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Relevant bibliographies by topics / Architectural design – History

Academic literature on the topic 'Architectural design – History'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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Dissertations / Theses
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Journal articles on the topic "Architectural design – History"

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Chang, Wei. "Application of Tessellation in Architectural Geometry Design." E3S Web of Conferences 38 (2018): 03015. http://dx.doi.org/10.1051/e3sconf/20183803015.

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Tessellation plays a significant role in architectural geometry design, which is widely used both through history of architecture and in modern architectural design with the help of computer technology. Tessellation has been found since the birth of civilization. In terms of dimensions, there are two- dimensional tessellations and three-dimensional tessellations; in terms of symmetry, there are periodic tessellations and aperiodic tessellations. Besides, some special types of tessellations such as Voronoi Tessellation and Delaunay Triangles are also included. Both Geometry and Crystallography, the latter of which is the basic theory of three-dimensional tessellations, need to be studied. In history, tessellation was applied into skins or decorations in architecture. The development of Computer technology enables tessellation to be more powerful, as seen in surface control, surface display and structure design, etc. Therefore, research on the application of tessellation in architectural geometry design is of great necessity in architecture studies.

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Bazilevich, Evgeny M. "HISTORICAL ARCHITECTURAL HERITAGE AND HISTORY PRESERVED IN STUDENT DRAWINGS." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 24. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-24.

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The articles presents the experiences of the fine art teaching staff at the Institute of Architecture and Design, the Pacific State University, in the study of historical architectural environment and history based on an archive of preserved student drawings. The author considers this approach as one of the possible ways of organizing research work in the university in the areas of "Architecture" and "Design of Architectural Environment".

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Asak, Ilayda. "A study on graduate level education in architecture: Case of Turkey." Global Journal of Arts Education 6, no. 3 (May 31, 2017): 89–100. http://dx.doi.org/10.18844/gjae.v6i3.1702.

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Today, there are 41 universities offering graduate education programs in architecture. Those programs cover a number of different topics including architectural conservation and restoration, architectural restoration, architectural design, informatics in architectural design, architectural planning and design, architecture history, architectural history and theory, architecture and built environment, digital design in architecture and production. The council of higher education presents that 2978 master theses submitted and approved by Council of higher education. In this study, the master theses submitted to the graduate programs have been investigated. Matrix has been developed regarding o the sex, language, topics, universities. The types of graduate school are natural science and social science. The results of the study show that the number of female students is higher than the male students. The number of theses in Turkish is increasing. The increasing number of theses investigating build technology builds physics and building and construction and computational design is of importance. It is possible to determine that the current and popular topics of Turkish graduate programs in Architecture are in parallel with the prevailing agenda of World architecture. Key Words: theses in architecture, graduate level education, architectural education.

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Hatton, Brian. "Exploring architecture as a critical act, questioning relations between design, criticism, history and theory." Architectural Research Quarterly 8, no. 2 (June 2004): 105–8. http://dx.doi.org/10.1017/s1359135504000132.

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This conference, which took place 25–27 November 2004, was held by the Bartlett School of Architecture in association with the Architectural Humanities Research Association (AHRA). Its stated aim was to examine the relationship between critical practice in architecture and architectural criticism, intending to place architecture in an interdisciplinary context with reference to modes of criticism in other disciplines, specifically art criticism, and to explore modes of critical practice in architecture: buildings, drawings and texts. Brian Hatton attended the second day of the conference; his comments on the first day are based on discussions with colleagues and reading of transcripts.

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Baweja, Vandana. "Sustainability and the Architectural History." Enquiry A Journal for Architectural Research 11, no. 1 (December 2, 2014): 12. http://dx.doi.org/10.17831/enq:arcc.v11i1.207.

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In this paper, I will address the challenges of incorporating the discourse of Sustainability into the architectural history curriculum and how Sustainability in the survey can be related to the Sustainability education the design studio. I argue that the inclusion of Sustainability into the architectural survey will necessitate the production of revisionist architectural histories that are written through an environmental paradigm and are able to establish a dialogue with Sustainability education in the design studio. These revisionist histories will occupy the disciplinary territory that is produced at the intersection of architectural and environmental histories

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Yahya, Hafedh Abed, and Muna Hanim Abdul Samad. "The Role of Building Materials in Architectural Design." Applied Mechanics and Materials 679 (October 2014): 6–13. http://dx.doi.org/10.4028/www.scientific.net/amm.679.6.

