Journal articles on the topic 'Architectural'
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Liu, Jia Sheng. "The Influence of Architectural Culture on Architectural Design." Applied Mechanics and Materials 357-360 (August 2013): 278–81. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.278.
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The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.
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Barbouche, Rached. "Modélisation, représentation et cartographie des formes du décor architectural." SHS Web of Conferences 47 (2018): 01001. http://dx.doi.org/10.1051/shsconf/20184701001.
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La production des formes en architecture est un acte dans lequel se construit le projet et se façonne l’espace. Elle est une action qui structure l’environnement humain. La conception architecturale est aussi une production spatiale de formes et exploration de potentialités de composition. Deux approches nous intéressent ici : formalisation du savoirfaire architectural et analyse des modes de composition en architecture. Il s’agit d’une part de comprendre la notion de composition, d’organisation et de configuration architecturale et d’autre part de décomposer, segmenter et caractériser morphologiquement un ensemble d’objets architecturaux (décors des fenêtres) en vue de mettre en évidence et d’expliquer les lois du système de formes qu’ils organisent. L’objectif est de développer des outils d’aide à la conception architecturale dans le cadre de la pédagogie du projet et de l’informatisation du savoir-faire architectural. La mise en place d’un environnement virtuel et d’un dispositif de matérialisation spatiale de formes apporte une aide opératoire dans la conception architecturale.
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Zou, Han, Jing Ge, Ruichao Liu, and Lin He. "Feature Recognition of Regional Architecture Forms Based on Machine Learning: A Case Study of Architecture Heritage in Hubei Province, China." Sustainability 15, no. 4 (February 14, 2023): 3504. http://dx.doi.org/10.3390/su15043504.
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Architecture form has been one of the hot areas in the field of architectural design, which reflects regional architectural features to some extent. However, most of the existing methods for architecture form belong to the field of qualitative analysis. Accordingly, quantitative methods are urgently required to extract regional architectural style, identify architecture form, and to and further provide the quantitative evaluation. Based on machine learning technology, this paper proposes a novel method to quantify the feature, form, and evaluation of regional architectures. First, we construct a training dataset—the Chinese Ancient Architecture Image Dataset (CAAID), in which each image is labeled by some experts as having at least one of three typical features such as “High Pedestal”, “Deep Eave” and “Elegant Gable”. Second, the CAAID is used to train our neural network model to identify three kinds of architectural features. In order to reveal the traditional forms of regional architecture in Hubei, we built the Hubei Architectural Heritage Image Dataset (HAHID) as our object dataset, in which we collected architectural images from four different regions including southeast, northeast, southwest, and northwest Hubei. Our object dataset is then fed into our neural network model to predict the typical features for those four regions in Hubei. The obtained quantitative results show that the feature identification of the architectural form is consistent with that of regional architectures in Hubei. Moreover, we can observe from the quantitative results that four geographic regions in Hubei show variation; for instance, the feature of the ‘elegant gable’ in southeastern Hubei is more evident, while the “Deep Eave” in the northwest is more evident. In addition, some new building images are selected to feed into our neural network model and the output quantitative results can effectively identify the corresponding feature style of regional architectures in Hubei. Therefore, our proposed method based on machine learning can be used not only as a quantitative tool to extract features of regional architectures, but also as an effective approach to evaluate architecture forms in the urban renewal process.
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Petcu, Elizabeth J. "Amorphous Ornament:." Journal of the Society of Architectural Historians 77, no. 1 (March 1, 2018): 29–55. http://dx.doi.org/10.1525/jsah.2018.77.1.29.
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Leon Battista Alberti famously likened the relationship between architectural structure and superstructure to the dualism of skeleton and skin. In Amorphous Ornament: Wendel Dietterlin and the Dissection of Architecture, Elizabeth J. Petcu scrutinizes how the Architectura treatise (1593–98) of Strasbourg artist Wendel Dietterlin the Elder (ca. 1550–99) subverted Alberti's theory and the aesthetic of stability it promoted by popularizing a style of amorphous architectural motifs that recall bone, cartilage, muscle, and flesh, melding built framework with decorative surface. Drawing these corporeal conceits from contemporary anatomical publications, Dietterlin inspired buildings, architectural prints, and objects that challenged tectonic conventions, upset the traditional split between exterior and interior, and emulated the figural arts’ involvement in representing interior human forms. In assessing how Dietterlin's Architectura turned the proverbial body of architecture inside out, Petcu demonstrates that Renaissance comparisons between body and building did not always project ideals of architectural beauty and reveals overlooked origins of baroque-era fusions of architecture and the figural arts.
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Huang, Linling. "Comparative Analysis of Chinese Religious Architectural Culture." Frontiers in Humanities and Social Sciences 4, no. 7 (July 24, 2024): 1–9. http://dx.doi.org/10.54691/mzdb8528.
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China is a country with diverse cultures, and both material and spiritual cultures are extremely rich. Religious architectural culture is one branch of the overall culture of society. Chinese religious architecture embodies traditional Chinese culture, the superb architectural skills and the architectural aesthetic, and it is a concentrated manifestation of religious material culture and spiritual culture. While preserving its own cultural characteristics in the process of globalization, religious architectural culture is a topic worthy of exploration. It is important to explore the culture of religious architecture while maintaining its own cultural characteristics. There are many religions in China, including indigenous Taoism and foreign religions such as Buddhism, Christianity, Islam, and Catholicism. Each religion has its own cultural connotations, and each religious architecture has its own characteristics. After the introduction of foreign religions into China, they have been influenced by traditional Chinese culture, resulting in their religious architecture incorporating some Chinese characteristics. In the current cultural context of China, a comparative analysis of the characteristics of various religious architectures is conducive to a deeper understanding of religious architectural culture and is of certain significance for the inheritance and protection of religious architecture. This article conducts fundamental research on Buddhist architecture, Taoist architecture, and Islamic architecture from the perspectives of overall layout and architectural carving art. By comparing and analyzing religious architecture, it reveals the cultural connotations it carries. It is hoped that this will provide new ideas for the protection of religious architecture and the inheritance of architectural culture.
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Erzen-Jale, Nejdet. "Form and meaning in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 75–84. http://dx.doi.org/10.5937/saj1501075e.
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Often architectural theory has been articulated on prescriptive views about what architecture should be, rather than on views formulated from historical experiences and examples of architecture. In this paper I will try to offer readings of architectural form by looking at a historical example from classical Ottoman architecture and at contemporary examples, to show how different architectures treat form. In examples taken from Sinan's architecture, symbols are investigated in relation to movement, to urban settlement, to religion and power. It is hoped that this analysis will offer an understanding of how the significance of architecture in human experience and in the urban context goes beyond structure and function
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Guo, Weiru. "Qingdao Modern Church Contrast and Analyzing Based on Religious Influences Perspective: Examples from Qingdao Catholic Church and Qingdao Christian Church." Highlights in Science, Engineering and Technology 86 (March 27, 2024): 54–58. http://dx.doi.org/10.54097/3g980w98.
