Journal articles: 'Architectural forum'

1

Schwarting, Andreas. "Die ganze Breite architekturgeschichtlicher Forschung." architectura 50, no. 1-2 (November 25, 2022): 24–27. http://dx.doi.org/10.1515/atc-2020-1005.

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Abstract In 1976, Wulf Schirmer, professor of architectural history at the University of Karlsruhe (TH), followed Heinrich Klotz as editor of the architectura and headed the editorial team until 2002. During this time, the journal developed into an open forum for the most diverse forms of research in architectural history – chronologically from the ruins of the 4th millennium BC to the architecture of the late 20th century, topographically from Europe, the Mediterranean, Mesopotamia, Asia and Russia to North and South America, and methodologically from architectural research to art history, architectural theory and the preservation of historical monuments.

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Repina, Eugenia, and Sergey Malakhov. "International architectural forums in the Silk Road cities." проект байкал 19, no. 72 (July 31, 2022): 110–16. http://dx.doi.org/10.51461/projectbaikal.72.1988.

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The paper covers the work of international forums held by the Architectural Institute of Japan since 2009, which were dedicated to expert discussion and conceptual design of historic cities in the Silk Road system. The article considers the results of the forum, which was first held in Russia (Samara and Moscow) with a parallel workshop for students of domestic and foreign universities. The purpose of the forum is to preserve a unique architectural heritage; to evaluate lessons of the historical environment; to work out the concepts for regeneration and effective development of stagnating historic areas of the Silk Road cities on the example of Samara.

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Wang, Wilfried. "Forum The built environment through the cultural–architectural lens." Building Research & Information 36, no. 6 (December 2008): 674–76. http://dx.doi.org/10.1080/09613210802386115.

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Türeli, Ipek. "PLATFORM digital architectural forum, founded in 2019, https://www.platformspace.net." International Journal of Islamic Architecture 12, no. 1 (January 1, 2023): 260–62. http://dx.doi.org/10.1386/ijia_00111_5.

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Mikhailova, Ekaterina M. "Propylaea of the Roman Forum in Tergeste: Origins and Meanings of the Architectural Form." Actual Problems of Theory and History of Art 13 (2023): 115–24. http://dx.doi.org/10.18688/aa2313-1-10.

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Thomas, Lil Helle. "Kaserne, Platz und Forum. Manifestationen eines academical village." Architectura 46, no. 2 (July 11, 2019): 214–37. http://dx.doi.org/10.1515/atc-2016-2005.

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AbstractThomas Jefferson coined the image of the academical village for the university-campus. Whereupon the word village can be translated into the German expression ›Dorf‹ (village) as well as ›Gemeinde‹ (community). Thus the place and people, who enliven their surroundings, are an integral part of the campus. This metaphor gathers the cultural imprint of the campus as an ideal environment for learning as well as its incorporated imaginations. This article follows the question, if the buildings of a university can be seen as a result of the social structures of the academical village. Perhaps they were intended from the beginning on as a production of these social configurations. Therefore this paper wants to inquire specifically into the expressiveness of architecture in the specific case of the early Saarbrücken campus planning of the Universität des Saarlandes. The field of tension university shall be approached as a topic between representative institution and architectural manifestation.

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Boyd, Dermot. "Wasteland: a collaborative studio." Architectural Research Quarterly 14, no. 2 (June 2010): 182–84. http://dx.doi.org/10.1017/s1359135510000862.

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Studio remains the physical and intellectual space at the heart of every good architectural school. It is a forum for the sharing of ideas and a place in which to work together in order to explore architecture and its role in shaping our environment, society and culture. It should reveal interesting contrasts and synergies between the particular and the universal, the individual and the collective.

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Anil, Ar Seema. "From Temples to Theaters: Unveiling the Layers of Life in Classical Greece and Rome through Architectural Typologies." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 12 (December 30, 2023): 1–13. http://dx.doi.org/10.55041/ijsrem27856.

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This research comprehensively explores the architectural legacies of Ancient Greek and Roman civilizations, delving into the innovative concepts of order in Greek architecture and the classical orders of Doric, Ionic, and Corinthian. The Parthenon, an iconic Greek temple, serves as an exemplar of these orders, highlighting aesthetic and structural ideals. Beyond temples, Greek architecture embraces diverse typologies like marketplaces, theaters, palaestrae, bouleuterions, and auditoriums. Shifting focus to Roman civilization renowned for grandeur and gladiatorial spectacles, the paper examines architectural contributions and monumental structures, exemplified by the Pantheon's innovative material usage and dome construction. The exploration extends to various Roman typologies, including theaters, amphitheaters, thermae, and aqueducts, revealing the multifaceted nature of Roman urban planning. Chronologically tracing Greek architectural evolution, the paper examines the Parthenon's construction and refinements. Greek typologies such as theaters, agora, stoae, palaestra, and bouleuterion are scrutinized for cultural significance and civic importance. Transitioning to Roman architectural developments, the paper highlights contributions, innovations, and monumental structures defining Roman civilization. Roman thermae and aqueducts emerge as engineering marvels, underscoring sophistication in public spaces. Surviving structures in the Roman Forum symbolize Roman achievements. This exploration aims to unravel intricate connections between the built environment and socio-cultural, political, and economic dynamics in both ancient societies. The legacy of Greek and Roman architecture, seen in temples, public spaces, and cultural hubs, leaves an indelible mark on history, offering insights into collective identities and aspirations of classical antiquity. Key Words: Architectural Legacies, Classical Orders, Greek Typologies, Roman Urban Planning, Socio-cultural Dynamics

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JTDE, Copyeditor. "The Future of Australia’s NBN Continued." Journal of Telecommunications and the Digital Economy 7, no. 3 (September 30, 2019): ii—iv. http://dx.doi.org/10.18080/jtde.v7n3.224.