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The argumentation of previous studies demonstrated the historical evolution of the materials in architecture and the position of the materials in the design process. The purpose is to recognize the role of materials in architectural design, and the materials are a core element of the design process. This paper is about the way materials can be used to create personality and character of the design. The research finds two overlapping roles for materials which are providing technical functionality and building personality. Thus building materials were one of the major factors for new innovation forms through the history of architecture. Keywords: Building Materials, Architectural Design, Technical Functionality, Aesthetic Attributes.

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Okubo, Takeyuki. "Architectural Design of Incineration Plants. History and Perspective." Waste Management Research 10, no. 3 (1999): 215–27. http://dx.doi.org/10.3985/wmr.10.215.

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Lee, I. S. "Architectural Design Propaedeutics in Russia: History and Prospects." IOP Conference Series: Materials Science and Engineering 262 (November 2017): 012124. http://dx.doi.org/10.1088/1757-899x/262/1/012124.

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Li, Wei. "A Research on Undergraduate Architecture Teaching Approach Based on Integration of Architectural Design and Architectural History Teaching." Creative Education 09, no. 12 (2018): 1843–53. http://dx.doi.org/10.4236/ce.2018.912135.

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Carpo, Mario. "Drawing with Numbers: Geometry and Numeracy in Early Modern Architectural Design." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 448–69. http://dx.doi.org/10.2307/3592497.

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Precision in building was pursued and achieved well before the rise of modern science and technology. This fact applies to the classical tradition as well as to medieval architecture, and is particularly evident in architectural drawings and design from the Italian Renaissance onward. In this essay, I trace the shift from geometry-the primary tool for quantification in classical architecture- to numeracy that characterizes Renaissance architectural theory and practice. I also address some more general aspects of the relation between technologies of quantification and the making of architectural forms.

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Dissertations / Theses on the topic "Architectural design – History"

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Doyle, Ryan P. "Framing history through cinematic storytelling." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Charron, Craig E. "The piece sur piece log houses of Michigan : an architectural history." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1074548.

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This study presents a history of the French Canadian piece sur piece log houses constructed in Michigan in the 18th and early 19th centuries. Drawing upon a 17th century architectural tradition in Canada, the early French Canadian settlers switched from the poteaux en terre building style to the piece sur piece, or horizontal log construction form. This type of log house, through the building techniques it employed, was distinct from any of its contemporaries. The reason for this change dealt with the changing nature of the French settlement in Michigan, from a fur trade economy to one that included agriculture. These houses were not the crude log structures which have been popularly associated with the settlement of the nation's frontier, but rather a sophisticated design which made use of local and imported materials to create a refined structure that was intended for long term habitation.
Department of Architecture

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Blomqvist, Mika. "Varför kritik?" Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-222129.

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I detta examensarbete görs en diskursiv och historisk undersökning av kritikgenomgången i arkitektutbildningen. Kritikgenomgången utgör en central komponent i det samtida paradigmet för arkitektutbildning – studion. Examensarbetet går igenom och diskuterar aktuell forskning om kritikgenomgången, vilket ger en nedslående bild av kritikgenomgångens pedagogiska potential. Vidare undersöks kritikgenomgångens historiska rötter med fokus på den svenska kontexten, vilket ger vid handen att kritikgenomgången i sin nuvarande form fick sin roll i svensk arkitektutbildning under 1990-talet, alltså samtidigt med studioparadigmets genomslag. Dessutom redovisas resultaten av en intervjustudie med lärare vid KTH Arkitekturskolan, vilka visar att diskursen om kritikgenomgången innehåller flera motsägelser och problem. Resultaten av undersökningarna diskuteras sedan utifrån en förståelse av omdömet som centralt begrepp och förmåga för att förstå den implicita definition av arkitekten som manifesteras i kritikgenomgången och i disciplinens kanon.
This thesis presents a discursive and historical investigation of the origins and causes of the design review in architectural education. The design review, jury or ”crit” i s an integral and central part of the contemporary paradigm for architectural education – the design studio. The thesis discusses previous research on the design review, which paints a gloomy picture of the learning possibilities of the review. The historical roots of the review are studied with the Swedish context as a focus, showing that the review in its contemporary form was adopted concurrently with the design studio paradigm during the 1990’s. Furthermore, interviews were carried out with instructors at the School of Architecture at the Royal Institute of Technology in Stockholm. Results from the interviews point to several contradictions and issues in the discourse about the review. Seeing the concept and faculty of judgment as central to understand the implicit definition of the architect, as manifested in the review and in the canon of the discipline, these findings are the discussed and contextualised.