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Qingdao, as a city with a colonial history, has numerous architectures that combine traditional Chinese architectural style and Western architectural style. One of the most distinctive types of architecture is the church. Churches have significant mental support functions as well as their function as shelters. They are symbols of the city, and valuable for the city to present its architectural scene. This article wishes to state the backgrounds and history of Catholicism and Protestantism; compare the differences in external spaces, internal spaces, decorations, and volume of Qingdao catholic church and Qingdao Christian church to analyze the architectural differences based on different religious backgrounds; emphasize the characteristics and connotations for churches. Studying church architecture can reveal the creativity and technical proficiency of ancient architects and craftsmen. Church architecture encompasses knowledge and skills from various fields, including structural engineering, sculpture, painting, and decoration. Such research contributes to the advancement of architectural design and engineering technology. Church architecture is a reflection of human creativity and cultural traditions, and it holds significant importance for the study and preservation of cultural heritage.
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LÓPEZ-SANZ, MARCOS, JUAN MANUEL VARA, ESPERANZA MARCOS, and CARLOS E. CUESTA. "A MODEL-DRIVEN APPROACH TO WEAVE ARCHITECTURAL STYLES INTO SERVICE-ORIENTED ARCHITECTURES." International Journal of Cooperative Information Systems 20, no. 02 (June 2011): 201–20. http://dx.doi.org/10.1142/s0218843011002201.
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Model-driven development is recognized as one of the most promising approaches in software engineering. Recent research in the area highlights the importance of using an explicit architectural model in this context. Since service-oriented architectures have also demonstrated to be adequate to overcome current software needs, the idea of using the model-driven approach to generate service-oriented architectural models has successfully flourished in the last years. However, the emphasis on the Service-Oriented Computing (SOC) paradigm has led to the design of architectures lacking some desirable features. Knowing the benefits provided by architectural styles, we have found that their use can help us to overcome those needs. Our goal is to obtain a service-oriented model which satisfies the requirements of the concrete architecture and complies with the constraints and vocabulary defined for a specific architectural style. To achieve this, here, we propose to use a weaving model which merges the concrete architectural model with a model of the architectural style of choice.
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Schwarting, Andreas. "Die ganze Breite architekturgeschichtlicher Forschung." architectura 50, no. 1-2 (November 25, 2022): 24–27. http://dx.doi.org/10.1515/atc-2020-1005.
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Abstract In 1976, Wulf Schirmer, professor of architectural history at the University of Karlsruhe (TH), followed Heinrich Klotz as editor of the architectura and headed the editorial team until 2002. During this time, the journal developed into an open forum for the most diverse forms of research in architectural history – chronologically from the ruins of the 4th millennium BC to the architecture of the late 20th century, topographically from Europe, the Mediterranean, Mesopotamia, Asia and Russia to North and South America, and methodologically from architectural research to art history, architectural theory and the preservation of historical monuments.
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Shapiro, Michael J. "Architecture as event space: Violence, securitisation, and resistance." European Journal of International Security 4, no. 3 (July 26, 2019): 366–85. http://dx.doi.org/10.1017/eis.2019.13.
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AbstractCentral to the conception of this article is the architectural theorist Bernard Tschumi's dictum, ‘There is no architecture without action, no architecture without events, no architecture without program … no architecture without violence.’ Shaped as well by Eyal Weizman's conception of ‘forensic architecture’, the focus of the investigation is on Israel's architecture of security and on the corresponding Palestinian architecture of resistance. Emphasising an encounter of cartographies that reveals the way Palestinians make life livable in response to the architectural violence they face, the analysis continues with reference to Yari Sharif's analysis of architectures of resistance and with a reading of a feature film, Hany Abu-Assad's Omar (2013) in which the Separation Wall between Israel and Palestine is one of the film's primary agent/protagonists. The article surveys popular culture texts, focused on crime and espionage to analyse a range of security practices and breaches that amplify the analysis with attention to security issues in individual households, multiple-person dwelling arrangements, architectural locations throughout cities, and buildings housing governmental security agencies. That trajectory of architectural sites lends a micropolitical analysis to the macropolitical level of governmental policy and modes of resistance to it.
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Papapostolu, A., and D. Birov. "Architecture Evolution through Dynamic Reconfiguration in jADL." Information Technologies and Control 15, no. 1 (March 1, 2017): 23–32. http://dx.doi.org/10.1515/itc-2017-0019.
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Abstract In software architecture the dynamic structure of a software system can be described in terms of components and connectors and expressed through the use of Architectural Description Languages (ADLs). We present jADL, a new ADL, designed for the creation and validation of dynamic and mobile architectures. It, also, aims to help towards the process of “unifying” the definition and implementation of an architecture in a way that the final result is consistent with the architecture in terms of both functional requirements and quality attributes. In this paper, we examine into details the definition and expression of jADL’s architectural elements; components, connectors, ports, roles and behaviour describing statements – attach, detach, config, bind. The attributes of synchronicity and multiplicity concerning the connections between architectural elements are presented. A special case of connections is presented – the bind statement and the construction of composite architectural elements. Also, a case study of the client-server dynamic model in jADL is presented and the possibilities of jADL for dynamic reconfiguration are explored.
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Navarro Morales, Maria Elisa. "Architectura natural, the Unpublished Fourth Volume of Juan Caramuel’s Seventeenth-Century Architectural Treatise." Journal of the Society of Architectural Historians 81, no. 4 (December 1, 2022): 414–19. http://dx.doi.org/10.1525/jsah.2022.81.4.414.
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Abstract Architectura civil recta y obliqua (1678–79), by the Cistercian Juan Caramuel de Lobkowitz (1606–82), is one of the most important Spanish architectural treatises of the seventeenth century. The work was published in three volumes, and until recently, scholars knew of an unpublished fourth volume, Architectura natural, only through a fragment of sixty pages titled Compendio de architectura natural. In her Findings article Architectura natural, the Unpublished Fourth Volume of Juan Caramuel’s Seventeenth-Century Architectural Treatise, Maria Elisa Navarro Morales presents more than two hundred manuscript pages unearthed at the episcopal archive in Vigevano. This research not only proves that Caramuel intended to publish an additional volume but also critically expands our knowledge of his treatise by underscoring the vital importance of an understanding of the natural world for architectural education. This challenges our contemporary emphasis on professional specialization and invites us to rethink how architecture was viewed in the early modern world.