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TelSoc has held its first forum on the future of Australia’s National Broadband Network (NBN). Three papers from that forum are published in this issue. TelSoc is planning a second forum, discussing the user potential of the NBN, in October 2019. The historical reprint in this issue is also NBN-related about online learning. The technical papers in this issue concern architectural issues in the Internet of Things and cybersecurity. The Journal welcomes further contributions on telecommunications and the digital economy.

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Biard, Guillaume, Michel Sève, and Patrick Weber. "La statue de Fortuna au forum de Philippes et son écrin architectural." Bulletin de Correspondance Hellénique, no. 143.2 (December 1, 2019): 713–66. http://dx.doi.org/10.4000/bch.985.

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Grabar, Nika. "FORuM and formalisms: Architectural strategies: Interview with Joan Ockman may 2008, Buell." SAJ - Serbian Architectural Journal 2, no. 3 (2010): 255–68. http://dx.doi.org/10.5937/saj1003255g.

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Al Haq, Gusti Nur Rakhman Qowiyya, and Irwan Yudha Hadinata. "GALERI MATERIAL ARSITEKTUR NUSANTARA DI JAKARTA." JURNAL TUGAS AKHIR MAHASISWA LANTING 13, no. 1 (February 28, 2024): 1–13. http://dx.doi.org/10.20527/jtamlanting.v13i1.2442.

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Nusantara Architectural Materials Gallery in Jakarta emerged from local materials and craftsmanship which began to be abandoned due to the proliferation of developments that prefer to use conventional materials. This raises the potential to develop a gallery design that focuses on preserving the Nusantara Architecture. The purpose of this design is to get a design by utilizing Local Material and Craft Commercialization, Education, and Innovation united in the concept of gotong-royong Flexspace. the application of this concept with a locality method approach in the forms design, activity-programs, atmosphere and building visuals. then it can create a forum for collaboration between craftsmen and the community to help preserve the Nusantara architecture.

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Ilesanmi, Oluropo Stephen, S. C. Folorunso, and O. O. Kolade. "Creating virtual architectural education in a traditional environment: Prospects and challenges." ARTEKS : Jurnal Teknik Arsitektur 8, no. 2 (August 1, 2023): 331–36. http://dx.doi.org/10.30822/arteks.v8i2.2362.

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The advent of computer technology has set off an information explosion that has changed civilization and indeed the entire workforce of today’s world. These changes presage a new context in which architecture schools must function. Traditionally, architectural education is basically between a group of persons; the teacher and the learner(s) in a defined classroom space. This mode of knowledge delivery makes the students to adopt a passive position (based on just listening to the teacher). This prevents the diversity of ideas, promotes repetitive learning and kills creativity. Virtual education on the other hand refers to instruction in a learning environment where teacher and student are separated by time or space, or both. In this knowledge delivery mode, students’ take responsibility of their learning process in an active way. Multimedia tools, electronic media like a discussion forum, chat room, voice mail, and e-mail are employed for communication. The benefits inherent in this type of learning process include sharing of resources and learning environment, promotion of collaborative learning, effective education delivery and educational programme enhancement. In this paper, the concept “virtual architectural education” is considered together with the inherent benefits for the architecture schools and profession.

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Shavrizal, Shavrizal. "Creative Hub in South Tangerang City and its Biophilic Architectural Theme." Journal of Aesthetics, Creativity and Art Management 3, no. 2 (June 21, 2024): 141–63. http://dx.doi.org/10.59997/jacam.v3i2.3764.

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Banten Province in Indonesia is one of the ninth contributors to the creative economy where South Tangerang City has become one of the centers of creative economic growth in Jabodetabek (Jakarta, Bogor, Depok, Tengerang, Bekasi) with its main fields, the crafts sub-sector, the architecture sub-sector and the start-up sub-sector. Regarding the three main sub-sectors, this research is intended to create a centralized and integrated forum for people to develop their talents and businesses. This research method is qualitative. The Creative Hub in South Tangerang City is a place for creative economy actors to develop their talents and businesses. Using a biophilic architectural theme, the site design is a part of the development of the economic and business center in South Tangerang City. The site covers offices, shopping outlets and restaurants.

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Bohnert, Thomas Michael, Marco Castrucci, Nicola Ciulli, Giada Landi, Ilaria Marchetti, Cristina Nardini, Bruno Sousa, Pedro Neves, and Paulo Simoes. "QoS Management and Control for an All-IP WiMAX Network Architecture: Design, Implementation and Evaluation." Mobile Information Systems 4, no. 4 (2008): 253–71. http://dx.doi.org/10.1155/2008/407565.

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The IEEE 802.16 standard provides a specification for a fixed and mobile broadband wireless access system, offering high data rate transmission of multimedia services with different Quality-of-Service (QoS) requirements through the air interface. The WiMAX Forum, going beyond the air interface, defined an end-to-end WiMAX network architecture, based on an all-IP platform in order to complete the standards required for a commercial rollout of WiMAX as broadband wireless access solution. As the WiMAX network architecture is only a functional specification, this paper focuses on an innovative solution for an end-to-end WiMAX network architecture offering in compliance with the WiMAX Forum specification. To our best knowledge, this is the first WiMAX architecture built by a research consortium globally and was performed within the framework of the European IST project WEIRD (WiMAX Extension to Isolated Research Data networks). One of the principal features of our architecture is support for end-to-end QoS achieved by the integration of resource control in the WiMAX wireless link and the resource management in the wired domains in the network core. In this paper we present the architectural design of these QoS features in the overall WiMAX all-IP framework and their functional as well as performance evaluation. The presented results can safely be considered as unique and timely for any WiMAX system integrator.

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Chang, Chih-Kai. "An architectural system for retrieving messages to respond dangling questions in learning forum." Computers & Education 39, no. 1 (August 2002): 51–64. http://dx.doi.org/10.1016/s0360-1315(02)00024-6.

