Relevant bibliographies by topics / Architecture – Aesthetics

Academic literature on the topic 'Architecture – Aesthetics'

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Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Architecture – Aesthetics"

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DOLGOVA, Elena D. "AESTHETICS OF ANONYMOUS ARCHITECTURE." Urban construction and architecture 6, no. 2 (June 15, 2016): 91–95. http://dx.doi.org/10.17673/vestnik.2016.02.17.

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The article examines the anonymous architecture in terms of aesthetic knowledge. A parallel between the categories of classical aesthetics - a beautiful / ugly, and the categories of architectural activity in the Vitruvian paradigm professional / anonymous is drawn. Traced the background and process of incorporating objects anonymous architecture in non-classical aesthetic field through poetization everyday life, the emergence of technical aesthetics, aesthetics and functionalism of modernism. Non-classical aesthetics characterize objects anonymous architecture using parakategory daily, physicality, thing. We present the aesthetic characteristics of the anonymous architecture using the categories developed in the traditional aesthetics of eastern cultures - wabi, sabi, sibui and eugen. A parallel between the perception of the aesthetics and simplicity of anonymity is drawn.
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Niu, Miao, and Luyan Wang. "ANALYSIS of the creation of rural ecological architecture from the perspective of landscape aesthetics--the case of Diaojiao Building in Xijiang Qianhu Miaozhai." E3S Web of Conferences 439 (2023): 01009. http://dx.doi.org/10.1051/e3sconf/202343901009.

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In the context of rural revitalization, the establishment of eco-architecture plays a crucial role in promoting the sustainable development of rural landscapes. Eco-architecture that encompasses aesthetic features serves as an ideal option for rural development. The Xijiang Qianhu Miaozhai stands as the largest Miao settlement in China. Its Diaojiao Building, situated on the mountain, seamlessly integrates ecological, aesthetic, and ethnic cultural elements. It exemplifies the successful merging of ecological architecture and landscape aesthetics. This paper thoroughly examines the Diaojiao Building from the standpoint of landscape aesthetics and ecological architecture. Extensive exploration is conducted to uncover the aesthetic characteristics and landscape value with this unique architectural style. Through comparisons with other prevalent architectural types, this research identifies the ecological architectural attributes specific to the timber-frame building. Ultimately, the study concludes by offering insights into the methodology of rural ecological architecture, grounded in the perspective of landscape aesthetics.
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Gleiter, Joerg. "Surplus of Form." Aesthetic Investigations 6, no. 1 (August 30, 2023): 33–51. http://dx.doi.org/10.58519/aesthinv.v6i1.14002.

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Excess of matter in form designates the principle that underlies architecture. The surplus of form contains not only a constructive principle, but also an aesthetic principle that enables sensual experience. In the coupling of construction and sensual experience, the basic prerequisites for the aesthetics of architecture are thus named, but at the same time also the difficulties with which architecture is confronted within philosophical aesthetics. For Kant, it was precisely the object character that stood in the way of an architectural aesthetics as part of a general aesthetics. For him, only the architectural drawing, because detached from matter, construction, and function, could meet the criteria of the beautiful, and that only as a façade view and not as a ground plan or sectional drawing. With reference to Aristotle, Kant and Schopenhauer and an outlook on contemporary architecture, the essay outlines the principles of an aesthetics of architecture as it is to be developed out of the specific material conditions of architecture and has its starting point in the surplus of form.
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Ardiani, Yanita Mila. "Ecology and Architecture in the art of making an Aesthetics Artwork." IOP Conference Series: Earth and Environmental Science 998, no. 1 (February 1, 2022): 012035. http://dx.doi.org/10.1088/1755-1315/998/1/012035.

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Abstract Architectural inspiration comes from a combination of various multidisciplinary sciences. One of the combinations that inspire Architects to produce works is the combination of Ecology and Architecture, where each other is interrelated. Ecology and natural forms in Ecology can inspire new architectural forms. This paper will discuss the origin of inspiration from ecology that can be applied in Architectural Aesthetics. The method used is to collect precedent studies and literature studies related to these matters. Then, in the end, the works of Bina Nusantara University Architecture Students who designed Aesthetics forms from Architectural Ecology installations will be shown in the Aesthetics course. Experimentation experiments and discussions can inspire students to produce an architectural work from the aesthetic form of a combination of Ecology and Architecture.
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Bao, Yu, and Bao Hui Xu. "Architectural Art Design in Visual Field of Ecological Aesthetics." Applied Mechanics and Materials 522-524 (February 2014): 1734–37. http://dx.doi.org/10.4028/www.scientific.net/amm.522-524.1734.