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Gilles, Werner. "Communication aided architects : the information age and the architectural profession." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1136717.

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The fundamental question in design communication is how closely the architect's intention matches what the viewer perceives in the proposed design representation. The goal of this thesis is to find more efficient means to facilitate understanding of design ideas, especially between the architect and the client or other lay-people.In the following sections this will be accomplished by investigating the history of various communication modes and evaluating their significance. The development of communication technology throughout recent centuries has contributed to changes in the architectural process. After assessing the current situation of applying communication technology in the architectural process, the thesis concludes with a scenario. The scenario will describe a futuristic architectural process, which eliminates misunderstanding in design presentations by using the next level of communication technology - immersive computer generated spaces.
Department of Architecture

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Balas, Ronald J. "Designing the Airstream: The Cultural History of Compact Space, ca. 1920 to the 1960s." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1408097844.

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Boyington, Amy. "Maids, wives and widows : female architectural patronage in eighteenth-century Britain." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271383.

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This thesis explores the extent to which elite women of the eighteenth century commissioned architectural works and the extent to which the type and scale of their projects was dictated by their marital status. Traditionally, architectural historians have advocated that eighteenth-century architecture was purely the pursuit of men. Women, of course, were not absent during this period, but their involvement with architecture has been largely obscured and largely overlooked. This doctoral research has redressed this oversight through the scrutinising of known sources and the unearthing of new archival material. This thesis begins with an exploration of the legal and financial statuses of elite women, as encapsulated by the eighteenth-century marriage settlement. This encompasses brides’ portions or dowries, wives’ annuities or ‘pin-money’, widows’ dower or jointure, and provisions made for daughters and younger children. Following this, the thesis is divided into three main sections which each look at the ways in which women, depending upon their marital status, could engage in architecture. The first of these sections discusses unmarried women, where the patronage of the following patroness is examined: Anne Robinson; Lady Isabella Finch; Lady Elizabeth Hastings; Sophia Baddeley; George Anne Bellamy and Teresa Cornelys. The second section explores the patronage of married women, namely Jemima Yorke, Marchioness Grey; Amabel Hume-Campbell, Lady Polwarth; Mary Robinson, Baroness Grantham; Sarah Churchill, Duchess of Marlborough; Frances Boscawen; Elizabeth Herbert, Countess of Pembroke and Montgomery; Henrietta Knight, Baroness Luxborough and Lady Sarah Bunbury. The third and final section discusses the architectural patronage of widowed women, including Susanna Montgomery, Countess of Eglinton; Georgianna Spencer, Countess Spencer; Elizabeth Somerset, Duchess of Beaufort; Elizabeth Home, Countess of Home; Elizabeth Montagu; Mary Hervey, Lady Hervey; Henrietta Fermor, Countess of Pomfret; the Hon. Charlotte Digby; the Hon. Charlotte Boyle Walsingham; the Hon. Agneta Yorke and Albinia Brodrick, Viscountess Midleton. Collectively, all three sections advocate that elite women were at the heart of the architectural patronage system and exerted more influence and agency over architecture than has previously been recognised by architectural historians.

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Johnson, Michael Andrew. "Architectural taste and patronage in Newcastle upon Tyne, 1870-1914." Thesis, Northumbria University, 2009. http://nrl.northumbria.ac.uk/2867/.

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This thesis examines architectural taste and patronage in Newcastle upon Tyne between 1870 and 1914. During this period, the city experienced dramatic expansion as the wealth generated in industry, finance and retail was channelled into commercial and public architecture. The overall aim is to determine whether Newcastle formed a distinctive architectural culture. Newcastle's economic and social profile gave rise to specific patterns of taste and patronage. The thesis explores the cultural networks that shaped the built form of the city, arguing that architectural patronage in Newcastle was dominated by a cultural oligarchy. This group formed an 'architectural culture', a relatively self-contained community in which particular styles and architects were favoured above others. Newcastle was a major centre of industry, finance and retail, and played a significant role in the national economy. The thesis seeks to reposition Newcastle within the context of the dynamic forces that were reshaping Britain's built environment. As the period progressed, the distinctive patterns of taste and patronage within the city were eroded by the increasingly national economy, the influence of the metropolis and the more active role played by the centralised state. The thesis relates the architectural culture under study to the national mainstream, thus shedding light on the relationship between provincial architecture and the metropolis. The thesis employs a range of methodological strategies in order to bring the different facets of architecture into focus. With clearly defined geographical and temporal boundaries, it seeks to clarify the economic, social and cultural factors that underpin architectural production, thus offering a new insight into architectural patronage.