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Parfitt, M. Kevin. "Creating a Forum on the Contribution of Architectural Engineering Education to the Profession." Journal of Architectural Engineering 10, no. 3 (September 2004): 79. http://dx.doi.org/10.1061/(asce)1076-0431(2004)10:3(79).

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Favro, Diane, and Christopher Johanson. "Death in Motion: Funeral Processions in the Roman Forum." Journal of the Society of Architectural Historians 69, no. 1 (March 1, 2010): 12–37. http://dx.doi.org/10.1525/jsah.2010.69.1.12.

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Scientifically accurate, three-dimensional digital representations of historical environments allow architectural historians to explore viewsheds, movement, sequencing, and other factors. Using real-time interactive simulations of the Roman Forum during the mid-Republic and the early third century CE, Diane Favro and Christopher Johanson examine the visual and sequential interrelationships among audience, actors, and monuments during funeral rituals. Death in Motion: Funeral Processions in the Roman Forum presents a hypothetical reconstruction of the funeral of the Cornelii family in the early second century BCE and argues that the conventional understanding of the staging of the funeral oration may be incorrect. It then reviews the imperial funerals of the emperors Pertinax and Septimius Severus to compare the ways that later building in the Roman Forum altered the ritual experience, controlled participant motion, and compelled the audience to submit to an imperial program of viewing.

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Jeusset, Erwan. "Le forum de Trajan et sa représentation du XVIIe au XXe siècle." Revue des Études Anciennes 123, no. 1 (2021): 173–91. http://dx.doi.org/10.3406/rea.2021.6982.

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Le forum de Trajan était dans l’Antiquité reconnu comme un des joyaux de la Rome antique (cf. Ammien Marcellin, XVI, 10, 15-16), mais il est aujourd’hui ruiné. Cependant dès le XVIIIe siècle on a cherché à le représenter dans son état originel. Cette recherche s’est affinée au cours des siècles suivants. Cet article propose de suivre ces étapes et l’évolution de la représentation d’un ensemble architectural que les fouilles récentes ont encore modifié.

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Salama, Ashraf M. "FROM ARCHITECTURAL THEORY TO URBAN STUDIES AND FROM SPATIAL ANALYSIS EXPLORATIONS TO BUILT ENVIRONMENT EDUCATION." International Journal of Architectural Research: ArchNet-IJAR 12, no. 1 (March 29, 2018): 4. http://dx.doi.org/10.26687/archnet-ijar.v12i1.1575.

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Archnet-IJAR, volume 12, issue # 1, March 2018 reveals the multitude and multiplicity of architectural and urban research, which I have discussed in an earlier editorial. The journal remains committed to cover issues of interest and concern to the global academic and professional community. This issue is intensive in terms of quality and quantity and encompasses a wide spectrum of topics that range from architectural theory and history, to urban studies, and from spatial analysis and application of technical systems in building design and components, to education for sustainable development, and architectural and planning education. The edition includes a section that is exclusively dedicated to selected papers from the Education and Training Forum of PLEA International Conference – Design to Thrive, Edinburgh – July 2017. By and large, the contributions presented here cover many parts of both the global north and the global south, raise questions, introduce proposals, and offer lessons important to their contexts as well as to the wider community of architectural and urban researchers.

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Pinto Puerto, Francisco, and José María Guerrero Vega. "Imagen y modelo en la investigación del patrimonio arquitectónico." Virtual Archaeology Review 4, no. 8 (November 20, 2015): 135. http://dx.doi.org/10.4995/var.2013.4346.

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The assessment of the timelessness of Architecture as work of art, together with his temporality as a result of their evolution along time, results from our contemporary culture. Nowadays we appreciate the material essence in architectural heritage, the processes that erected, transformed and even destroyed, and its role as bearer of meaning. Its consideration as a "document" is a value that determines and molds its conservation, research, management and spreading, requiring strategies and tools. This paper sets out in this forum, some observations that we consider essential about the resources, tools and methodological approaches that our group has been applying in its work.

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RADULOVA, Ya I., and N. A. LEKAREVA. "IMPACT OF SCIENTIFIC AND TECHNOLOGICAL PROGRESS ON THE PROCESS OF BORDER BETWEEN INTERNAL AND EXTERNAL ARCHITECTURAL SPACE." Urban construction and architecture 2, no. 3 (September 15, 2012): 42–46. http://dx.doi.org/10.17673/vestnik.2012.03.10.

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The concept of spatial boundaries is presented as the joints of the two states of the space. The evolution of the architectural boundaries under the influence of scientific and technological progress is considered. The problems of forming the architectural boundaries in the network of the science and technological progress are revealed. The examples of new environmental concepts in design practice, which include the ability of energy saving, air cleansing, reducing hazardous waste in manufacturing and construction and increasing the environments visual comfort, are such buildings as the Replay Store, Caixa Forum Museum, Hotel Athenaeum, Ann Demeulmeester boutique.

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Calder, Barnabas. "Remembering the forgotten and the excluded Historians debate architecture without architects." Architectural Research Quarterly 11, no. 2 (June 2007): 109–11. http://dx.doi.org/10.1017/s1359135507000577.

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This was a big, serious conference in a big, serious city. Architectural historians from North America and around the globe gathered to discuss their work and to look at buildings together. Yet despite the generosity with which the American Institute of Architects handed out CPD points for every paper and tour attended, there were not many architects there; the conference remained substantially a forum for professional architectural historians and their research students to talk shop. It's a pity – this kind of conference represents an excellent opportunity for architects to take their place at the heart of the debate on history and conservation.

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Bouet, Alain, and Florence Saragoza. "Temples affrontés d’époque romaine : origine et avatars d ’un modèle architectural." Revue des Études Anciennes 111, no. 1 (2009): 217–36. http://dx.doi.org/10.3406/rea.2009.6624.