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This paper introduces the architectural art design based on ecological aesthetics. The philosophical foundation, thinking ways and research methods of ecological aesthetics are described detailedly. The architectural art design which absorbs the advantages of ecological aesthetics shows the beauty of architecture. This is beneficial attempt from three aspects, namely whole vision, cultural ecology and aesthetic participation. All these research promote the development of architectural art design.
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Grazuleviciute-Vileniske, Indre, Gediminas Viliunas, and Aurelija Daugelaite. "The role of aesthetics in building sustainability assessment." Spatium, no. 45 (2021): 79–89. http://dx.doi.org/10.2298/spat2145079g.

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This theoretical study examines the role of aesthetics in the assessment frameworks of sustainable architecture. The article is organized into two main sections: a general literature review and the results. The results section encompasses an analysis of the place of aesthetic quality in the understanding of sustainable architecture, and an overview and discussion of the general sustainable building assessment frameworks and the main sustainable buildings certification systems (LEED, BREEAM, WELL, Living Building Challenge), identifying the existing and potential place of cultural sustainability and aesthetics in them. Finally, four architectural theories holding the potential for balancing human and environmental criteria in the assessment of sustainable architecture are presented. These theories are: sustainability aesthetics, genius loci, biophilia, and a regenerative approach. The conclusion was made that these approaches hold the potential for the breakthrough of aesthetic quality and uniqueness of sustainable architecture.
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Zahra, Fatima, and Safrizal Bin Shahir. "The Aesthetic Value and Spiritual Aesthetics of Islamic Ornaments in Islamic Architecture." Journal of Islamic Thought and Civilization 12, no. 1 (June 7, 2022): 164–75. http://dx.doi.org/10.32350/jitc.121.08.

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Islamic architecture, a form of Islamic art, contributes significantly to portraying God Almighty's supremacy. In Islamic art, there are numerous ways to place emphasis on this architecture; one of which is through high aesthetic value. In Islamic art and architecture, the greatest extent of ornamentation and motifs probably describe aesthetic values. Islamic ornamentation serves as a platform for delivering information about Islam's culture including Islamic values and identity. Additionally, the most distinguishing characteristic of Islamic ornamentation is the richness of meaning behind it, that might influence a person's perception of spiritual aesthetics. Therefore, this article explore what spiritual aesthetic means and how it relates to Islamic ornamentation. Furthermore, Islamic ornamentation should be considered a part of the interior of the Islamic architecture rather than just decorations added after the fact or to cover in gaps. Through the interplay of the people and interior space, these ornaments have the potential to engage with human aesthetics. Therefore, this research also focuses on the aesthetics and beauty of ornaments, which satisfy one of human psychological needs: to be in a beautiful environment. Because emphasis of the research is to explore how people perceive the aesthetics of Islamic ornamentation, a semiotics method was chosen because of its capacity to transcend literal meanings. The identification and evaluation of the aesthetic and religious qualities of the Islamic ornamentation brought out in this paper can be very helpful for the artists as well as scholars in understanding the Islamic art. Keywords: Islamic Ornaments, Islamic Architecture, Aesthetic Value, Spiritual Aesthetics, Islamic Art, Architectural Ornaments
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Yi, Kai, and Zhihua Xu. "Exploring the Aesthetic Principles of Traditional Lingnan Architecture in Guangzhou Influencing Economic Development and Socio-economic Perspective—A Notch from Public Well-being and Modernity." Journal of Information Systems Engineering and Management 8, no. 3 (October 31, 2023): 22838. http://dx.doi.org/10.55267/iadt.07.13843.

