Academic literature on the topic 'Architectural Layering'
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Journal articles on the topic "Architectural Layering"
Blonder, Arielle, and Maurizio Brocato. "Layered-Fabric Materiality Fibre Reinforced Polymers (L-FMFRP): Hysteretic Behavior in Architectured FRP Material." Polymers 14, no. 6 (March 12, 2022): 1141. http://dx.doi.org/10.3390/polym14061141.
Full textAsar, Hande, and Pelin Dursun Çebi. "Layering in representation: Rethinking architectural representation through Perry Kulper’s works." A/Z : ITU journal of Faculty of Architecture 17, no. 3 (2020): 141–53. http://dx.doi.org/10.5505/itujfa.2020.27879.
Full textOnal, Gokce Ketizmen. "3 A`s of Reflexive Design Thinking in Architecture." International Journal of Social Science Studies 6, no. 11 (October 23, 2018): 49. http://dx.doi.org/10.11114/ijsss.v6i11.3708.
Full textSarkar, Santonu, Girish Maskeri, and Shubha Ramachandran. "Discovery of architectural layers and measurement of layering violations in source code." Journal of Systems and Software 82, no. 11 (November 2009): 1891–905. http://dx.doi.org/10.1016/j.jss.2009.06.039.
Full textWee, Yinshen, Amanda N. Moore, Shihai Jia, Jing Zhou, John S. Colombo, and Rena N. D’Souza. "A Single-Step Self-Assembly Approach for the Fabrication of Aligned and Multilayered Three-Dimensional Tissue Constructs Using Multidomain Peptide Hydrogel." SLAS TECHNOLOGY: Translating Life Sciences Innovation 24, no. 1 (May 29, 2018): 55–65. http://dx.doi.org/10.1177/2472630318777759.
Full textBégin, Christian, and Louise Filion. "Black spruce (Picea marianna) architecture." Canadian Journal of Botany 77, no. 5 (October 16, 1999): 664–72. http://dx.doi.org/10.1139/b99-022.
Full textCarbone, Carlo, and Basem Eid Mohamed. "Evaluating the Utility Core in the Prefabricated Building Industry – past, present and future." Enquiry A Journal for Architectural Research 14, no. 1 (December 17, 2017): 37–47. http://dx.doi.org/10.17831/enq:arcc.v14i1.426.
Full textVoronina, O. "CARTOGRAPHY OF SIBERIA OF THE XVII -XX CENTURIES: RESEARCH POTENTIAL AND METHODS OF WORKING WITH CARTOGRAPHIC INFORMATION." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 7, no. 5 (May 11, 2022): 60–70. http://dx.doi.org/10.34031/2071-7318-2022-7-5-60-70.
Full textMa, Jianfeng, Xunli Lv, Shumin Yang, Genlin Tian, and Xing’e Liu. "Structural Insight into Cell Wall Architecture ofMicanthus sinensiscv. using Correlative Microscopy Approaches." Microscopy and Microanalysis 21, no. 5 (September 11, 2015): 1304–13. http://dx.doi.org/10.1017/s1431927615014932.
Full textSophatsathit, Nalinee. "FROM CART TO LAYERED ARCHITECTURAL TRANSSHIPMENT MODEL SUPPORTING SMALL AND MEDIUM ENTERPRISES FOR ROAD FREIGHT LOGISTICS." Acta logistica 9, no. 3 (September 30, 2022): 267–77. http://dx.doi.org/10.22306/al.v9i3.308.
Full textDissertations / Theses on the topic "Architectural Layering"
Tuntas, Karaman Duygu. "Layering As An Architectural Operation: Peter Eisenman'." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614740/index.pdf.