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The appearance of the Imperial cult did not lead to architectural modifications in the religious field however the Flavian works were to break this continuity. The building of the Porticus Divorum on the Field of Mars follows a innovative plan set around two temples facing each other and dedicated to Vespasian and Titus, the representatives of the dynasty. This architectural model is then revived under Trajan who was the first to adapt the eponymous forum to the celebration of the imperial couple. Being particularly in favor during Hadrian’s reign, the model moves from the Imperial sphere outside the Urbs and into the religious and civilian sector.

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Puteri, Marina Perdana, and Prima Widia Wastuty. "PUSAT KEGIATAN FORUM ANAK TINGKAT PROVINSI DI BANJARBARU BERKONSEP PLAYSCAPE." JURNAL TUGAS AKHIR MAHASISWA LANTING 11, no. 2 (August 31, 2022): 38–48. http://dx.doi.org/10.20527/jtamlanting.v11i2.1338.

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Forum Anak is a children's organization assisted by the Government of the Republic of Indonesia through the Ministry of Women's Empowerment and Child Protection whose role is to bridge communication and interaction between the government and children throughout Indonesia in the context of fulfilling children's participation rights. In its implementation, Forum Anak South Kalimantan Province needs a facilitiy to hold organizational activities. Currently, the implementation of the South Kalimantan Provincial Children's Forum is facilitated by the secretariat room at the South Kalimantan Province Women's Empowerment and Child Protection Service (DP3A). However, this facility has not been able to optimally accommodate the activities of the South Kalimantan Provincial Children's Forum and has not become a facility that can accommodate activities for the use of leisure time through channeling children's interests and talents. Through the use of the playscape concept and an architectural psychology approach, the design is expected to be able to facilitate Forum Anak activities, increase community contributions in fulfilling children's rights and protection in South Kalimantan Province. , and accommodate complaints and assist children with the role of a forum. children as peer counselors, through public spaces in them which are designed by taking into account the principles of child-friendly space, flexibility and inclusiveness.

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Bredekamp, Horst. "Vom Berliner Schloss zum Humboldt Forum: ein Paradigma Deutscher Konfliktgeschichte." Artium Quaestiones, no. 30 (December 20, 2019): 279–304. http://dx.doi.org/10.14746/aq.2019.30.17.

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The lecture concerns the Berlin Palace (Stadtschloss) and presents a view of its long history, starting with its construction in the Baroque style by an artist of the Polish origin, Andreas Schlüter, up to its contemporary reconstruction with a new institutional function (Humboldt Forum). The ten sections of the text not only present architectural and artistic history of this residence but also pivotal historical events and contexts which affected the dimensions and meaning of its functioning. The Palace, entangled into German history but also reflecting it, especially as regards the 19th and 20th centuries, becomes both a starting point for an evaluation of this history and posing questions about the future. Along with the ferociously debated, present-day reconstruction and its museum function, it also seems to be a psychogram of diverse stages of the condition of German spirit.

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Major, Mark David. "‘Excavating’ Pruitt-Igoe using space syntax." Architectural Research Quarterly 25, no. 1 (March 2021): 55–68. http://dx.doi.org/10.1017/s1359135521000130.

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Pruitt-Igoe, in St Louis, Missouri, United States, was one of the most notorious social housing projects of the twentieth century. Charles Jencks argued opening his book The Language of Post-Modern Architecture, ‘Modern Architecture died in St Louis, Missouri on July 15, 1972 at 3.32 pm (or thereabouts) when the infamous Pruitt-Igoe scheme, or rather several of its slab blocks, were given the final coup de grâce by dynamite.’ However, the magazine Architectural Forum had heralded the project as ‘the best high apartment’ of the year in 1951. Indeed, one of its first residents in 1957 described Pruitt-Igoe as ‘like an oasis in a desert, all of this newness’. But a later resident derided the housing project as ‘Hell on Earth’ in 1967. Only eighteen years after opening, the St Louis Public Housing Authority (PHA) began demolishing Pruitt-Igoe in 1972 [1]. It remains commonly cited for the failures of modernist design and planning.

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Gold, John R. "‘A Very Serious Responsibility’? The MARS Group, Internationally and Relations with CIAM, 1933–39." Architectural History 56 (2013): 249–75. http://dx.doi.org/10.1017/s0066622x00002501.

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In an interview recorded shortly before his death in 1987, Maxwell Fry recalled the birth of Modern architecture in Great Britain around a half-century earlier. In the course of discussing the work of the Modern Architectural Research (MARS) Group — the society that he had helped to establish in February 1933 and of which he was then the last surviving founder-member — Fry highlighted the links between architects in Britain and their continental European counterparts. Observing that MARS was first established on the basis of an invitation that Wells Coates had received to form a British chapter of the Congrès Internationaux d’Architecture Moderne (CIAM), he noted that the Group had immediately gained an entrée into an international forum that functioned as a unique gathering point for the architectural avant-garde. At the same time, he asserted that membership brought with it commitments that conferred ‘a very serious responsibility’.CIAM was not, of course, the only conduit for the links that MARS members had with the wider world, but in many ways it was the MARS Group’s relationship with the ‘international community of modern architects […] made visible in the foundation of CIAM’ which defined it and differentiated it from other architectural groupings of its day. Most other such bodies initially coalesced around a single manifesto or exhibition and then quickly fell apart when their members found that they had little in common apart from an enthusiasm for Modernism. By contrast, MARS retained an enduring purpose through its membership of CIAM.

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Johnson, Eugene J. "Jacopo Sansovino, Giacomo Torelli, and the Theatricality of the Piazzetta in Venice." Journal of the Society of Architectural Historians 59, no. 4 (December 1, 2000): 436–53. http://dx.doi.org/10.2307/991620.

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The architectural forms of Jacopo Sansovino's Libreria di San Marco in Venice, begun in 1537, have generally been interpreted in terms of a revival of the ancient Roman forum. Another way of looking at the building, suggested here, concentrates on its theatrical nature, both in terms of the typology of architectural forms and in terms of use. Sansovino's library completed the Piazzetta in Venice as a theatrical space, and it did so at the same time that the modern theater with boxes was first developed in Venice. The great seventeenth-century scene designer Giacomo Torelli in turn used the space completed by Sansovino as a set for the opera Bellerofonte, produced in Venice in 1642. In Torelli's scene, Venice is shown as a theater of justice.