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Khoukhi, Imadeddine, Dalila Senhadji, and Merwan Zine Elabidine Hellal. "New Mosques Architectural Platform: Digitalised Inventory and Analysis for Mosques Referencing." Journal of Islamic Architecture 7, no. 3 (June 28, 2023): 391–98. http://dx.doi.org/10.18860/jia.v7i3.21060.
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This research tackles the architectural typology of mosques built by religious associations in Algeria, which is a timeless issue. Despite the specific legislation of the new mosques' architectural typology, random or fanciful architectures in the field are considered Islamic Architecture. Our research aims to analyze mosque architectural data and report all the architectural and architectonic elements identified in two Algerian wilayas as a case study. It is then to classify and define the authentic typologies of Maghrebi, Ottoman mosques, or any other developed by specialists in Islamic architecture and art, especially if the platform is linked with the general inventory of Islamic architecture accredited by UNESCO. The concept of creating the platform starts with an inventory of mosques, and it is then developed to list various criteria for classifying mosques. Thus, a flexible filtering system is implemented to help perform multi-criteria analysis and visualize results in a geographic interface. This platform can meet several objectives in many research fields and be adapted for buildings other than mosques. Furthermore, the platform will serve as a basis for researchers and students, the Directorates of Religious Affairs, and the Ministry of Religious Affairs to analyze the architectural data of mosques.
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Astrini, Wulan, E. B. Kurniawan, and M. Abdillah. "The Characteristics of Mosque Architecture Based on Public Preferences in Malang City." TATALOKA 22, no. 1 (January 31, 2020): 137–45. http://dx.doi.org/10.14710/tataloka.22.1.137-145.
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Mosque is an architectural work and public facility that serves as a worship place for Muslims. Mosque architectural elements include domes (roofs), mihrab, minaret, arch, and ornaments. Mosque architecture comprises of various elements, which adapt to the local culture where the mosque is located. As such, its presence also bears some impacts on the appearance of urban architecture. Malang city as one of the major cities in East Java has numerous rapidly developing mosque architectures, including Jami’ Great Mosque of Malang, Sabilillah Mosque, Nurul Muttaqin Mosque, Ahmad Yani Mosque, and Manarul Huda Mosque. The meaning of architectural work is also closely related to the perception of humans who observe it. The public preference for the architectural characteristics of mosques in Malang city is a manifestation of architectural work. Conjoined analysis is employed as method operative to analyze public preference. This study aims to find out the architectural characteristics of mosques in Malang city according to public preferences. The findings can serve as a recommendation for the development of mosque architectural designs in Malang city, especially those possessing locality values. The architectural characteristics of mosques in Malang city which are driven by the public preferences ranging from the highest to the lowest, which is why mosques generally have calligraphy ornaments, circular arch, pentagon-shaped minaret, Indo-Persian dome, and two-minaret design.
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Voronova, O. V., and I. V. Il’in. "Adapting TOGAF ADM to the Development and Implementation of Architectural Solutions in FMCG Chain Retailing." Economics and Management, no. 7 (September 15, 2019): 97–107. http://dx.doi.org/10.35854/1998-1627-2019-7-97-107.
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The presented study adapts the TOGAF Architecture Development Method (ADM) to the development and implementation of architectural solutions in FMCG chain retailing.Aim. The study aims to adapt TOGAF ADM to the development and implementation of architectural solutions in FMCG chain retailing.Tasks. The authors formulate a definition of FMCG chain retailing architecture, determine the detail levels of architectural solutions, develop a basic architecture model, and examine the transition from the basic towards the target architecture. Building an efficient architectural solution for FMCG chain retailing enterprises using ADM requires creating a functional model and identifying groups of architectural areas for consistent architecture construction.Methods. The architecture of FMCG chain retailing is an efficient planning tool that combines the IT architecture of chain retailing with business architecture and makes it possible to achieve the strategic objectives of chain retailing. By developing an architectural solution, it becomes possible to determine business structure, systematize information for efficient business operations, build a map of the company’s business processes, and identify appropriate technologies to support these processes. The preliminary phase of building an architecture begins with the development of the business concept of a chain retailing company based on a business model. Starting with the preliminary phase, the working group launches an architecture project, goes through all the phases from the first stage to the last, and then launches the next project.Results. ADM TOGAF does not necessarily involve planning methods, which is why the result largely depends on the opinion of the working group. During TOGAF ADM activity, particular attention should be paid to the analysis of factors that affect the implementation and planned changes. Architecture blocks and architecture roadmap are two important elements of the development process. After analyzing the differences between the basic and the target architecture models (gap analysis), it is necessary to identify transient, excludable, and input architecture blocks, set and harmonize similar requirements for similar business processes, specify risks, and develop a strategy for the implementation of the target architecture. When making decisions, special attention should be paid to the priority of the chosen architectural solutions, formation of transit architectures (if necessary), and development of a plan for the implementation of the architectural roadmap in FMCG chain retailing.Conclusions. In the context of reengineering business processes of chain retailing companies, the most solid basis for building architectural solutions using ADM would be the company’s functional model. The proposed ADM adaptation on the basis of the functional model significantly increases the effi-ciency of development and management of architecture development for FMCG chain retailing companies.
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Stenslie, Stahl, and Magne Wiggen. "Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 29. http://dx.doi.org/10.25038/am.v0i12.165.
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This article describes the art and architectural research project Preemptive Architecture that uses artistic strategies and approaches to create bomb-ready architectural structures that act as instruments for the undoing of violence in war. Increasing environmental usability through destruction represents an inverse strategy that reverses common thinking patterns about warfare, art and architecture. Building structures predestined for a constructive destruction becomes a creative act. One of the main motivations behind this paper is to challenge and expand the material thinking as well as the socio-political conditions related to artistic, architectural and design based practices. Article received: December 12, 2016; Article accepted: January 10, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this article: Stenslie, Stahl, and Magne Wiggen. "Preemptive Architecture: Explosive Art and Future Architectures in Cursed Urban Zones." AM Journal of Art and Media Studies 12 (2017): 29-39.
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مراد, تازة عبد الرزاق علي, and غادة موسى رزوقي. "العلاقة بين الطراز و الحركة في العمارة و اثرها في التصميم على الاعمال المعمارية المعاضرة في العراق." Journal of Engineering 13, no. 01 (March 1, 2007): 138–63. http://dx.doi.org/10.31026/j.eng.2007.01.19.