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Architecture plays a pivotal role in shaping the built environment and influencing societal development. Aesthetic principles of architecture, technological integration, and skill development are key factors that impact architectural design outcomes and broader societal implications. The purpose of this research is to look into the impact of architectural aesthetic principles on socioeconomic development, public well-being, and architectural modernism, while also looking into the mediating role of technological integration and the moderating role of skill development. A quantitative research approach was adopted, using a cross-sectional design. Data was collected through a structured questionnaire from 375 architects in Guangzhou, representing diverse architectural practices. SPSS was used for descriptive and inferential statistical analyses such as correlation, regression, and mediation analysis. The study revealed a positive relationship between aesthetic principles of architecture and socio-economic development, indicating that aesthetically pleasing designs can foster economic growth and urban development. Moreover, aesthetics significantly influenced public well-being, with thoughtfully designed spaces positively impacting the emotional and psychological well-being of users. Aesthetic principles were found to contribute to architecture modernity, inspiring innovative design practices. Technological integration emerged as a mediator, highlighting its role in translating aesthetic concepts into sustainable design solutions that impact socio-economic development, public well-being, and architecture modernity. Skill development was identified as a moderator, enhancing the integration of aesthetics and technology in architectural design. This study advances the understanding of the interplay between aesthetics, technology, and skill development in architectural practice. The findings offer practical implications for architects, policymakers, and educators, guiding the creation of aesthetically-driven, sustainable, and socially impactful designs. The study contributes to architectural theory and practice, fostering a holistic approach toward the creation of built environments that enhance the quality of life for individuals and promote sustainable development. The use of self-reported data and cross-sectional methods are the potential limitations of the study.
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Jadrešin-Milić, Renata, and Catherine Mitchell. "The death of aesthetics in architectural education? Possibilities for contemporary pedagogy." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 553–70. http://dx.doi.org/10.5937/saj1903553j.

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The importance of aesthetics within architecture has a long history. Although evidence suggests that the term was not brought into architectural writing until 17351 , the place of aesthetics can be identified across architectural theory and philosophy since the time of Vitruvius. Developing an aesthetic sensibility was seen as crucial for an architect and the study of architecture was understood through the three Vitruvian lenses (utlitas, firmitas, venustas) one of which, venustas, is directly associated with aesthetics. This paper responds to the current and ongoing discussions between architects, architectural educators and architectural students on the role of aesthetics in architectural education and professional practice today. It was initially inspired by questions raised at the 2017 and 2018 annual conferences of the Society of Architectural Historians (SAH 2017 and 2018) about the role of architectural history in architectural design and practice today, and in line with this, questions about place of aesthetics in architectural education. This paper considers the place of aesthetics in architectural education and provides a detailed overview of the key pedagogical interventions undertaken in one architectural studies programme which might serve as a guide for educators interested in maintaining the place of aesthetics in contemporary architectural education. It suggests that aesthetics can continue to play a key role in the architectural curriculum whilst a focus on design problem-solving and achieving the contemporary educational requirements of accreditation is maintained.
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He, Guang Qing. "About Architectural Aesthetics in the Three Gorges Reservoir Area Planning." Applied Mechanics and Materials 507 (January 2014): 531–36. http://dx.doi.org/10.4028/www.scientific.net/amm.507.531.

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In the architectural aesthetics in the 20th century based on cross field of art and architecture, help system analytic aesthetic feelings in the form of modern architecture. In this paper, the status quo of the construction of the three gorges reservoir area planning, and related aesthetic theory research as the leading factor, committed to the maintenance of the ecological environment, trying to further perfect architectural design with the laws of the aesthetic development, reflect the comprehensive effect of the immigration for the long-term development in cities and towns from which. For diversity gives the architecture of the aesthetic connotation, balanced scale as value guidance, in-depth field of describing the characteristics of location advantage, fully coordinated with watershed environment, embodied aesthetic significance in the architectural design of the three gorges reservoir.
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Dissertations / Theses on the topic "Architecture – Aesthetics"

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Khalighinejad, Farshad. "Architecture Aesthetic Preferences and Architectural Habitus: A Comparison Among Architecture and Business Students at the University of Cincinnati." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1551971907333194.

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Zhang, Zhexi S. M. Massachusetts Institute of Technology. "The aesthetics of decentralization." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/123614.

