Relevant bibliographies by topics / Architectural representation

Academic literature on the topic 'Architectural representation'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Architectural representation"

1

Suárez, Luis Alfonso de la Fuente. "TOWARDS EXPERIENTIAL REPRESENTATION IN ARCHITECTURE." Journal of Architecture and Urbanism 40, no. 1 (April 6, 2016): 47–58. http://dx.doi.org/10.3846/20297955.2016.1163243.

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Planning and predicting the experiences that buildings will produce is an essential part of architectural design. The importance of representation lies in its ability to communicate experiences before a building is materialized. This article will treat the topic of representation of architecture works without putting aside our direct experience with edifices. By understanding the perceptual, associative and interactive phenomena that arise from the human encounter with buildings, it becomes possible to comprehend the representation of these phenomena through pictorial means. The first objective of this theoretical article is to define the inherent and unavoidable factors that are present in the creation and interpretation of all architectural representations, regardless of the technical means used. Any representation conveys two processes: the representation of experience (a creative process), and the experience of representation (an interpretive process). Furthermore, there exist two layers in any representation: the what (the architectural object) and the how (the representational medium). The second objective is to suggest alternatives to visual realism, in order to create representations that embody the particular phenomena that an architectural work will be able to produce. On the one hand, representations that pretend to copy reality produce in the observers detailed visual experiences; on the other hand, certain representations reflect the experiences themselves after they have been produced; they represent buildings as they are transformed by experience. This article focuses on those representations that are not only the reflection of an object, but also the reflection of our way of experiencing it.
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Nayeb, Aslan, and İzzettin Kutlu. "Increasing visual perception in architecture education: An architectural representation study." Visual Inquiry 10, no. 3 (December 1, 2021): 329–43. http://dx.doi.org/10.1386/vi_00058_1.

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Representation is a tool that facilitates the transfer of an idea. Architectural representations not only help differentiate the thoughts that the designer has in his mind, but also create a space where he can simplify what he has in mind when uploading it. This article makes a study on developing visual perception ability by including architecture students in the education process. Representation has become a necessary tool, especially in conveying thoughts. In this study, representation was analysed by architecture students through the five structures designed by Louis Kahn, one of the famous architects of the twentieth century. Students were asked to discover the remarkable features of buildings and produced 15 × 15 cm2 architectural representations. As a result, the student’s perception of these buildings increased significantly and provided lesson hours to be more productive while creating architectural representations.
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Kaufman, Edward N. "Architectural Representation in Victorian England." Journal of the Society of Architectural Historians 46, no. 1 (March 1, 1987): 30–38. http://dx.doi.org/10.2307/990143.

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Victorian architectural theorists believed that buildings were capable of conveying meanings in a direct and precise way, rather like books, paintings, or even orators. These meanings were understood to refer to things outside the building: architecture was thus conceived to be a representational form of art. This essay explores some of the consequences of this view. What subjects did Victorian buildings represent, and how did they do so? What criteria determined a building's adequacy as a representation? How, finally, did the demand for representational content shape the central Victorian concept of architectural truth?
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Baraona, Phillip, and Perry Alexander. "Abstract Architecture Representation Using VSPEC." VLSI Design 9, no. 2 (January 1, 1999): 181–201. http://dx.doi.org/10.1155/1999/95465.

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Complex digital systems are often decomposed into architectures very early in the design process. Unfortunately, traditional simulation based languages such as VHDL do not allow the impact of these architectural decisions to be evaluated until a complete, simulatable design of the system is available. After a complete design is available, architectural errors are time-consuming and expensive to correct. However, there is an alternative to simulation based techniques: formal analysis of abstract architectures at the requirements level. This paper describes VSBEC'S approach for defining and analyzing abstract architectures. VSBEC is a Larch interface language for VHDL that allows a designer to specify the requirements of a VHDL entity using the canonical Larch approach. VHDL structural architectures that instantiate VSPEC entities define abstract architectures. These abstract architectures can be evaluated at the requirements level to determine the impact of architectural decisions. This paper briefly introduces VSPEC provides a formal definition of VSPEC abstract architectures and presents two examples that illustrate the architectural definition capabilities of the language.
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Wang, Xue Yong, Bo Zhou, Wen Dong, and Jing Wei Gong. "Modern Representation of Traditional Architectural Style." Applied Mechanics and Materials 584-586 (July 2014): 272–75. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.272.