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Bredekamp, Horst. "Od Zamku Berlińskiego do Forum Humboldtów: paradygmat konfliktu w niemieckiej historii." Artium Quaestiones, no. 30 (December 20, 2019): 437–61. http://dx.doi.org/10.14746/aq.2019.30.28.

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The lecture concerns the Berlin Palace (Stadtschloss) and presents a view of its long history, starting with its construction in the Baroque style by an artist of the Polish origin, Andreas Schlüter, up to its contemporary reconstruction with a new institutional function (Humboldt Forum). The ten sections of the text not only present architectural and artistic history of this residence but also pivotal historical events and contexts which affected the dimensions and meaning of its functioning. The palace, entangled into German history but also reflecting it, especially as regards the 19th and 20th centuries, becomes both a starting point for an evaluation of this history and posing questions about the future. Along with the ferociously debated, present-day reconstruction and its museum function, it also seems to be a psychogram of diverse stages of the condition of German spirit.

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Kibel, Jochen Samuel. "Exclusion through Inclusion?: Museum Architecture and the Institutionalization of Critique." Museum and Society 22, no. 1 (2024): 34–50. http://dx.doi.org/10.29311/mas.v22i1.4371.

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Architecture is not only a social product; the social is also constituted through architecture. This holds particularly true for the museum. Museum architecture is a spatialized expression of social order and an infrastructure through which collective imaginations are generated. I will show how the German Bundeswehr uses its principal museum to apply a post-heroic mode of identity formation. The Bundeswehr has to distance itself from the past while it also has to articulate a minimum of historic continuity to legitimize itself. The Military History Museum of the Bundeswehr (Dresden) achieves this through a twofold spatial tactic. First, through a dramatic architectural intervention, and secondly, through the interpretation of this spatial arrangement. Articulated in and through architecture, the ‘critical engagement with the past’ becomes institutionalized. Providing a sociological explanation of why the critical negation of the past became a prominent narrative within German memorial culture, I argue, that it allows for a coherent self-narration below the horizon of historical fractures and multiple conflicts in the refigured modernity. Although a similar discourse is at work at the Humboldt Forum in Berlin, its affirmative architecture, however, contradicts any claims of a ‘critical engagement with the past’.

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Fraser, Shannon Marguerite. "The Public Forum and the Space Between: the Materiality of Social Strategy in the Irish Neolithic." Proceedings of the Prehistoric Society 64 (January 1998): 203–24. http://dx.doi.org/10.1017/s0079497x0000222x.

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Framed within an interpretive, humanistic ‘archaeology of inhabitance’, the study explores the means by which a social, intellectual order particular to time and place is embedded within the material universe. Through the mediation of the human body, natural and architectural space is considered to be a medium for the production and reproduction of social relations. The specific materiality of places inhabited in the past is explored in detail, focusing on possibilities for and constraints upon the body and the senses.The phenomenon of monumentality at the Loughcrew passage tomb cemetery in east-central Ireland is considered in the context of changing narratives of place and biographies of person and landscape. In contrast to many previous studies, the focus is upon engagement with the exterior spaces of the complex: the more frequent and larger-scale involvement of the communal body in these ‘public’ spaces will have played a critical role in the validation of knowledges and claims to authority which a more restricted group will have articulated within the confines of tomb chambers and passages.The earlier tombs draw out qualities latent within the landscape, placing particular emphasis on prior, natural boundaries. Through time, the regionalisation of the Loughcrew hills acquires increasing architectural definition, by means of which a series of interconnecting spaces emerge at a much more human scale. The latest architectural and spatial developments may well form part of material strategies through which were engendered particular structures of authority carrying the potential for substantially heightened individual prominence within increasingly exclusive kinship solidarities. Ultimately, mediation between the physical and metaphysical elements of existence may be controlled with reference to distinct lines of descent rather than to a more generalised ancestral community. At the same time, the range of hills is gradually transformed from a meaningful locus which conceals within it the human efforts of monumental construction, to a landscape that derives its significance from massive summit cairns visible from considerable distances. This appropriative transformation may be seen as a material strategy which moves communities' conceptions of existence from an integrated, cultural whole in which people and landscape are embedded in each other, towards a vision of individuals and places as increasingly separate and self-contained.

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Ksiazek, Sarah. "Architectural Culture in the Fifties: Louis Kahn and the National Assembly Complex in Dhaka." Journal of the Society of Architectural Historians 52, no. 4 (December 1, 1993): 416–35. http://dx.doi.org/10.2307/990866.

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This article explores the architectural culture of the fifties and analyzes Louis Kahn's responses, as reflected in his project for the National Assembly complex, now called Sher-e-Bangla Nagar in Dhaka, Bangladesh. After World War II, architects and social critics became increasingly distressed by the apparent erosion of community and rise of mass culture. Major architectural trends such as the new monumentality, humanism, and regionalism, were attempts to arrest this erosion and to facilitate the reconstruction of communal life. Analysis of Kahn's intellectual development from the mid-fifties to the early sixties demonstrates that he was influenced by these movements and shared these concerns. This is reflected in his design for the National Assembly complex, which became a forum in which Kahn addressed these particularly western dilemmas.

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Muzayanah, Umi Yuda. "ISLAMIC ARCHITECTURE APPROACH ON ISLAMIC ARTS GALLERY WONOSOBO." Journal of Economic, Business and Engineering (JEBE) 2, no. 2 (April 5, 2021): 447–51. http://dx.doi.org/10.32500/jebe.v2i2.1766.