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Thesis: S.M. in Art, Culture and Technology, Massachusetts Institute of Technology, Department of Architecture, 2019
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 79-86).
This thesis explores ways in which decentralized network technologies are used to experiment with and design new modes of socio-technical organization. Drawing on an understanding of aesthetics as a "distribution of the sensible" and Jack Burnham's notion of "systems esthetics", an artistic engagement with society's technological modes of organization, I explore the ways in which the "aesthetics of decentralization" articulates a circuit of desire connecting technical systems, cultural metaphors and social forms. A key countercultural motif in the history of the World Wide Web, decentralization imagines that political objectives of openness, freedom and even libertarian self-sovereignty within a networked society can be achieved through the technical protocols. Chapter 1 examines the logics of the "stack" and the "platform" as the vertical and lateral organizational abstractions of this environmental matrix.
In seeking to negate this centralization of power over digital networks, the decentralized web is a multifaceted technological and cultural phenomenon with disparate agendas, but broadly seeks to reconfigure the technical organization of the web as a commons-oriented peer-to-peer framework. Chapter 2 examines in detail the primary concepts of the decentralized web, reading their propositions as an effort to reconstitute the terms of space, ownership and participation within the networked world. I argue that the decentralized web represents not so much a technical solution as a performative metaphor through which digital publics are called forth in order to denaturalize these hermetic socio-technical environments and imagine new spaces of possibility.
In Chapter 3, 1 argue that the imaginary and aesthetic power of the decentralized web flows from the subjective experience of software as worldbuilding, a process which imputes the rational consistency of synthetic "microworlds" upon the wider social domain. In conclusion, I suggest that the decentralized web falters as a political project because in seeking to build new forms of sociality through software, it fails to antagonize the structures of technological capitalist society. Nonetheless, the conceptual and performative metaphors engendered by these experimental systems call forth new technological discourses in which protocol serves as a guide, rather than a coercive armature, of a social imaginary.
by Zhexi Zhang.
S.M. in Art, Culture and Technology
S.M.inArt,CultureandTechnology Massachusetts Institute of Technology, Department of Architecture
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Fulmer, Tracy. "BLIND AESTHETICS." Miami University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=miami1002992074.

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Lincourt, Michel. "In search of elegance : toward an architecture of satisfaction." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23087.

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Lundberg, Måns. "Backyard Aesthetics : Towards an Etical Urbanism." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-133162.

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Foley, Kimberly Ann. "Perception, aesthetics and culture in new media." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/73763.

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Wu, Duan. "Embodied tectonics of space and its architectural aesthetics." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610883.

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Bail, Muriel. "Dance and architecture." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23739.

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Nottingham, Amy Lou. "Hilltown architecture : beyond the picturesque." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/23389.

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Wu, Jiahua. "Landscape morphology : a comparative study of landscape aesthetics." Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/1851/.

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This research is about landscape aesthetics. Aesthetics is not purely Platonic but a result of human communication with nature which relates to landscape experience and, in turn, reflects and guides the way people appreciate, paint and design. This is an issue of art philosophy and design methodology. To link theory with practice, the relationship between landscape - both painted and designed - and aesthetic thinking is the most important topic discussed throughout the writing. To achieve a relatively complete understanding of landscape aesthetics, the discussion develops with reference to the historical, cultural, philosophical and technical contexts of both the East and the West. Some key issues such as Romanticism of the English School and Tao in Chinese landscape have been chosen as the central objects of attention in the study. The manner of discussion, reason and analysis is one of comparison. Taking into account the roles of philosophy in art and environmental design, 'Landscape Morphology', a systematic study of the language system of landscape art, design and education, is of high value in the area of environmental development, which substantially links the theory with environmental art and design, and foreshadows the future of landscape aesthetic research.
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Books on the topic "Architecture – Aesthetics"

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Zejnilović, Emina. Architectural aesthetics. Sarajevo: [publisher not identified], 2018.

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Doumato, Lamia. Architectural aesthetics. Monticello, Ill: Vance Bibliographies, 1985.

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Eloy, Sara, Anette Kreutzberg, and Ioanna Symeonidou. Virtual Aesthetics in Architecture. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003183105.

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Weber, Ralf. On the aesthetics of architecture. Aldershot: Ethnocsapes, 1995.

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Dana, Arnold, and Bending Stephen, eds. Tracing architecture: The aesthetics of antiquarianism. Malden, MA: Blackwell Pub., 2003.