Full textgenerative&rdquo
operation in architectural design process. To understand generation of architectural forms and trace their transformations in this process, this study proposes layering as an integrative and intellectual operation embracing analysis, design and representation phases of architecture. In order to do that, the operation of layering is discussed under three titles: Layering as an analytical tool, as a design tool and as a representational tool. This means that, &ldquo
layering&rdquo
can operate to understand complex forms (to analyze), to generate space (to design), and to communicate in design process (to represent). In this context, for a deeper inquiry into the operation of layering, House II designed by Peter Eisenman is analyzed. The complex and layered form of House II addresses an extensive formal analysis that attempts to reveal the formations and transformations of layers constituting the building. Considering the building as a formal system, &ldquo
layers&rdquo
are defined as the fragments of the whole, and &ldquo
layering&rdquo
is conceptualized as the main operation that organizes relationships between these fragments. These analyses reveal the multi-layered formation of House II. Creating an architectural system, the operation of layering has the capacity to organize varied architectural elements by defining relationships in-between them.
Rogers, Taylor W. "assemblage: a water taxi for alexandria." Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/31141.
Full textMaster of Architecture
Jhupsee, Sneha. "Erasure layering." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28065.
Full textAltunbasak, Hayriye Celebi. "Layer 2 security inter-layering in networks." Diss., Available online, Georgia Institute of Technology, 2006, 2006. http://etd.gatech.edu/theses/available/etd-11172006-130414/.
Full textWardi, Yorai, Committee Member ; Abler, Randy, Committee Member ; Copeland, John, Committee Member ; Owen, Henry, Committee Chair ; Ahamad, Mustaque, Committee Member.
Kotob, Basel. "Spatial layering : an effect of Cubist concepts on 20th century architecture." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/67730.
Full textIncludes bibliographical references (p. 81-83).
The discourse of architecture has been greatly affected by the revolutionary ideologies introduced by the rise of Cubism earlier in this century. Cubism had an impact on all the arts; there was a particular affinity between the ideas of construction in Cubism and those of architecture resulting in a closer relationship between art and architecture in this century than in preceding centuries. Three of the four architects discussed in this thesis have had explicit interest in the visual arts; Le Corbusier himself was an established artist. Examining this twentieth century phenomenon has been the task of this thesis, and in particular the concept of layering found in Cubist works and its influence in the formation of new devices of spatial expression. Devices, such as fragmentation, motion and multiple interpretations found in Cubist layering were incentives for architects to investigate the application of the concepts in architecture. I suggest that the fusion of the concept of layering with that of space resulted in a new concept, "spatial layering". Some architectural examples dating after the period following the first war are examined for evidence of these influences, and relationships between them are discussed. Finally, conclusions are proposed regarding the characteristics of the concept of spatial layering as a continuing paradigm of space in architecture.
Basel Kotob.
M.S.
Schütte, Ansel Arjan 1970. "Patina : layering a history-of-use on digital objects." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/62341.
Full textVan, Wyk Isabel Mari. "Layering the city : re-use of the old Pretoria Fire Station." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29805.
Full textDissertation (MArch(Prof))--University of Pretoria, 2011.
Architecture
unrestricted
Ponder, Trevor. "Event Space: Generative Drawing and Spatial Understanding." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427799467.
Full textGhafouri, Ashtiany Hadyeh. "Thermal Baths in Isfahan in pursuit of a beautiful silence in the heart of tradition." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/71325.
Full textMaster of Architecture
Ábalos, Ramos Ana. "ALISON AND PETER SMITHSON: THE TRANSIENT AND THE PERMANENT." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62223.