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One of the basic considerations to determine specialty and identity of any architecture is its role as epistemological discipline in specific cultural structure, so the research depending on cultural history theories is able to distinguish between two types of architecture identification that, is architectural style and architectural movements by its relation to culture. The research basic focusing is on the relation between style and movement in architecture and its influence on architecture especially in Iraq. Where the last had a lot of analytical and critical studies from different points. So the research problem has concerned with the epistemological confusion in styles and movement concepts and the relation between them in addition to the lack of information that explains the influence of any of them on contemporary architectural design in Iraq. For reaching the research goal in explaining the way that architectural products would belong to architectural style or movement and its influence on contemporary design in Iraq from (1965-2005) .First the research had to extract stylistic and move mental measures architecturally, which counts as objective measures can be implemented on any historical or present stage and then implement it on Iraqi architecture in the stage (from 1965 to 2005) The research finally reached to a number of results ,the most important that is Iraqi architectural design from 1965 to 2005 is the stage where architectural thoughts was born. The research put the stage in two parts; the first one (from the sixties to the end of seventies) was able to define a general basic trend in the necessity of heritage in contemporary architecture but its experiences were a kind of continuity to modern solutions with specialty of a place, environment and culture, others built on stylistic metaphors as a way of making contemporary architecture in Iraq. The later staqe of this stage developed a consesuous experiences toward heritage and conceptual understanding of style, so it didn't have continues stylistics elements or a parallel experiences in a specific movement, but it depend on individual translation of architectural solution. The last result of the research is that between the individual way of thinking and a general theoretical solutions in which comes the joint of architectural movement that unify a common architectural terminologies between people tests and architect thoughts.
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Shan, Linlin, and Long Zhang. "Application of Intelligent Technology in Facade Style Recognition of Harbin Modern Architecture." Sustainability 14, no. 12 (June 9, 2022): 7073. http://dx.doi.org/10.3390/su14127073.
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The judgment of facade styles is an important part of the sustainable utilization and restorative process of historical architectures. Contemporary Harbin needs the help of modern architectural facade forms in the planning of the famous historic city, especially with the facade renovation of old architectures with non-cultural heritage. This paper discusses the possibility of applying advanced image recognition algorithms to the classification of the modern Harbin architectural facade styles and argues that the keys to the classification and positioning of the styles are the forms, the details, and the decorative patterns of the architectural facades, together with the deformation and the quantitative variation factors of the facade decoration symbols. Based on the conventional classification method, the facade styles of Harbin modern architecture were divided into 12 categories after data analysis. To better capture the overall structure information and the style features of the local components in the architectural images, the group convolution and the dilated convolution were added into the ResNet model, and then, the improved channel attention mechanism was introduced to construct a novel CA-MSResNet model. The CA-MSResNet model could more accurately identify the morphological elements and the style categories of the architectures, and the average accuracy reached 87.5%. These techniques, with their promising results, are expected to be further applied in the future research on the sustainable utilization and renovation of Harbin modern architecture.
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Keinänen, Timo. "Architectural records in architectural museums: the Museum of Finnish Architecture." Comma 2009, no. 1 (January 2009): 159–62. http://dx.doi.org/10.3828/comma.2009.1.17.
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Coffeen, Robert C. "Teaching architectural acoustics to architecture, architectural engineering, and music students." Journal of the Acoustical Society of America 130, no. 4 (October 2011): 2465. http://dx.doi.org/10.1121/1.3654897.
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Andersen, Angela. "Hinterland Forces: Architectural Responses at the Margins." International Journal of Islamic Architecture 11, no. 2 (July 1, 2022): 225–37. http://dx.doi.org/10.1386/ijia_00078_2.
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Marginalized communities use, adapt, and produce architectures in hinterland spaces in response to geographical, environmental, social, nationalist, and other political forces. Scholarly discourse and approaches to architectural practice may likewise be formed and coerced through marginalization. The hinterland, as the outlying territory beyond the urban or geographical centre, is the physical manifestation of these forces that shape the social margins. At times, architecture is itself a marginalizing actor, and at others, it becomes the site of resistance and negotiation, providing spatial agency and autonomy, and facilitating distributive justice in regard to services and resources. In the hinterland, new architectures are created, pre-existing spaces are destroyed and re-made, and movement, change, and adaptation are given momentum. This article introduces the special issue on hinterland forces. I categorize architectural responses, both in architecture made and used by those in power to control marginal populations, and created by and for marginalized people. This is followed by a summary of the multi-field perspectives and scholarly methods of the contributing authors. The discussion focuses on architectural matters relevant to Islamic societies in several global regions, but the socio-spatial questions and associated responsibilities are relevant to practitioners and scholars in all architectural fields.
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Manic, Bozidar, Dragana Vasiljevic-Tomic, and Ana Nikovic. "Contemporary Serbian Orthodox church architecture: Architectural competitions since 1990." Spatium, no. 35 (2016): 10–21. http://dx.doi.org/10.2298/spat1635010m.
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This paper focuses on the architectural competitions for Orthodox Christian churches in Serbia since 1990, both on the analysis of the designs submitted and the competition requirements. The first competition for an Orthodox church in Serbia after World War II was announced for Pristina in 1991. After that, competitions for the temple in Cukarica, Novi Beograd, Nis, Aleksinac and Krusevac were conducted. Thanks to the fact that architectural competitions allow a greater degree of creative freedom to the architects than regular practice, various solutions were offered, from replicas of models from architectural history and tradition to fully non-traditional proposals. Depending on the relationship to tradition, architectural design approaches can be classified into three main groups: radically modernizing, conservatively traditionalist, and compromising. Of the six competitions conducted, four churches were built, which are among the most architecturally successful newer churches in Serbia. This points to the importance of the implementation of the architectural competition in this field of architecture. The diversity of the award-winning projects shows that there is awareness of the possibility for the further development of church architecture, favouring a moderate approach.
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Xu, Bao Hui, and Yu Bao. "Landscape Architectural Design of Ecological Sightseeing Park." Applied Mechanics and Materials 522-524 (February 2014): 1760–63. http://dx.doi.org/10.4028/www.scientific.net/amm.522-524.1760.
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Ecological tourism park is a new form of tourism emerging in recent years, which have very important significance to the new rural construction. The design of landscape architecture in ecological park is still at the exploratory stage. This paper presents the design idea, design method of landscape architecture. In order to improve the design level of architectures in the ecological park, the method of integrating the architectural art, design technology and environment is proposed.
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M. M. Azhar Al-Bakari, Imad. "Concepts Architecture For Architectural Students." AL-Rafdain Engineering Journal (AREJ) 15, no. 4 (December 28, 2007): 80–93. http://dx.doi.org/10.33899/rengj.2007.45256.
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Segrest, Robert. "The Architecture of Architectural Education." Assemblage, no. 33 (August 1997): 76. http://dx.doi.org/10.2307/3171382.
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Долгов, Александр Владимирович. "Architectural ordination in wooden architecture." Академический вестник УралНИИпроект РААСН, no. 4(55) (December 30, 2022): 41–45. http://dx.doi.org/10.25628/uniip.2022.55.4.007.