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Barrett, Niels. "The rise of a profession within a profession : the development of the architectural technology discipline within the profession of architecture." Thesis, Robert Gordon University, 2011. http://hdl.handle.net/10059/645.

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This thesis investigates the emergence of a new specialisation within the profession of architecture, namely that of the architectural technologist. The main original contributions from the research concern a deep understanding of how that emergence has been realised, and a study of the implications for buildings in the longer term. Using the UK and Denmark as examples it finds that this profession has existed for a long time, but until recently without formal recognition. It also finds that the consequences of the lack of attention are potentially major, and it suggests why recognition came so late. By researching literature the history of the building and architecture industries was investigated and it is shown how the architects were cooperating with well-trained craftsmen for many centuries. This is compared with the kind of cooperation with architectural technologists going on today, and what will most likely occur in the future. Questionnaires, to provide data about current architectural and architectural technologist education, were sent to groups of newly graduated professionals. After statistical treatment the resulting quantitative data were thoroughly analysed by discussing the possible interpretations. Focus groups of highly qualified professionals also interpreted the data and insights into the needs of industry in both the UK and Denmark were provided. Finally, the thesis concludes by identifying necessary means of improvement, and points at the serious risk of a further division of the construction industry into more consulting companies. This increases the risk of future architecture failing to properly integrate technology and design.

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Choi, Jin Won. "The design and implementation of a multimedia information and authoring system for teaching and learning architectural history and theory /." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487862972137761.

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Du, Plessis Tara. "The Capital Park Steam and Railway History Museum: Implementing a Holistic Methodology for Contextual Museum Architectural Design - The Rovos Rail Estate." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78348.

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This dissertation focuses on the development of the site in and around Rovos Rail. Rovos Rail is a unique train travel company cut off from the public view. The project context is located in Capital Park adjacent to Transnet Avenue. The primary purpose of the site was to accommodate railway-related workshop facilities that provisioned and maintained the trains and carriages on their way to the industries of Johannesburg. Rovos Rail has done much in terms of the conservation of railway history in Pretoria. This ambition should be celebrated and built upon. It is necessary to promote the conservation of the rich railway history of South Africa and understand the impact thereof on the contemporary landscape. In order to understand the significance of contextualism, research based on philosophical, theoretical and practical lenses will be conducted. The argument relies on understanding the context through these different lenses. The historical significance of the site is celebrated. The dissertation places it within the historical continuum of both the larger context of Pretoria and the smaller context of the surrounding community. Through the design of a Steam Locomotive Museum next to Rovos Rail, a holistic approach, based on contextualism theories and South African case studies is illustrated. The project proposal establishes a physical connection with the historically significant structures of the site and emphasises the historical layers. Inspiration is drawn from the existing railway lines, the existing platform, ecological features and buildings. The chosen function, that of the museum, intends to act as the arbitrator for the diversity of narratives of an ever-evolving landscape, be it manmade or natural. The museum represents a prototype for the methodology proposed. The design aims to facilitate the conservation of railway history, the education of the importance thereof and enticement to develop these sites to represent a prosperous future.
Mini Dissertation (MArch (Prof))--University of Pretoria, 2020.
Architecture
MArch (Prof)
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Books on the topic "Architectural design – History"

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Jane, Croom, Davies James O, and English Heritage, eds. English prisons: An architectural history. Swindon: English Heritage, 2001.

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A decade of architectural design. London: Academy Editions, 1991.

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Structure in architecture: History, design, and innovation. Aldershot, Hampshire: Ashgate, 1999.

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Architects' sketches: Dialogue and design. Oxford, UK: Elsevier/Architectural Press, 2008.

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The concise dictionary of architectural and design history. Los Altos, Calif: Crisp Publications, 1992.

