific and Technical Information (OSTI), April 2015. http://dx.doi.org/10.2172/1330356.

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Oliver Yu. ISOGA: Integrated Services Optical Grid Architecture for Emerging E-Science Collaborative Applications. Office of Scientific and Technical Information (OSTI), November 2008. http://dx.doi.org/10.2172/948742.

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de Supinski, Bronis R., Sadaf Alam, David H. Bailey, Laura Carrington, Chris Daley, Anshu Dubey, Todd Gamblin, et al. Modeling the Office of Science Ten Year Facilities Plan: The PERI Architecture Tiger Team. Office of Scientific and Technical Information (OSTI), June 2009. http://dx.doi.org/10.2172/983484.

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de Supinski, Bronis R., Sadaf Alam, David H. Bailey, Laura Carrington, Chris Daley, Anshu Dubey, Todd Gamblin, et al. Modeling the Office of Science Ten Year Facilities Plan: The PERI Architecture Tiger Team. Office of Scientific and Technical Information (OSTI), June 2009. http://dx.doi.org/10.2172/965773.

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Zeidner, Joseph, and Arthur J. Drucker. Behavioral Science in the Army: A Corporate History of the Army Research Institute. Fort Belvoir, VA: Defense Technical Information Center, June 1988. http://dx.doi.org/10.21236/ad1012467.

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