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Based on the architectural design practice of Peach Blossom Valley Traffic Control and Training Center, this paper probes into several key points of modern architecture creation from the aspects of local cultural context, adaptation to local conditions, traditional signs and architectural style, etc., emphasizing that traditional local architectural culture should be inherited and developed in the modern architecture design.
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Luo, Jin Ge, and Fei Hu Chen. "Symbolic Representation of Indigenous Architectures in Meishan Region." Applied Mechanics and Materials 357-360 (August 2013): 168–71. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.168.

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The regional expression of architecture is a hot topic in the field of architectural research. The symbolic representation of architectures is the key technique of expression of regional architectures and indigenous culture. Based on a case study of Meishan Cultural Park, this paper discussed the features of symbolic representation and its function in the protection and transition of regional culture and architectures.
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7

Rahman Wahid, Arif, and Paramita Atmodiwirjo. "Storyboard as a Representation of Urban Architectural Settings." SHS Web of Conferences 41 (2018): 07004. http://dx.doi.org/10.1051/shsconf/20184107004.

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Narrative, as one of the closest aspect to human experience, is sometimes overlooked because of its subtlety with everyday life. The study of its representation, narratology, discusses the manner of selling space and time as a series of interconnected events instead of independent occurrences. It offers an interesting view in rethinking architecture, in particular, its representations. In architectural education, dialogue between the two fields will change the way the next generation architecture graduates tell their ideas. Current architecture schools should not be looked as factories that produce only future architects. It is proven by the fact that some, if not most, graduates will have jobs other than professional architects. They may work as set designers, filmmakers, artists, or invent their own field. Architecture schools, at their best, are more about how to ensure the students can perform spatial thinking and expressing their ideas through representation. All of these circumstances lead to the importance of multidisciplinary discourse in architecture education. This paper aims to explore the potential of storyboarding practice in Basic Design 2 studio as part of architectural education at University of Indonesia. Adopting a narrative element, storyboard in this studio is used to read urban architectural settings and retell everyday life events; scene by scene, unfold in space and time, through different kinds of creative representations. By doing this exercise, the students ‘sense of spatial arrangement is developed by their understanding of position and orientation of objects settings. They also learned about how the time works; both in compressed or expanded ways. Decision-making in choosing the key events within the storyboard plays a role in making engaging visuals. In conclusion, storyboarding exercise to represent urban architectural settings will enhance the students ‘sensitivity of space, time, and how their ideas are being told by making a rich, multi-layers of narrative.
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8

Andjelkovic, Katarina. "Kinesthetic Imagination in Architecture: Design and Representation of Space." Život umjetnosti, no. 106 (November 30, 2020): 22–35. http://dx.doi.org/10.31664/zu.2020.106.02.

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Histories of architecture have long-recognized the vital role of concepts, strategies and principles exchanged between architecture and film, which reconfigured their systems of knowledge and made this relationship rich. Nonetheless, film has been used mainly as an instrument of narration and representation in architecture, only rarely engaged in questioning how it affects the way we understand, think and design space. Some of the most recent architectural design practices have recognized that film, using its specific screen environment, can provide a source of new architectural imagination while contextualizing our kinesthetic experience of space. In this article, I will examine how kinesthetic imagination has informed architectural practice in relation to the established practices of architectural representation.
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Perez-Gomez, Alberto, and Louise Pelletier. "Architectural Representation beyond Perspectivism." Perspecta 27 (1992): 20. http://dx.doi.org/10.2307/1567174.

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Vroman, Liselotte, and Corneel Cannaerts. "Other Perspectives: Extending the Architectural Representation." Research in Arts and Education 2022, no. 2 (December 22, 2022): 12–24. http://dx.doi.org/10.54916/rae.122983.

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This paper discusses how the tension between arts and science inherent in the discipline of architecture, can be traced in architectural representations, which are not neutral but actively contribute to the design process, ranging from highly poetic, subjective, and artistic to more exact and objective. Within this paper, we reflect on how to overcome this restrictive perspective implicit in conventional design media by comparing two elective courses that aim to broaden the traditional architectural perspective. In doing so, we take a position in the broader debate on the role of artistic practices within an academic learning environment.
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Dissertations / Theses on the topic "Architectural representation"

1

Bakht, Nazli. "Analysis Of The Limits Of Representation Of Architectural Photographic Images In Periodicals." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608921/index.pdf.