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Статья посвящена проверке гипотезы о распространенности использования архитектурной ординации как проектного метода, позволяющего достичь эвритмии фасадных форм в деревянном зодчестве. На основе проведенного автором ординационного анализа форм деревянного оконного наличника середины XIX века и фрагмента фасада екатеринбургского городского особняка конца XIX века, построенного по проекту академика архитектуры Ю. О. Дютеля, исследовательская гипотеза получила подтверждение. Установленные эвритмические соответствия принципиально аналогичны тем, что использовались в классицистической архитектуре. The article is devoted to testing the hypothesis about the prevalence of the use of architectural ordination as a design method that allows achieving the eurythmy of facade forms in wooden architecture. Based on the ordination analysis of the forms of the wooden window casing of the mid-XIX century and a fragment of the facade of the Yekaterinburg city mansion of the late XIX century, built according to the project of the academician of architecture Yu. O. Dyutel, the research hypothesis was confirmed. The established eurythmic correspondences are fundamentally similar to those used in classical architecture.
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Xu, Yongrui, and Peng Liang. "A Cooperative Coevolution Approach to Automate Pattern-based Software Architectural Synthesis." International Journal of Software Engineering and Knowledge Engineering 24, no. 10 (December 2014): 1387–411. http://dx.doi.org/10.1142/s0218194014400130.
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To reuse successful experience in software architecture design, architects use architectural patterns as reusable architectural knowledge for architectural synthesis. However, it has been observed that the resulting architecture does not always conform to the initial architectural patterns employed. Architectural synthesis using architectural patterns is also recognized as a challenging task, especially for novice architects due to lack of experience. In this paper, we propose a cooperative coevolution approach to automate architectural synthesis using architectural patterns. We first analyze several common architectural patterns and the constraints when using them. We then extend existing architectural synthesis activity with patterns based on the results of this analysis. Finally, we map the extended architectural synthesis to a cooperative coevolution model, which can optimize the resulting architectural solutions and avoid the violations to the pattern constraints automatically. We evaluate the proposed approach through a case study: architecture design of a cinema booking system. The results show that the proposed approach can generate architectural solutions which are closer to the expert design.
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Alashqar, Abdelkareem M., Hazem M. El-Bakry, and Ahmad Abo Elfetouh. "A Framework for Selecting Architectural Tactics Using Fuzzy Measures." International Journal of Software Engineering and Knowledge Engineering 27, no. 03 (April 2017): 475–98. http://dx.doi.org/10.1142/s0218194017500176.
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Software architects cannot avoid the consideration of quality attributes when designing software architecture. Architectural styles such as Layers and Client-Server are often used by architects to describe the overall structure and behavior of software. Although an architectural style affects the achievement of quality attributes, these quality attributes are directly performed by design decisions called architectural tactics. While the implementation of an architectural tactic supports a specific quality attribute, it often enhances or hurts other quality attributes in the software. In this paper, a framework for selecting the most appropriate architectural tactics according to their best achievement of the required levels of quality attributes when developing transaction processing systems is proposed. The proposed framework is based on fuzzy measures using Choquet Integral approach and takes into account the impact of architectural tactics on quality attributes, the preferences of quality attributes and the interactions between them. It can also be used to compare different potential architectures in terms of their supporting of quality attributes. The abilities and the advantages of the proposed framework are clarified via practical experiments using a case study.
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Li, Shao Hong. "Study on Architectural Art of the Former German Governor’s Residence in Qingdao." Advanced Materials Research 450-451 (January 2012): 310–14. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.310.
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The Former German Governor’s Residence in Qingdao was by far the most spectacular building in residential architectures on the German Colonial period. This article studied architectural art of the Former German Governor’s Residence from architectural plan layout, building facades decorating, building structures and materials, and made these three respects compare with the Chinese traditional residential architecture. The architectural plan layout was in common about separate house on the German Colonial period, it inherited the German romantic style of the traditional residential buildings since the 16th century; its facades kept different and changeful; but primary and secondary clear, gorgeous, lively and dignified. The architectural structure was brick stone and wood hybrid construction. In this eclectic style of the building could be seen Germany was one of the birthplaces of the Modern Movement, and it had begun to explore using modern materials and new technologies, but its architectural forms was still the old form.
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Corniello, L. "3D MODELING AND VISUALIZATION OF ARCHITECTURE AND LANDSCAPE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-4/W5-2021 (December 23, 2021): 159–66. http://dx.doi.org/10.5194/isprs-archives-xlvi-4-w5-2021-159-2021.
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Abstract. The study presents the results of architectural and vegetation survey missions in the UNESCO site of Quinta da Regaleira in the city of Sintra, Portugal. The different types of connecting elements of the epigean and hypogean architectures in the Park are analysed through the disciplinary tools of architectural design. Surveys and models of some of the connecting elements are proposed for an understanding of the site and its subsequent protection and valorisation through digital documentation. Of great interest is the architectural and social relationship that the site establishes with the city of Sintra.The survey of epigean architecture considered the following: the Casa da Renasceça, the Capela, the Cocheiras, the Estufa, the Oficina das Artes, the Loggia dos Pisoes, the Casa dos Ibis, the Torre da Regaleira the Terraço dos Mundos Celestes and the Fonte da Abundância.The survey of underground architecture considered the following architectures: the Gruta do Labirinto, the Gruta da Leda, the Lago da Cascata, the Gruta do Aquario, the Gruta do Oriente, the Portal dos Guardiães, the Poço Imperfeito and the Poço Iniziático.The work constitutes a complete and accurate analysis, represented through technical drawings, in different scales, digital point clouds and 3D modelling for the visualisation of the architecture in the Quinta da Regaleira in Sintra.
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Nash, Joshua. "Architectural Pilgrimage." Transfers 5, no. 2 (June 1, 2015): 121–28. http://dx.doi.org/10.3167/trans.2015.050208.
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Architectural pilgrimage is implicitly appreciated in architecture and design circles, especially by students who are encouraged to “travel to architecture,” with the focus on the Grand Tour as a means of architectural exploration. However, the expression has not been made explicit in the fields of architectural history, pilgrimage studies, tourism research, and mobility studies. I explore how pilgrimage to locations of modern architectural interest affects and informs pilgrims' and architects' conceptions of buildings and the pilgrimage journey itself. Drawing initially on a European architectural pilgrimage, the personal narrative highlights the importance of self-reflection and introspection when observing the built environment and the role of language in mediating processes of movement through and creation of architectural place-space.