Full text[ES] Dentro del enfoque polifácetico del trabajo de Alison and Peter Smithson, las exposiciones son pieza fundamental. Un medio poderoso para comunicar y materializar sus ideas que les brindó a lo largo de toda su trayectoria la oportunidad de abordar con libertad la construcción experimental de su pensamiento. Sus propuestas expositivas de la década de los cincuenta y sesenta, como Parallel of Life and Art, House of the Future, o Patio & Pavilion, han sido y son tanto o más relevantes para la crítica arquitectónica como sus escasas obras construidas o sus abundantes escritos. Sin embargo, a partir de la década de los setenta, poco se conoce de su prolífica producción expositiva. Peter Smithson en la conferencia "The Masque and the Exhibition: Stages Towards the Real" en 1980 expresaba el importante significado que tenían las exposiciones para la conformación de su arquitectura como lugares de oportunidad para experimentar con la realidad. A partir de esta reflexión, parece lógico pensar que si hasta ese momento dichas instalaciones siempre fueron una herramienta con la que los Smithson han ofrecido algunos de sus momentos más intensos, las realizadas a partir de ese momento de reconocimiento consciente y puesta en valor de esta faceta de su trabajo, pese a su poca difusión, podrían entrañar una intensidad al menos similar a las que ya han destacado hasta el momento en los medios. Esta consideración, unida a las expectativas generadas en torno a la exposición Christmas-Hogmanay, tanto por ser simultánea a la elaboración de dicha conferencia, como por las ideas que se desprenden del análisis de un collage vinculado a la misma que aparece como preludio de esta tesis doctoral, ha dirigido la investigación hacia este último periodo de su arquitectura expositiva. En concreto, el estudio se centra en dos grupos que, dentro del amplio abanico de montajes expositivos realizados, destacan por poseer una cohesión intelectual propia que permitirá descubrir con mayor claridad las reflexiones que Alison y Peter Smithson ponen en escena. La tesis doctoral se estructura en cuatro grandes apartados. Arranca con un capítulo de introducción dedicado a enmarcar el tema de estudio en el que primero se analiza y contextualiza la arquitectura hecha exposición; después, se presenta la relevancia que tiene la obra expositiva en el trabajo de Alison y Peter Smithson; y finalmente se contextualiza el periodo concreto en el que se centra el estudio atendiendo tanto a su propia trayectoria como al discurso arquitectónico general. Los dos grandes apartados de la disertación son las exposiciones de Navidad y las realizadas junto a TECTA, estructurándose ambos de manera similar. Tras una breve introducción al grupo de exposiciones que se va a analizar, aparecen ampliamente documentadas cada una de las exposiciones que conforma el grupo a partir, principalmente, de la documentación inédita a la que se ha tenido acceso en los tres principales archivos dedicados a Alison and Peter Smithson: The Alison and Peter Smithson Archive en el Special Collections Department de la Frances Loeb Library de la Harvard Design School (Estados Unidos); The Alison and Peter Smithson Archiv / TECTA Archiv en Lauenförde (Alemania); y The Smithson Family Archive en Stamford (Inglaterra). Finalmente, cada capítulo se cierra con un ensayo en el que se analizan y relacionan las diferentes reflexiones que las exposiciones ofrecen, de manera individual y en su conjunto. El último capítulo es un breve epílogo que reúne y entrelaza todo lo anteriormente expuesto, a través de las exposiciones de Navidad y TECTA, en su obra más experimental, la Hexenhaus en Bad Karlshafen.
[CAT] Dins de l'enfocament polifacètic del treball d'Alison i Peter Smithson, les exposicions en són una peça fonamental. Un mitjà poderós per a comunicar i materialitzar les idees que, al llarg de tota la seua trajectòria, els van brindar l'oportunitat d'abordar amb llibertat la construcció experimental del seu pensament. Les seues propostes expositives de la dècada dels cinquanta i seixanta, com ara Parallel of Life and Art, House of the Future, o Patio & Pavilion, han sigut i són tant o més rellevants per a la crítica arquitectònica com les seues escasses obres construïdes o els seus abundants escrits. No obstant això, a partir de la dècada dels setanta, poc es coneix de la seua prolífica producció expositiva. Peter Smithson, en la conferència "The Masque and the Exhibition: Stages Towards the Real" al 1980, expressava l'important significat que tenien les exposicions per a la conformació de la seua arquitectura com a llocs d'oportunitat per a experimentar amb la realitat. A partir d'aquesta reflexió, sembla lògic pensar que, si fins a eixe moment les dites instal·lacions sempre van ser una eina