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This study aims to analyze the limits of representation of architectural photographic images in periodicals within architectural media that shape today&
#8217
s architectural production. This aim is accomplished in three sections
examining the power of image in architecture
examining architectural media and examining the periodicals&
#8217
attitudes towards using architectural photography. A case study is done to uncover the relationship between the photograph and the medium that it takes place on and determine the continuities and discontinuities between the architecture and visual language that is used to &
#8216
represent&
#8217
it. Zaha Hadid is selected as she is one of the leading figures in contemporary architectural culture and her projects are widely published in media. The exemplary periodicals from different cultural domains are selected according to their positions in architectural media. Selected examples are thought to be the representative for each domain. The contextual properties of each domain are outlined and compared through a set of variables. These variables appear to form the ground for the identification of the limits of architectural media within contemporary architectural production. Finally, the case study aims to understand the periodicals&
#8217
attitudes towards using photographic imagery and finally compare architect&
#8217
s intentions and design considerations about his projects and the way it is represented in selected periodicals.
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2

Bridgens, Benjamin Nathan. "Architectural fabric properties : determination, representation & prediction." Thesis, University of Newcastle Upon Tyne, 2005. http://hdl.handle.net/10443/1735.

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Coated woven fabrics are used in state-of-the-art structures and yet broad assumptions are made in both material testing and behaviour. Current design practice makes little reference to the complex non-linear behaviour of architectural fabrics. A better understanding of fabric response should enable reduction of safety factors, use of more economic materials and allow more architectural freedom in the forms that can be achieved. With limited availability of test equipment and no European standards on biaxial testing, a biaxial test rig has been designed and built for this work and a new test protocol has been developed. Application of prestress followed by cyclic loading conditions the fabric and enables medium to long term properties to be measured which are appropriate for structural design. Thorough sampling of all feasible design stress states fully quantifies the fabric response. Testing has been carried out on a wide range of PVC coated polyester and PTFE coated glass-fibre fabrics. Fabric test data is commonly manipulated to fit within a plane stress framework. It is shown in this work that plane stress theory is inappropriate for representing the complex deformation mechanisms of coated woven fabrics. It is proposed that the test data is used directly in finite element structural analysis by interpolation between values in a database of test results, with no limiting plane stress assumptions. 'Feasible strain plots' provide a new tool for quantifying fabric behaviour. A predictive fabric model based on force equilibrium in the fabric 'unit cell' has been developed. The model aims to be easily accessible to the design engineer, with all parameters derived from standard tests. Whilst avoiding unnecessary complexity, the model realistically models key fabric deformation mechanisms. The model provides a more accurate representation of fabric behaviour than current industry best practice (i.e. use of elastic constants based on biaxial test data), but without the need for specialist testing.
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Koslowski, Benjamin. "Framing privacy : architectural representation in digital spaces." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3398/.

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Individual privacy can be compromised in digitally mediated spaces, as networked communication has made scales of interaction and degrees of visibility difficult to grasp. This inquiry argues that privacy is a spatially-conditioned mental construct and tests architectural representation as a means of orienting the individual online through spatial design practice on three scales, from the miniature to the room and the neighbourhood. Framed by the methodology of architectural representation, privacy online offers the narrative hook and driver for research. This identifies principles underlying architectural practice that can contribute to understandings of digital spaces of interaction, such as online social networking platforms, from the point-of-view of a designer-researcher. The research has been developed under the umbrella of the Creative Exchange, a national AHRC-funded knowledge exchange hub enabling interdisciplinary and inter-organisational collaboration between academia and industry. Asking how different scales of architectural representation can help to orient the individual in digital spaces, ‘methods of spatialisation’ aim to render tangible and experiential a range of observations of the digital; they result in miniature artifacts, immersive installations and interactive hybrid digital-physical platforms. Through methods of inquiry, including Donald Schön’s methods of reflective practice and the ‘design situation’, these operate as a lens on to the digital. Instead of aiming to reconceptualise privacy itself, it is considered as symptomatic of the challenges brought about by digital spaces, and informs means of evaluation. The original contribution the research makes to knowledge in the field of design research at the intersection of architecture and communication design lies in adapting architectural representation for digital contexts: it develops approaches rooted in architecture and aims to frame them for interdisciplinary design contexts engaging with digital spaces. The resulting framework brings together the key foundational architectural parameters of scale, distance and time, and three design methods of spatialisation: miniaturisation, immersion and mapping. These help to reframe challenges of digital communication – such as privacy online – from the perspective of the designer-researcher. Through the practice-led inquiry, digital settings that are not easily grasped intuitively are framed as new contexts for architectural expertise, helping to establish the efficacy of architectural representation in addressing challenges of the digital through reflective design processes.
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Sims, Anita Nanette. "The influence of representation on the design process." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/22995.