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sound, and others. With this Islamic art, beauty is able to deliver the servants of Muslims to their God. Wonosobo is one of the districts with a rich variety of Islamic arts, in addition to the fact that the majority of its citizens are Muslim, Wonosobo Regency is also a “santri” city that has many Islamic Education Institutions. From this Islamic Education Institute, several works of Islamic art were produced. To appreciate the works of Islamic art from the Wonosobo community and artists from students, Wonosobo Regency needs to have a building that is used as a forum for art appreciation. With the concept of Islamic architecture, this building is able to become the place intended to make this happen. Apart from being in accordance with building friends, namely Islamic buildings, the Islamic architectural approach will add to the beauty of this building. By using a descriptive analysis discussion to conduct a comparative study. Where later the form of the building will be adjusted to the approach as determined, namely Islamic Architecture.

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Kaçel, Ela. "Information or Culture: The Intellectual Dissemination of Americanism as Common Sense." New Perspectives on Turkey 50 (2014): 171–88. http://dx.doi.org/10.1017/s0896634600006610.

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AbstractThe discourse of postwar modern architecture is dominated by historical accounts that easily describe the processes of modernization in Turkey during the Cold War as a unilateral flow of ideas and expertise from the United States. Yet, the relation between benefactor and beneficiary is much more complex. This article explores culture production as a state function and intellectual practice through which bureaucrats and intellectuals representing the state agencies disseminated Americanism as common sense in postwar Turkey. Drawing on the cultural activities of two parallel organizations, the Turkish Information Office (TIO) acting in New York and the United States Information Service (USIS) in Turkey, it illustrates how the intricate relations among ideology, politics, and architecture affect the practices of bureaucrats and their audiences in the process of culture production. Promoting ideologies of Americanism, these organizations simultaneously popularized American architects and their buildings to their audiences. The comparative analysis of two case studies, the photo book Talking Turkey by the TIO and the Architecture Series of the Voice of America Forum Lectures, demonstrates how the division created between information and culture as two separate functions of foreign diplomacy perpetuated similar divisions in architectural discourse such as the iconic and the ordinary.

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Erzen-Jale, Nejdet. "Form and meaning in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 75–84. http://dx.doi.org/10.5937/saj1501075e.

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Often architectural theory has been articulated on prescriptive views about what architecture should be, rather than on views formulated from historical experiences and examples of architecture. In this paper I will try to offer readings of architectural form by looking at a historical example from classical Ottoman architecture and at contemporary examples, to show how different architectures treat form. In examples taken from Sinan's architecture, symbols are investigated in relation to movement, to urban settlement, to religion and power. It is hoped that this analysis will offer an understanding of how the significance of architecture in human experience and in the urban context goes beyond structure and function

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Taelman, Devi, Oscar Mei, and Fabrizio Antonelli. "On the Use of White Marbles in Roman Forum Sempronii (Fossombrone, Marche, Italy): An Overview of the Archaeometric Data on Architectural Elements." Heritage 6, no. 3 (March 10, 2023): 2942–55. http://dx.doi.org/10.3390/heritage6030156.

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This paper presents the results of the characterisation, identification, provenance determination, and quantification of the white, greco scritto-like and polychrome marbles used for architectural purposes at Forum Sempronii, a Roman town in the Marche region of Italy. Samples of five fragments of white marble and one fragment of a greco scritto-like marble have been studied using mineralogical and petrographic observations and stable isotope ratio analysis (SIRA) of carbon and oxygen. Polychrome marbles were macroscopically identified by comparison with reference samples and available image databases. Analytical results of the white and greco scritto-like marbles identified the material as coming from the quarries of Carrara (Luni, Italy) and Proconnesos (Marmara, Saraylar, Turkey) for white marble, and of Ephesos-Hasançavuslar for greco scritto-like marble. Further, at least eleven imported polychrome stone varieties were distinguished. The study clearly illustrates that Forum Sempronii had access to the main marble trade networks of the Roman Mediterranean. The early attestation of Proconnesian marble at the town’s augusteum (i.e., Augustan date) is unique for central Adriatic Italy.

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Alhamdani, M. R., and D. P. Sari. "A strategy of a masterplan of Landak general hospital: a study of architectural programming." IOP Conference Series: Earth and Environmental Science 1007, no. 1 (March 1, 2022): 012022. http://dx.doi.org/10.1088/1755-1315/1007/1/012022.

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Abstract The plan for the development of the Landak District General Hospital is motivated by three things, namely the first from the mandate of law concerning hospitals, secondly the development of the Landak Regency in line with population growth, and the increasing demand and third the need for health services that occur in health centres. The aims of this research are to prepare of the initial stage of the Masterplan of the Landak District Hospital, for obtaining a harmonious and balanced use of regional space with the needs and capabilities of supporting urban growth and development by taking into account the harmony of the environment, the availability of a regional development plan that can function as a forum for integration for the interests of all parties. The results are the strategy of master plan development of Landak general hospital viewed from architectural programming namely activity patterns, zoning formation, space requirements, functional relationship, circulation patterns, building security and safety, landscape and open space, and parking requirements.

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Guillermo Vázquez Ramos, Fernando. "O que é Arquitetura? (para Frank Lloyd Wright)." arq.urb, no. 24 (December 9, 2019): 180–90. http://dx.doi.org/10.37916/arq.urb.vi24.65.

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Este dá início a uma série de artigos sobre o que é arquitetura. Esta primeira abordagem é um texto publicado em 1958 pela prestigiosa revista estadunidense The Architectural Forum, onde Frank Lloyd Wright (1887-1959) define justamente o que entendia ser a Arquitetura. A revista informava que se tratava de um excerto das conferências ministradas pelo arquiteto em Londres em 1939. Contudo, após minucioso estudo do texto, percebemos que essa informação sobre a fonte do material era imprecisa, o que nos levou a uma pesquisa mais detalhada dos originais que compõem o excerto publicado. O artigo traz também a tradução ao português do referido material.