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Sener, Mehmet, and Neslihan Türkmenoğlu Bayraktar. "ARCHITECTURAL POLYGLOSSIA IN PUBLIC BUILDING FACADES OF LATE OTTOMAN PERIOD." Journal of Islamic Architecture 5, no. 1 (June 21, 2018): 1. http://dx.doi.org/10.18860/jia.v5i1.4520.
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<p>The 19<sup>th</sup> century was a period of significant transformations in Ottoman architecture in terms of the professionalization of discipline and the actualization of new construction technologies and architectural styles. The basic reason for this situation was the changing politics of Ottoman rulers that was based on the aim of achieving westernization in every aspect of life. In this context, an architectural medium has occurred especially in public building constructions where western based design approaches dominated the architectural production. Whereas, public buildings having different architectural characteristics than this westernization based architectural production, were also constructed in different peripheries of the empire. It is argued in this article that public buildings with polyglossia architectures were built in those regions that were generally concentrated on the facades and had architectural qualities different than the public building constructions executed mostly in İstanbul and other central cities of the empire. In this framework, the characteristics of these polyglossia observed on public building facades that contributed to the formation of architectural diversities in the empire are aimed to be examined. These polyglossia approaches that didn’t transform into stabled architectural styles are evaluated within the framework of the design components and constructional elements applied on the buildings. </p>
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Xiang, Xingwei, Xiaolong Yang, Jixi Chen, Renzhong Tang, and Luoke Hu. "A Comprehensive Model of Teaching Digital Design in Architecture that Incorporates Sustainability." Sustainability 12, no. 20 (October 12, 2020): 8368. http://dx.doi.org/10.3390/su12208368.
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Digital technology and its use in architecture support the construction industry in transitioning to more sustainable building development. Digital technology is widely taught in architecture programs in China, but there are few consistent strategies for combining digital architectural design with traditional architectural design in architectural education. Consequently, sustainable design concepts are not included in digital architectural design courses, and thus architectural education is not concerned with sustainable development. In this paper, we focus on the teaching of digital design in architecture and investigate how digital architectural design teaching can incorporate sustainability. Data from 15 universities were qualitatively analyzed, leading to the development of four models of teaching digital architectural design. Development of the models revealed that there are three increasing levels in digital architectural design teaching and that there is a close relationship between the teaching level and the transfer of architectural knowledge. This recognition led to the development of a single comprehensive model of digital architectural design teaching that is universally applicable. This research increases our understanding of digital architectural design teaching in architecture programs and strengthens the multi-level connections between digital architectural design teaching and designing and constructing sustainable built objects.
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Wu, Xiaowen, and Claudio Gambadella. "Religions Culture Sharps the Space." Resourceedings 2, no. 3 (November 28, 2019): 184. http://dx.doi.org/10.21625/resourceedings.v2i3.658.
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Religious culture shapes the characters of space and it reflects people’s attitudes towards the relationships between people and gods. Every religious architecture, such as a temple or a church, demonstrates its physical connections with life. This paper focuses on comparing different countries’ religious architectures to better understand the dominant cultural elements which influence design concepts of these architectures. In Western cultures, the religious architecture format is the church. However, Tadao Ando designs the Church of the Light with oriental features. It changes western religious cultures to adapt to local conditions. Ando’s work is just one of many examples in which the local culture can transform religious architecture form with their own characters, and nake it become an iconic mark to represent their country. This paper, analyzing project thinking and development invovling a local citizen, user, artist, and architect, tries to find out how design concepts, decisions on site location, and construction method will be determined. In these case studies on architectural formats from all over the world, this paper uses valuable data to show what elements will be the most critical ones to influence people’s thinking about religious cultures and religious architectural transformation. Furthermore, in this research, it compares religious cultural characters between western and oriental regions. This research also answers questions about how cultures change local people’s behaviors. This is the most valuable point of religious architectures, because they can comfort people and mitigate their sorrow. The research demonstrates how religious cultures and understanding about life can further develop architecture forms. Local materials and conditions are key factors which greatly influence architectural designs. Moreover, this paper compares the latest technology and development of construction materials to illustrate how technology reshapes religious designs in our age. It links local cultures with contemporary architectures to help local architectures continue to develop with their unique characters instead of being eliminated by globalization.
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Kumaraku, Llazar, and Dasara Pula. "Identity of Architecture: The Case of the National Library of Kosovo." Athens Journal of Architecture 9, no. 3 (June 29, 2023): 281–98. http://dx.doi.org/10.30958/aja.9-3-2.
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This article is part of a research on concepts that belong to theoretical speculation sin the discipline of architecture. The main intention is to shed light on the relationship of these theoretical concepts with the construction of architectural form and the episteme of architecture itself. One such concept is the identity of architecture. In this context, this research aims to clarify the interplay between identity – as a theoretical concept that is directly related to the form – and the architectural discipline. The first hypothesis is that architectural forms do not have a particular identity detached from their formal essence, but have an identity expressed by morphology. Second, different architectures, being forms of representations, express an external identity depended on the historical, political, social or cultural conditions. This article defines three main plans through which the identity of an architectural work is manifested: formal, stylistic/linguistic, and technological. The followed methodological approach is based on a theoretical analysis of the concept of identity, its contextualization within the discipline of architecture, and the interpretation of the results of such analysis through the case study of the National Library of Kosovo, built in Prishtina during 1971-1982. The study of the National Library is conceived as an example where the results obtained at a theoretical level and which aim to further clarify the discourse on the presented concepts, are expected to be verified.
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Adiyanto, Johannes. "Modern architecture in Indonesia: A genealogy study." ARTEKS : Jurnal Teknik Arsitektur 5, no. 3 (December 1, 2020): 331–38. http://dx.doi.org/10.30822/arteks.v5i3.465.
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Architectures in Indonesia are often identified as 'unique' compared to European and American constructions. They are referred to as Wastuwidya by Mangunwijaya and Nusantara by Prijotomo. This paper, therefore, aimed to examine the reasons for the perceived similar principles between the Indonesian architectures and those in Europe or America and also reviewed the architecture in the country beyond the identity. This involved the application of a historical approach with synchronous-diachronic methods to determine the significance of a historical timeline and its architectural content. The results showed the country’s modern architecture is associated with the foreign entry, its climate, and socio-cultural conditions, and also perceived as a sign of certain political powers presented during the Daendels and Sukarno era. Indonesian and European/American architectural designs were also observed to have different entry processes. Therefore, modern architecture should be perceived as a process rather than a product.
© 2020 Johannes Adiyanto
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Salura, Purnama, Stephanie Clarissa, and Reginaldo Christophori Lake. "Reflecting the Spirit of Modern-Indonesia Through Architecture: The Icono-Symbolical Meanings of Jengki Architectural Style Case Studies: Bandung Polytechnic of Health Building and Bumi Sangkuriang Meeting Hall in Bandung, West Java, Indonesia." Journal of Design and Built Environment 20, no. 2 (August 31, 2020): 13–26. http://dx.doi.org/10.22452/jdbe.vol20no2.2.