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Smith, Troy James. "Generating a holistic architecture of direct experience, the negation of conventional architectural representation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0024/MQ50308.pdf.

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Dwityabaswara, Dionisius M. "Voluntary movement in architectural representation the exploration of video game technology in architecture /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1206627219.

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Thesis (M.S.)--University of Cincinnati, 2008.
Advisors: John E. Hancock Dr (Committee Chair), David G. Saile PhD (Committee Member), Jose M. Kozan MS. Arch (Committee Member) Title from electronic thesis title page (viewed Sept. 7, 2008). Includes abstract. Keywords: Architectural representation; real-time rendering technology; voluntary movement; virtual reality; video game Includes bibliographical references.
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DWITYABASWARA, DIONISIUS M. "Voluntary Movement in Architectural Representation: The Exploration of Video Game Technology in Architecture." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1206627219.

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Yu, Hao-wei. "The role of integrated graphic representation of architectural space and human behavior." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/539811.

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The purpose of this creative project was to develop suitable design tools and language of behavioral analysis which could be employed in environmental design with regard to the related human behavior. The interaction of human activity and the built environment was considered as a common ground on which a basic architectural design process could be founded. To achieve a clearer understanding of the role of integrated graphic representation of the interaction of human behavior and environment, three concerned aspects were explored. These are: Pattern of the interaction between people and the built environment, Design tool and language, and Communication in the design process. As for the first aspect, three kinds of interactions of people and environment were distinguished. For the second aspect, design language was enriched with the exploration of integrated graphic representation of architectural space and human behavior. For the third aspect, the focus of graphic communication in the traditional design process was shifted from physical form to the pattern of interrelationship of people and environment. The design of the proposed International Student Center at Ball State University was completed to demonstrate the above aspects.
Department of Architecture
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Zhang, Yimeng. "Chinese drawing, architectural poetics : traditional painting as a semantic representation of modern architectural design." Doctoral thesis, Universitat Politècnica de Catalunya, 2019. http://hdl.handle.net/10803/667320.

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This thesis is partly an attempt to explore the potential of pre-modern Chinese painting, on its distinctive formats and schemes to achieve spatial depth and time duration, as a way to interpret and design architecture. By a survey on changing modes of Chinese traditional landscape and cityscape paintings in different scales, the poetic language of painting will be gradually explored. Beyond pictorial techniques, language is concerned with an ideological level of understanding and experience. Thus, it signposts a wider significance of architectural representation – as a verbal medium to express narrative and critic semantics besides visual effects. In this thesis, we will also see how traditional painting remains a base in the ideating process of several contemporary Chinese architects, so to avoid a mere uncritical imitation of international models. A subtle fusion of contemporaneity with cultural identity afforded by the presence of taken concepts from traditional painting, allows this architecture to increase its meaning and dimension. Lastly, understanding such processes of ideation can possibly provide us assistance in the intuitive formulation of ways to enrich Western architecture. Particularly, establishing poetic connections to our cultural traditions can be a useful strategy to prevent Western architecture's frequent falls into empty excesses of utilitarianism, iconicism or simple banality.
Esta tesis en parte intenta explorar la capacidad de la pintura china pre-moderna en sus peculiares formatos y esquemas para lograr expresar la profundidad del espacio y la duración del tiempo, como una manera de interpretar y diseñar arquitectura contemporánea. Mediante un estudio de la pintura tradicional de temática paisajística y urbana, y a diferentes escalas, se analizará el lenguaje poético de la pintura china. Más allá de las técnicas pictóricas, este lenguaje se sitúa en un nivel ideológico de comprensión y experiencia; expresa, por tanto, una gama de significados más amplia que la mera representación arquitectónica, actúa como lo haría un medio verbal para expresar una semántica de tipo crítico y narrativo, además de los consiguientes efectos visuales. En esta tesis, también veremos cómo la pintura tradicional sigue siendo la base del proceso de creación de ideas de varios arquitectos chinos contemporáneos para evitar así una mera imitación acrítica de modelos internacionales. Una fusión sutil de la contemporaneidad con la identidad cultural proporcionada por la presencia de conceptos de la pintura tradicional permite a esta arquitectura ganar nuevas capas de significado y dimensión. Por último, comprender tales procesos de ideación puede brindarnos ayuda en la formulación intuitiva de formas de enriquecer la arquitectura occidental. En particular, establecer conexiones poéticas con nuestras tradiciones culturales puede ser una estrategia útil para prevenir las frecuentes caídas de la arquitectura occidental en los excesos vacíos del utilitarismo, el iconicismo o la simple banalidad.
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Gunhan, Aslihan. "From Houses To House Museums: Architectural Representation Of Different Narrations." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613838/index.pdf.