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IZUMI, MASANORI. "Forum - residential environment in snow provinces viewed from snow engineering. Architectural design in snow provinces - past, present and future." Journal of the Japanese Society of Snow and Ice 59, no. 6 (1997): 397–410. http://dx.doi.org/10.5331/seppyo.59.397.

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Gabrielan, Randall. "Architectural Connections at Saint Elizabeth, Convent Station, NJ: Defining the Legacy of Patrick Charles Keely." New Jersey Studies: An Interdisciplinary Journal 3, no. 1 (January 11, 2017): 1. http://dx.doi.org/10.14713/njs.v3i1.62.

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The talk shared here is an update of a short presentation made on March 21, 2014 in New York at the 24th Annual Monuments Conservancy Symposium on Public Monuments, “Defining the Legacy of Patrick Charles Keely, Part II,” sponsored by art and architecture historian Donald Martin Reynolds. While the author’s research did not reveal an expected in-depth look into Keely, the College of St. Elizabeth did provide a broad perspective into Roman Catholic architecture of the latter nineteenth and early twentieth centuries. NJS is delighted to share this revised talk here in a nod to the location of the NJ Historical Commission's November 2016 New Jersey Forum.

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Jepri, Muhammad, Mahdalena Risnawaty, and Ahmad Riza. "PERENCANAAN PUSAT SINEMATOGRAFI DI TENGGARONG DENGAN PENDEKATAN ARSITEKTUR METAFORA." Jurnal Totem : Architecture, Environment, Region and Local Wisdom 4, no. 1 (August 14, 2023): 1. http://dx.doi.org/10.31293/ttm.v4i1.6451.

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Along with the development of the world of cinematography among young people in Tenggarong, where their activities include making films, short films, film screenings, and film competitions. However, there are no facilities or gathering places for them, so it is necessary to create a place or place that can provide facilities for the cinematographic community. The purpose of this research is to plan a Cinematography Center with a metaphorical architectural concept in the form of a building taken from the formation of a film camera, and to provide a forum for the activities of the cinematography community in Tenggarong including through production, training of various film works, exhibitions, various competitions and events. It is hoped that this plan will accommodate communities in Tenggarong who are interested in cinematography, both theoretically and practically, so that they can produce the best works that can compete nationally. By emphasizing the architectural style of concrete metaphors (tangible) in the planning of the building by taking the formation of a retro film camera that is transformed, it is hoped that it will be able to give the characteristics of a building that will be planned.

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Wightman, Greg. "The Imperial Fora of Rome: Some Design Considerations." Journal of the Society of Architectural Historians 56, no. 1 (March 1, 1997): 64–88. http://dx.doi.org/10.2307/991216.

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Research in ancient Roman architectural design has come increasingly to the view that geometry was often as important as metrication and proportion. The present paper examines the contribution of both geometry and arithmetic to the design of the four imperial fora in Rome, as well as the closely related Temple of Peace. An analysis of the Forum of Augustus-the best-known of the imperial fora-shows that it was designed according to a geometric model with a particular size utilizing a "base dimension" of 146 Roman feet. Analyses of the other fora show that the same geometric model-but with a base dimension of 150 feet-can be used to generate their basic spatial divisions and dimensions. The model accounts not only for straightforward and integral dimensions or proportions, but also for irrational and nonintegral proportions hitherto unexplained. The article argues that the mixture of integral, nonintegral, and irrational metrication was a deliberate aspect of the design process, in line with the Early Imperial propensity to combine rectilinear and curvilinear architectural forms. The article concludes with a suggestion that the model originated in the Etruscan ritual division of space, which was adopted by the Romans and later applied to an increasingly broad range of building types. The model may thus have served as a kind of template or cosmogram whereby each building designed on it could embody essential features of cosmic order. It gave to each Roman building its uniquely "Italic" flavor quite separate from Greek "cosmetics." If the model's application proves to be sufficiently broad, then the possibility is raised of developing a "unified design theory" for Etruscan and Roman architecture. These issues will be broached in future articles.

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Mateos, Pedro, Antonio Pizzo, and Ángel Ventura. "Arcus Divi Constantini: An Architectural Analysis and Chronological Proposal for the Arch of Janus in the Forum Boarium in Rome." Journal of Roman Studies 107 (April 10, 2017): 237–74. http://dx.doi.org/10.1017/s0075435817000296.

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AbstractIn this article we present a new study of the Arch of Janus, analysing previously unpublished aspects of its architecture and chronology based on new data obtained from a recent research project. This study provides the first complete planimetric view of the monument, together with a stratigraphic reading of the structure, evaluating the different elements of spolia that were re-used in its construction. Also, the discovery of a new inscription that was re-used in building the arch finally confirms that it dates from the period of Constantius II (a.d. 357). Finally, we present a proposal for the reconstruction of the dedicatory inscription of the arch, preserved in the nearby church of San Giorgio al Velabro.

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Salama, Ashraf. "Editorial: Committed Educators are Reshaping Studio Pedagogy." Open House International 31, no. 3 (September 1, 2006): 4–9. http://dx.doi.org/10.1108/ohi-03-2006-b0001.

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The process of educating future architects and designers around the world varies dramatically. However, there is one striking similarity - the dominance of the design studio as the main forum for knowledge acquisition and assimilation, and for creative exploration and interaction. Such a setting encompasses intensive cognitive and physical activities, which ultimately result in conceptualizing meaningful environments proposed to accommodate related human activities. The design studio is the primary space where students explore their creative skills that are so prized by the profession; it is the kiln where future architects are molded. It has occupied a central position since architectural education was formalized two centuries ago in France and later in Germany, the rest of Europe, North America, and the rest of the world.

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Fulford, Michael. "The Silchester ‘Nymphaeum’." Britannia 49 (June 5, 2018): 309–13. http://dx.doi.org/10.1017/s0068113x18000235.