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The architectural discourse in Indonesia generally focuses on traditional architecture that represents specific regional icons, the synthesis of traditional architecture with European-style architecture, and modern architecture inspired by International Style. This research focuses on the architectural style in Indonesia which flourished in the 1950s, known as the Jengki architectural style. This architectural style is essential in the history of Indonesian architecture, considering that the style reflects the spirit of nationalism and post-colonial Indonesian. This research aims to explore the icons of Jengki architecture, by elucidating the architectural concepts that underlie the two oldest Jengki buildings in Bandung, West Java. The analysis showed that the characteristics of this architectural style shown by the configuration of architectural elements resembling the form of a pentagon, mostly asymmetrical in spatial layout, playful articulation of ornaments, and the use of local materials. The pentagon becomes an icon of Pancasila, which is a foundational principle of the new Indonesian state and symbolize the meaning of nationalism. Thus, the icon which also represents symbolic meaning becomes an essential aspect in the design of Jengki-style buildings in the future. This icon can be an alternative to be applied to modern buildings that are intended to display national icons, rather than particular regional icons. Besides enriching the architectural knowledge of Indonesian architecture, the results of this study are beneficial to architectural practitioners, stakeholders, and architectural conservationists as well
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (September 20, 2015): 24. http://dx.doi.org/10.18686/wcj.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Tong, Lihong, and Xueliang Zhu. "Analysis on Application of Traditional Architectural Elements in Modern Architectural Design." World Construction 4, no. 3 (September 20, 2015): 24. http://dx.doi.org/10.18686/wc.v4i3.7.
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<p>In modern architectural design, the scientific use and development of Chinese traditional architectural elements is an issue studied in-depth by every building designer. Exploration is made from the application of humanity concept in traditional Chinese architectural culture. The traditional architectural space design applications, the use of traditional architecture symbols, traditional architectural elements applications and other aspects, have important significance to implant traditional Chinese architectural elements into the development of modern architecture.</p>
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Ma, Jian. "Architectural Programming and Architectural Design." Advanced Materials Research 1065-1069 (December 2014): 2650–53. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2650.
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Architectural programming provides the basis of architectural design, and provides a framework to guide the whole construction process, results and quality control of the project, the construction activities towards our default direction. Architecture programming plays a very important role in the control of the whole design process and design quality.
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Francalanci, Chiara, and Vincenzo Piuri. "Designing Information Technology Architectures: A Cost-Oriented Methodology." Journal of Information Technology 14, no. 2 (June 1999): 181–92. http://dx.doi.org/10.1177/026839629901400207.
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This paper proposes a design methodology of information technology architectures tying organizational requirements to technical choices and costs. The primary goal is to provide a structured support for the selection of the minimum-cost architecture satisfying given organizational requirements. Previous empirical studies have attempted absolute cost comparisons of different architectural solutions, primarily relying on the expertise of practitioners and a priori beliefs, but have rarely taken into account the impact of organizational requirements on costs. Requirements are modelled as information processes, composed of tasks exchanging information and characterized by varying levels of computational complexity. Different architectural distributions of presentation, computation and data management applications are compared. The cost implications of organizational requirements for processing intensity, communication intensity and networking are analysed. The results show a relationship between structural features of information processes and architectural costs and indicate how architectural design should be based on organizational as well as technology considerations.
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Figueira, Jorge, and Bruno Gil. "Biographies of Power: Personalities and Architectures." Joelho Revista de Cultura Arquitectonica, no. 8 (December 26, 2017): 170–200. http://dx.doi.org/10.14195/1647-8681_8_11.
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This section displays the work produced by the students of the Department of Architecture of the University of Coimbra (DARQ, UC) for the courses History of Architecture III and History of Architecture IV in the academic year 2016-2017. The main theme for the practical works of both course units was Biographies of Power: Personalities and Architectures. The work was exhibited in the gallery of DARQ, UC in September 2017. The works presented for Biographies of Power: Personalities were focused on the passage of testimony between Louis Sullivan and F. L. Wright. While they crucially contributed to the identity of a modern and American architecture, they carried out a professional and personal relationship that was also guided by the measurement of forces. The work done by the students for Biographies of Power: Architectures resulted from an observation of a set of buildings that goes beyond their architectural and physical contours, or which precisely searches for their actual description, in the light of any ideology that is ultimately represented or even reinforced by its own architectural condition.
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Hasegawa, Shiho. "A study of the biological concept in architectural thought: A comparison between 'Der raum als membran' (1926) and 'Metabolism' (1960)." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 427–40. http://dx.doi.org/10.5937/saj1903427h.
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This study analyzes the biological influence on the architecture in the 20th century by focusing on two particular biological architectural thought; "Der Raum als Membran (Space as Membrane)" by Siegfried Ebeling in 1926 and "Metabolism" by a group of Japanese architects in 1960. First, I discuss "Der Raum als Membran". Ebeling saw architecture or space as a biological membrane, like skin or a cell, and he proposed a theory of biological architecture. He not only introduced into planning an environment this biological metaphor with its flexibility of a membrane but also incorporated a biological concept like Umwelt. Second, I investigate a manifesto by the name of "Metabolism", which was produced in 1960 by a group of Japanese architects. They thought buildings and urban designs had an existence and underwent metabolism, which is a basic function of living things, and proposed variable and proliferate architectures having dynamic time spans. By comparing these biological architectural concepts, I point out three main similarities: 1) the expansion of the biological concept into architecture; 2) the cell as a metaphor; and 3) dynamic buildings or urban design. Although the authors had different backgrounds, all of them introduced new architectural ideas in their own times.
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Luo, Jin Ge, and Fei Hu Chen. "Symbolic Representation of Indigenous Architectures in Meishan Region." Applied Mechanics and Materials 357-360 (August 2013): 168–71. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.168.
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The regional expression of architecture is a hot topic in the field of architectural research. The symbolic representation of architectures is the key technique of expression of regional architectures and indigenous culture. Based on a case study of Meishan Cultural Park, this paper discussed the features of symbolic representation and its function in the protection and transition of regional culture and architectures.
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Suhanov, V., and O. Tyurikova. "MODERN ARCHITECTURAL PROCESS AND CURRENT TASKS OF ARCHITECTURAL ACTIVITY." Modern construction and architecture, no. 7 (March 6, 2024): 58–65. http://dx.doi.org/10.31650/2786-6696-2024-7-58-65.