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Architectural model as machine. Boston: Elsevier, 2004.

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Kendall-Hess, Wendy. Ohio perspectives: Architectural, graphic, and industrial design. Akron, Ohio: Akron Art Museum, 1991.

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Guzowski, Mary. Daylighting for sustainable design. New York: McGraw-Hill, 2000.

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Architectural thought: The design process and the expectant eye. Oxford: Architectural, 2003.

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Sources of architectural form: A critical history of western design theory. Manchester: Manchester University Press, 1995.

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Book chapters on the topic "Architectural design – History"

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Adibi, Ali Asghar. "A Brief History of Collage." In Collage: A Process in Architectural Design, 1–5. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63795-8_1.

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Xue, Charlie Q. L., and Guanghui Ding. "Architectural export from China’s design institutes." In A History of Design Institutes in China, 170–94. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9780203709917-8.

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Takala, Tapio, and Pär Silén. "Application of History Mechanism in Architectural Design." In Intelligent CAD Systems III, 81–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-84392-1_6.

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Totten, Christopher W. "A Brief History of Architecture and Level Design." In An Architectural Approach to Level Design, Second Edition, 1–50. Second edition. | Boca Raton : Taylor & Francis, CRC Press, 2019.: A K Peters/CRC Press, 2019. http://dx.doi.org/10.1201/9781351116305-1.

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Hill, Jonathan. "History by Design." In Forty Ways To Think About Architecture, 163–67. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118822531.ch23.

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Motamedmanesh, M. "Precursors of aseismic design: The case of Achaemenid monumental architecture." In History of Construction Cultures, 9–16. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-105.

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Xue, Charlie Q. L., and Guanghui Ding. "State involvement in urban expansion and green architecture." In A History of Design Institutes in China, 113–40. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9780203709917-6.

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Kronenburg, Robert. "Informing Contemporary Architectural and Urban Design with Historic Filmic Evidence." In The City and the Moving Image, 222–32. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230299238_15.

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Burry, Mark. "Robots at the Sagrada Família Basilica: A Brief History of Robotised Stone-Cutting." In Robotic Fabrication in Architecture, Art and Design 2016, 2–15. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26378-6_1.

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Cigola, Michela, and Marco Ceccarelli. "Machine Designs and Drawings in Renaissance Editions of de Architectura by Marcus Vitruvius Pollio." In History of Mechanism and Machine Science, 291–307. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-22680-4_17.

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Conference papers on the topic "Architectural design – History"

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D’ELBOUX, Jose Roberto. "Architectural lettering: from information to identity: a study on Gregori Warchavchik’s Condomínio Cícero Prado." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-105.

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Gorbea, Carlos, Ernst Fricke, and Udo Lindemann. "The Design of Future Cars in a New Age of Architectural Competition." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49722.

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This paper presents how complex system architecture lifecycles, such as that of cars, follow a similar S-curve shaped path as that of individual technological innovations. By applying this theory we show that today’s automotive industry has started a new chapter of architectural competition with similarities to its early history from 1885–1915 when steam, electric and internal combustion engine cars were competing to dominate the automotive market. Taking a historical perspective, we find that firms that organize their development activities to focus on bringing about architectural innovation are better placed in succeeding in the future market until a new dominant architecture emerges. The architecture lifecycle framework used in this study is constructed by means of a performance index. The index scores the performance of 91 cars of various architectures based on five overall system variables: power, weight, maximum velocity, fuel efficiency and the manufacturer’s suggested retail price. Depicting architectural performance over time helps identify periods of architecture competition and dominance where historical agents to change can be identified. The key factors that brought about architectural competition in the early 1900’s involved a series of innovation breakthroughs in engine and fuel technologies. Today, a new wave of power train innovations is being triggered primarily by environmental regulatory demands to reduce vehicle emissions. Future research lies in presenting a methodology for selecting vehicle architectures early on in the product development cycle that are best suited for the market going forward based on a manufacturer’s goals and a cost-benefit analysis.

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Izar, Gabriela. "Reading Design Process: A Diagrammatic Approach to Teaching Architectural History." In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.63.

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Pérez-Moreno, Lucía C., and Luis Miguel Lus-Arana. "DIGITAL ARCHITECTURAL HISTORY: UNDERSTANDING ANDREA PALLADIO WITH COMPUTER-AIDED DESIGN." In 10th International Conference on Education and New Learning Technologies. IATED, 2018. http://dx.doi.org/10.21125/edulearn.2018.0252.