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The transformation of historic houses into house museums is not only a current issue within the field of museology, but also a new phenomenon for architecture. The deconstruction of the term &ldquo
house museum&rdquo
into &ldquo
house&rdquo
and &ldquo
museum&rdquo
and the meaning these terms acquire, have the potential to generate a new discussion in architecture. Besides being a physical dwelling unit, &ldquo
house&rdquo
will be interpreted as a domestic space where the inhabitants are able to personalize. A museum, on the other hand, will be approached as a modern institution reflecting issues related with historiography and aesthetics. &ldquo
Curiosity Cabinets&rdquo
as the origin of museums are re-visited for its conceptual correspondence with the house museum. Interpreting the house museum as the new curiosity cabinet, the analysis of the terms &ldquo
house&rdquo
, &ldquo
home&rdquo
, &ldquo
museum&rdquo
and &ldquo
house museum&rdquo
has the power to decipher the potentials of a spatial transformation, which renders the curiosity arousing concepts and spatial formations visible. Specific tools of architectural narrative are used to interpret selected cases, aiming to perform an integrated discussion on this architectural entity.
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Books on the topic "Architectural representation"

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Greenstreet, Bob. Architectural representation. Englewood Cliffs: Prentice Hall Inc., 1988.

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Greenstreet, Bob. Architectural representation. Englewood Cliffs, N.J: Prentice Hall, 1988.

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Adham, Khaled, Edson Cabalfin, and Sumayah Al Solaiman. Representation of tradition. Berkeley, CA: IASTE, 2014.

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Christenson, Mike. Theories and Practices of Architectural Representation. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351677790.

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1963-, Pelletier Louise, ed. Architectural representation and the perspective hinge. Cambridge, Mass: MIT Press, 1997.

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Practice: architecture, technique and representation. [Amsterdam]: G+B Arts, 2000.

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John, Beckmann, ed. The virtual dimension: Architecture, representation, and crash culture. New York: Princeton Architectural Press, 1998.

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Persistent modelling: Extending the role of architectural representation. Abingdon, Oxon [England]: Routledge, 2012.

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A, Millon Henry, and Magnago Lampugnani Vittorio 1951-, eds. The Renaissance from Brunelleschi to Michelangelo: The representation of architecture. New York: Rizzoli, 1997.

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S, Ackerman James, and Jung Wolfgang, eds. Conventions of architectural drawing: Representation and misrepresentation. [United States: s.n.], 2000.

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Book chapters on the topic "Architectural representation"

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Lladó, Juan Saumell. "Participative Graphic Representation with Limited Access Database." In Architectural Draughtsmanship, 1191–203. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_94.

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Bertocci, Stefano, Silvia La Placa, and Marco Ricciarini. "Architectural Language, Between Narration and Architectural Representation." In Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination, 726–38. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41018-6_59.

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Madrazo, Leandro. "Systems of Representation. A Space for Constructing Knowledge." In Architectural Draughtsmanship, 13–26. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_2.

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Pirinu, Andrea. "Urban Landscape Analysis. Graphical Representation of “Castello” in Cagliari." In Architectural Draughtsmanship, 743–55. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_58.