amb la qual els Smithson han ofert alguns dels seus moments més intensos, les que van realitzar a partir d'aquest moment de reconeixement conscient i posada en valor d'aquesta faceta del seu treball, tot i la poca difusió, podrien contenir una intensitat com a mínim similar a la d'aquelles que ja han destacat fins al moment en els mitjans. Aquesta consideració, unida a les expectatives generades entorn a l'exposició Christmas-Hogmanay, tant per ser simultània a l'elaboració de la dita conferència, com per les idees que es desprenen de l'anàlisi d'un collage vinculat a la mateixa que apareix com a preludi d'aquesta tesi doctoral, ha dirigit la investigació cap a aquest últim període de la seua arquitectura expositiva. En concret, l'estudi se centra en dos grups que, dins de l'ampli ventall de muntatges expositius realitzats, destaquen per posseir una cohesió intel·lectual pròpia que permetrà descobrir amb una major claredat les reflexions que Alison i Peter Smithson posen en escena. La tesi doctoral s'estructura en quatre grans capítols. Arrenca amb un apartat d'introducció dedicat a emmarcar el tema d'estudi, en què primer s'analitza i contextualitza l'arquitectura feta exposició; després, es presenta la rellevància que té l'obra expositiva en el treball d'Alison i Peter Smithson; i finalment es contextualitza el període concret en què se centra l'estudi, atenent tant a la seua pròpia trajectòria com al discurs arquitectònic general. Els dos grans capítols de la dissertació són les exposicions de Nadal i les realitzades junt amb TECTA, i s'estructuren tots dos de manera similar. Després d'una breu introducció al grup d'exposicions que s'analitzarà, apareixen amplament documentades cadascuna de les exposicions que conforma el grup, a partir principalment de la documentació inèdita a la qual s'ha tingut accés en els tres principals arxius dedicats a Alison i Peter Smithson: The Alison and Peter Smithson Archive a l'Special Collections Department de la Frances Loeb Library de la Harvard Design School (Estats Units d'Amèrica); The Alison and Peter Smithson Archiv / TECTA Archiv a Lauenförde (Alemanya); i The Smithson Family Archive a Stamford (Anglaterra). Finalment, cada capítol es tanca amb un assaig en què s'analitzen i relacionen les diferents reflexions que les exposicions ofereixen, de manera individual i en conjunt. L'últim capítol és un breu epíleg que reuneix i entrellaça tot allò exposat anteriorment, a través de les exposicions de Nadal i TECTA, en la seua obra més experimental, la Hexenhausen Bad Karlshafen.
Ábalos Ramos, A. (2016). ALISON AND PETER SMITHSON: THE TRANSIENT AND THE PERMANENT [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/62223
TESIS
Books on the topic "Architectural Layering"
Patterns and layering: Japanese spatial culture, nature and architecture. Berlin: Gestalten, 2012.
Find full text(Firm), MVRDV, ed. MVRDV: 1997 2002 : stacking and layering = apilamiento y estratificación, artificial ecologies = ecologías artificiales. Madrid: El Croquis, 2002.
Find full textSpatial Transparency in Architecture: Light, Layering, and Porosity. Routledge, Chapman & Hall, Incorporated, 2022.
Find full textRosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Taylor & Francis Group, 2022.
Find full textRosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Taylor & Francis Group, 2022.
Find full textRosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Taylor & Francis Group, 2022.
Find full textRosales, Camilo. Spatial Transparency in Architecture: Light, Layering, and Porosity. Routledge, Chapman & Hall, Incorporated, 2022.
Find full textLeão, Rui, F. Carlotta Bruni, Lba, Ricardo Devesa, and Jorge Figueira. Layering the City: Research on Infrastructure and Public Space in Macau. Actar D, 2023.
Find full textLabrador, Roderick N. Overlapping Architectures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038808.003.0002.
Full textBook chapters on the topic "Architectural Layering"
Wang, Qi, and Domenico Chizzoniti. "Oblique Plane; Layering; Spatial Layering—The Construction of Pavel Janák’s Formal Language." In Advances in Utopian Studies and Sacred Architecture, 157–68. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_13.
Full textEmery, Mary Lou. "On the Veranda: Jean Rhys’s Material Modernism." In Jean Rhys. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474402194.003.0004.
Full text"Layering Planes." In 25 Concepts of Modern Architecture. Bloomsbury Visual Arts, 2021. http://dx.doi.org/10.5040/9781350055599.ch-011.
Full textKliazovich, Dzmitry, Michael Devetsikiotis, and Fabrizio Granelli. "Formal Methods in Cross Layer Modeling and Optimization of Wireless Networks." In Networking and Telecommunications, 410–36. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-986-1.ch027.