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1938-, Allen Edward, and Rand Patrick 1950-, eds. Landscape architectural detailing: Constructibility, aesthetics, and sustainability. Hoboken, N.J: Wiley, 2011.

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Ginatta, Carlos. Architecture without architecture: Biomimicry design. Saarbrücken: VDM Verlag Dr. Müller, 2010.

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Mical, Thomas. Architecture and Ugliness: Anti-Aesthetics and the Ugly in Postmodern Architecture. London: Bloomsbury Publishing USA, 2020.

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Richard, Hill. Designs and their consequences: Architecture and aesthetics. New Haven, CT: Yale University Press, 1999.

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Patrick, Rand, ed. Architectural detailing: Function, constructibility, aesthetics. 2nd ed. Hoboken, N.J: John Wiley & Sons, 2007.

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Book chapters on the topic "Architecture – Aesthetics"

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Corbusier, Le. "Towards an Architecture." In Aesthetics, 153–55. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-32.

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Scruton, Roger. "The Problem of Architecture." In Aesthetics, 137–41. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-29.

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Venturi, Robert, and Denise Scott Brown. "Architecture as Decorated Shelter." In Aesthetics, 156–61. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-33.

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Robinson, Jenefer. "How to Experience Architecture." In Aesthetics, 170–73. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-35.

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Casey, Timothy K. "Architecture." In Handbook of Phenomenological Aesthetics, 25–28. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_4.

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Jamelle, Hina. "Digital Architecture and the New Elegance." In Aesthetics, 185–88. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-38.

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Kinzler, Helmut, Daria Zolotareva, and Risa Tadauchi. "Cybernetic Aesthetics." In Virtual Aesthetics in Architecture, 21–33. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003183105-4.

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Derrida, Jacques. "A Discussion of Architecture (with Christopher Norris)." In Aesthetics, 162–69. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-34.

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Pérez-Gómez, Alberto. "Architecture as Musical Atmosphere." In Atmosphere and Aesthetics, 313–25. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24942-7_19.

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Dale, Karen, and Gibson Burrell. "An-Aesthetics and Architecture." In Art and Aesthetics at Work, 155–73. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230554641_11.

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Conference papers on the topic "Architecture – Aesthetics"

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Iranfar, Maryam, and Hourakhsh Ahmad Nia. "The Synthesis of Ethics and Aesthetics in Modern Movement of Architecture: ‘Truth’ Theory as an Assessment Tool." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021235n17.

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Architects and designers are obligated to think comprehensively to create aesthetically pleasing buildings together with functional features. The modern movement of architecture represents a dramatic movement in the buildings design to create a different functional and new architecture. There is a debate about the priority of beauty (aesthetics) and functionality (ethics) in this architectural style and leads to ambiguity in evaluating ethics and aesthetics. Hence, the study aims to understand the relationship between ethics and aesthetics value in architecture's modern movement. This study hypothesizes that there is a significant relationship between ethical and aesthetical values through the functionality of modern architecture. The study has proposed a conceptual model to be applied in future studies on different case studies. This is through assessment tools to evaluate the presence of ethics and aesthetics in modern architectural style.
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Ba, Wanli. "ARCHITECTURAL AESTHETICS OF Р. EISENMAN." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-12.

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With the continuous development and progress of modern architecture, architectural aesthetics also develops accordingly. Architectural aesthetics is a good reflection of architects' design concepts, and this paper is devoted to the research of Peter Eisenman's architectural aesthetic concepts in different eras.
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Molodkina, L. "ARCHITECTURAL HERMENEUTICS: PHENOMENOLOGICAL-AESTHETIC ANALYSIS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2552.978-5-317-06726-7/86-89.

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This work presents a brief analysis of architectural hermeneutics based on phenomenological and aesthetic principles. Architecture is interpreted as a “text” with many conditionally distinguished “storylines” that require interpretation and understanding. The author emphasizes that the formation of meaning in architectural art is constituted due to the complex and ambiguous intentional consciousness of the reci pient.
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Song, Boyuan, and Huajie Sui. "Historic Architecture and Aesthetic Reconstruction of Guqin Aesthetics." In International Conference on Education, Management, Computer and Society. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcs-16.2016.520.