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Koutamanis, Alexander, and Peter den Hartog. "Simulation and representation." In Computer Aided Architectural Design Futures 2001, 657–66. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0868-6_49.

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O’Reilly, Una-May, and Peter Testa. "Representation in Architectural Design Tools." In Evolutionary Design and Manufacture, 137–48. London: Springer London, 2000. http://dx.doi.org/10.1007/978-1-4471-0519-0_11.

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Capati, Alessandro. "Architectural Modeling in a Fab Lab." In Urban Design and Representation, 117–26. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51804-6_9.

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Cairns, Graham. "Right to buy – the architectural imagery of home." In Reification and Representation, 121–48. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315682624-6.

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Bernal López-Sanvicente, Amparo. "The Aesthetic Influence of Photography in the Representation of Architecture." In Architectural Draughtsmanship, 479–91. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_37.

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Brusaporci, Stefano. "Graphical Analysis 2.0: Digital Representation for Understanding and Communication of Architecture." In Architectural Draughtsmanship, 531–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_41.

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Conference papers on the topic "Architectural representation"

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Talha Farooqi, Abu, and Sourav Banerjea. "Visual Culture, Disciplinary Engagement and Drawing: Pedagogical Possibilities for an Indian Way of Architectural Thinking." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.33.

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Architectural thinking and design process have always been dependent upon the representational medium and language of architecture – conventional drawings, diagramming, models, and iconography, to name a few. As a result of technological advancement (therefore possibilities) and socio-economic change, representation techniques have evolved, from conventional processes to ‘augment-ed reality’. Representation techniques and means in the production of architecture are critical to cover the conceptual range in which architecture can be created. This paper places this issue within the larger heterogeneous culture comprising technological, social, eco-nomic aspects and aims to unravel the conceptual underpinnings of the existing architectural thinking, representational culture in India. It examines ‘drawing’ as a convincing and disciplinary medium of language and representation and steers towards a ‘representation-al maxim’ between technology and value, discipline and consumption, tradition and modernity in the context of architectural thinking process in India.The forces of capitalism, globalization, consumer culture, celebrity and media culture, visual culture, technocracy have been instrumental in creating reality-based representational systems, which are reluctant to engage with the discipline of architecture and think beyond it. Steenson1 remarks about Augmented Reality “A novel form of spatial representation, which substitutes for the actual experience”. With access to augmented reality technology, the client no longer has to interpret the traditional plans, section and elevations, nor look into printed photomontage or virtual walkthroughs. He will be able to stand in his yet to come living room, go, on foot, from there to the kitchen, visit the bedrooms and, by doing so, get an ‘augmented’ experience of those spaces. Software is the agent of consumption, and it is only in the architectural process (thinking & delving), that this consumptive culture subsides, notwithstanding the fact that, for many architects and students, software and technology are steadily and consciously becoming ‘ends’ rather than ‘means’ in the design process.
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"ONTOLOGY-DRIVEN 3D RECONSTRUCTION OF ARCHITECTURAL OBJECTS." In 3D Model Aquisition and Representation. SciTePress - Science and and Technology Publications, 2007. http://dx.doi.org/10.5220/0002047300470054.

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Aksamija, Ajla. "Knowledge-Based Representation of Architectural Design Process." In Architectural Engineering Conference (AEI) 2008. Reston, VA: American Society of Civil Engineers, 2008. http://dx.doi.org/10.1061/41002(328)65.

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Fortuzzi, Angelika, A. Giangrande, Paolo Mirabelli, and Elena Mortola. "Dynamic Urban Representation for Innovative Planning Methodologies." In eCAADe 2001: Architectural information management. eCAADe, 2001. http://dx.doi.org/10.52842/conf.ecaade.2001.500.

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Fortuzzi, Angelika, A. Giangrande, Paolo Mirabelli, and Elena Mortola. "Dynamic Urban Representation for Innovative Planning Methodologies." In eCAADe 2001: Architectural information management. eCAADe, 2001. http://dx.doi.org/10.52842/conf.ecaade.2001.500.

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Keslacy, Elizabeth M. "Productive Anachronism: Paper Quilling and the Craft of Architectural Representation." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.34.