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The article is devoted to the identification of the features of the modern architectural process and the establishment of actual tasks of architectural activity. Today's society, science, and practice are experiencing phenomena that radically change the approaches and paradigms of the architectural process. The paper highlights the contradictions in the theory and practice of architecture that need to be resolved; considers aspects of the modern ideology of architecture; develops certain provisions of the theory of the environmental approach, namely, the features of "understanding" design, the communicative component of architectural activity; emphasizes the interaction of various actors in the process of architectural activity, the dialogue of the architect with stakeholders. The author emphasizes the decisive role of the architect as an organizer and coordinator of the design process, the interpretation of the architectural process as a component of the overall socio-cultural process. The biggest shifts are taking place in the field of the environmental approach to architectural activity. Environmental issues, which bring people and their lifestyles to the forefront, give impetus to the development of architectural management and marketing. These changes in priorities have led to a problematic situation in the theory of architecture and opened up a new space of work: the identification and recording of environmental experiences and images, the production of these experiences and the management of this process. The environmental approach outlines the future trajectories of architectural work, the essence of which is the inclusion of the designer in the life of the population, the materialization of their own version of life processes, the identification of a set of specialized activities that support the ideology of social progress and cultural development. Scientific research and architectural practice should be based on the achievements of the philosophy of architecture, understanding of new value orientations, taking into account the differences and pace of social change, etc. There is a need to recognize the importance of such a factor as the subject of the architectural process. Changing the basic guidelines of the consumer of an architectural object requires ensuring at the design stage the possibility of transforming an architectural object in the process of its further operation, predicting the emergence of new functions and the formation of their new material shell. The article outlines the contours of scientific innovations in the field of architecture - the theory of architectural activity in the conditions of intersubjective interaction; suggests forms of correct introduction of the concept of "design subject", which is active in the architectural environment, into design practice and theory of architectural activity.
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Wang, Yanxia, and Leiyi Chen. "Architectural and Landscape Garden Planning Integrated with Artificial Intelligence Parametric Analysis." Security and Communication Networks 2022 (March 11, 2022): 1–9. http://dx.doi.org/10.1155/2022/8577269.
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Parametric design, driven by digital technology, has sparked extensive research and debate in the domains of architecture and urban planning, offering a new approach to issue solving. Architecture and landscape architecture, like architecture and urban planning, are disciplines that are part of the artificial environment. Architectural landscape design has begun to be influenced by parametric design. This study presents a more technical parametric design technique of architectural landscape design that involves artificial intelligence parametric analysis and proposes an architectural landscape planning and design method that incorporates artificial intelligence (AI) parametric analysis. This is a new discipline of concurrent design that complements and expands architectural landscape design methodologies and is based on artificial intelligence methods. This study integrates artificial intelligence parametric design theory and methodology into architectural landscape design and presents a parametric method appropriate for landscape architecture design based on architectural landscape architecture characteristics.
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Dončević, Juraj, Krešimir Fertalj, Mario Brčić, and Agneza Krajna. "Mask–Mediator–Wrapper: A Revised Mediator–Wrapper Architecture for Heterogeneous Data Source Integration." Applied Sciences 13, no. 4 (February 14, 2023): 2471. http://dx.doi.org/10.3390/app13042471.
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This paper deals with the mediator–wrapper architecture and observes it in more modern aspects by relating it to architectural quanta. It is an important architectural pattern that enables a more flexible and modular architecture in opposition to monolithic architectures for data source integration systems. This paper identifies certain realistic and concrete scenarios where the mediator–wrapper architecture underperforms. These issues are addressed with the extension of the architecture via the mask component type. The mask component is detailed so it can be reasoned about without prescribing a concrete programming language or paradigm but still providing a working principle. The benefits of the new mask–mediator–wrapper architecture are analytically proven in relevant scenarios. The proof includes a software shift–cost analysis whose results quantitatively show the improvement of the mask–mediator–wrapper architecture over other mediator–wrapper architecture settings. One of the applications of the new architecture is envisioned for modern data sources integration systems backing big data processing.
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Asak, Ilayda. "A study on graduate level education in architecture: Case of Turkey." Global Journal of Arts Education 6, no. 3 (May 31, 2017): 89–100. http://dx.doi.org/10.18844/gjae.v6i3.1702.
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Today, there are 41 universities offering graduate education programs in architecture. Those programs cover a number of different topics including architectural conservation and restoration, architectural restoration, architectural design, informatics in architectural design, architectural planning and design, architecture history, architectural history and theory, architecture and built environment, digital design in architecture and production. The council of higher education presents that 2978 master theses submitted and approved by Council of higher education. In this study, the master theses submitted to the graduate programs have been investigated. Matrix has been developed regarding o the sex, language, topics, universities. The types of graduate school are natural science and social science. The results of the study show that the number of female students is higher than the male students. The number of theses in Turkish is increasing. The increasing number of theses investigating build technology builds physics and building and construction and computational design is of importance. It is possible to determine that the current and popular topics of Turkish graduate programs in Architecture are in parallel with the prevailing agenda of World architecture.
Key Words: theses in architecture, graduate level education, architectural education.
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Nepravishta, Florian. "Contemporary Architecture in Tirana during the Transition Period." South East European Journal of Architecture and Design 2016 (May 12, 2016): 1–10. http://dx.doi.org/10.3889/seejad.2016.10019.
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AIM: Tirana is a city that in transition period has been changed and transformed both architecturally and in its urban form.MATERIAL AND METHODS: Unavoidable changes in urban rush: from unregulated spontaneous development and without infrastructure it has gone through the urban redevelopment planning and architectural projects.RESULTS: Actually some of the most famous European studios, from Bolles+Wilson to MVRDV, AtenaStudio, Bjarke Ingels, Archaea Studio, Grimshaw, Daniel Libeskind are facing Tirana capital that has claimed the international architectural culture’s attention.CONCLUSION: This article draws a view of contemporary architecture produced by domestic and international architects and planners in a city looking through the new century with a will of renewal throw contemporary planning and architecture.
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Jain, Unnati. "Unveiling the Architectural Heritage of Gujarat from 600-1700 CE." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 06 (June 20, 2024): 1–5. http://dx.doi.org/10.55041/ijsrem35733.
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Gujarat's architecture is rich in cultural diversity & iconicity. Through this research, we will understand the evolution of Gujrat’s architecture from (600 CE to 1700 CE). It reveals the cultural and historical influence in molding the traditional architectural styles and techniques of Gujrat. This era reveals architectural marvels that symbolize prestige, religious fervors, and power. The influence of Jain, Hindu, Islamic, and Buddhist architectural elements highlights the diverse cultural heritage of Gujarat. Understanding Gujarat's cultural identity and preserving this architectural legacy are important. Key Words: Architectural Heritage, Cultural Identity, Medieval Period, Indo-Islamic Architecture