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Mazzone, Giuseppe. "ENVISIONING HISTORY – THE ROLE OF DIGITAL TECHNOLOGIES IN DOCUMENTING LOST ARCHITECTURAL HERITAGE." In DARCH 2021- 1st International Conference on Architecture & Design. International Organization Center of Academic Research, 2021. http://dx.doi.org/10.46529/darch.202101.

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Camporeale, Antonio. "Spanish ‘Plastic’ Architecture. A critical reading and design approach." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7594.

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The following critical text proposes a series of notes and reflections on the reinforced concrete architecture, not on the material itself. Since its invention, concrete has combined two potentialities, deriving from the two materials of which it is composed: the ‘elastic’ potential, which has been developed and has reached a consolidated form and tradition, and the ‘plastic’ one. The last one has been little experienced at the beginning and, in the course of recent history of architecture, has found space in architectural criticism in the meaning of "expressive", "brutalist", "sculptural", ending up to influence 'superficially' (related to the surface) of architecture. The 'plastic' architecture, instead, is three-dimensional and unifies the construction and spatial qualification in a single design gesture. This critical approach not only allows reconsidering the history of modern/contemporary architecture starting from the necessary collaboration between space and construction that unifies the final judgment on the works, but allows influencing the project, adhering to a formative process of those geographic-cultural areas that possess those certain characters, the masonry one. The Spanish "plastic" architecture is, in that sense, a clear example: in many buildings this "masonry" character is clearly identified, due to the architectural exploitation of the reinforced concrete plastic potential.

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Salomon, David. "Foreign Objects: Architectural History in the Age of Globalization." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.58.

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This paper addresses the theme of global and disglobal networks via the lens of architectural history, pedagogy and historiography. Specifically, it will argue that as currently defined in the United States the teaching of global architectural history is in danger of 1) losing its focus on architectural objects, and 2) of repeating the very gentrifying effects associated with globalization that it seeks to overcome. In what follows I will propose a mode of architectural history that avoids these traps by focusing first on architectural forms and types. Clorinda Testa’s design of the Bank of London and South America in Buenos Aires, Argentina will be used to test this theory. Before examining that object, we must first examine the historiographical context that makes it a relevant case study.

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"Structural Themes: an Integrative Model for Design and History Courses in Architectural Education." In International Conference on Architecture, Structure and Civil Engineering. Universal Researchers, 2015. http://dx.doi.org/10.17758/ur.u0915340.

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Howard, John A., Ruggero Trevisan, Albert McSpadden, and Simon Glover. "History, Evolution, and Future of Casing Design Theory and Practice." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206183-ms.

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Abstract Casing design and the associated load assumptions have evolved considerably over the last 30 years. The objective of this paper is to trace the history, evolution and future of casing design by means of the type of load cases and the assumptions made for them as it evolved from the early 1960's to the modern load case requirements for wells drilled in the 2020's. The vast majority of tubular failures in oil & gas wells are not attributable to computational errors in calculating design loads, but rather are due to a shortfall in considering the appropriate load scenarios. One common shortfall includes making incorrect or oversimplified assumptions for the initial and final temperature and pressure conditions. There is no industry standard for casing or tubing design loads, but there is an industry accepted standard process for the calculation of the stress on tubulars once the load cases are determined. Each operating company may use a different set of load assumptions depending on the well type and risk assessment. This work also keeps in view the major computational tools used during each step change of the casing design evolution: slide rule/nomographs, HP 41C calculators, PC DOS and Windows programs, and the latest Cloud-Native paradigm with REST API's within a microservices architecture. A REST API (also known as RESTful API) is an Application Programming Interface (API) that conforms to the constraints of Representational State Transfer (REST) architectural style commonly used in current Cloud computing technology. The scope will also include ongoing research and development to address shortcomings of previous load case assumptions and calculations for extended reach and HPHT wells, closely spaced wells, and geothermal wells. Modern wells and modern casing design load cases are in a constant state of evolution and casing failures will occur unless engineers and their tools also evolve.

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Lin, Qiu. "The Design and Implementation of Dynamic Time History Analysis on Architectural Structure CAD System." In 2015 International Conference on Management, Education, Information and Control. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.161.

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