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The materials and techniques that we use to create architectural representations undoubtedly affect how we apprehend the work of architecture being depicted. By analogy, if we consider Leonardo da Vinci’s oil-on-poplar depiction of Lisa Gherardini next to a pencil sketch, a comic-book style half-tone, and a graffiti-based interpretation of the Mona Lisa, it’s clear that each medium maintains its own set of associations, while, at the same time, clearly communicates its content and reference. The medium is not perhaps the whole message, but it is an important component of our experience of images and drawings.It is also true that the choice of a particular mode of drawing during the design process can profoundly shape the object being designed. Any student of architecture can rattle off the implications of choosing Rhino, Sketch-Up, Maya, AutoCad, or Revit to work through an architectural design problem, particularly in terms of the forms and details that each software facilitates easily or with difficulty. Robin Evans’ insights about drawing’s fundamental difference from its content, and yet the agency it maintains in the shaping of that content, turns out to be just as true in the digital age as it was in the era of hand drawing.1 Unfortunately, the professional trend toward hyperreal image-making has meant concealing the drawing’s own construction processes and neutering its space-generating potential. The speculative and uncertain nature of hand-production is sublimated in favor of the glossy render that makes the proposed appear as already-real. The pendulum is already swinging away from this tendency in some academic and professional circles, largely under the banner of the post-digital.2 Despite a return to orthography, collage, and an “illustrated” rather than “rendered” sensibility, the so-called post-digital largely remains stubbornly digital. How, in a world saturated with Instagram-worthy architectural images, can we teach our students to reinvest in a drawing-based design process that is experimental and open-ended? How can drawing itself be reinvigorated both in terms of its representational agency and its abilities to produce new kinds of form and space?
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Hasabnis, Niranjan, and R. Sekar. "Lifting Assembly to Intermediate Representation." In ASPLOS '16: Architectural Support for Programming Languages and Operating Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2872362.2872380.

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Kyaruzi, J. J., and J. van Katwijk. "Towards explicit representation of architectural design assumptions." In Proceedings of ASE 2000 15th IEEE International Automated Software Engineering Conference. IEEE, 2000. http://dx.doi.org/10.1109/ase.2000.873670.

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Jain, Priya. "Building Biographies: Chronicling Time in Architectural Representation." In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.119.

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Marcus, Adam, and Andrew Kudless. "Drawing Codes. Experimental protocols of architectural representation." In ACADIA 2018: Re/Calibration: On Imprecision and Infidelity. ACADIA, 2018. http://dx.doi.org/10.52842/conf.acadia.2018.046.

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Reports on the topic "Architectural representation"

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Bachmann, Felix, Paul Clements, David Garlan, James Ivers, and Reed Little. SEI Workshop on Software Architecture Representation, 16-17 January 2001. Fort Belvoir, VA: Defense Technical Information Center, May 2001. http://dx.doi.org/10.21236/ada388784.

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Andrews, Michael, and David James. SBNR (Signed Binary Number Representations) Digital Signal Processor Architecture. Fort Belvoir, VA: Defense Technical Information Center, May 1987. http://dx.doi.org/10.21236/ada184603.

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Smith, Curtis L., Steven Prescott, Kellie Kvarfordt, Ram Sampath, and Katie Larson. Status of the phenomena representation, 3D modeling, and cloud-based software architecture development. Office of Scientific and Technical Information (OSTI), September 2015. http://dx.doi.org/10.2172/1245516.

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Zachary, Wayne, Joan Ryder, James Stokes, Floyd Glenn, Jean-Christophe Le Mentec, and Thomas Santarelli. Developing Concept Learning Capabilities in the COGNET/IGEN Integrative architecture and Associated Agent-based Modeling and Behavioral Representation (AMBR) Air Traffic Control. Fort Belvoir, VA: Defense Technical Information Center, September 2004. http://dx.doi.org/10.21236/ada439347.

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Markova, Oksana, Serhiy Semerikov, and Maiia Popel. СoCalc as a Learning Tool for Neural Network Simulation in the Special Course “Foundations of Mathematic Informatics”. Sun SITE Central Europe, May 2018. http://dx.doi.org/10.31812/0564/2250.