Full textKliazovich, Dzmitry, Michael Devetsikiotis, and Fabrizio Granelli. "Formal Methods in Cross Layer Modeling and Optimization of Wireless Networks." In Handbook of Research on Heterogeneous Next Generation Networking, 1–24. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-108-7.ch001.
Full textYeo, Andrew. "Asia’s Regional Architecture." In Asia's Regional Architecture, 1–24. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503608443.003.0001.
Full text"Eileen Gray’s Architecture of Relationships: Materiality and Spatial Layering." In Women's Creativity. ZRC SAZU, Založba ZRC, 2018. http://dx.doi.org/10.3986/wocrea.1.momowo1.21.
Full textAmoroso, Serafina. "Eileen Gray’s Architecture of Relationships: Materiality and Spatial Layering." In MoMoWo: Women Designers, Craftswomen, Architects and Engineers between 1918 and 1945, 354–72. Zalozba ZRC, 2017. http://dx.doi.org/10.3986/wocrea/1/momowo1.21.
Full text"Remarks on layering in a cognitive-functional language production model." In A New Architecture for Functional Grammar, edited by J. Lachlan Mackenzie and María de los Ángeles Gómez-González. Berlin, New York: Mouton de Gruyter, 2004. http://dx.doi.org/10.1515/9783110197112.275.
Full textKhaliq, Kishwer Abdul, Omer Chughtai, Amir Qayyum, and Jürgen Pannek. "Reorientation of Routing From IP to Link Layer for Path Selection in Multi-Hop Networks." In Global Advancements in Connected and Intelligent Mobility, 227–52. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9019-4.ch007.
Full textConference papers on the topic "Architectural Layering"
Altunbasak, Hayriye, and Henry Owen. "An architectural framework for data link layer security with security inter-layering." In Proceedings 2007 IEEE SoutheastCon. IEEE, 2007. http://dx.doi.org/10.1109/secon.2007.342975.
Full textSarkar, Santonu, Girish Maskeri Rama, and Shubha R. "A Method for Detecting and Measuring Architectural Layering Violations in Source Code." In 2006 13th Asia Pacific Software Engineering Conference (APSEC'06). IEEE, 2006. http://dx.doi.org/10.1109/apsec.2006.7.
Full textSaeedi, Azin. "Community Participation in Conservation Proposals of Islamic Pilgrimage Sites." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4025pfdgv.
Full textAllameh, Seyed M., and Roger Miller. "On the Application of Biomimicked Composites in 3D Printed Artifacts." In ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-70770.
Full textLeVasseur, Joshua, Volkmar Uhlig, Yaowei Yang, Matthew Chapman, Peter Chubb, Ben Leslie, and Gernot Heiser. "Pre-virtualization: Soft layering for virtual machines." In 2008 13th Asia-Pacific Computer Systems Architecture Conference (ACSAC). IEEE, 2008. http://dx.doi.org/10.1109/apcsac.2008.4625458.
Full textDebiaggi, Paolo. "Renew the Man-Made Landscape Design for Layering." In 5th Annual International Conference on Architecture and Civil Engineering (ACE 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2301-394x_ace17.98.
Full textDocherty, Simon, and David Pym. "Intuitionistic Layered Graph Logic." In Twenty-Sixth International Joint Conference on Artificial Intelligence. California: International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/673.
Full textAltunbasak, Hayriye, and Henry Owen. "Security inter-layering for evolving and future network architectures." In Proceedings 2007 IEEE SoutheastCon. IEEE, 2007. http://dx.doi.org/10.1109/secon.2007.342976.
Full textCai, Zhong, Ana Widyanita, Prasanna Chidambaram, and Ernest A. Jones. "Reservoir Architecture Modeling at Sub-Seismic Scale for a Depleted Carbonate Reef Reservoir for CO2 Storage in Sarawak Basin, Offshore Malaysia." In SPE Middle East Oil & Gas Show and Conference. SPE, 2021. http://dx.doi.org/10.2118/204689-ms.
Full textButko, Daniel. "Drafting the Representation." In 2017 ACSA Annual Conference. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.amp.105.28.
Full text