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ABSTRACTA carved coping stone found on the site of a spring near the amphitheatre, Silchester, and first reported in 1873, was rediscovered in 2014. It does not compare in its carved detail with coping stones from the amphitheatres at Chester and London, nor with that recovered from the West Gate, Silchester, in 1890; nor does its basal width correspond with that of the arena wall of the Silchester amphitheatre. It is likely to have formed part of a monumental basin, similar to that found at Coventina's Well, Northumberland, and to have commemorated the location of a spring and its associated (unknown) deity. Similarity with the type and decoration of architectural stone used in the construction of the forum-basilica suggests a Hadrianic–Antonine date.

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Larsen, Matthew D. C. "A Prison in Late Antique Corinth." Hesperia: The Journal of the American School of Classical Studies at Athens 93, no. 2 (April 2024): 337–79. http://dx.doi.org/10.2972/hes.2024.a929939.

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ABSTRACT: This article aims to offer a secure identification of the “Boudroumi” and the Northwest Shops in the Roman Forum at ancient Corinth as a site of incarceration in the Late Antique period. The identification is made based on both prisoner graffiti from the 5th to 6th century ce inscribed on slabs and the notebooks from the Corinth Excavations in 1901, which clarify that the slabs were discovered in situ and served as floor pavement. The small finds excavated from beneath the level of the pavement are analyzed to establish a terminus post quem for the repurposing of the structures into a prison, as well as the architectural changes made. Further, the structures’ reuse is contextualized within the broader history of Corinth.

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Yeksarova, Nadia, and Vladimir Yeksarov. "Genesis of the formation of the cultural and social core of Odessa." VITRUVIO - International Journal of Architectural Technology and Sustainability 3, no. 2 (December 26, 2018): 67. http://dx.doi.org/10.4995/vitruvio-ijats.2018.11018.

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The architectural and spatial environment of the city is an important part of the cultural heritage, a carrier of information about its formation. The life cycle of a diverse architectural environment forms a series of stages - from the concept-creation-realization-alterations-degradation and, finally, partial or complete loss. The main idea, the scenario of modeling the environment-phenomenon of Odessa was in the priority development of culture. The construction of the first City Theater in 1809 on the plateau of the coastal zone determined the formation of a system of rhythmically iridescent spaces of a social center. An analog of the ancient forum - “Odessa Acropolis or Odessa Agora” - was created at the intersection of Lanzheronovskaya and Rishelevskaya (Decumanus and Cardin) streets in full accordance with the recommendations of Vitruvius. After the theater was destroyed by fire in 1872, the project of the new theater was developed by the Viennese architects F. Fellner and H. Helmer. The size of the new Opera and Ballet Theater for 1,728 seats significantly exceeded the volume of the former, and the main planning axis of the theater was changed by 90 degrees (1884–1887). This actually became an act of destruction and the loss of the original intention of the script by architect G. Toricelli on the formation of the solemn “Road of Processions”. Elements of the architectural environment of the cultural center gradually adapted to the new changes. The process of the evolution of the environment often creates more contradictions and problems than it solves. The problem lies not only in avoiding alterations and losses but in how to preserve the value-psychological core of culture.

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Pebrian, Candra Dwi, Radya Pamungkas, Ammar Hilmi Muzni, and Rizky Alamsyah. "ANALYSIS OF THE EFFECTIVENESS OF THE KAMPUNG KOTA PROGRAM IN EFFORTS TO HANDLE SLUM SETTLEMENTS ON PHYSICAL ASPECTS TO ACHIEVE RESILIENT INDONESIA 2045: CASE STUDY NYENGSERET VILLAGE, BANDUNG CITY." Journal of Architectural Research and Education 5, no. 2 (November 1, 2023): 167–84. http://dx.doi.org/10.17509/jare.v5i2.56060.

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Settlement activities are a forum for human life not only concerning physical and technical aspects but also aspects of social, economic, cultural aspects and its residents. The form of settlements in the city not only consists of 'formal' settlements designed and planned by modern city planners with their master plans, but there are also settlement orders that are considered 'informal' by the modernists, called village, the image of Bandung city cannot be separated from the existence of villages with the peculiarities of all forms, spatial orders and architectural characteristics. Related to this, there is a vital issue for all residents of the city. As a result of this, the provision of affordable settlements can increase social and political stability and increase people's income. Therefore, Tough Indonesia in 2045.

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Ovalle Carranza, Demetrio Arturo, Jovani Alberto Jiménez Builes, and César Alberto Collazos Ordóñez. "Model for supporting awareness in the CSCL ALLEGRO environment through a blackboard architecture." Ingeniería e Investigación 26, no. 3 (September 1, 2006): 67–77. http://dx.doi.org/10.15446/ing.investig.v26n3.14753.

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This paper is aimed at describing collaborative activities, the awareness process and blackboard architecture used within the ALLEGRO system, a multi-agent learning and teaching environment which has included artificial intelligence mechanisms (instructional planning (IP), cased-based reasoning (CBR), multi-agent systems (MAS), intelligent tutoring systems (ITS) and computer supported collaborative learning (CSCL)). The proposed model of awareness promotes communication, collaboration and coordination in CSCL ALLEGRO. MAS-CommonKADS methodology was applied for building the Multi-Agent system. ALLEGRO based its instructional approach on the following three pedagogical paradigms: conductive behavior, cognitive mechanisms (distributed cognition and problem-based learning) and social-historical theory. The system was validated via several case studies regarding the graphical digital domain for postgraduate architectural studies. The proposed awareness model lets students develop important skills such as conscious behavior, communication, collaboration and coordination in the CSCL component of the ALLEGRO system. This model facilitates students acquiring a perception of what others are doing inside the CSCL, thereby using such knowledge for interacting with the environment and developing leading to expressing and exchanging ideas and opinions with other students, transforming the class into an open virtual forum for reflection, proactive interaction and a critical space for exchanging ideas. The proposed instructional model is a valuable resource from the technological and pedagogical point of view as different theories are integrated, some of them conflicting with others.

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Journal articles on the topic 'Architectural forum'

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