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The role of neural network modeling in the learning сontent of special course “Foundations of Mathematic Informatics” was discussed. The course was developed for the students of technical universities – future IT-specialists and directed to breaking the gap between theoretic computer science and it’s applied applications: software, system and computing engineering. CoCalc was justified as a learning tool of mathematical informatics in general and neural network modeling in particular. The elements of technique of using CoCalc at studying topic “Neural network and pattern recognition” of the special course “Foundations of Mathematic Informatics” are shown. The program code was presented in a CofeeScript language, which implements the basic components of artificial neural network: neurons, synaptic connections, functions of activations (tangential, sigmoid, stepped) and their derivatives, methods of calculating the network`s weights, etc. The features of the Kolmogorov–Arnold representation theorem application were discussed for determination the architecture of multilayer neural networks. The implementation of the disjunctive logical element and approximation of an arbitrary function using a three-layer neural network were given as an examples. According to the simulation results, a conclusion was made as for the limits of the use of constructed networks, in which they retain their adequacy. The framework topics of individual research of the artificial neural networks is proposed.
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Crowley, David E., Dror Minz, and Yitzhak Hadar. Shaping Plant Beneficial Rhizosphere Communities. United States Department of Agriculture, July 2013. http://dx.doi.org/10.32747/2013.7594387.bard.

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PGPR bacteria include taxonomically diverse bacterial species that function for improving plant mineral nutrition, stress tolerance, and disease suppression. A number of PGPR are being developed and commercialized as soil and seed inoculants, but to date, their interactions with resident bacterial populations are still poorly understood, and-almost nothing is known about the effects of soil management practices on their population size and activities. To this end, the original objectives of this research project were: 1) To examine microbial community interactions with plant-growth-promoting rhizobacteria (PGPR) and their plant hosts. 2) To explore the factors that affect PGPR population size and activity on plant root surfaces. In our original proposal, we initially prqposed the use oflow-resolution methods mainly involving the use of PCR-DGGE and PLFA profiles of community structure. However, early in the project we recognized that the methods for studying soil microbial communities were undergoing an exponential leap forward to much more high resolution methods using high-throughput sequencing. The application of these methods for studies on rhizosphere ecology thus became a central theme in these research project. Other related research by the US team focused on identifying PGPR bacterial strains and examining their effective population si~es that are required to enhance plant growth and on developing a simulation model that examines the process of root colonization. As summarized in the following report, we characterized the rhizosphere microbiome of four host plant species to determine the impact of the host (host signature effect) on resident versus active communities. Results of our studies showed a distinct plant host specific signature among wheat, maize, tomato and cucumber, based on the following three parameters: (I) each plant promoted the activity of a unique suite of soil bacterial populations; (2) significant variations were observed in the number and the degree of dominance of active populations; and (3)the level of contribution of active (rRNA-based) populations to the resident (DNA-based) community profiles. In the rhizoplane of all four plants a significant reduction of diversity was observed, relative to the bulk soil. Moreover, an increase in DNA-RNA correspondence indicated higher representation of active bacterial populations in the residing rhizoplane community. This research demonstrates that the host plant determines the bacterial community composition in its immediate vicinity, especially with respect to the active populations. Based on the studies from the US team, we suggest that the effective population size PGPR should be maintained at approximately 105 cells per gram of rhizosphere soil in the zone of elongation to obtain plant growth promotion effects, but emphasize that it is critical to also consider differences in the activity based on DNA-RNA correspondence. The results ofthis research provide fundamental new insight into the composition ofthe bacterial communities associated with plant roots, and the factors that affect their abundance and activity on root surfaces. Virtually all PGPR are multifunctional and may be expected to have diverse levels of activity with respect to production of plant growth hormones (regulation of root growth and architecture), suppression of stress ethylene (increased tolerance to drought and salinity), production of siderophores and antibiotics (disease suppression), and solubilization of phosphorus. The application of transcriptome methods pioneered in our research will ultimately lead to better understanding of how management practices such as use of compost and soil inoculants can be used to improve plant yields, stress tolerance, and disease resistance. As we look to the future, the use of metagenomic techniques combined with quantitative methods including microarrays, and quantitative peR methods that target specific genes should allow us to better classify, monitor, and manage the plant rhizosphere to improve crop yields in agricultural ecosystems. In addition, expression of several genes in rhizospheres of both cucumber and whet roots were identified, including mostly housekeeping genes. Denitrification, chemotaxis and motility genes were preferentially expressed in wheat while in cucumber roots bacterial genes involved in catalase, a large set of polysaccharide degradation and assimilatory sulfate reduction genes were preferentially expressed.
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