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DIETRICH, UDO. "HUMAN PERCEPTION AND AESTHETICS OF FAÇADES." In ECO-ARCHITECTURE 2020. Southampton UK: WIT Press, 2020. http://dx.doi.org/10.2495/arc200061.

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Kupatadze, I. "Ethics vs. aesthetics in sustainable architecture." In ECO-ARCHITECTURE 2014. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/arc140471.

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Iakovleva, L. "ON THE PROBLEM OF PHENOMENOLOGICAL AND HERMENEUTIC ANALYSIS OF ARCHITECTURAL SPACE." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2553.978-5-317-06726-7/90-92.

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In the philosophy of architecture, phenomenological aesthetics has acquired particular relevance. It focuses on the problems of perception, atmospheres, and physicality. However, along with phenomenology,the hermeneutics of architecture plays an equally important role. The purpose of this report is to identify the common starting positions of phenomenological aesthetics and hermeneutics in the analysis of architecture; to point out the various tasks of the phenomenology and hermeneutics of architecture. Phenomenology starts from the description of space and its impact on a person. Hermeneutics proceeds from the experience of understanding space as reading and simultaneous self-understanding by a person of himself. The hermeneutic formulation of the question of the space of architecture in the future goes beyond the boundaries of the original experience of perception, expands the problem of understanding to the problem of multi ple interpretations and historicity of meaning.
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Sade, Gavin. "Aesthetics of urban media façades." In the 2nd Media Architecture Biennale Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2682884.2682887.

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Fries-Briggs, Gabriel. "Device-Media-Architecture: Julia Child’s Kitchens." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.32.

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This paper traces a lineage of device-as-architecture through the mediatization of Julia Child’s kitchens. A historical survey of the changes to her kitchen and its relationship to interior design during the latter half of the 20th century suggest a reading of interior architecture not as a means to house new technology but rather as composed by technology and devices. Counter to Ryener Banham’s projection of a future where interior technologies give shape to an architectural exterior, Child’s kitchen reflects a growing trend in the second half of the 20th century in which tool-based clutter and the interior’s autonomy from the exterior, best characterized by the storage-accumulation aesthetics of lofts and garages, dominated. Rather than necessarily limiting the role of the architect to exterior form, the elevation of gadgets, gizmos, and devices to the status of architecture opened up the possibility for a functional user-driven design agency. Analysis of the kitchen backdrops that served as sets for her various cooking shows as well as the cataloging and installation of her kitchen in the Smithsonian Museum of American History reveal an evolution of architectural interiors that shifted with her own identity and paralleled shifting domestic aesthetics away from minimalism, modernism, and post-World War II home automation. This examination of Julia Child’s kitchens frame a narrative of domestic design beginning in the 1960s when tools and technology were increasingly seen as the backbone of a new ecological or environmental society. Julia Child’s display of functional clutter took part in popularizing a new craft aesthetic where tools were prominently displayed and often collectively used. The images of her kitchen, spanning four decades, provide a context for changing cultural and architectural discourse in relation to the aesthetics of function, devices, media, and attitudes toward preservation.
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Dittmar, Gunter. "Architecture and the Dilemma of Aesthetics: Towards an Alternate Defintion and Approach to Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.24.

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Abstract:
The paper calls for a paradigm shift in the definition and approach to architecture to reverse the erosion of its societal relevance, and the loss of its identity as a discipline. The paper contends that this development originated with the Renaissance when architecture evolved from a craft into an art, and the pursuit of beauty became the foremost ideal: the aspect that distinguishes architecture from “mere building”. Ever since, architecture has tried-and failed- to solve the dilemma of aesthetics: the integration of utility, technology and beauty. However, neither beauty, nor the question of aesthetics, are really the problem. The real issue is that architecture is, ultimately, about more than beauty or aesthetics: it is about our life and our existence; about creating a place for our being in the world. Architecture is, thus, grounded in an ontological paradigm rather than an aesthetic one. This has far-reaching, theoretical implications. The paper then proceeds to delineate some of the premises fundamental to an ontological approach to architecture, based on the notion that architecture makes possible the congruence between human and natural order, between our inner and our outer world. Beauty is present when one resonates and reveals itself through the other.
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